Chapter XLV. Love Your Enemies.

She tried to think of Bennydeck.

Her eyes followed him as long as he was in sight, but her thoughts

wandered. To look at him now was to look at the little companion walking

by his side. Still, the child reminded her of the living father; still,

the child innocently tortured her with the consciousness of deceit. The

faithless man from whom the law had released her, possessed himself of

her thoughts, in spite of the law. He, and he only, was the visionary

companion of her solitude when she was left by herself.

Did he remind her of the sin that he had committed?--of the insult that

he had inflicted on the woman whom he had vowed to love and cherish? No!

he recalled to her the years of love that she had passed by his side; he

upbraided her with the happiness which she had owed to him, in the prime

and glory of her life. Woman! set _that_ against the wrong which I have

done to you. You have the right to condemn me, and Society has the right

to condemn me--but I am your child’s father still. Forget me if you can!

All thought will bear the test of solitude, excepting only the thought

that finds its origin in hopeless self-reproach. The soft mystery

of twilight, the solemn silence of the slowly-coming night, daunted

Catherine in that lonely place. She rose to return to light and human

beings. As she set her face toward the house, a discovery confronted

her. She was not alone.

A woman was standing on the path, apparently looking at her.

In the dim light, and at the distance between them, recognition of the

woman was impossible. She neither moved nor spoke. Strained to their

utmost point of tension, Catherine’s nerves quivered at the sight of

that shadowy solitary figure. She dropped back on the seat. In tones

that trembled she said: “Who are you? What do you want?”

The voice that answered was, like her own voice, faint with fear. It

said: “I want a word with you.”

Moving slowly forward--stopping--moving onward again--hesitating

again--the woman at last approached. There was light enough left to

reveal her face, now that she was near. It was the face of Sydney

Westerfield.

The survival of childhood, in the mature human being, betrays itself

most readily in the sex that bears children. The chances and changes of

life show the child’s mobility of emotion constantly associating

itself with the passions of the woman. At the moment of recognition the

troubled mind of Catherine was instantly steadied, under the influence

of that coarsest sense which levels us with the animals--the sense of

anger.

“I am amazed at your audacity,” she said.

There was no resentment--there was only patient submission in Sydney’s

reply.

“Twice I have approached the house in which you are living; and twice

my courage has failed me. I have gone away again--I have walked, I don’t

know where, I don’t know how far. Shame and fear seemed to be insensible

to fatigue. This is my third attempt. If I was a little nearer to you, I

think you would see what the effort has cost me. I have not much to say.

May I ask you to hear me?”

“You have taken me by surprise, Miss Westerfield. You have no right to

do that; I refuse to hear you.”

“Try, madam, to bear in mind that no unhappy creature, in my place,

would expose herself to your anger and contempt without a serious

reason. Will you think again?”

“No!”

Sydney turned to go away--and suddenly stopped.

Another person was advancing from the hotel; an interruption, a trivial

domestic interruption, presented itself. The nursemaid had missed the

child, and had come into the garden to see if she was with her mother.

“Where is Miss Kitty, ma’am?” the girl asked.

Her mistress told her what had happened, and sent her to the Palace to

relieve Captain Bennydeck of the charge that he had undertaken. Susan

listened, looking at Sydney and recognizing the familiar face. As the

girl moved away, Sydney spoke to her.

“I hope little Kitty is well and happy?”

The mother does not live who could have resisted the tone in which that

question was put. The broken heart, the love for the child that still

lived in it, spoke in accents that even touched the servant. She came

back; remembering the happy days when the governess had won their hearts

at Mount Morven, and, for a moment at least, remembering nothing else.

“Quite well and happy, miss, thank you,” Susan said.

As she hurried away on her errand, she saw her mistress beckon to Sydney

to return, and place a chair for her. The nursemaid was not near enough

to hear what followed.

“Miss Westerfield, will you forget what I said just now?” With those

words, Catherine pointed to the chair. “I am ready to hear you,” she

resumed--“but I have something to ask first. Does what you wish to say

to me relate only to yourself?”

“It relates to another person, as well as to myself.”

That reply, and the inference to which it led, tried Catherine’s

resolution to preserve her self-control, as nothing had tried it yet.

“If that other person,” she began, “means Mr. Herbert Linley--”

Sydney interrupted her, in words which she was entirely unprepared to

hear.

“I shall never see Mr. Herbert Linley again.”

“Has he deserted you?”

“No. It is _I_ who have left _him._”

“You!”

The emphasis laid on that one word forced Sydney to assert herself for

the first time.

“If I had not left him of my own free will,” she said, “what else would

excuse me for venturing to come here?”

Catherine’s sense of justice felt the force of that reply. At the same

time her sense of injury set its own construction on Sydney’s motive.

“Has his cruelty driven you away from him?” she asked.

“If he has been cruel to me,” Sydney answered, “do you think I should

have come here to complain of it to You? Do me the justice to believe

that I am not capable of such self-degradation as that. I have nothing

to complain of.”

“And yet you have left him?”

“He has been all that is kind and considerate: he has done everything

that a man in his unhappy position could do to set my mind at ease. And

yet I have left him. Oh, I claim no merit for my repentance, bitterly

as I feel it! I might not have had the courage to leave him--if he had

loved me as he once loved you.”

“Miss Westerfield, you are the last person living who ought to allude to

my married life.”

“You may perhaps pardon the allusion, madam, when you have heard what

I have still to say. I owe it to Mr. Herbert Linley, if not to you, to

confess that his life with me has _not_ been a life of happiness. He has

tried, compassionately tried, to keep his secret sorrow from discovery,

and he has failed. I had long suspected the truth; but I only saw it in

his face when he found the book you left behind you at the hotel. Your

image has, from first to last, been the one living image in his guilty

heart. I am the miserable victim of a man’s passing fancy. You have

been, you are still, the one object of a husband’s love. Ask your own

heart if the woman lives who can say to you what I have said--unless she

knew it to be true.”

Catherine’s head sank on her bosom; her helpless hands lay trembling

on her lap. Overpowered by the confession which she had just heard--a

confession which had followed closely on the thoughts inspired by the

appearance of the child--her agitation was beyond control; her mind was

unequal to the effort of decision. The woman who had been wronged--who

had the right to judge for herself, and to speak for herself--was the

silent woman of the two!

It was not quite dark yet. Sydney could see as well as hear.

For the first time since the beginning of the interview, she allowed the

impulse of the moment to lead her astray. In her eagerness to complete

the act of atonement, she failed to appreciate the severity of the

struggle that was passing in Catherine’s mind. She alluded again to

Herbert Linley, and she spoke too soon.

“Will you let him ask your pardon?” she said. “He expects no more.”

Catherine’s spirit was roused in an instant. “He expects too much!” she

answered, sternly. “Is he here by your connivance? Is he, too, waiting

to take me by surprise?”

“I am incapable, madam, of taking such a liberty with you as that; I may

perhaps have hoped to be able to tell him, by writing, of a different

reception--” She checked herself. “I beg your pardon, if I have ventured

to hope. I dare not ask you to alter your opinion--”

“Do you dare to look the truth in the face?” Catherine interposed. “Do

you remember what sacred ties that man has broken? what memories he has

profaned? what years of faithful love he has cast from him? Must I tell

you how he poisoned his wife’s mind with doubts of his truth and despair

of his honor, when he basely deserted her? You talk of your repentance.

Does your repentance forget that he would still have been my blameless

husband but for you?”

Sydney silently submitted to reproach, silently endured the shame that

finds no excuse for itself.

Catherine looked at her and relented. The noble nature which could stoop

to anger, but never sink to the lower depths of malice and persecution,

restrained itself and made amends. “I say it in no unkindness to you,”

she resumed. “But when you ask me to forgive, consider what you ask me

to forget. It will only distress us both if we remain longer together,”

she continued, rising as she spoke. “Perhaps you will believe that I

mean well, when I ask if there is anything I can do for you?”

“Nothing!”

All the desolation of the lost woman told its terrible tale in that one

word. Invited to rest herself in the hotel, she asked leave to remain

where she was; the mere effort of rising was too much for her now.

Catherine said the parting words kindly. “I believe in your good

intentions; I believe in your repentance.”

“Believe in my punishment!” After that reply, no more was said.

Behind the trees that closed the view at the further extremity of the

lawn the moon was rising. As the two women lost sight of each other, the

new light, pure and beautiful, began to dawn over the garden.

The Evil Genius: A Domestic Story · 第 45 / 55 章