THE CLOSE OF THE DAY
They rode straight home. On the way Dick went lame and both dismounted
to examine him. "This will make you miss your train," she suggested,
hypocritically.
He had Dick's foot up. His comment on the remark was very like the
rest of his comments. "Not this," he said--and without looking up.
"Do you mean to say you've missed it anyway?" asked Kate.
"What does the sun say?"
She bit her lip: "Too bad," she exclaimed, looking across the distance
that still lay between them and the Junction.
"I don't see anything wrong with his foot," he announced, completing
his inspection. "I think he wrenched himself."
He said no more till they started again. And then resumed in his odd
way just where they had left off talking: "I've been trying to figure
out why you wanted me to miss the train." She looked at him in
surprise. "I think you did want me to," he continued. "But I can't
figure out why."
She protested, but not with too many words. She felt sure he was not
easily to be deceived. In any case, however, he was unflinchingly
amiable.
After they got back to the Junction the totally unexpected happened.
They dismounted and she went into the lunch room. Her victim pursued
an examination of Dick's leg. An early supper was being served in the
dining-room to a freight train crew. Two of the Doubleday cowboys from
the ranch came into the lunch-room from the front door. Kate, at the
desk, was making ready to manage her own escape from the scene. The
smaller cowboy, walking in last, looked back curiously at her riding
companion as he stood with Dick's hoof on his knee. The man slouched
up to the counter: "Wouldn't that kill you?" muttered the smaller man
to his partner.
"What do you mean?" demanded the other.
The first speaker hitched his thumb guardedly over his shoulder: "Know
who that is out there?"
"No, I don't--who is he?"
Kate's ears were wide open: "None other," continued the man, pulling a
face, "than the well-known Jim Laramie himself." His partner checked
him and the two, talking in low tones, walked into the dining-room.
Kate could not at first believe her ears; then she felt that the cowboy
must know what he was talking about.
Worst of all, Laramie, at that moment--before she could think of
collecting herself--walked in through the open door. He came directly
to the counter. She hardly attempted to hide her consternation: "Are
you Jim Laramie?" she burst out in her excitement.
It must have been the manner of her words rather than the words
themselves that startled him. For just an instant the curtain lifted;
a flash of anger shot from his eyes; it was drawn again at once: "Is my
reputation over here as bad as that?" he asked.
Kate was dumb. Try as she would, she could not think of a thing to
say; the recollection of her reckless ride overwhelmed her. "What's
happened?" he continued with a little irritation. "If you weren't
afraid of me when you didn't know my name, why be afraid now?"
She stammered something, some apology, which he received, she afterward
thought, coldly: "I'm running up to the house now to change," she went
on hurriedly, "but I must thank you for----"
What on earth was she to thank him for? He helped her out: "Before you
go," he interrupted, sitting up on the counter stool nearest her and
looking at her without paying the slightest attention to her
meaningless words, "before you go, tell me your name."
Oddly enough, by just speaking he restored order to her faculties. She
looked straight at him: "You guessed that this morning," she said
frankly.
"Kate?"
She nodded.
"That's queer," he mused. "It must've been pure accident. I heard
that the man I came to round up today had a girl named Kate, so I
suppose that was the first name came into my head. Kate, what else?"
"Suppose," she suggested gravely, "we keep the rest for the next time."
"For our next ride?"
She looked just away from his persistent eyes: "Perhaps."
"Will your name," he went on, "surprise me as much as my name surprised
you?"
"Who knows?" she retorted, and speaking she started for the front door.
"Stop." He stepped in front of her just enough to bar her way. There
was a tinge of command in his voice and manner quite new. Halted, but
not pleased, she waited for him to go on: "You'll come back, won't you?"
"I'll try to."
"I want to listen," he added coolly, "to the worst story you ever heard
about Jim Laramie."
"I don't pay much attention to cowboy stories."
He certainly paid no attention to her words: "Will you come back?" he
persisted.
"I will if I can," she said, confusedly.
He was just enough in front of her to detain her: "Say you will."
It was somewhat between command and entreaty. Old Henry at the side of
the platform was just mounting the dun horse. Kate was getting
panicky: "Very well," she answered, "I'll come back."
The moment she got to the cottage she locked the front door and drew
all the shades. And every mouthful of the cold supper she ate with her
father lodged in her throat. To him she dared not say a word. Once in
the evening the door bell rang and some man asked for Barb Doubleday.
He made a few inquiries when Henry answered that Doubleday was not in
town, but he did not ask for Kate. She felt curious tremors, listening
to the low voice. But Laramie--for it was he--presently turned from
the door and she heard his footsteps crunching down the gravel path to
the street.
In the morning Henry told her a man had lingered around the lunch room
until the lights were put out at ten o'clock. By that time he must
have known every pine knot in the varnished ceiling. When peaceably
put out of the room by the night man he had walked out on the platform
to the post where the horses had stood and looked long across the
tracks toward Doubleday's cottage on the hill. No lights were burning
in the cottage. He turned to walk toward it. But as he stepped into
the street the whistle of the eastbound Overland train sounded in the
hills to the west. Evidently this changed his mind, for he retraced
his steps and entered the waiting-room, walked to the ticket window and
bought a ticket for Sleepy Cat. He waited until the train pulled in
and loitered on the platform till it was ready to pull out, speaking to
no one. When the conductor finally gave the starting signal the man
looked for the last time around toward the lunch room door. Everything
was dark.
He caught the hand rail of the last open sleeper and swung up on the
step. There he stood looking down the platform and across the street
while the train drew slowly out. Then turning to go into the car he
uttered only one word to himself--and that a mild one: "Gypped!"
But, even then, had Kate heard it she would have been frightened.