Mrs. Perkins (rehearsing). So once for all, as he says, so say I--

Perkins. Ah! Indeed! You take his part, do you?

Mrs. Perkins (rehearsing). You must leave this house at once and

forever. I once thought I loved you, but now all is changed, and I

take this opportunity to thank my deliverer, Fenderson Featherhead--

Perkins. Oh--ah--rehearsing. I see. I thought you'd gone over to

the enemy, my dear. Featherhead, step up and accept the lady's

thanks. Cobb, join me in the dining room, and we'll drown our

differences in tasting the punch, which, between you and me, is

likely to be the best part of to-night's function, for I made it

myself though, if Tom Harkaway is in the audience, and Bess follows

out her plan of having the flowing bowl within reach all the evening,

I'm afraid it'll need an under-study along about nine o'clock. He's

a dry fellow, that Harkaway.

[Exit Perkins, dragging Yardsley by the arm.

Barlow (calling after them). Don't you touch it, Bob. It's potent

stuff. One glass may postpone the performance.

Yardsley (from behind the scenes). Never fear for me, my boy. I've

got a head, I have.

Barlow. Well, don't get another. (Turning to Mrs. Perkins.)

Suppose we rehearse that scene where I acquaint you with Cobb's real

position in life?

Mrs. Perkins. Very well. I'm ready. I'm to sit here, am I not?

[Seats herself by table.

Barlow. And I come in here. (Begins.) Ah, Lady Ellen, I am glad to

find you alone, for I have that to say--

Mrs. Perkins. Won't you be seated, Mr. Featherhead? It was such a

delightful surprise to see you at the Duchess of Barncastle's last

evening. I had supposed you still in Ireland.

Barlow (aside). Good. She little thinks that I have just returned

from Australia, where I have at last discovered the identity of the

real Earl of Puddingford, as well as that of this bogus Muddleton,

who, by his nefarious crime, has deprived Henry Cobb of his

patrimony, of his title, aye, even of his name. She little wots that

this--this adventurer who has so strongly interested her by his

nepotic--

Mrs. Perkins (interrupting). Hypnotic, Mr. Barlow.

Barlow. What did I say?

Mrs. Perkins. Nepotic.

Barlow. How stupid of me! I'll begin again.

Mrs. Perkins (desperately). Oh, pray don't. Go on from where you

left off. That's a fearfully long aside, anyhow, and I go nearly

crazy every time you say it. I don't know what to do with myself.

It's easy enough for Mr. Yardsley to say occupy yourself somehow, but

what I want to know is, how? I can't look inquiringly at you all

that time, waiting for you to say "Ireland! Oh, yes--yes--just over

from Dublin." I can't lean against the mantel-piece and gaze into

the fire, because the mantel-piece is only canvas, and would fall

down if I did.

Barlow. It's a long aside, Mrs. Perkins, but it's awfully important,

and I don't see how we can cut it down. It's really the turning-

point of the play, in which I reveal the true state of affairs to the

audience.

Mrs. Perkins (with a sigh). I suppose that's true. I'll have to

stand it. But can't I be doing some sewing?

Barlow. Certainly not. You are the daughter of a peer. They never

sew. You might be playing a piano, but there's hardly room on the

stage for that, and, besides, it would interfere with my aside, which

needs a hush to be made impressive. Where did I leave off?

Mrs. Perkins. Hypnotic power.

Barlow. Oh yes. (Resumes rehearsing.) She little wots that this--

this adventurer who has so strangely interested her with his hypnotic

power is the man who twenty years ago forged her father's name to the

title-deeds of Burnington, drove him to his ruin, and subsequently,

through a likeness so like as to bewilder and confuse even a mother's

eyes, has forced the rightful Earl of Puddingford out into a cruel

world, to live and starve as Henry Cobb.

[Bell.

Mrs. Perkins. Ah, I fancy the Bradleys are here at last. I do hope

Edward knows his part.

Enter Yardsley.

Yardsley. They've come, and we can begin at last.

Enter Perkins, Miss Andrews, and Mr. and Mrs. Bradley.

Mrs. Perkins. Take off your things, Emma. Let me take your cloak,

Dorothy. Does Edward feel equal--

Mrs. Bradley. He says so. Knows it word for word, he says, though

I've been so busy with my own--[They go out talking.

Yardsley. Well, Brad, how goes it? Know your part?

Bradley. Like a book. Bully part, too.

Barlow. Glad you like it.

Bradley. Can't help liking it; it's immense! Particularly where I

acquaint the heroine with the villany that--

The Bicyclers and Three Other Farces · 第 23 / 57 题