II.ii.10 (45,3)

It is my lady; O! it is my love;

O, that she knew we were!]

This line and half I have replaced.

II.ii.39 (47,7) Thou art thyself, though not a Montague] I think the

true reading is,

Thou art thyself, _then_ not a Montague.

Thou art a being of peculiar excellence, and hast none of the malignity

of the family, from which thou hast thy name.--Hanmer reads,

Thour't not _thyself_ so, _though_ a Montague.

II.iii.15 (53,6) the powerful grace, that lies/In plants] Efficacious

virtue.

II.iii.27 (53,7) Two such opposed foes encamp them still] [W: opposed

kin] _Foes_ may be the right reading, or _kings_, but I think _kin_ can

hardly be admitted. Two _kings_ are two opposite _powers_, two

contending _potentates_, in both the natural and moral world. The word

_encamp_ is proper to _commanders_. (see 1765, VIII, 46, 2)

II.iv.20 (57,3) courageous captain of compliments] A complete master of

all the laws of ceremony, the principal man in the doctrine of

punctilio.

"A man of compliments, whom right and wrong

"Have chose as umpire;"

says our author of Don _Armado_, the Spaniard, in _Love's Labour Lost_.

II.iv.27 (57,6) the hay!] All the terms of the modern fencing-school

were originally Italian; the rapier, or small thrusting sword, being

first used in Italy. The _hay_ is the word _hai_, you _have_ it, used

when a thrust reaches the antagonist, from which our fencers, on the

same occasion, without knowing, I suppose, any reason for it, cry out,

_ha_!

II.iv.35 (58,9) these pardonnez-moy's] _Pardonnez-moi_ became the

language of doubt or hesitation among men of the sword, when the point

of honour was grown so delicate, that no other mode of contradiction

would be endured.

II.iv.64 (59,3) then is my pump wall flower'd] Here is a vein of wit too

thin to be easily found. The fundamental idea is, that Romeo wore

_pinked_ pumps, that is, pumps punched with holes in figures.

II.iv.87 (60,7) a wit of cheverel] _Cheverel_ is soft-leather for

gloves.

II.iv.138 (62,8) No hare, Sir] Mercutio having roared out, _So ho_! the

cry of the sportsmen when they start a hare; Romeo asks _what he has

found_. And Mercutio answers, _No hare_, &c. The rest is a series of

quibbles unworthy of explanation, which he who does not understand,

needs not lament his ignorance.

II.iv.162 (63,1) none of his skains-mates] The word _skains-mate_, I do

not understand, but suppose that _skains_ was some low play, and

_skains-mate_, a companion at such play.

II.iv.200 (64,2) like a tackled stair] Like stairs of rope in the tackle

of a ship.

II.iv.222 (65,4) Ah, mocker! that's the dog's name. R is for the nonce;

I know it begins with another letter] This passage is thus in the old

folio. _A mocker, that's the dog's name. R is for the_ no, _I know it

begins with some other letter._ In this copy the error is but small. I

read, _Ah, mocker. that's the dog's name. R is for the_ nonce, _I know

it begins with another letter._ For the _nonce_, is for some _design,

for a sly trick_.

II.vi.15 (70,2) Too swift arrives as tardy as too slow] He that travels

too fast is as long before he comes to the end of his journey, as he

that travels slow. Precipitation produces mishap.

III.i.2 (71,1) The day is hot] It is observed, that in Italy almost all

assassinations are committed during the heat of summer.

III.i.124 (75,6) This day's black fate on more days does depend] This

day's unhappy destiny _hangs over_ the days yet to come. There will yet

be more mischief.

III.i.141 (78,7) Oh! I am fortune's fool] I am always running in the way

of evil fortune, _like_ the fool in the play. _Thou art death's fool_,

in _Measure for Measure_. See Dr. Warburton's note.

III.i.153 (77,8) as thou art true] As thou art _just_ and _upright_.

III.i.159 (77,9) How nice the quarrel] How _slight_, how _unimportant_,

how _petty_. So in the last act,

The letter was not _nice_, but full of charge

Of dear import.

III.i.182 (78,2) Affection makes him false] The charge of falshood on

Bonvolio, though produced at hazard, is very just. The author, who seems

to intend the character of Bonvolio as good, meant perhaps to shew, how

the best minds, in a state of faction and discord, are detorted to

criminal partiality.

III.i.193 (78,3) I have an interest in your hate's proceeding: Sir

Thomas Hanmer saw that this line gave no sense, and therefore put, by a

very easy change,

Notes to Shakespeare, Volume III: The Tragedies · 第 196 / 253 题