CHAPTER VII

A DROP OF INK

"Somehow I find it awfully hard to settle down to work," said Martine to

one of the girls at school a day or two after Washington's Birthday. "I

don't know whether it's the holiday--or what."

"It's 'what,' I think; vacations ought not to hurt us, they are meant to

set one up."

"How literal you are! Look at Priscilla; she's as busy as can be. She

knows how to study at school; but then of course there couldn't have

been anything very exciting in a Plymouth holiday; but although she was

away only two days I do wonder that she can study so in school."

"It's a sensible thing, all the same, and saves home study. I begrudge

more than an hour a day out of school, and if you don't work here, you

surely have to spend three or four hours there."

"You'll have to spend more than an hour a day on home work if you are

going to prepare that essay. Isn't it outrageous?"

"Well, it's as fair for one as for another. There's no use in talking

about it now; we must keep at this translation." And for the next ten

minutes the two girls kept their eyes on their Virgils.

Martine and Grace had gone into a small room off the main schoolroom,

where a certain amount of conversation was permitted to two girls who

happened to be studying together. They were not expected, however, to

wander far from the lesson they had set out to prepare, and idle

conversation, if overheard, would have carried a reproof. Yet the

special essay to which Grace had referred was for the time uppermost in

the minds of most of Miss Crawdon's pupils, and to Martine the necessity

for writing it was peculiarly disagreeable; she did not pretend to be

literary; her brightness and energy expressed themselves in far

different ways. She could talk better than most girls, but when it came

to putting her thoughts on paper in an extended form, she was really at

sea. No one sympathized with her when she protested that it was

absolutely impossible for her to write a ten-page essay on the question

"Is the pen mightier than the sword?"

"Why, it's what I call the simplest kind of a subject," said Priscilla.

"We all know that war is a terrible thing and ought to be done away

with, and that a good book accomplishes a great deal more than the most

famous battle. That's all the subject means."

"Oh, is it?" queried Martine, somewhat sarcastically. "Well, I'd like to

see you fill ten large foolscap pages proving it."

"That's easy enough; just get your thoughts together."

"I can get a few of them together, but when it comes to putting them on

paper, that's quite another thing."

Yet in the face of Martine's evident despair, Priscilla still insisted

that the subject was not difficult, and that if Martine would simply

collect her thoughts, she would soon find words to fill ten pages.

"Of course you've got to look up authorities on peace and war and some

of the poets like Whittier and Tennyson, and Longfellow's 'Ship of

State,' and say something about 'Uncle Tom's Cabin,' and look over your

English history pretty carefully."

"Oh, Priscilla, with all my other lessons? It's quite natural for you to

know where to find all these authorities and poems, but it's quite

another thing for me, and there's likely to be some splendid skating

this month; and it's odious to have to stay cooped up in the house when

the afternoons are short enough at the best."

But at last Martine had to yield to necessity, and less than a week

before the day when the essays were to be handed in she sat down for one

last, and it may be said first, great effort.

Lucian, happening in from Cambridge, laughed as he saw her forlorn face

as she sat at a table littered with papers.

"What a ridiculous fuss," he cried, "about a little composition."

"It isn't a little composition; it's an essay."

"Well, what's the difference? You ought to have daily themes, then you'd

know."

"We do, we have them once a week, every Monday morning."

"Daily themes,--once a week!" and again Lucian laughed.

"You needn't laugh, Lucian. Of course it's easy enough to write; that

isn't the trouble; but it's getting things together."

"What things?"

"My ideas. Oh, if I were only Priscilla."

"Well, you are not; she's altogether different. But what's this?" cried

Lucian, picking up a paper from the table.

"Oh, that's one of Priscilla's last year's essays. It's perfectly

splendid, and she thought it might help me to look it over."

"Why don't you get her to help you in some other way?"

"Oh, that wouldn't do. We're supposed to do this all alone. It's a kind

of test. You see the little themes are different. We write accounts of

things we see, or that somebody tells us; but Miss Crawdon likes things

we observe, and I am always seeing something funny. Everyone laughs at

what I write. But I just can't do a long logical essay, and I don't want

mine to be the very worst in the class."

"Of course not." Lucian's tone was more sympathetic than usual. "There

can't be any harm in my helping you." And he took up a pencil.

"I'm not sure," responded Martine; "but still a brother, I suppose, is

different from anyone else."

"Naturally," said Lucian, undisturbed by any scruples.

In a moment the two were at work, or rather Lucian was working, while

Martine listened intently.

"First of all," he began, in a professorial manner, "you must think out

your subject carefully and sub-divide it--so--and so. Then, well,

whenever you have a thought, write it down on a piece of paper or a

card--if I were you I'd buy a box of blank cards." Martine instantly

resolved to pay a visit to a wholesale stationer's, and Lucian spent a

few moments in cogitation and then wrote down a number of headings on

small squares of paper. He had never before had so good a chance to

expose the methods of his favorite English course.

"See, now, you kind of shuffle and arrange your headings, and you begin

to think of other funny little things to put in, and write them out on

large sheets, and before you know it, it's almost done. Now try."

Martine tried. Lucian's method was something like a game, and under his

guidance she made a fair beginning. Before they had fairly started on

the essay, Lucian talked learnedly about "clearness," and "force," and

"elegance," and Martine listened, somewhat dazzled by her brother's show

of knowledge.

"Well, Harvard has done you some good, after all, Lucian. As a sophomore

you seem to be making up for what you lost in your freshman year."

"There, there, child, no twitting on facts. Of course Harvard has done a

great deal for me. Why else should I go to college?"

"I wonder what college would do for me. What would you think of my going

to Radcliffe, for example?" Martine looked anxiously at her brother; she

had known boys who positively opposed their sister's ambitions in this

direction.

"Well, if you could get in," said Lucian, "I think it would be a mighty

good thing."

The "if" nettled Martine.

"What other girls do I suppose I could do too."

"Oh, yes; and if you should turn out like Miss Amy Redmond, or if you'd

work like Priscilla, why I'd be proud enough of you."

"Ah, Amy's a brick," responded Martine, "but I didn't know that you

really admired Priscilla. Robert Pringle says she's just the kind boys

don't like."

"Oh, Robert is too fresh; he can't settle everything, though he thinks

he can. But here, we can't waste time. Remember that you're trying to

prove your point."

"Yes, the point of the sword," said Martine.

"No frivolity, child." And by their united efforts they made a draft of

the essay, which Lucian copied out in his peculiar back hand, and later

Martine, still further expanding what he presented to her, was able to

produce ten pages that were not only fairly logical, according to

Lucian's standards, but in addition had various humorous little touches

from the hand of Martine. Priscilla was so busy with her own work that

she hardly had time to observe that Martine had ceased to complain at

what she had at first called "an outrageous task."

On the morning when the essays were handed in, Miss Crawdon made a short

speech to the class. "You will be interested, I am sure, to hear that I

have decided to award a prize for the best essay. I did not suggest this

in advance, because in a general way I do not approve of school

competition. You have worked under natural conditions, and although only

one girl will have a prize, I am sure all the others will see nothing

unfair in this distinction, since all have had an equal chance. All have

worked independently without help from anyone, and none have been

tempted to put themselves under too severe a strain. I ought to say that

the prize, which consists of the new two-volume 'Life of Tennyson,' is a

gift from Mrs. Edward Elton. You remember that she was one of our

teachers here a few years ago and that English was her specialty. When

she left this school she helped establish the Mansion School in the

house of her grandmother, Madame DuLaunuy. For more than a year she and

Mr. Elton have been travelling abroad, but she writes to me often about

the school, and her interest in our English work still continues."

In the brief interval following Miss Crawdon's speech, those girls who

had known the former Miss South said one or two agreeable things about

her to the others, and it pleased Martine to recall that Mr. Elton was a

cousin of Brenda's. But she was not altogether pleased that the essay

with which Lucian had helped her was to compete for a prize. In this

special case Martine was not quite sure of the precise line between

right and wrong, and until she could decide this for herself, she

thought it not worth while to discuss the matter with others.

Now it happened, strangely enough, that the essay which in a small way

had been a snare for Martine also caused some trouble for Priscilla. The

beginning came on the Friday after the essays were handed in. In the

early afternoon Priscilla had an errand to do for her aunt at the

farther end of Commonwealth Avenue. There was no Symphony this week, and

she enjoyed the change. As she walked homeward, she was in an unusually

happy mood. It was one of those mild days in late January that seemed to

be preparing the way for an early spring. The path under the trees in

the middle of the park was rather wet from melting snow and ice, and

after trying it for a few steps, Priscilla preferred the sidewalk. There

she walked down between the rows of nurses with their baby carriages, or

little children in charge. "A prize baby show" Martine had called it.

Priscilla enjoyed the show and thought of her little brothers and

sisters at home as she stopped at intervals to speak to some child she

knew. From the Avenue she crossed the Garden and stood for a moment on

the bridge to watch the ice breaking in the pond; and she continued her

walk along the mall of the Common, until she was opposite Spruce Street.

Turning into the narrower streets, when at last she reached her aunt's

house, it seemed particularly gloomy, and she wished that she might have

stayed out in the sun an hour longer. But she realized that the task

before her could not be postponed. The weekly theme must be ready on

Monday, and nothing could be accomplished unless she set herself at

work. Filling her fountain pen carefully she sat down at a small table

near the window and began her task.

Although Priscilla frowned slightly, as almost any girl will frown when

writing a theme, the frown was not very deep. She expected no real

difficulties at the present stage of her work, as she had already made a

good draft in pencil, and it only remained now for her to copy it.

At first her pen fairly flew over the paper, but after a time, as it may

happen even with more accomplished authors, she grew a little weary, and

rising, she walked to the window. Then she took a few steps around the

room, at the same time idly flourishing her pen. The habits of fountain

pens are indeed hard to understand. There certainly seemed to be no

reason why Priscilla's pen should have chosen the particular moment when

she stood beside her bureau for a catastrophe. Priscilla herself was

almost petrified with horror as she gazed at the great black spot on the

immaculate bureau-scarf. How could one little drop of ink, falling

carelessly from a pen held upside down, spread itself into such a big

spot?

After her first resentment against the pen, which she quickly laid down

on the blotter on her table, Priscilla's irritation took a new form.

"I always hated that bureau-scarf. I always thought it foolish of aunt

Tilworth to put it in my room. She has told me a dozen times that it was

made by a favorite cousin who can never make any more like it because

she's dead. I can't bear to think what she will say when she sees this."

Priscilla went closer to the bureau. Fortunately the spot was on the

plain material, some distance from the embroidery. It almost looked as

if she might wash it out--if ink ever could be washed out. If it should

stay, how could she ever explain the accident to her aunt, since it was

an unwritten law of the house that ink was to be used only in the

library?

"This might help a little," she murmured, tearing off a small piece from

her blotter, and applying it to the spot. But the ink had been so

thoroughly absorbed that her efforts made no impression. Then she

remembered something she had read and rushed to the kitchen.

"A glass of milk, is it?" exclaimed the crabbed old cook; "and why

didn't you send the housemaid?" But Priscilla secured the milk, and

while she was busily mopping the spot, Martine appeared on the scene.

"You queer child, what are you doing? That milk will certainly spoil the

bureau."

"Oh no, it's marble underneath."

"But what are you doing? Oh, that spot? But you'll never get it out that

way. You must use salts, salts of something, I forget its name, only

it's deadly poison. They'll know what it is when you ask at the

druggist's."

"Nothing would induce me to touch poison. Please don't suggest such a

thing."

"But you're not going to taste it or give it to anyone. Just think what

your aunt would say if she saw that spot!"

"That's just what I have been thinking," said poor Priscilla, feebly. "I

hate to have her know how careless I have been."

"Then let me go--no, I am going anyway, I want to see how surprised the

druggist will be when I ask for this salts of something or other."

"He can't appear very surprised if you don't know its name."

"Oh, I'll tell him it's a deadly poison, and that I want it immediately.

Good-bye, Prissie dear, I'll soon be back, alive or dead."

"Now cheer up, Miss Doleful," cried Martine, when she returned ten

minutes later. "I got it easily enough, and the man hardly seemed

surprised, though he put a little poison label on the box."

Priscilla handled the box gingerly.

"There, there," cried Martine, "it won't hurt you! Give it back!" And

taking off the cover, she disclosed some innocent looking crystals.

Moistening a few of these, she spread the pasty mass on the spot.

"My, how it stings! My tongue is burning."

"You didn't taste it! I thought you said it was poison?"

"Oh, I got some on my fingers. But I know it won't hurt. But there,"

scraping the crystals from the spot, "it hasn't done a bit of good."

"Yes, it has done a little. I think the ink is not quite so black. But a

brown spot is about as bad as a black one."

"I'll tell you what we ought to do," and Martine read the label on the

box.

"We should spread this out in the sun. Then something chemical will

happen, and the ink will fade away."

"This ink will _never_ fade. I am sure of that, and besides there's no

sun to-day, and there won't be, because it's after four o'clock."

"To-morrow will do just as well," said Martine.

"If aunt Tilworth doesn't happen to come in."

"What are you afraid of, my dear Prissie? You surely don't expect your

aunt to whip you like a baby?"

"Of course not. My aunt doesn't mean to be unkind, only she is very

particular."

"I should say so. Her house shows that she was meant to be a regular old

maid. How I should love to stir things up a little. I don't suppose you

dropped that ink on purpose, though the room certainly looks far less

prim than when I saw it a day or two ago."

Priscilla bore Martine's teasing fairly well, but at last she said

firmly, "I have wasted a lot of time over this ink-spot. Now I must go

back to my work. I haven't even prepared my lessons for Monday. I know

you will excuse me, Martine, and I am ever so much obliged for your

help."

"On this hint I'll act," replied Martine, gayly. "Your spot is certainly

worse than the one in Macbeth, though I won't use the language that

Macbeth--or was it her Ladyship?--used regarding it. But don't worry,

Prissie dear. I will arrange things so that no one will know what

happened." And suiting her action to her words, Martine carefully

replaced the scarf on the table and set a large pincushion over the

ink-spot, so that not a vestige of the spot, or of the attempts to

remove it, could be seen.

Then with a word or two more of absurd advice to Priscilla, Martine,

bidding her friend good-bye, tripped lightly downstairs.

When Martine reached the lower story all was still. Priscilla had said

that her aunt was at a meeting. Evidently she had not yet returned.

On her way downstairs a mischievous plan had been forming in Martine's

brain.

"I'll never have a better chance," she said to herself, and she tiptoed

into the drawing-room.

A noise from the direction of the dining-room made her start. Then

glancing around she took heart.

"I think I can do it," she murmured, "before any one appears on the

scene."

Again she felt discouraged as she noted how massive, how immovable most

of the furniture appeared. A large centre-table in the middle of the

room pleased her; she pushed it from its place into a distant corner.

Over it she threw a scarf that had decorated a sofa. Then from the great

bookcase in the hall she took two or three volumes that she laid on the

table open and face downward.

"Everything seems glued to the walls," she murmured, "and these tidies

are so ugly. There can't be much harm in folding them up and putting

them under the sofa."

Then she paused. "This little scarf--it is Roman, too,--is just the

thing for Julius Caesar." And tying the striped scarf around the neck of

the great conqueror, she bolstered the bust on an easy-chair, draping an

afghan around him to conceal his lack of body and limbs.

[Illustration: "'This little scarf--it is Roman, too,--is just the thing

for Julius Caesar.'"]

Then with one or two minor touches to the room she hurried away.

Brenda's Ward A Sequel to 'Amy in Acadia' · 第 7 / 25 章