Northumberland House at Charing Cross, the abode of the historic

Percys, had disappeared before I came to London, yielding place to

Northumberland Avenue; but there were plenty of "Houses" left. Near

where the Percys had flourished, the Duke of Buccleuch, a magnifico of

the patriarchal type, kept court at Montagu House, and Londoners have

not yet forgotten that, when the Thames Embankment was proposed, he

suggested that the new thoroughfare should be deflected, so that it

might not interfere with the ducal garden running down to the river. In

the famous Picture-Gallery of Bridgewater House, Lord Beaconsfield

harangued his disconsolate supporters after the disastrous election of

1880, and predicted that Conservative revival which he did not live to

see. Close by at Spencer House, a beautiful specimen of the decorative

work of the Brothers Adam, the Liberal Party used to gather round the

host, who looked like a Van Dyke. Another of their resorts was

Devonshire House, which Horace Walpole pronounced "good and plain as the

Duke of Devonshire who built it." There the 7th Duke, who was a

mathematician and a scholar, but no lover of society, used to hide

behind the door in sheer terror of his guests, while his son, Lord

Hartington, afterwards 8th Duke, gazed with ill-concealed aversion on

his political supporters. Lansdowne House was, as it still is, a Palace

of Art, with all the dignity and amenity of a country house, planted in

the very heart of London. During the last quarter of a century the

creation of Liberal Unionism has made it the headquarters of a political

party; but, at the time of which I write, it was only a place of select

and beautiful entertaining.

Apsley House, the abode of "The Son of Waterloo," could not, in my time,

be reckoned a social centre, but was chiefly interesting as a museum of

Wellington relics. Norfolk House was, as it is, the headquarters of

Roman Catholic society, and there, in 1880, was seen the unique sight of

Matthew Arnold doing obeisance to Cardinal Newman at an evening

party.[25] Dorchester House, architecturally considered, is beyond doubt

the grandest thing in London; in those days occupied by the accomplished

Mr. Holford, who built it, and now let to the American Ambassador.

Chesterfield House, with its arcaded staircase of marble and bronze from

the dismantled palace of the Dukes of Chandos at Edgeware, was built by

the fourth Lord Chesterfield, as he tells us, "among the fields;" and

contains the library in which he wrote his famous letters to his son.

Holland House, so long the acknowledged sanctuary of the Whig party,

still stands amid its terraces and gardens, though its hayfields have, I

fear, fallen into the builders' hands. Macaulay's Essay, if nothing

else, will always preserve it from oblivion.

I have written so far about these "Houses," because in virtue of their

imposing characteristics they formed, as it were, an inner, if not the

innermost, circle round Marlborough House. But of course Society did not

dwell exclusively in "Houses," and any social chronicler of the period

which I am describing will have to include in his survey the long

stretch of Piccadilly, dividing the "W." from the "S.W." district. On

the upper side of it, Portman Square, Grosvenor Square, Berkeley Square,

the Grosvenor Streets and Brook Streets, Curzon Street, Charles Street,

Hill Street; and below, St. James's Square and Carlton House Terrace,

Grosvenor Place, Belgrave Square and Eaton Square, Lowndes Square and

Chesham Place. Following Piccadilly westward into Kensington, we come

to Lowther Lodge, Norman Shaw's most successful work, then beginning its

social career on the coming of age of the present Speaker,[26] April

1st, 1876. Below it, Prince's Gate and Queen's Gate and Prince's

Gardens, and all the wilds of South Kensington, then half reclaimed; and

that low-lying territory, not even half reclaimed, which, under Lord

Cadogan's skilful management, has of late years developed into a

"residential quarter" of high repute. Fill all these streets, and a

dozen others like them, with rank and wealth and fashion, youth and

beauty, pleasure-seeking and self-indulgence, and you have described the

concentric circles of which Marlborough House was the heart. Sydney

Smith, no mean authority on the social capacities of London, held that

"the parallelogram between Oxford Street, Piccadilly, Regent Street, and

Hyde Park, enclosed more intelligence and ability, to say nothing of

wealth and beauty, than the world had ever collected in such a space

before." This was very well for Sydney (who lived in Green Street); but

he flourished when Belgravia had barely been discovered, when South

Kensington was undreamed-of; and, above all, before the Heir Apparent

had fixed his abode in Pall Mall. Had he lived till 1863, he would have

had to enlarge his mental borders.

Of the delightful women and beautiful girls who adorned Society when I

first knew it, I will not speak. A sacred awe makes me mute. The

"Professional Beauties" and "Frisky Matrons" who disgraced it, have, I

hope, long since repented, and it would be unkind to revive their names.

The "Smart Men," old and young, the "cheery boys," the "dancing

dogs,"--the Hugo Bohuns and the Freddy Du Canes--can be imagined as

easily as described. They were, in the main, very good fellows;

friendly, sociable, and obliging; but their most ardent admirers would

scarcely call them interesting; and the companionship of a club or a

ballroom seemed rather vapid when compared with Oxford:--

"The madness and the melody, the singing youth that went there,

The shining, unforgettable, imperial days we spent there."

But here and there, swimming rare in the vast whirlpool of Society, one

used to encounter remarkable faces. Most remarkable was the face of Lord

Beaconsfield,--past seventy, though nobody knows how much; with his

black-dyed hair in painful contrast to the corpse-like pallor of his

face; with his Blue Ribbon and diamond Star; and the piercing eyes which

still bespoke his unconquerable vitality.

Sometimes Mr. Gladstone was to be seen, with his white tie working round

toward the back of his neck, and a rose in his button-hole, looking like

a rather unwilling captive in the hands of Mrs. Gladstone, who moved

through the social crush with that queenlike dignity of bearing which

had distinguished her ever since the days when she and her sister, Lady

Lyttelton, were "the beautiful Miss Glynnes." Robert Lowe, not yet Lord

Sherbrooke, was a celebrity who might often be seen in Society,--a

noteworthy figure with his ruddy face, snow-white hair, and purblind

gaze. The first Lord Lytton--Bulwer-Lytton, the novelist--was dead

before I came to London; but his brilliant son, "Owen Meredith," in the

intervals of official employment abroad, was an interesting figure in

Society; curled and oiled and decorated, with a countenance of Semitic

type.

Lord Houghton--to me the kindest and most welcoming of hereditary

friends--had a personality and a position altogether his own. His

appearance was typically English; his manner as free and forthcoming as

a Frenchman's. Thirty years before he had been drawn by a master-hand as

Mr. Vavasour in _Tancred_, but no lapse of time could stale his infinite

variety. He was poet, essayist, politician, public orator, country

gentleman, railway-director, host, guest, ball-giver, and ball-goer, and

acted each part with equal zest and assiduity. When I first knew him he

was living in a house at the top of Arlington Street, from which Hogarth

had copied the decoration for his "Marriage à la mode." The site is now

occupied by the Ritz Hotel, and his friendly ghost still seems to haunt

the Piccadilly which he loved.

"There on warm, mid-season Sundays, Fryston's bard is wont to wend,

Whom the Ridings trust and honour, Freedom's staunch and genial

friend;

Known where shrewd hard-handed craftsmen cluster round the

northern kilns,

He whom men style Baron Houghton, but the gods call Dicky

Milnes."[27]

When first I entered Society, I caught sight of a face which instantly

arrested my attention. A very small man, both short and slim, with a

rosy complexion, protruding chin, and trenchant nose, the remains of

reddish hair, and an extremely alert and vivacious expression. The

broad Red Ribbon of a G.C.B. marked him out as in some way a

distinguished person; and I discovered that he was the Lord Chief

Justice of England,--Sir Alexander Cockburn, one of the most conspicuous

figures in the social annals of the 'thirties and 'forties, the

"Hortensius" of _Endymion_, whose "sunny face and voice of music" had

carried him out of the ruck of London dandies to the chief seat of the

British judicature, and had made him the hero of the Tichborne Trial and

the Alabama Arbitration. Yet another personage of intellectual fame who

was to be met in Society was Robert Browning, the least poetical-looking

of poets. Trim, spruce, alert, with a cheerful manner and a flow of

conversation, he might have been a Cabinet Minister, a diplomatist, or a

successful financier, almost anything except what he was. "Browning,"

growled Tennyson, "I'll predict your end. You'll die of apoplexy, in a

stiff choker, at a London dinner-party."

The streams of society and of politics have always intermingled, and, at

the period of which I am writing, Lord Hartington, afterwards, as 8th

Duke of Devonshire, leader of the Liberal Unionists, might still be seen

lounging and sprawling in doorways and corners. Mr. Arthur Balfour,

weedy and willowy, was remarked with interest as a young man of great

possessions, who had written an unintelligible book but might yet do

something in Parliament; while Lord Rosebery, though looking absurdly

youthful, was spoken of as cherishing lofty ambitions.

Later on, I may perhaps say more about private entertainment and about

those who figured in it; but now I must turn to the public sights and

shows. Matthew Arnold once wrote to his mother: "I think you will be

struck with the aspect of London in May; the wealth and brilliancy of it

is more remarkable every year. The carriages, the riders, and the

walkers in Hyde Park, on a fine evening in May or June, are alone worth

coming to London to see." This description, though written some years

before, was eminently true of Rotten Row and its adjacent drives when I

first frequented them. Frederick Locker, a minor poet of Society, asked

in some pensive stanzas on Rotten Row:

"But where is now the courtly troop

That once rode laughing by?

I miss the curls of Cantilupe,

The laugh of Lady Di."

Lord Cantilupe, of whom I always heard that he was the handsomest man

of his generation, died before I was born, and Lady Di Beauclerck had

married Baron Huddleston and ceased to ride in Rotten Row before I came

to London; so my survey of the scene was unmarred by Locker's reflective

melancholy, and I could do full justice to its charm. "Is there," asked

Lord Beaconsfield, "a more gay and graceful spectacle in this world than

Hyde Park at the end of a long summer morning in the merry month of May?

Where can we see such beautiful women, such gallant cavaliers, such fine

horses, such brilliant equipages? The scene, too, is worthy of such

agreeable accessories--the groves, the gleaming waters, and the

triumphal arches. In the distance the misty heights of Surrey and the

lovely glades of Kensington." This passage would need some re-touching

if it were to describe the Park in 1911, but in 1880 it was still a

photograph.

With regard to Public Entertainments in the more technical sense, the

period of which I am writing was highly favoured. We had Irving and Miss

Terry at the height of their powers, with all the gorgeous yet accurate

"staging" which Irving had originated. We had Lady Bancroft with that

wonderful undertone of pathos in even her brightest comedy, and her

accomplished husband, whose peculiar art blended so harmoniously with

her own. We had John Hare, the "perfect gentleman" of Stage-land, and

the Kendals with their quiet excellence in Drawing-room Drama; and the

riotous glory of Mrs. John Wood, whose performances, with Arthur Cecil,

at the Court Theatre, will always remain the most mirth-provoking

memories of my life. Midway between the Theatre and the Opera, there was

the long and lovely series of Gilbert and Sullivan, who surely must have

afforded a larger amount of absolutely innocent delight to a larger

number of people than any two artists who ever collaborated in the

public service.

As to the Opera itself, I must quote a curious passage from Lord

Beaconsfield, who figures so often in these pages, because none ever

understood London so perfectly as he.

"What will strike you most at the Opera is that you will not see a

single person you ever saw before in your life. It is strange; and it

shows what a mass of wealth and taste and refinement there is in this

wonderful metropolis of ours, quite irrespective of the circles in which

we move, and which we once thought, entirely engrossed them."

Those words describe, roughly, the seasons of 1867-1870; and they still

hold good, to a considerable extent, of my earlier years in London. The

Opera was then the resort of people who really loved music. It had

ceased to be, what it had been in the 'thirties and 'forties, a merely

fashionable resort; and its social resurrection had scarcely begun.

Personally, I have always been fonder of real life than of its dramatic

counterfeit; and a form of Public Entertainment which greatly attracted

me was that provided by the Law Courts. To follow the intricacies of a

really interesting trial; to observe the demeanour and aspect of the

witnesses; to listen to the impassioned flummery of the leading counsel;

to note its effect on the Twelve Men in the Box; and then to see the

Chinese Puzzle of conflicting evidence arranged in its damning exactness

by a skilful judge, is to me an intellectual enjoyment which can hardly

be equalled. I have never stayed in court after the jury had retired in

a capital case, for I hold it impious to stare at the mortal agony of a

fellow-creature; but the trial of Johann Most for inciting to

tyrannicide; of Gallagher and his gang of dynamiters for Treason-Felony;

and of Dr. Lampson for poisoning his brother-in-law, can never be

forgotten. Not so thrilling, but quite as interesting, were the "Jockey

Trial," in 1888, the "Baccarat Case," in 1891, and the "Trial at Bar,"

of the Raiders in 1896. But they belong to a later date than the period

covered by this chapter.

My fondness for the Law Courts might suggest that I was inclined to be a

lawyer. Not so. Only two professions ever attracted me in the slightest

degree,--Holy Orders and Parliament. But when the dividing-line of 1874

cut my life in two, it occurred to my Father that, aided by name and

connexions, I might pass a few years at the Parliamentary Bar,

pleasantly and not unprofitably, until an opportunity of entering

Parliament occurred. Partly with that end in view, and partly because it

seemed disgraceful to have no definite occupation, I became, in 1875, a

student of the Inner Temple. I duly ate my dinners; or, rather, as the

Temple dined at the unappetizing hour of six, went through a form of

eating them; and in so doing was constantly reminded of the experiences

of my favourite "Pen." The ways of Law-students had altered wonderfully

little in the lapse of forty years.

"The ancient and liberal Inn of the Inner Temple provides in its Hall,

and for a most moderate price, an excellent and wholesome dinner of

soup, meat, tarts, and port wine or sherry, for the Barristers and

Students who attend that place of refection. The parties are arranged in

messes of four, each of which quartets has its piece of beef or leg of

mutton, its sufficient apple-pie, and its bottle of wine. 'This is

boiled beef day, I believe, Sir,' said Lowton to Pen. 'Upon my word,

Sir, I'm not aware,' said Pen. 'I'm a stranger; this is my first term;

on which Lowton began to point out to him the notabilities in the Hall.

'Do you see those four fellows seated opposite to us? They are regular

swells--tip-top fellows, I can tell you--Mr. Trail, the Bishop of

Ealing's son, Honourable Fred Ringwood, Lord Cinqbars' brother, you

know; and Bob Suckling, who's always with him. I say, I'd like to mess

with those chaps.' 'And why?' asked Pen. 'Why! they don't come down here

to dine, you know, they only make believe to dine. _They_ dine here,

Lord bless you! They go to some of the swell clubs, or else to some

grand dinner-party. You see their names in the _Morning Post_ at all the

fine parties in London. They dine! They won't dine these two hours, I

dare say.' 'But why should you like to mess with them, if they don't

eat any dinner?' Pen asked, still puzzled. 'There's plenty, isn't

there?' 'How green you are,' said Lowton. 'Excuse me, but you are green!

They don't drink any wine, don't you see, and a fellow gets the bottle

to himself, if he likes it, when he messes with those three chaps.

That's why Corkoran got in with them.'"

Such were dinners at the Temple in Thackeray's time, and such they were

in mine. My legal studies were superintended by my friend Mr. J. S. Fox,

now K.C., and Recorder of Sheffield. Should this book ever fall under

his learned eye, I should be interested to know if he has ever completed

the erudite work which in those distant days he contemplated

undertaking,

"Tell a Lie and Stick to it:"

A Treatise on the Law of Estoppel.

But this is a digression.

Before I leave London as it was when first I dwelt in it, I ought to

recall some of the eminent persons who adorned it. Lord Beaconsfield was

at the zenith of his power and popularity. Mr. Gladstone, though the

crowning triumph of 1880 was not far off, was so unpopular in Society

that I was asked to meet him at a dinner as a favour to the hostess, who

found it difficult to collect a party when he was dining. Lord Salisbury

had just emerged from a seven years' retirement, and was beginning to

play for the Premiership. Mr. Chamberlain was spoken of with a kind of

awe, as a desperate demagogue longing to head a revolution; and Lord

Randolph Churchill was hardly known outside the Turf Club.

Law was presided over, as I have already said, by the brilliant

Cockburn, and the mellifluous Coleridge was palpably preparing to

succeed him. People whispered wonders about Charles Bowen; and Henry

James and Charles Russell had established their positions. In the

hierarchy of Medicine there were several leaders. Jenner ruled his

patients by terror; Gull by tact, and Andrew Clark by religious

mysticism. To me, complaining of dyspepsia, he prescribed a diet with

the Pauline formula: "I seek to impose a yoke upon you, that you may be

truly free." In the chief seat of the Church sat Archbishop Tait, the

most dignified prelate whom I have ever met in our communion, and a

really impressive spokesman of the Church in the House of Lords. The

Northern Primate, Dr. Thomson, was styled "The Archbishop of Society";

and the Deanery at Westminster sheltered the fine flower of grace and

culture in the fragile person of Dean Stanley. G. H. Wilkinson,

afterwards Bishop of Truro and of St. Andrews, had lately been appointed

to St. Peter's, Eaton Square, and had burst like a gunboat into a Dead

Sea of lethargy and formalism.

Of course, the list does not pretend to be exhaustive. It only aims at

commemorating a few of the figures, in different walks of life, which

commanded my attention when I began to know--otherwise than as a

schoolboy can know it--what London is, means, and contains. Five and

thirty years have sped their course. My Home in the country has ceased

to exist; and I find myself numbered among that goodly company who, in

succeeding ages, have loved London and found it their natural

dwelling-place. I fancy that Lord St. Aldwyn is too much of a sportsman

to applaud the sentiment of his ancestor who flourished in the reign of

Charles II., but it is exactly mine.

"London is the only place of England to winter in, whereof many true men

might be put for examples. If the air of the streets be fulsome, then

fields be at hand. If you be weary of the City, you may go to the

Court. If you surfeit of the Court, you may ride into the country; and

so shoot, as it were, at rounds with a roving arrow. You can wish for no

kind of meat, but here is a market; for no kind of pastime, but here is

a companion. If you be solitary, here be friends to sit with you. If you

be sick, and one doctor will not serve your turn, you may have twain.

When you are weary of your lodging, you may walk into St. Paul's ... in

the Middle Aisle you may hear what the Protestants say, and in the

others what the Papists whisper; and, when you have heard both, believe

but one, for but one of both says true you may be assured."

We clear the chasm of a century, and hear Dr. Johnson singing the same

tune as Squire Hicks.

"The happiness of London is not to be conceived but by those who have

been in it. I'll venture to say, there is more learning and science

within the circumference of ten miles from where we now sit, than in all

the rest of the kingdom."

"London is nothing to some people; but to a man whose pleasure is

intellectual, London is the place."

"The town is my element; there are my friends, there are my books, to

which I have not yet bid farewell, and there are my amusements."

But even Johnson, who is always quoted as the typical lover of London,

was not more enthusiastic in its praise than Gibbon. To him "London was

never dull, there at least he could keep the monster _Ennui_ at a

respectful distance." For him its heat was always tempered; even its

solitude was "delicious." In "the soft retirement of my _bocage de_

Bentinck Street" the dog-days pass unheeded. "Charming hot weather! I am

just going to dine alone. Afterwards I shall walk till dark in _my_

gardens at Kensington, and shall then return to a frugal supper and

early bed in Bentinck Street. I lead the life of a philosopher, without

any regard to the world or to fashion."

So much for the seventeenth and eighteenth centuries; we now return to

the nineteenth and are listening to Sydney Smith. "I look forward

anxiously to the return of the bad weather, coal fires, and good society

in a crowded city." "The country is bad enough in summer, but in winter

it is a fit residence only for beings doomed to such misery for misdeeds

in another state of existence." "You may depend upon it, all lives lived

out of London are mistakes, more or less grievous--but mistakes." "I

shall not be sorry to be in town. I am rather tired of simple pleasures,

bad reasoning, and worse cookery."

Let Lord Beaconsfield have the last word, as is his due; for truly did

he know and love his London.

"It was a mild winter evening, a little fog still hanging about, but

vanquished by the cheerful lamps, and the voice of the muffin-bell was

heard at intervals; a genial sound that calls up visions of trim and

happy hearths. If we could only so contrive our lives as to go into the

country for the first note of the nightingale, and return to town for

the first note of the muffin-bell, existence, it is humbly presumed,

might be more enjoyable."

FOOTNOTES:

[21] Lord Beaconsfield, _Tancred_.

[22] Written in May, 1910.

[23] A nickname invented by the famous Eton tutor, "Billy Johnson," for

a florid journalist.

[24] Lord Beaconsfield, _Lothair_.

[25] See M. Arnold's Letters, May 15, 1880.

[26] The Right Hon. J. W. Lowther.

[27] Sir George Trevelyan, _The Ladies in Parliament_.

VIII

HOSPITALITY

"I never eat and I never drink," said the Cardinal. "I am sorry to

say I cannot. I like dinner-society very much. You see the world,

and you hear things which you do not hear otherwise."

LORD BEACONSFIELD, _Lothair_.

The Cardinal was much to be pitied. He had a real genius for society,

and thoroughly enjoyed such forms of it as his health and profession

permitted. Though he could not dine with Mr. Putney Giles, he went to

Mrs. Putney Giles's evening party, where he made an important

acquaintance. He looked in at Lady St. Jerome's after dinner; and his

visits to Vauxe and to Muriel Towers were fraught with memorable

results.

Fifteen Chapters of Autobiography · 第 7 / 18 段