THE TOWNELEY PLAY OF NOAH

Towneley MS. (about 1475), ff. 76 ff.

The Towneley Miracles, so called because the manuscript belonged in

recent times to the library of Towneley Hall in Lancashire, are edited

by England and Pollard, E.E.T.S., 1897. The cycle is a composite

one—for instance it includes a later form of the York play _Harrowing

of Hell_ (No. XVI, above)—but it is distinguished by a group of plays

and interpolated scenes which seem to have been specially composed for

representation at Wakefield. Formally this group is marked by the use of

a peculiar nine-lined stanza, riming a a a a b c c c b, with central

rimes in the first four lines. The rough vigour of the comic scenes is

still more distinctive, and there can be little doubt that all are the

work of one man. The specimen of his style most often reprinted is _The

Second Shepherd's Play_, which has an original and purely secular comic

plot. The _Play of Noah_ is more typical of the English Miracle in its

later development. This subject was always popular with early

playwrights, for the Ark made a spectacle, and the traditional quarrels

of Noah and his wife gave scope for contests in fisticuffs and rough

raillery—the stuff of primitive comedy.

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