CROSS OVER, FIRST COUPLE INSIDE.--First couple join hands and

cross over, passing between opposite couple.

BACK AGAIN, SECOND COUPLE INSIDE.--Second couple join hands

and cross over inside opposite couple to place.

BALANCE TO CORNERS.--Ladies advance four steps to the right;

retire four steps. Advance again and turn gentlemen on their right and

return to places.

ALL JOIN HANDS, FORWARD TO CENTER.--All join hands, thus

forming a circle, and take four steps toward center, and four steps

back to place.

FORWARD AND TURN PARTNERS.--All, still with hands joined,

advance four steps again and turn partners to places.

When the figure is repeated the second couple, in crossing over, pass

inside first, and outside on returning.

FOURTH FIGURE.

Measures.

Head couples forward and back 4

Forward and turn partners to places 4

Four ladies to the right 4

Four gentlemen to the left 4

Four ladies to the right 4

Four gentlemen to the left 4

All promenade 8

Danced twice by head couples and twice by sides.

FOUR LADIES TO THE RIGHT, ETC.--Each lady advances four steps

to the gentleman at her right, turns with him, and takes his former

partner’s place. Each gentleman then advances to the lady at his

left, turns her and assumes her former partner’s side. This movement,

repeated by both ladies and gentlemen, brings original partners

together, but at the side of the set opposite to their original

position. All then promenade entirely around the set. The second and

fourth times the figure is danced the couples will be restored to their

original positions.

FIFTH FIGURE.

Measures.

First couple promenade 8

Four ladies forward and back 4

Four gentlemen forward and back 4

All balance to partners and turn 8

Right and left half around 8

Half promenade to places and turn partners 8

Chassez across and turn at corners 8

Danced four times, each couple in turn leading with the promenade.

FIRST COUPLE PROMENADE.--The first couple join hands, crossed,

and promenade entirely around the inside of the set, returning to

places.

FOUR LADIES FORWARD AND BACK.--The four ladies advance to

center four steps and retire.

FOUR GENTLEMEN FORWARD AND BACK.--The four gentlemen advance

to center four steps and retire.

ALL BALANCE TO PARTNERS.--Partners, facing each other, make

four steps to the right and four to the left, and swing around with

both hands.

RIGHT AND LEFT HALF AROUND.--Each gentleman holds his

partner’s right hand, passing to the right; the lady passes outside

to the left; the gentlemen give alternately left and right hands to

the ladies in passing, until they meet their original partners halfway

around. Then stop, take partners by the right hand, and swing once

around.

ALL HALF PROMENADE TO PLACES AND TURN PARTNERS.--Partners join

hands and promenade to places; then turn partners in places.

CHASSEZ ACROSS AND TURN AT CORNERS.--The gentlemen make four

steps to the right, the ladies four to the left, and turn corners with

right hands once around; all make four steps back to partners and turn

them with left hands to places.

The figure is repeated, each couple leading off in the promenade in

turn. Finish with all chassez and address.

THE GLIDE CALEDONIANS.

The Glide Caledonians is similar to the Plain Caledonians, except that

waltzing is introduced. All the movements have been described before.

The calls are as follows:

FIRST FIGURE.

Measures.

Head couples right hands across 8

Balance to partners 8

All waltz 16

Repeat.

Side couples: the same, twice.

SECOND FIGURE.

Measures.

Head couples forward and back, forward and

address 8

All ladies to the right; change partners 8

All waltz 16

Repeat.

Side couples: the same, twice.

THIRD FIGURE.

Measures.

Head couples forward and back, and dos a dos 8

All balance at corners, exchanging partners 8

Waltz 16

Repeat.

Side couples: the same, twice.

FOURTH FIGURE.

Measures.

Head couples: forward and back 4

Forward and turn partners to place 4

Ladies to the right 4

Gentlemen to the left 4

Ladies to the right 4

Gentlemen to the left 4

All waltz 16

FIFTH FIGURE.

Measures.

Hands all around 8

Ladies forward and back 4

Gentlemen forward and back 4

Balance to partners 8

All waltz 16

THE WALTZ QUADRILLE, No. 1.

The two Waltz Quadrilles are founded upon the Plain Quadrilles already

described.

FIRST FIGURE.

Measures.

Head couples right and left 8

All waltz (keeping within limits of original

set; each couple maintaining same relative

distance between other couples) 16

Head couples, ladies’ chain 8

All waltz 16

Side couples: the same.

SECOND FIGURE.

Measures.

Head couples forward two (same movements

as in second figure of Plain Quadrille) 16

All waltz 16

Repeat.

Side couples: the same, twice.

THIRD FIGURE.

Measures.

Head couples forward four 4

Forward again, ladies cross and change partners 4

All waltz 16

Repeat.

Side couples: the same, twice.

FOURTH FIGURE.

Measures.

All join hands and forward and back 4

Turn partners to places 4

All waltz 16

Danced four times.

FIFTH FIGURE.

Measures.

All right hand to partners, right and left half around 8

All waltz back to places 16

Head couples forward two 16

All waltz; places 16

Side couples the same.

All, at the close, address 8

THE WALTZ QUADRILLE, No. 2.

FIRST FIGURE.

Measures.

Head couples right and left 8

Balance 8

Ladies’ chain 8

All waltz 16

Repeat.

Side couples: the same, twice.

SECOND FIGURE.

Measures.

Head couples forward two 16

All waltz 16

THIRD FIGURE.

Measures.

Head couples right hands across (to opposite couples) 4

Left hands back to center 4

Balance in center 4

Half promenade to opposite places 4

All waltz 16

Repeat.

Side couples: the same twice.

FOURTH FIGURE.

Measures.

Head couples balance to the right 4

Exchange partners (gentlemen lead new partners to places) 4

Ladies’ grand chain 8

All forward and back 4

Turn new partners to places 4

All waltz 16

Head couples repeat (bringing original partners together again).

Side couples: the same twice.

LADIES’ GRAND CHAIN.--This is executed by the four ladies

simultaneously. They cross right arms, each lady taking the hand of

the opposite lady. With hands joined, ladies walk round, halting with

opposite partners. Turn opposite gentleman with left hand, and return

to place, crossing right arms in center as before and turning partner

with left hand.

A variation of this figure is sometimes introduced as follows: When the

exchange of partners has been effected, instead of resuming positions

in quadrille, the head couples remain facing their respective side

couples, and a “ladies’ chain” is made on each side of the quadrille

by each two facing couples. There is no objection to this if there be

plenty of room, but where limited, it is better to execute a “ladies’

grand chain” with the couples at their places.

FIFTH FIGURE.

Measures.

All right hand to partner, right and left half around 8

Reverse to places 8

Head couples forward and back 4

Forward and address 4

All ladies balance to the right (exchange partners) 8

All waltz (with new partners) 16

Head couples repeat.

Side couples: the same twice.

All right and left hand around 8

Reverse to places and address 8

PRINCE IMPERIAL QUADRILLE.

As usual in all quadrilles, during the first eight bars of music, each

gentleman addresses first his own partner, then the lady on his left.

FIRST FIGURE.

Measures.

Head couples to the right and address 4

Take side ladies, and go opposite 4

Ladies’ grand chain (without gentlemen) 8

All chassez to right and left 4

Turn partners, head couples at opposite places. 4

Head couples repeat as they stand.

Side couples: the entire figure, twice.

HEAD COUPLES TO THE RIGHT AND ADDRESS.--The first couple moves

to the right and stops, facing the third couple, and the second couple

stops facing the fourth couple. All address.

TAKE SIDE LADIES AND GO OPPOSITE.--Retaining his partner’s

right hand in his right hand, the first gentleman takes the third

lady’s right hand in his left and conducts the two ladies to the

second couple’s place. In the same way the second gentleman leads his

partner and the fourth lady to the first couple’s place.

LADIES’ GRAND CHAIN (WITHOUT GENTLEMEN).--The four ladies

cross over, touching right hands in passing. They then cross from

side to side of the set, touching left hands. These two movements are

repeated, ending with each lady standing in front of and facing her own

partner.

ALL CHASSEZ.--All take four steps to the right and four

to the left, and then turn partners. This leaves the first couple

in the second couple’s place, and the second couple in the first

couple’s place; the side couples remaining in their proper places.

The repetition of the figure restores the head couples to original

positions. The figure is then danced twice with side couples leading.

SECOND FIGURE.

Measures.

First gentleman and second lady forward 2

Turn with both hands, and both face first lady 2

Cross over and turn with left hand 4

Head couples forward and back 4

Half ladies’ chain 4

All chassez and turn corners, right hands 4

Turn partners, left hands, to places 4

This figure is danced four times, each gentleman and opposite lady

commencing in turn.

FIRST GENTLEMAN AND SECOND LADY FORWARD.--Turn with both

hands, the gentleman half around, and the lady entirely around, and

stop in center, both facing the first lady.

CROSS OVER AND TURN WITH LEFT HANDS.--The first lady passes

between the couple in front of her, crosses over and turns second

gentleman with left hand in second couple’s place; at the same time

the first gentleman and second lady turn one another in first couple’s

place.

HEAD COUPLES FORWARD AND BACK.--Head couples advance four

steps and retire four steps to places.

HALF LADIES’ CHAIN.--The first and second ladies cross over,

touching right hands in passing, and turn partners to place with left

hands.

ALL CHASSEZ AND TURN CORNERS.--All take four steps to right

and turn corner partners with right hand.

TURN PARTNERS TO PLACES.--All take four steps back to place

and turn partners with left hand.

THIRD FIGURE.

Measures.

First couple forward 2

Gentlemen back to place, leaving lady in center,

facing him 2

Second couple the same 4

Third couple the same 4

Fourth couple the same 4

Ladies join hands, back to back; circle 4

Gentlemen forward and all address 4

All balance 4

Turn partners to places 4

The entire figure is performed four times, the first, second, third and

fourth couples leading in rotation.

FIRST COUPLE FORWARD.--The first couple walk four steps

forward. The lady then turns facing her partner, who retires, with a

bow, to place. The same movement is performed by each of the other

couples in succession. This leaves the four ladies standing in the

center, back to back.

LADIES JOIN HANDS, CIRCLE.--The ladies join hands and swing

around in a circle to the left, ending face to face with partners, as

before. Ladies then release hands.

GENTLEMEN FORWARD AND ALL ADDRESS.--The four gentlemen step

forward, each giving his right hand to his partner and his left to the

lady at the left and address.

BALANCE AND TURN PARTNERS TO PLACES.--Balance in position and

turn partners to places.

FOURTH FIGURE.

Measures.

Head couples forward and back 4

First lady and second gentleman to sides 4

Six forward and back, twice 8

Two forward and back 4

Two forward, address, and face partners 4

Four hands half around 4

Half right and left 4

Danced twice by head couples and twice by sides.

HEAD COUPLES FORWARD AND BACK.--The head couples walk four

steps forward and retire four steps.

FIRST LADY AND SECOND GENTLEMAN TO SIDES.--The head couples

forward again; the first lady places herself on the left of the third

gentleman; the second gentleman takes his position on the right of

the fourth lady; the first gentleman and second lady return to their

respective places.

SIX FORWARD AND BACK, TWICE.--The three on each side forward

and back; repeat this movement.

TWO FORWARD AND BACK.--The first gentleman and second lady (at

top and bottom) forward and retire.

TWO FORWARD, ADDRESS AND FACE PARTNERS.--The same two forward

and address, and each turns to the right, facing original partner.

FOUR HANDS HALF AROUND.--The four on each side join hands and

swing half around in circle. Gentlemen release the hands of ladies

on their left, and head couples retire to opposite places; the side

couples remaining in original position.

HALF RIGHT AND LEFT TO PLACES.--Head couples cross over to

their original places, joining right hands with opposite partners in

passing, and each couple turns with left hands to places. Head couples

repeat the figure, the first gentleman and the second lady joining the

side couples at their left. The third time the figure is danced, the

third lady and fourth gentleman join the head couples at their right.

The fourth time, the third gentleman and fourth lady join the head

couples at their left.

FIFTH FIGURE.

Measures.

Four ladies to the right, four times 16

First gentleman and opposite lady forward and back 4

Forward, and swing to face partners 4

Head couples chassez to right and left 4

Turn partners to places 4

Head couples repeat the whole figure, with second gentleman and

opposite lady.

Side couples: the same, twice.

FOUR LADIES TO THE RIGHT.--Each lady takes four steps to

the right, and turns the gentleman at her right with the right hand.

Continuing all around the set in the same direction, she turns the

next gentleman with the left hand, the next with the right hand, and,

finally, her partner with the left hand.

FIRST GENTLEMAN AND OPPOSITE LADY FORWARD AND BACK; FORWARD AND

SWING TO FACE PARTNERS.--The same two walk forward four steps,

then backward four steps, forward again, join right hands and swing

half round, so that each faces original partner.

HEAD COUPLES CHASSEZ.--Four steps to the right; four to the

left. Ending with turning partners to places.

THE PARISIAN VARIETIES.

FIRST FIGURE.

Measures.

Head couples advance and address right side couples 2

Back to places 2

Head couples advance and address left side couples 2

Back to places 2

Head couples right and left across and back 8

All waltz 16

Danced four times, head couples and side couples alternating in lead.

HEAD COUPLES ADVANCE.--The head couples advance towards the

side couples on the right, address, and step backward to places.

Advance toward the left, address, and retire to places.

HEAD COUPLES RIGHT AND LEFT ACROSS.--The first and second

couples cross over; each gentleman and opposite lady touch right hands

in passing, the gentleman then extends his left hand to his partner,

turning her half round, occupying opposite couple’s place. This same

movement is repeated in returning, which brings the couples to their

original positions.

ALL WALTZ.--All four couples waltz around the set once.

SECOND FIGURE.

Measures.

Head couples forward and back 4

All ladies to the right 4

Polka 8

Danced four times, the head couples and side couples alternating in

lead.

The head couples walk forward four steps and backward four steps. The

ladies then all pass to the gentlemen at their right, and all polka

round the set with their new partners. The side couples, still with

changed partners, then advance four steps and retire four steps, and

the ladies each pass on to the next gentleman at the right. Each lady

now occupies a position opposite to her original place in the set.

All polka round the set again. Head couples forward and back, and the

ladies pass again to the right. All polka round the set. Side couples

again forward and back, and the ladies pass on to the right, and are

thus restored to their original partners.

THIRD FIGURE.

Measures.

First gentleman to center 2

Ladies form circle 2

Hands around 4

All waltz 16

The first gentleman advances to the center of the set. The four ladies

step forward and join hands, forming a circle around him. They then

circle around to the left until opposite their own partners, when they

turn partners to places. Finish by all waltzing around the set.

FOURTH FIGURE.

Measures.

Head couples to the right and address 4

Hands around 4

All mazourka 16

Danced four times, the head couples and side couples alternating in

lead.

The head couples lead to the side couples at their right, address, and

join hands with the side couples. The two circles of four each now

slide around to the left twice (or once to left and once to right) and

stop in original places. All then dance the mazourka once around the

set.

FIFTH FIGURE.

Measures.

Head couples forward and back 4

Separate to sides 4

Six forward and salute 4

Ladies cross right hands in center 8

All waltz 16

Danced four times, heads and sides leading alternately.

The head couples forward four steps and back again to place. The first

and second gentlemen then lead their partners to the side couples

at their right, and, leaving them there, return to place. The three

at each side then advance four steps, salute, and return to place.

The four ladies cross right hands in the center of the set, and walk

around in a circle until they reach their original places in the set.

At the same time their partners dance around the set in the opposite

direction, meeting their partners in original positions, and turning

them to places.

NATIONAL GUARD QUADRILLE.

This quadrille is dedicated to the National Guard and the United States

Army. The first figure is dedicated to the National Guard, north; the

second to the National Guard, south; the third to the National Guard,

east; the fourth to the National Guard, west, and the fifth and last

figure to the United States Army.

FIRST FIGURE.

Measures.

Head couples forward and back 4

Lead to the right and address 4

Cross right hands and turn 4

Cross left hands and return 4

Form in two lines, facing partners --

All balance to partners 4

Turn partners to places 4

CROSS RIGHT HANDS.--When side couples have led to the right

and addressed couples there, the two ladies in each group join right

hands and the two gentlemen do the same. With hands joined, they walk

halfway around; then release right hands, turn, join left hands, and

return to position. All turn and form two lines. Balance and turn

partners to places.

SECOND FIGURE.

Measures.

Head couples forward and back 4

Turn partners 4

Side couples forward and back 4

Turn partners 4

Ladies to the center, back to back 4

Ladies hands round, to the right 4

All balance to partners, and turn 8

Danced four times, twice by head couples and twice by sides.

First and second times, head couples forward, back and turn; then side

couples the same. Third and fourth times, side couples forward, back

and turn; then head couples the same. First and third time, ladies to

the center; second and fourth times, gentlemen to the center.

LADIES TO THE CENTER.--The ladies advance four steps and turn

back to back.

HANDS AROUND.--The ladies join hands and slide around to the

right until they reach again the place from which they started, facing

their partners.

THIRD FIGURE.

Measures.

First and second ladies forward and back 4

First and second ladies cross over 4

Side ladies forward and back 4

Side ladies cross over 4

All address corners 2

Address new partners 2

Turn new partners with right hand 4

Promenade 8

Danced four times. First time, the first and second ladies forward

and back and cross over; then side ladies the same. Second time, the

first and second gentlemen forward and back and cross over; then side

gentlemen the same. Third time, the third and fourth ladies forward and

back and cross over; then head ladies the same. Fourth time, the third

and fourth gentlemen forward and cross over; then side gentlemen the

same.

The first and second ladies advance four steps and retire four steps,

and then cross over, thus exchanging partners. The third and fourth

ladies do the same. All address corners, then address new partners and

turn new partners once with right hand.

FOURTH FIGURE.

Measures.

Head couples forward and back 4

Lead to the right and address 2

Form two lines 2

All forward and back 4

All forward again 4

Head couples forward and back 4

Turn partners to place 4

Danced four times.

FORM TWO LINES.--Head couples separate from partners and join

the sides; the first lady now goes to the left of third gentleman, and

the first gentleman goes to the right of third lady; the second lady

goes to the left of fourth gentleman, and the second gentleman goes to

the right of fourth lady.

ALL FORWARD AND BACK.--The two lines advance and retire four

steps, advance again and side couples retire to places. Head couples

give hands to partners, advance two steps and retire two steps, then

turn to places.

FIFTH FIGURE.

Measures

Salute to the United States Army 4

Ladies to the right, four times 32

Tirior; head couples cross over and back 8

Tirior on the sides: side couples cross over and back 8

All turn corners with right hands 4

Turn partners 4

After the entire figure has been performed four times, address opposite.

CODA.

All forward and address opposite 4

Address partners 4

The four ladies leave their partners, advance four steps to gentlemen

at their right, address, and turn with right hand. They then pass on to

the next gentleman, and so on around the set, turning original partners

last. The first couple then join hands, their arms crossed. The first

and second couples then cross over, the second couple separating to

let the first couple pass between them. They then return to place, the

second couple joining hands and the first couple separating. This is

repeated by the third and fourth couples. All advance four steps to

corner partners and turn with right hands; then take four steps back to

original places and turn partners with left hands.

CONTRA DANCES.

The Contra Dances take their names from the positions of the dancers,

the word _contra_ meaning “against” or “opposite to.” Instead of the

partners standing side by side, they face each other, being arranged in

two parallel lines, ladies on one side and gentlemen on the other.

THE VIRGINIA REEL.

This is one of the most lively of all the Contra Dances, and is a

universal favorite. Form in sets of six couples, the six ladies ranging

in line, and their partners ranging in another line, facing each other;

the gentleman and lady of the head couple standing at the end of their

respective lines at the top of the room. The space between the lines

should be about four feet. The couples, for the sake of description,

may be numerically designated first, second, third, and so on (in their

order as they stand) to the last couple; the top and bottom couple

being that couple which happens during the dance to occupy the position

at top or bottom of the lines. Each couple in turn becomes top couple

and bottom couple at least once during the progress of the dance.

FIRST GENTLEMAN AND LAST LADY FORWARD AND BACK.--The two take

four steps directly towards each other and four steps backward to

place, without turning.

FIRST GENTLEMAN AND LAST LADY FORWARD AND SWING RIGHT

HANDS.--The two dance forward to the center, join right hands,

swing once around, and step backward to place.

FIRST GENTLEMAN AND LAST LADY FORWARD AND SWING WITH LEFT

HANDS.--Exactly like preceding movement, only joining left hands

instead of right.

FIRST GENTLEMEN AND LAST LADY DOS A DOS.--They advance to

middle, pass each other on right hands, move around each other to the

right, back to back, without turning, and back, passing to left of each

other, to places.

FIRST COUPLE TURN WITH RIGHT HANDS.--The first gentleman

and his partner join hands across the head of lines, turn fully once

around, and drop right hands.

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