From 'The Genius of Christianity'

During the reign of the Emperor Julian commenced a persecution, perhaps

more dangerous than violence itself, which consisted in loading the

Christians with disgrace and contempt. Julian began his hostility by

plundering the churches; he then forbade the faithful to teach or to

study the liberal arts and sciences. Sensible, however, of the important

advantages of the institutions of Christianity, the emperor determined

to establish hospitals and monasteries, and after the example of the

gospel system to combine morality with religion; he ordered a kind of

sermons to be delivered in the pagan temples....

From the time of Julian to that of Luther, the Church, flourishing in

full vigor, had no occasion for apologists; but when the Western schism

took place, with new enemies arose new defenders. It cannot be denied

that at first the Protestants had the superiority, at least in regard to

forms, as Montesquieu has remarked. Erasmus himself was weak when

opposed to Luther, and Theodore Beza had a captivating manner of

writing, in which his opponents were too often deficient....

It is natural for schism to lead to infidelity, and for heresy to

engender atheism. Bayle and Spinoza arose after Calvin, and they found

in Clarke and Leibnitz men of sufficient talents to refute their

sophistry. Abbadie wrote an apology for religion, remarkable for method

and sound argument. Unfortunately his style is feeble, though his ideas

are not destitute of brilliancy. "If the ancient philosophers," observes

Abbadie, "adored the Virtues, their worship was only a beautiful species

of idolatry."

While the Church was yet enjoying her triumph, Voltaire renewed the

persecution of Julian. He possessed the baneful art of making infidelity

fashionable among a capricious but amiable people. Every species of

self-love was pressed into this insensate league. Religion was attacked

with every kind of weapon, from the pamphlet to the folio, from the

epigram to the sophism. No sooner did a religious book appear than the

author was overwhelmed with ridicule, while works which Voltaire was the

first to laugh at among his friends were extolled to the skies. Such was

his superiority over his disciples that he sometimes could not forbear

diverting himself with their irreligious enthusiasm. Meanwhile the

destructive system continued to spread throughout France. It was first

adopted in those provincial academies, each of which was a focus of bad

taste and faction. Women of fashion and grave philosophers alike read

lectures on infidelity. It was at length concluded that Christianity was

no better than a barbarous system, and that its fall could not happen

too soon for the liberty of mankind, the promotion of knowledge, the

improvement of the arts, and the general comfort of life.

To say nothing of the abyss into which we were plunged by this aversion

to the religion of the gospel, its immediate consequence was a return,

more affected than sincere, to that mythology of Greece and Rome to

which all the wonders of antiquity were ascribed. People were not

ashamed to regret that worship which had transformed mankind into a herd

of madmen, monsters of indecency, or ferocious beasts. This could not

fail to inspire contempt for the writers of the age of Louis XIV., who

however had reached the high perfection which distinguished them only by

being religious. If no one ventured to oppose them face to face, on

account of their firmly established reputation, they were nevertheless

attacked in a thousand indirect ways. It was asserted that they were

unbelievers _in their hearts_; or at least that they would have been

much greater characters had they lived _in our times_. Every author

blessed his good fortune for having been born in the glorious age of the

Diderots and d'Alemberts, in that age when all the attainments of the

human mind were ranged in alphabetical order in the 'Encyclopedie,' that

Babel of the sciences and of reason....

It was therefore necessary to prove that on the contrary the Christian

religion, of all the religions that ever existed, is the most humane,

the most favorable to liberty and to the arts and sciences; that the

modern world is indebted to it for every improvement from agriculture to

the abstract sciences, from the hospitals for the reception of the

unfortunate to the temples reared by the Michael Angelos and embellished

by the Raphaels. It was necessary to prove that nothing is more divine

than its morality, nothing more lovely and more sublime than its tenets,

its doctrine, and its worship; that it encourages genius, corrects the

taste, develops the virtuous passions, imparts energy to the ideas,

presents noble images to the writer, and perfect models to the artist;

that there is no disgrace in being believers with Newton and Bossuet,

with Pascal and Racine. In a word, it was necessary to summon all the

charms of the imagination and all the interests of the heart to the

assistance of that religion against which they had been set in array.

The reader may now have a clear view of the object of our work. All

other kinds of apologies are exhausted, and perhaps they would be

useless at the present day. Who would now sit down to read a work

professedly theological? Possibly a few sincere Christians who are

already convinced. But, it may be asked, May there not be some danger in

considering religion in a merely human point of view? Why so? Does our

religion shrink from the light? Surely one great proof of its divine

origin is, that it will bear the test of the fullest and severest

scrutiny of reason. Would you have us always open to the reproach of

enveloping our tenets in sacred obscurity, lest their falsehood should

be detected? Will Christianity be the less true for appearing the more

beautiful? Let us banish our weak apprehensions; let us not, by an

excess of religion, leave religion to perish. We no longer live in those

times when you might say, "Believe without inquiring." People _will_

inquire in spite of us; and our timid silence, in heightening the

triumph of the infidel, will diminish the number of believers.

It is time that the world should know to what all those charges of

absurdity, vulgarity, and meanness, that are daily alleged against

Christianity, may be reduced. It is time to demonstrate that instead of

debasing the ideas, it encourages the soul to take the most daring

flights, and is capable of enchanting the imagination as divinely as the

deities of Homer and Virgil. Our arguments will at least have this

advantage, that they will be intelligible to the world at large and will

require nothing but common-sense to determine their weight and strength.

In works of this kind authors neglect, perhaps rather too much, to speak

the language of their readers. It is necessary to be a scholar with a

scholar, and a poet with a poet. The Almighty does not forbid us to

tread the flowery path, if it serves to lead the wanderer once more to

him; nor is it always by the steep and rugged mountain that the lost

sheep finds its way back to the fold.

We think that this mode of considering Christianity displays

associations of ideas which are but imperfectly known. Sublime in the

antiquity of its recollections, which go back to the creation of the

world; ineffable in its mysteries, adorable in its sacraments,

interesting in its history, celestial in its morality, rich and

attractive in its ceremonial,--it is fraught with every species of

beauty. Would you follow it in poetry? Tasso, Milton, Corneille, Racine,

Voltaire, will depict to you its miraculous effects. In belles-lettres,

in oratory, history, and philosophy, what have not Bossuet, Fenelon,

Massillon, Bourdaloue, Bacon, Pascal, Euler, Newton, Leibnitz, produced

by its inspiration! In the arts, what masterpieces! If you examine it in

its worship, what ideas are suggested by its antique Gothic churches,

its admirable prayers, its impressive ceremonies! Among its clergy,

behold all those scholars who have handed down to you the languages and

the works of Greece and Rome; all those anchorets of Thebais; all those

asylums for the unfortunate; all those missionaries to China, to Canada,

to Paraguay; not forgetting the military orders whence chivalry derived

its origin. Everything has been engaged in our cause--the manners of our

ancestors, the pictures of days of yore, poetry, even romances

themselves. We have called smiles from the cradle, and tears from the

tomb. Sometimes, with the Maronite monk, we dwell on the summits of

Carmel and Lebanon; at others we watch with the Daughter of Charity at

the bedside of the sick. Here two American lovers summon us into the

recesses of their deserts; there we listen to the sighs of the virgin in

the solitude of the cloister. Homer takes his place by Milton, and

Virgil beside Tasso; the ruins of Athens and of Memphis form contrasts

with the ruins of Christian monuments, and the tombs of Ossian with our

rural churchyards. At St. Denis we visit the ashes of kings; and when

our subject requires us to treat of the existence of God, we seek our

proofs in the wonders of Nature alone. In short, we endeavor to strike

the heart of the infidel in every possible way; but we dare not flatter

ourselves that we possess the miraculous rod of religion which caused

living streams to burst from the flinty rock.

Library of the World's Best Literature, Ancient and Modern — Volume 09 · 第 70 / 286 题