From 'The Woman in White'

He looks like a man who could tame anything. If he married a tigress

instead of a woman, he would have tamed the tigress. If he had married

_me_, I should have made his cigarettes as his wife does; I should have

held my tongue when he looked at me as she holds hers.

I am almost afraid to confess it even to these secret pages. The man has

interested me, has attracted me, has forced me to like him. In two short

days he has made his way straight into my favorable estimation; and how

he has worked the miracle is more than I can tell.

It absolutely startles me, now he is in my mind, to find how plainly I

see him! how much more plainly than I see Sir Percival, or Mr. Fairlie,

or Walter Hartright, or any other absent person of whom I think, with

the one exception of Laura herself. I can hear his voice as if he was

speaking at this moment. I know what his conversation was yesterday,

as well as if I was hearing it now. How am I to describe him? There

are peculiarities in his personal appearance, his habits, and his

amusements, which I should blame in the boldest terms or ridicule in the

most merciless manner, if I had seen them in another man. What is it

that makes me unable to blame them or to ridicule them in _him_?

For example, he is immensely fat. Before this time, I have always

especially disliked corpulent humanity. I have always maintained that

the popular notion of connecting excessive grossness of size and

excessive good-humor as inseparable allies was equivalent to declaring

either that no people but amiable people ever get fat, or that the

accidental addition of so many pounds of flesh has a directly favorable

influence over the disposition of the person on whose body they

accumulate. I have invariably combated both these absurd assertions by

quoting examples of fat people who were as mean, vicious, and cruel as

the leanest and worst of their neighbors. I have asked whether Henry the

Eighth was an amiable character? whether Pope Alexander the Sixth was a

good man? whether Mr. Murderer and Mrs. Murderess Manning were not both

unusually stout people? whether hired nurses, proverbially as cruel a

set of women as are to be found in all England, were not, for the most

part, also as fat a set of women as are to be found in all England?--and

so on through dozens of other examples, modern and ancient, native and

foreign, high and low. Holding these strong opinions on the subject with

might and main, as I do at this moment, here nevertheless is Count

Fosco, as fat as Henry the Eighth himself, established in my favor at

one day's notice, without let or hindrance from his own odious

corpulence. Marvelous indeed!

Is it his face that has recommended him?

It may be his face. He is a most remarkable likeness, on a large scale,

of the great Napoleon. His features have Napoleon's magnificent

regularity; his expression recalls the grandly calm immovable power of

the Great Soldier's face. This striking resemblance certainly impressed

me, to begin with; but there is something in him besides the

resemblance, which has impressed me more. I think the influence I am now

trying to find is in his eyes. They are the most unfathomable gray eyes

I ever saw; and they have at times a cold, clear, beautiful,

irresistible glitter in them, which forces me to look at him, and yet

causes me sensations, when I do look, which I would rather not feel.

Other parts of his face and head have their strange peculiarities. His

complexion, for instance, has a singular sallow-fairness, so much at

variance with the dark-brown color of his hair that I suspect the hair

of being a wig; and his face, closely shaven all over, is smoother and

freer from all marks and wrinkles than mine, though (according to Sir

Percival's account of him) he is close on sixty years of age. But these

are not the prominent personal characteristics which distinguish him, to

my mind, from all the other men I have ever seen. The marked peculiarity

which singles him out from the rank and file of humanity lies entirely,

so far as I can tell at present, in the extraordinary expression and

extraordinary power of his eyes.

His manner, and his command of our language, may also have assisted him

in some degree to establish himself in my good opinion. He has that

quiet deference, that look of pleased attentive interest, in listening

to a woman, and that secret gentleness in his voice in speaking to a

woman, which say what we may, we can none of us resist. Here too his

unusual command of the English language necessarily helps him. I had

often heard of the extraordinary aptitude which many Italians show in

mastering our strong hard Northern speech, but until I saw Count Fosco I

had never supposed it possible that any foreigner could have spoken

English as he speaks it. There are times when it is almost impossible to

detect by his accent that he is not a countryman of our own; and as for

fluency, there are very few born Englishmen who can talk with as few

stoppages and repetitions as the Count. He may construct his sentences

more or less in the foreign way; but I have never yet heard him use a

wrong expression, or hesitate for a moment in his choice of words.

All the smallest characteristics of this strange man have something

strikingly original and perplexingly contradictory in them. Fat as he

is, and old as he is, his movements are astonishingly light and easy. He

is as noiseless in a room as any of us women; and more than that, with

all his look of unmistakable mental firmness and power, he is as

nervously sensitive as the weakest of us. He starts at chance noises as

inveterately as Laura herself. He winced and shuddered yesterday when

Sir Percival beat one of the spaniels, so that I felt ashamed of my own

want of tenderness and sensibility by comparison with the Count.

The relation of this last incident reminds me of one of his most curious

peculiarities, which I have not yet mentioned--his extraordinary

fondness for pet animals.

Some of these he has left on the Continent; but he has brought with him

to this house a cockatoo, two canary-birds, and a whole family of white

mice. He attends to all the necessities of these strange favorites

himself, and he has taught the creatures to be surprisingly fond of him

and familiar with him. The cockatoo, a most vicious and treacherous bird

toward every one else, absolutely seems to love him. When he lets it out

of its cage it hops on to his knee, and claws its way up his great big

body, and rubs its topknot against his sallow double chin in the most

caressing manner imaginable. He has only to set the doors of the

canaries' cage open, and to call them; and the pretty little cleverly

trained creatures perch fearlessly on his hand, mount his fat

outstretched fingers one by one when he tells them to "go up-stairs,"

and sing together as if they would burst their throats with delight when

they get to the top finger. His white mice live in a little pagoda of

gayly painted wire-work, designed and made by himself. They are almost

as tame as the canaries, and they are perpetually let out, like the

canaries. They crawl all over him, popping in and out of his waistcoat,

and sitting in couples, white as snow, on his capacious shoulders. He

seems to be even fonder of his mice than of his other pets; smiles at

them, and kisses them, and calls them all sorts of endearing names. If

it be possible to suppose an Englishman with any taste for such childish

interests and amusements as these, that Englishman would certainly feel

rather ashamed of them, and would be anxious to apologize for them in

the company of grown-up people. But the Count apparently sees nothing

ridiculous in the amazing contrast between his colossal self and his

frail little pets. He would blandly kiss his white mice and twitter to

his canary-birds amidst an assembly of English fox-hunters, and would

only pity them as barbarians when they were all laughing their loudest

at him.

It seems hardly credible while I am writing it down, but it is certainly

true that this same man, who has all the fondness of an old maid for his

cockatoo, and all the small dexterities of an organ-boy in managing his

white mice, can talk, when anything happens to rouse him, with a daring

independence of thought, a knowledge of books in every language, and an

experience of society in half the capitals of Europe, which would make

him the prominent personage of any assembly in the civilized world. This

trainer of canary-birds, this architect of a pagoda for white mice, is

(as Sir Percival himself has told me) one of the first experimental

chemists living, and has discovered among other wonderful inventions a

means of petrifying the body after death, so as to preserve it, as hard

as marble, to the end of time. This fat, indolent, elderly man, whose

nerves are so finely strung that he starts at chance noises, and winces

when he sees a house spaniel get a whipping, went into the stable-yard

the morning after his arrival, and put his hand on the head of a chained

bloodhound--a beast so savage that the very groom who feeds him keeps

out of his reach. His wife and I were present, and I shall not forget

the scene that followed, short as it was.

"Mind that dog, sir," said the groom; "he flies at everybody!" "He does

that, my friend," replied the Count quietly, "because everybody is

afraid of him. Let us see if he flies at _me_." And he laid his plump

yellow-white fingers, on which the canary-birds had been perching ten

minutes before, upon the formidable brute's head, and looked him

straight in the eyes. "You big dogs are all cowards," he said,

addressing the animal contemptuously, with his face and the dog's within

an inch of each other. "You would kill a poor cat, you infernal coward.

You would fly at a starving beggar, you infernal coward. Anything that

you can surprise unawares--anything that is afraid of your big body, and

your wicked white teeth, and your slobbering, bloodthirsty mouth, is the

thing you like to fly at. You could throttle me at this moment, you mean

miserable bully; and you daren't so much as look me in the face, because

I'm not afraid of you. Will you think better of it, and try your teeth

in my fat neck? Bah! not you!" He turned away, laughing at the

astonishment of the men in the yard; and the dog crept back meekly to

his kennel. "Ah! my nice waistcoat!" he said pathetically. "I am sorry

I came here. Some of that brute's slobber has got on my pretty clean

waistcoat." Those words express another of his incomprehensible

oddities. He is as fond of fine clothes as the veriest fool in

existence, and has appeared in four magnificent waistcoats already--all

of light garish colors and all immensely large, even for him--in the two

days of his residence at Blackwater Park.

His tact and cleverness in small things are quite as noticeable as the

singular inconsistencies in his character, and the childish triviality

of his ordinary tastes and pursuits.

I can see already that he means to live on excellent terms with all of

us during the period of his sojourn in this place. He has evidently

discovered that Laura secretly dislikes him (she confessed as much to me

when I pressed her on the subject), but he has also found out that she

is extravagantly fond of flowers. Whenever she wants a nosegay he has

got one to give her, gathered and arranged by himself; and greatly to my

amusement, he is always cunningly provided with a duplicate, composed of

exactly the same flowers, grouped in exactly the same way, to appease

his icily jealous wife, before she can so much as think herself

aggrieved. His management of the Countess (in public) is a sight to see.

He bows to her; he habitually addresses her as "my angel"; he carries

his canaries to pay her little visits on his fingers, and to sing to

her; he kisses her hand when she gives him his cigarettes; he presents

her with sugar-plums in return, which he puts into her mouth playfully,

from a box in his pocket. The rod of iron with which he rules her never

appears in company--it is a private rod and is always kept up-stairs.

His method of recommending himself to _me_ is entirely different. He

flatters my vanity by talking to me as seriously and sensibly as if I

was a man. Yes! I can find him out when I am away from him; I know he

flatters my vanity, when I think of him up here in my own room--and yet

when I go down-stairs and get into his company again he will blind me

again, and I shall be flattered again, just as if I had never found him

out at all! He can manage me as he manages his wife and Laura, as he

manages the bloodhound in the stable yard, as he manages Sir Percival

himself every hour in the day. "My good Percival! how I like your rough

English humor!"--"My good Percival! how I enjoy your solid English

sense!" He puts the rudest remarks Sir Percival can make on his

effeminate tastes and amusements quietly away from him in that

manner--always calling the baronet by his Christian name; smiling at him

with the calmest superiority; patting him on the shoulder; and bearing

with him benignantly, as a good-humored father bears with a wayward son.

The interest which I really cannot help feeling in this strangely

original man has led me to question Sir Percival about his past life.

Sir Percival either knows little, or will tell me little about it. He

and the Count first met many years ago, at Rome, under the dangerous

circumstances to which I have alluded elsewhere. Since that time they

have been perpetually together, in London, in Paris, and in Vienna--but

never in Italy again; the Count having, oddly enough, not crossed the

frontiers of his native country for years past. Perhaps he has been made

the victim of some political persecution? At all events, he seems to be

patriotically anxious not to lose sight of any of his own countrymen who

may happen to be in England. On the evening of his arrival, he asked

how far we were from the nearest town, and whether we knew of any

Italian gentlemen who might happen to be settled there. He is certainly

in correspondence with people on the Continent, for his letters have all

sorts of odd stamps on them; and I saw one for him this morning, waiting

in his place at the breakfast-table, with a huge official-looking seal

on it. Perhaps he is in correspondence with his government? And yet that

is hardly to be reconciled, either, with my other idea that he may be a

political exile.

How much I seem to have written about Count Fosco! And what does it all

amount to?--as poor dear Mr. Gilmore would ask in his impenetrable

business-like way. I can only repeat that I do assuredly feel, even on

this short acquaintance, a strange, half-willing, half-unwilling liking

for the Count. He seems to have established over me the same sort of

ascendency which he has evidently gained over Sir Percival. Free and

even rude as he may occasionally be in his manner toward his fat friend,

Sir Percival is nevertheless afraid, as I can plainly see, of giving any

serious offense to the Count. I wonder whether I am afraid too? I

certainly never saw a man, in all my experience, whom I should be so

sorry to have for an enemy. Is this because I like him, or because I am

afraid of him? _Chi sa?_--as Count Fosco might say in his own language.

Who knows?

Library of the World's Best Literature, Ancient and Modern — Volume 09 · 第 282 / 286 题