In shaping the activity of thought, the artist-teacher makes the mind

tarry long enough for clear apprehension, sometimes for thorough

comprehension, upon the ideas, judgments, and conclusions which are the

framework of a system of thought, but he does not neglect the transitions

from one to the other, as if these were of little account or necessarily

took care of themselves. The transitions in thought are aided by set

phrases and forms of solution. As soon as these are mastered, there

develops the tendency to think them as algebraic symbols, which do

substitute duty in the absence of that for which they stand. For fear

of this, the teacher sometimes fails to drill on them long enough to

fix them in the mind,—certainly a radical mistake. Drill is a condition

of the highest discipline in the school as well as in the army. The

drill-master seeks to habituate the soldier to the word of command,

so that he will obey in the face of danger without thinking of the

consequences. The drill-master at school seeks to make it second nature

for a pupil to go through the logical motions, but not without conscious

thought of the process or the consequences. Whenever the learner uses

forms of parsing, analysis, or solution, his mind should go through the

movements of thought expressed by the language. Ask any ordinary class

to give you a noun of the first person; they are almost sure to give

you either a noun of the third person or a pronoun of the first person.

Dictate a sentence with a noun in the first person, and ask the pupils to

parse it in the customary way; in nearly all cases they will parse it as

a noun of the third person. Ask them to tell why a personal pronoun is so

called; frequently they say because it indicates a person,—a statement

quite applicable to other kinds of pronouns. If the logical or customary

forms of speech are employed, the stream of thought moves on, the mind

often failing to perceive the new truth, or error, or nonsense inherent

in the language employed. School-boys have tricks of their own which turn

upon this peculiarity in the movement of thought. “Who killed Cain?” is

suddenly asked. “Abel,” is the reply generally elicited by the question.

Should you say, Nine times seven _is_ or _are_ forty-two? The boy who

decides in favor of _is_ or _are_ gets a shock of surprise on being told

that the product of nine times seven is not forty-two.

[Sidenote: A strange reply.]

One day a teacher was lecturing upon education in the dark ages. To show

how the energies of the common people were exhausted in the struggle

for existence, the resolution of a synod in the south of France was

cited. The resolution enjoined upon the bishops the duty of seeing to

it that during a period of scarcity of food the peasants were at least

provided with bread made of acorns. A few minutes later a reference was

made to the autobiography of Thomas Platter, in which certain things are

described as happening about the time of the Diet of Worms. On being

asked in what period of history that was, a pupil promptly replied, “When

the common people were fed on worms.”

[Sidenote: Biblical phraseology.]

[Sidenote: Huxley’s story.]

Very much of the sermonizing of our day gives rise to the same kind of

thinking. The mind is borne along by the customary flow of words. The

phrases used have an orthodox sound; perhaps they are biblical in the

sense that they occur in the Bible. It is impossible to tell whether any

clear idea or real religious experience is suggested to the hearer’s

mind by the words used. The ideas excited in the hearer should be those

for which the words stand in the mind of the speaker. If the ideas of

the speaker are not clear, how can his words suggest anything definite

to the audience? Huxley relates an amusing story of an after-dinner

orator who was endowed with a voice of rare flexibility and power, and

with a fine flow of words, and who was called upon to speak without much

preparation. The applause was terrific. When Huxley asked a neighbor who

was especially enthusiastic what the orator had said, the latter could

not tell. Nothing was lacking in the post-prandial speech save sense and

occasionally grammar.[35]

The fuller consideration of the stream of thought in listening and

lecturing, in reading, speaking, and composing, is deserving of separate

chapters. The mental attitude in listening resembles that in getting

thought from the printed page. Silent reading is for the reader’s own

benefit; it comprises by far the larger proportion of our reading. In

oral reading, the stream of thought is somewhat different, the aim being

similar to that of public speaking,—namely, to suggest or convey to the

hearer thoughts from some other mind. In the act of composing, the aim

is to evolve thought from the mind’s own resources and activities. The

thought process is very much the same, no matter whether we dictate to

a stenographer, or speak to an audience, or use the pen in giving to it

form and abiding shape. It will be most convenient to treat together the

stream of thought in listening and in silent reading, and to reserve for

separate consideration the activity of the mind in writing, speaking, and

oral reading.

XIV

THE STREAM OF THOUGHT IN LISTENING AND READING

Reading is thinking along a prescribed line that lies goldenly

beneath the flow of words.

BRUMBAUGH.

Whittier uses words as stepping-stones upon which with a light

and joyous bound he crosses and recrosses at will the rapid and

rushing stream of thought.

LONGFELLOW.

To listen well is to think well,—the hearing ear must be

attended by the alert mind, eager to seize upon incoming

sensations and weave them into a garland of thought.

M. G. B.

Words, however well constructed originally, are always tending,

like coins, to have their inscription worn off by passing

from hand to hand; and the only possible mode of reviving it

is to be ever stamping it afresh by living in the habitual

contemplation of the phenomena themselves, and not resting in

our familiarity with the words that express them.

J. S. MILL.

XIV

THE STREAM OF THOUGHT IN LISTENING AND READING

[Sidenote: A suggestive dialogue.]

Two men engaged in speculative pursuits met after one had published a

book. Let us speak of them as A and B.

A: I have just read your new book. Many things in it please me very much,

but in it you say so and so, with which I do not find myself in full

accord.

B: I say nothing of the kind in that book.

A: I surely read your book.

B: You never read a book in your life. You read some sentences or

paragraphs; your mind begins to react upon what you have read; and ere

long you imagine that your inferences are the conclusions of the author.

A: I have a notion to write a psychology, and to set forth my views in

full.

B: Don’t you do it. You know no psychology. You have been of great

service in stimulating others to think; you are a most delightful

lecturer; but you have never mastered psychology.

[Sidenote: Feeling.]

[Sidenote: Interest.]

If a third party could have listened to the conversation, what stream

of consciousness would have started in his mind? Possibly surprise at

the frankness of B and the composure of A, mingled with thoughts of

what they were discussing. In other words, a strong tinge of feeling

would be perceptible in the stream of thought. In the minds of the two

engaged in the dialogue, feeling must have greatly modified the current

of thought. The greatest kindness that can be shown to some men is to

oppose or criticise their views. Opposition and criticism stimulate their

thinking, and rouse their mental powers to the highest possible tension

and activity. In men of the opposite temperament, feeling beclouds their

thinking, and makes the stream of thought more sluggish. The common

prejudice against appeals to feeling are due to the abuse of the right

which every orator has of addressing the feelings through the intellect,

and of thereby moving the will. To move the will is the essence and aim

of all eloquence. In listening or lecturing, in reading or composing,

some form of emotion always accompanies the stream of thought. The

orator may move the hearer to tears or to laughter; he is not untrue to

his mission if he can thereby win a vote, secure a verdict, or move the

hearer to action. A lecture is addressed primarily to the understanding.

It is greatly improved if the stream of thought which it starts and

supplies is accompanied by feelings of interest and the pleasurable

emotions attendant upon novelty, curiosity, or admiring approval. The

consciousness that we understand a lecture is accompanied by pleasurable

emotions which help to sustain the attention.

[Sidenote: Spurgeon.]

The writer once paid a shilling to hear Spurgeon. It was his purpose to

get a good seat, so that he might study this famous preacher’s gestures

and delivery, the quality of his voice, and the secret of his eloquence.

The text was hardly announced before every one in the audience, including

the writer, forgot all about Spurgeon, and thought only of his message to

the thousands before him. The secret of his oratory lay in his ability to

make the audience forget everything except the gospel he was preaching.

If people, after hearing a speaker, talk of his fine delivery, his

flowery language and beautiful figures of speech, or his peculiarities

of pronunciation and other eccentricities, it is proof positive that he

has failed. Instead of holding the attention to what he was saying, the

audience was thinking of his manner and delivery. A well-printed book

has the advantage of keeping the author’s personal characteristics from

interfering with the stream of thought. It has the disadvantage of losing

all the helps to listening and thinking which come from the tones of the

voice and eloquent delivery.

The accusation of B against A, referred to at the beginning of this

chapter, is applicable to many readers. For several sentences the mind is

riveted upon the author’s meaning. Presently a train of thought starts;

the eye runs along the sentences to the bottom of the page. On turning

the page, the reader wakes up to the consciousness that his mind does not

retain, perhaps never had the slightest notion of the contents of said

page. Often the train of thought leads to no goal; the thinking resembles

the process of wool-gathering, the tufts of wool on bushes and hedges

necessitating much wandering to little purpose.

[Sidenote: The works of great thinkers.]

For the sake of cultivating ability to think, students are advised to

read the works of great thinkers, like Kant, Schleiermacher, and Hegel.

Such reading is often a sham and a delusion. No one has done more to

shape the critical thinking of the world than Kant; and yet how many

young men waste time upon his pages because they are not prepared to

think his thoughts. Schleiermacher stimulated and modified the thinking

of theologians in every department of their science except Old Testament

exegesis; and yet the celebrated Dr. Kahnis, of the University of

Leipsic, used to say of Schleiermacher, “Er ist rein nicht zum studiren.”

Nevertheless, students for the ministry have been known to waste hours in

trying to read his writings, which they were not prepared to understand.

Of the obscurer passages in Hegel an eminent authority says, “It is a

fair question whether the rationality included in them be anything more

than the fact that the words all belong to a common vocabulary, and are

strung together on a scheme of predication and relation,—immediacy,

self-relation, and what not,—which has habitually recurred. Yet there

seems no reason to doubt that the subjective feeling of the rationality

of these sentences was strong in the writer as he penned them, or even

that some readers by straining may have reproduced it in themselves.”[36]

It may be worth an honest effort for students and teachers to try to

grasp the meaning of such writers; but if after a fair trial the mind

is left empty of meaning, it is wise to follow the advice of Locke with

regard to obscure ancient authors:

“In reading of them, if they do not use their words with a due clearness

and perspicuity, we may lay them aside, and, without any injury done

them, resolve thus with ourselves:

“Si non vis intelligi, debes negligi.”[37]

Several months or years of study may be required to prepare the mind for

grasping the ideas or phraseology of new departments of investigation.

No one can comprehend the treatises on physiological psychology without

devoting several weeks to the anatomy of the brain.

[Sidenote: Reading.]

[Sidenote: Lewes’s view.]

The words, phrases, and sentences of the printed or written page should

call up in the mind of the reader that for which they stand in the mind

of the author. What the stream of thought should be in reading a book is

well worthy of careful consideration. G. H. Lewes, in “Problems of Life

and Mind,” claims that “our thought is a constant interchange of ideas

and images, some trains of thought being carried on mainly by images

more or less vivid, others mainly by ideas with only a faint escort of

images.” It should be said, by way of explanation, that he does not use

the word “ideas” in the Platonic sense of patterns fixed in nature, of

which the individual objects in any given class are but imperfect copies,

and by participation in which they have their being; nor in the sense of

a mental image or picture, which (in opposition to Sir William Hamilton),

the Century Dictionary claims, has been the more common meaning of the

term in English literature since the sixteenth century. In Lewes’s pages

ideas never stand for images, nor for copies of sensations. Sully says

that the term idea is used to include both images and concepts, marking

off the whole region of the representative from the presentative, but

that, like the term notion, it now tends to be confined to concepts.

With Lewes all ideas are thoughts, but not all thoughts are ideas. He

does not reject the popular usage of the word in phrases like the idea

of Shakespeare’s Othello, of Bismarck’s policy. Take the following

sentence from Justin McCarthy’s “History of Our Own Times:” “Unluckily,

Lord Palmerston became possessed with the idea that the French minister

in Greece was secretly setting the Greek government on to resist our

claims.” In thinking the thought of this sentence the mind is not filled

with any images of Greece or mental pictures of any other kind. Possibly

the adjective Greek may bring to the minds of some persons the map symbol

of Greece or even scenery and cities in Greece, especially if they have

travelled or resided there; but such mental pictures really interfere

with the current of thought in reading. In planning a route from New

York to San Francisco one is apt to think it in the lines and dots of

railway maps. That in the mind for which words stand may be styled their

meaning, and Lewes claims that much of our reading does not translate

the words into their full signification, but proceeds by a process of

logical symbolism. He asserts that “the greater proportion of all men’s

thinking goes forward with confident reliance on the correctness of the

logical operations, and with only an occasional translation of symbols

into images. The translation—verification—does, indeed, from time to time

take place, and always in proportion to the novelty of the connections;

but how easily and how fatally the mind glides along the path of logical

operation without pausing to interpret more than the relation of the

symbols is humorously illustrated in the common story of a physicist,

whose claim to omniscience was the joke of his friends. Being asked

earnestly whether he had ‘read Biot’s paper on the malleability of

light?’ ‘No,’ he replied; ‘he sent it me, but I have not yet had time to

read it.’”

[Sidenote: An example.]

Lewes’s meaning is made somewhat clearer by two examples which he uses.

“Suppose you inform me that the blood rushed violently from the man’s

heart, quickening his pulse, at the sight of his enemy. Of the many

latent images in this phrase, how many were salient in your mind and

in mine? Probably two,—the man and his enemy,—and these images were

faint. Images of blood, heart, violent rushing, pulse, quickening, and

sight were either not revived at all or were passing shadows. Had any

such images arisen, they would have hampered thought, retarding the

logical process of judgment by irrelevant connections. The symbols had

substituted _relations_ for these _values_,—the logical relations of

inclusion and exclusion which constitute judgment. You were not anxious

to inform me respecting the qualities of blood, heart, pulse, etc., but

only of a certain effect produced on one man by sight of another; and

this effect you expressed in the physiological terms which came first

to hand; you might have expressed it equally well in very different

psychological terms,—‘fierce anger seized the man’s soul, rousing all

his energies at the sight of his enemy,’ when assuredly there would not

have been present images of ‘anger,’ ‘seizing,’ ‘soul,’ ‘rousing,’ and

‘energies.’ These terms are symbols which stand for clusters of images,

and can at will be translated into images, just as algebraic letters

stand for values which can be assigned. But for purposes of thought

and calculation such translation is unnecessary, is hampering; all

that is necessary is that the terms should occupy their proper logical

position.”[38]

[Sidenote: Another example.]

The other example is still more striking. “Suppose I read the phrase,

‘The ship which carried Nelson was appropriately named the Victory;’

unless the ship itself is the prominent interest, I have probably no

image at all, or at least only a faint and fleeting shadow of some vague

outline. I do not picture a man-of-war, I do not see the hull, masts,

cordage, and cannon, though these, with the figure-head, fluttering

flags, and pennons, may successfully emerge if I dwell on the ship. I

perhaps do not see Nelson, or, at any rate, do not see his pale face, one

eye, and one arm, but only some faint suggestion of a human form. The

purpose of the phrase was not to raise images, but to communicate a fact

respecting the name of the ship; and my intelligence has been occupied

with this purpose. I must, it is true, have understood each word, or,

at any rate, each clause of the sentence; but for this understanding

it is not necessary that I should translate, nor even that I should be

capable of translating, each word into an image or cluster of images;

it is enough if I apprehend a series of logical relations. We all use

occasional words with intelligent and intelligible propriety, the meaning

of which as isolated terms we cannot translate. We read Shakespeare and

Goethe without a suspicion of the many words which for us have no images.

But if one of these words occurs in an unfamiliar connection we are at

once arrested, as we are if any familiar word is placed in an unfamiliar

position. Suppose we come upon the sentence, ‘The ship which carried

Nelson was named _Victory_; the ship which carried Napoleon across the

desert was named _Akbar_,’—we are at once arrested; the connection of

ship and desert is unusual, and is seen, on reflection, to be contrary to

experience; but when we learn that the camel is called the ‘ship of the

desert,’ we recognize the new value assigned to the term, and the logical

correctness of the phrase is thereby recognized.”[39]

These examples, and others like them which Lewes gives, bring us face

to face with the proposition that “much of our thinking is carried on

by means of symbols without any images, which is the same thing as

thinking being carried on by words without any meanings and with only the

accompanying intuition of their logical relations.” Thus, after a century

of exhortation against the blind use of words we are brought face to face

with the question of using words in thinking without realizing the full

meaning, an abuse of words for which reformers have shot their arrows at

rote teaching from every possible point of view. What truth is there in

the statement of Mr. Lewes? What can be his meaning?

[Sidenote: Literature.]

[Sidenote: Imaging in poetry.]

[Sidenote: The correct plan.]

It must be admitted that men in mature life skim newspapers, magazines,

and books, especially books of fiction and books of reference, without

realizing in their minds the import of all the words upon which the eye

falls. The aim may be to get the plot of the story or a fact for some

specific use, or a hurried view of the news and current events of the

last twenty-four hours. But this is not the kind of thinking which the

teacher aims to beget in the minds of his pupils. Nor does it ever lead

to a just appreciation of literature. All literature which appeals to the

imagination cannot be read and enjoyed in that way. No one can rightly

read a choice selection without thinking what was in the author’s mind,

reconstructing the images and scenes which were before his mental eye and

following the movements depicted by his language. Movement is more easily

conceived than scenery, and abounds in the stories which are most popular

among children. Judicious exercises will soon enable the pupil to call up

all kinds of imagery. In the Standard Fifth Reader it is suggested that

the pupils sit with closed eyes and close attention while the teacher

or one of the pupils reads a paragraph or stanza. For illustration, Kate

Putnam Osgood’s poem, entitled “Driving Home the Cows,” is selected.

Out of the clover and blue-eyed grass

He turned them into the river lane;

One after another he let them pass,

Then fastened the meadow bars again.

Under the willows and over the hill

He patiently followed their sober pace;

The merry whistle for once was still,

And something shadowed the sunny face.

Only a boy! and his father had said

He never could let his youngest go;

Two already were lying dead

Under the feet of the trampling foe.

But after the evening’s work was done,

And the frogs were loud in the meadow-swamp,

Over his shoulder he slung his gun,

And stealthily followed the foot-path damp;

Across the clover and through the wheat,

With resolute heart and purpose grim;

Though the dew was on his hurrying feet

And the blind bat’s flitting startled him.

Thrice since then had the lanes been white,

And the orchard sweet with apple-bloom;

And now, when the cows came back at night,

The feeble father drove them home.

For news had come to the lonely farm

That three were lying where two had lain;

And the old man’s tremulous, palsied arm

Could never lean on a son’s again.

The summer days grew cool and late:

He went for the cows when the work was done;

But down the lane as he opened the gate

He saw them coming, one by one:

Brindle, Ebony, Speckle, and Bess,

Shaking their horns in the evening wind;

Cropping the buttercups out of the grass;

But who was it following close behind?

Loosely swung in the idle air

An empty sleeve of army blue;

And worn and pale, from the crisping hair,

Looked out a face that the father knew.

The great tears sprang to their meeting eyes

For the heart must speak when the lips are dumb;

And under the silent evening skies

Together they followed the cattle home.

[Sidenote: Some thoughts are not images.]

Thinking and learning to think · 第 14 / 22 段