Mrs. Perkins. Of course it is, Mr. Bradley. Mr. Barlow is to be--

Mrs. Bradley. But that's what Edward was told. I saw the message

myself.

Yardsley (sinking into a chair dejectedly). Why, Ed Bradley! I

never mentioned Featherhead. You were to be Muddleton!

Bradley. Me?

Mrs. Bradley. What?

Yardsley. Certainly. There's nothing the matter with Barlow, and

he's cast for Featherhead. You've learned the wrong part!

Bradley (searching his pockets). Here's the telegram. There (takes

message from pocket), read that. There are my instructions.

Yardsley (grasps telegram and reads it. Drops it to floor). Well,

I'll be jiggered!

[Buries his face in his hands.

Mrs. Perkins (picking up message and reading aloud). "Can you take

Fenderson's part in to-night's show? Answer at once. Yardsley."

Barlow. Well, that's a nice mess. You must have paresis, Bob.

Perkins. I was afraid he'd get it sooner or later. You need

exercise, Yardsley. Go pull that curtain up and down a half-dozen

times and it'll do you good.

Bradley. That telegram lets me out.

Mrs. Bradley. I should say so.

Perkins. Lets us all out, seems to me.

Yardsley. But--I wrote Henderson, not Fenderson. That jackass of a

telegraph operator is responsible for it all. "Will you take

Henderson's part?" is what I wrote, and he's gone and got it

Fenderson. Confound his--

Mrs. Perkins. But what are we going to do? It's quarter-past six

now, and the curtain is to rise at 8.30.

Perkins. I'll give 'em my unequalled imitation of Sandow lifting the

curtain with one hand. Thus. [Raises curtain wish right hand.

Yardsley. For goodness' sake, man, be serious. There are seventy-

five people coming here to see this performance, and they've paid for

their tickets.

Mrs. Perkins. It's perfectly awful. We can't do it at all unless

Mr. Bradley will go right up stairs now and learn--

Mrs. Bradley. Oh, that's impossible. He's learned nearly three

hundred lines to-day already. Mr. Barlow might--

Barlow. I couldn't think of it, Mrs. Bradley. I've got as much as I

can do remembering what lines I have learned.

Perkins. It would take you a week to forget your old part completely

enough to do the other well. You'd be playing both parts, the way

Irving does when he's irritated, before you knew it.

Yardsley. I'm sure I don't know what to do.

Perkins. Give it up, eh? What are you stage-manager for? If I

didn't own the house, I'd suggest setting it on fire; but I do, and

it isn't fully insured.

Mrs. Perkins. Perhaps Miss Andrews and Mr. Yardsley could do their

little scene from Romeo and Juliet.

Mrs. Bradley. Just the thing.

Yardsley. But I haven't a suitable costume.

Perkins. I'll lend you my golf trousers, and Bess has an old shirt-

waist you could wear with 'em. Piece it out a little so that you

could get into it, and hang the baby's toy sword at your side, and

carry his fireman's hat under your arm, and you'd make a dandy-

looking Romeo. Some people might think you were a new woman, but if

somebody were to announce to the audience that you were not that, but

the Hon. R. Montague, Esq., it would be all right and exceedingly

amusing. I'll do the announcing with the greatest of pleasure.

Really think I'd enjoy it.

Miss Andrews. I think it would be much better to get up Mrs.

Jarley's waxworks.

Perkins. Oh dear, Miss Andrews, never. Mrs. Jarley awakens too many

bitter memories in me. I was Mrs. Jarley once, and--

Yardsley. It must have been awful. If there is anything in life

that could be more horrible than you, with your peculiar style of

humor, trying to do Jarley, I--

Perkins. Oh, well, what's the odds what we do? We're only amateurs,

anyhow. Yardsley can put on a pair of tight boots, and give us an

impression of Irving, or perhaps an imitation of the Roman army at

the battle of Philippi, and the audience wouldn't care, as long as

they had a good supper afterwards. It all rests with Martenelli

whether it's a go to-night. If he doesn't spoil the supper, it'll be

all right. I have observed that the principal factors of success at

amateur dramatics are an expert manipulation of the curtain, and a

first-class feed to put the audience in a good-humor afterwards.

Even if Martenelli does go back on us, you'll have me with the

curtain--

Mrs. Perkins. Thaddeus!

Yardsley. By Jove! that's a good idea--we have got you. You can

read Henderson's part!

Perkins. What--I?

Barlow. Certainly.

Bradley. Just the very thing.

Miss Andrews. Splendid idea.

Perkins. Oh--but I say--I can't, you know. Nonsense! I can't read.

Yardsley. I've often suspected that you couldn't, my dear Thaddeus;

but this time you must.

Perkins. But the curtain--the babies--the audience--the ushing--the

fire department--it is too much. I'm not an octopus.

Barlow (taking him by the arm and pushing him into chair). You can't

get out of it, Ted. Here--read up. There--take my book.

[Thrusts play-book into his hand.

Bradley. Here's mine, too, Thaddeus. Read 'em both at once, and

then you'll have gone over it twice.

[Throws his book into Perkins's lap.

The Bicyclers and Three Other Farces · 第 38 / 57 题