CHAPTER VII

A TERRIBLE NIGHT

"Go back!--go back, my precious!" cried Deborah, her first thought being

how to spare Sylvia the sight.

But the girl, remembering that agonized cry which had awakened her,

faint and far away as it sounded, pushed past the servant and ran into

the middle of the shop. The lamp, held high by Deborah over her head,

cast a bright circle of light on the floor, and in the middle of this

Sylvia saw her father breathing heavily. His hands were bound behind his

back in a painful way, his feet were tightly fastened, and his head

seemed to be attached to the floor. At least, when the body (as it

seemed from its stillness) suddenly writhed, it rolled to one side, but

the head remained almost motionless. The two women hung back, clutching

each other's hands, and were almost too horrified to move at the sight.

"Look! Look!" cried Sylvia, gasping, "the mouth!" Deborah looked and

gave a moan. Aaron's mouth was rigidly closed under a glittering jewel.

Deborah bent down, still moaning, so great did the horror of the thing

paralyse her speech, and saw the lights flash back from many diamonds:

she saw bluish gleams and then a red sparkle like the ray of the setting

sun. It was the opal serpent brooch, and Aaron's lips were fastened

together with the stout pin. On his mouth and across his agonised face

in which the one eye gleamed with terrific meaning the jewelled serpent

seemed to writhe.

"Oh, poor soul!" cried Deborah, falling on her knees with the lamp still

held above her head. "Sylvia see--"

The girl gasped again, and impulsively knelt also, trying with nerveless

fingers to unfasten the cruel pin which sealed the man's lips. He still

lived, for they heard him breathing and saw the gleaming eye: but even

as they looked the face grew black: the eye opened and closed

convulsively. Deborah set down the lamp and tried to raise the head. She

could not lift it from the floor. Then the bound feet swung in the air

and fell again with a dull thud. The eye remained wide open, staring in

a glassy, manner: the breathing had stopped: and the body was

motionless. "He's dead," said Deborah, leaping to her feet and catching

away the girl. "Help! Help!"

Her loud voice rang fiercely through the empty shop and echoed round and

round. But there came no answering cry. Not a sound could be heard in

the street. On the bare floor was the lamp shining on that dreadful

sight: the body with sealed lips, and the glittering jewel, and leaning

against the wall were the two women, Deborah staring at her dead master,

but with Sylvia's eyes pressed against her bosom so that she might not

witness the horror. And the stillness deepened weirdly every moment.

Sylvia tried to move her head, but Deborah pressed it closer to her

breast. "Don't, my pretty--don't," she whispered harshly.

"I must--I--ah!" the girl freed her head from those kind arms with a

wrench, and looked at the gruesome sight. She staggered forward a few

steps, and then fell back. Deborah received her in her arms, and,

thankful that Sylvia had fainted, carried her up the stairs to lay the

unconscious girl on her own bed. Then she descended rapidly, locked the

door leading from the shop to the stairs, and again looked at the body.

The time she had been away was about seven or eight minutes, and the

body still remained with the one open eye staring meaninglessly at the

ceiling. Deborah, drawn by fascination like a bird by a serpent, crept

forward and touched the head. It moved, and she again tried to lift it.

This time she found she could do so. The head she lifted against her

breast, and then laid it down with horror when she found the bosom of

her nightgown was stained with blood. Pulling her wits together, for she

felt that she needed them every one, she examined the head and neck. To

her horror she found round the throat a strong thin copper wire, which

disappeared through a hole in the floor. Apparently this had been pulled

so tightly as to keep the head down and to choke the old man, and so

cruelly as to cut deeply into the flesh. With a moan of horror Deborah

dropped the head and ran to the trap-door in the corner. If anywhere,

those who had murdered Aaron Norman were lurking in the cellar. But the

trap-door would not open, and then she remembered that it was closed by

a bolt underneath. She could not reach the midnight assassin that way.

"The front door," she gasped, and ran to unbolt it. The bolts were

easily removed, but the door was also locked, and Aaron usually had the

key deposited nightly in the cellar by Bart. Repugnant as it was for her

to approach the dead body, Deborah again went forward and felt in the

pockets and loose clothing. The man was completely dressed, even to an

overcoat which he wore. But she could not find the key and wondered what

she was to do. Probably the key had been hung up in the cellar as usual.

Necessity being the mother of invention, she remembered that the

window-glass was fragile, and ran up in the hope of breaking through.

But the stout shutters were up, so Deborah found that she was sealed in

the house. Almost in a state of distraction, for by this time her nerve

had given way, she unlocked the door to the stairs and ran up three

steps at a time to the sitting-room. Here she opened the window and

scrambled out on to the ledge among Sylvia's flower-pots. Just as she

was wondering how she could get down, the measured tread of a policeman

was heard, and by craning her neck Deborah saw him coming leisurely

along the street, swinging his dark lantern on the windows and doors. It

was a moonlight night and the street was extraordinarily well lighted as

the moon shone straightly between the houses. Gathering her strength for

a last effort, Deborah yelled as only she could yell, and saw the

startled officer spinning round, looking up and down and sideways to see

where the shrieks came from. "Up--up--oh, look up, you fool!" screamed

Deborah. "Murder--oh, murder! Burst in the door, call the police, drat

you! Help!--help!"

By this time she was the centre of a circle of bright light, for the

policeman had located her, and his lantern was flashing on her white

nightgown as she clung to the window-sill.

"What are you making that noise for?" called up the officer, gruffly.

"Murder, you fool!" screamed Deborah. "Master's murdered. Number

forty-five--the door's locked--break it open. Police!--police!"

Before she finished the sentence the officer blew his whistle shrilly

and ran to the door of the shop, against which he placed his shoulder.

Deborah climbed in again by the window, and ran down again, but even

then, in her excitement and horror, she did not forget to lock the door

leading to the stairs, so that Sylvia might not be disturbed. As she

descended she flung a thick shawl over her shoulders, which she had

caught up when leaving her room, though for the rest she had nothing on

but a nightgown. But the poor woman was too terrified to be troubled by

any scruples at the moment, and reached the shop to hear heavy blows on

the door. Between the thuds Deborah could hear footsteps running inward

from every quarter. "I ain't got the key!" she shrieked through the

keyhole; "break in the door, drat you! Murder!--murder!"

From the noise she made those without concluded that some terrible crime

was taking place within, and redoubled their efforts. Deborah had just

time to leap back after a final scream when the door fell flat on the

floor, and three policemen sprang into the room with drawn batons and

their lights flashing like stars. The lamp was still on the floor

shedding its heavy yellow light on the corpse. "Master!" gasped Deborah,

pointing a shaking finger. "Dead--the--the cellar--the--" and here she

made as to drop. A policeman caught her in his arms, but the woman shook

herself free. "I sha'n't faint--no--I sha'n't faint," she gasped, "the

cellar--look--look--" She ran forward and raised the head of the dead

man. When the officers saw the dangling slack wire disappearing through

a hole in the floor they grasped the situation. "The passage outside!"

cried Deborah, directing operations; "the trap-door," she ran to it,

"fast bolted below, and them murdering people are there."

"How many are there?" asked a policeman, while several officers ran

round the back through the side passage.

"Oh, you dratted fool, how should I know!" cried Deborah, fiercely;

"there may be one and there may be twenty. Go and catch them--you're

paid for it. Send to number twenty Park Street, Bloomsbury, for Bart."

"Who is Bart?"

"Go and fetch him," cried Deborah, furious at this delay; "number twenty

Park Street, Bloomsbury. Oh, what a night this is! I'm a-goin' to see

Miss Sylvia, who has fainted, and small blame," and she made for the

locked door. An officer came after her. "Go away," shrieked Deborah,

pushing him back. "I've got next to nothink on, and my pretty is ill. Go

away and do your business."

Seeing she was distracted and hardly knew what she was saying, the man

drew back, and Deborah ran up the stairs to Sylvia's room, where she

found the poor girl still unconscious.

Meanwhile, an Inspector had arrived, and one of the policemen was

detailing all that had occurred from the time Deborah had given the

alarm at the window. The Inspector listened quietly to everything, and

then examined the body. "Strangled with a copper wire," he said, looking

up. "Go for a doctor one of you. It goes through the floor," he added,

touching the wire which still circled the throat, "and must have been

pulled from below. Examine the cellar."

Even as he spoke, and while one zealous officer ran off for a medical

man, there was a grating sound and the trap-door was thrown open. A

policeman leaped into the shop and saluted when he saw his superior. By

this time the gas had been lighted. "We've broken down the back door,

sir," said he, "the cellar door--it was locked but not bolted. Nothing

in the cellar, everything in order, but that wire," he pointed to the

means used for strangling, "dangled from the ceiling and a cross piece

of wood is bound to the lower end."

"Who does the shop belong to?"

"Aaron Norman," said the policeman whose beat it was; "he's a

second-hand bookseller, a quiet, harmless, timid sort of man."

"Anyone about?"

"No, sir. I passed down Gwynne Street at about a quarter past twelve and

all seemed safe. When I come back later--it might have been twenty

minutes and more--say twenty-five--I saw the woman who was down here

clinging to a window on the first floor, and shouting murder. I gave the

summons, sir, and we broke open the door."

Inspector Prince laid down the dead man's head and rose to his feet with

a nod. "I'll go upstairs and see the woman," he said; "tell me when the

doctor comes."

Upstairs he examined the sitting-room, and lighted the gas therein; then

he mounted another storey after looking through the kitchen and

dining-room. In a bedroom he found an empty bed, but heard someone

talking in a room near at hand. Flinging open the door he heard a

shriek, and found himself confronted by Deborah, who had hastily flung

on some clothes. "Don't come in," she cried, extending her arm, "for I'm

just getting Miss Sylvia round."

"Nonsense," said the Inspector, and pushing her roughly aside he stepped

into the room. On the bed lay Sylvia, apparently still unconscious, but

as the man looked at her she opened her eyes with a long sigh. Deborah

put her arms round the girl and began to talk to her in an endearing

way. Shortly Sylvia sat up, bewildered. "What is it?" she asked. Then

her eyes fell on the policeman. "Oh, where is my father?"

"He's dead, pretty," said Deborah, fondling her. "Don't take on so."

"Yes--I remember--the body on the floor--the serpent across the

mouth--oh--oh!" and she fainted again.

"There!" cried Deborah, with bitter triumph, "see what you've done."

"Come--come," said Inspector Prince, though as gently as possible. "I

am in charge of this case. Tell me what has happened."

"If you'd use your blessed eyes you'd see murder has happened," said

Miss Junk, savagely. "Let me attend to my pretty."

Just at this moment a tall young man entered the room. It was the

doctor. "The policemen said you were up here," he said in a pleasant

voice. "I've examined the body, Inspector. The man is quite dead--he has

been strangled--and in a cruel manner with that copper wire, which has

cut into the throat, to say nothing of this," and the doctor held out

the brooch.

"That, drat it!" cried Deborah, vigorously, "it's the cause of it all, I

do believe, if I died in saying so," and she began to rub Sylvia's hands

vigorously.

"Who is this young lady?" asked the doctor; "another patient?"

"And well she may be," said Miss Junk. "Call yourself a doctor, and

don't help me to bring her to."

"Do what you can," said Prince, "and you," he added to Deborah, "come

down with me. I wish to ask you a few questions."

Deborah was no fool and saw that the Inspector was determined to make

her do what he wanted. Besides, Sylvia was in the hands of the doctor,

and Deborah felt that he could do more than she, to bring the poor girl

to her senses. After a few parting injunctions she left the room and

went downstairs with the Inspector. The police had made no further

discovery.

Prince questioned not only the Gwynne Street policeman, who had given

his report, but all others who had been in the vicinity. But they could

tell him nothing. No one suspicious had been seen leaving Gwynne Street

north or south, so, finding he could learn nothing in this direction,

Prince turned his attention to the servant. "Now, then, what do you

know?" he asked. "Don't say anything likely to incriminate yourself."

"Me!" shouted Deborah, bouncing up with a fiery face. "Don't you be

taking away my character. Why, I know no more who have done it than a

babe unborn, and that's stupid enough, I 'opes, Mr. Policeman. Ho!

indeed, and we pays our taxes to be insulted by you, Mr. Policeman." She

was very aggravating, and many a man would have lost his temper. But

Inspector Prince was a quiet and self-controlled officer, and knew how

to deal with this violent class of women. He simply waited till Deborah

had exhausted herself, and then gently asked her a few questions.

Finding he was reasonable, Deborah became reasonable on her part, and

replied with great intelligence. In a few minutes the Inspector, by

handling her deftly, learned all that had taken place on that terrible

night, from the time Sylvia had started up in bed at the sound of that

far-distant cry of a soul in agony. "And that, from what Miss Sylvia

says," ended Deborah, "was just before the church clock struck the hour

of twelve."

"You came down a quarter of an hour later?"

"I did, when Miss Sylvia woke me," said Deborah; "she was frightened out

of her seven senses, and couldn't get up at once. Yes--it was about

twenty minutes after the hour we come down to see--It," and the woman,

strong nerved as she was, shuddered.

"Humph," said the Inspector, "the assassin had time to escape."

"Begging your pardon, sir, them, or him, or her, or it as murdered

master was below in the cellar when we saw the corp--not that it was

what you'd call a corp then."

"Will you say precisely what you mean?"

Deborah did so, and with such wealth of detail that even the hardened

Inspector felt the creeps down his official back. There was something

terribly merciless about this crime. The man had been bound like a

sheep for the slaughter; his mouth had been sealed with the brooch so

that he could not cry out, and then in the sight of his child and

servant he had been slowly strangled by means of the copper wire which

communicated with the cellar. One of the policemen brought up an auger

which evidently had been used to bore the hole for the wire to pass

through, for the fresh sawdust was still in its whorls. "Who does this

belong to?" Prince asked Deborah.

"It's Bart's," said Deborah, staring; "he was using it along with other

tools to make some deal boxes for master, who was going away. I expect

it was found in the cellar in the tool-box, for Bart allays brought it

in tidy-like after he'd done his work in the yard, weather being fine,

of course," ended Deborah, sniffing.

"Where is this Bart?"

"In bed like a decent man if he's to be my husband, which he is," said

Miss Junk, tartly. "I told one of them idle bobbies to go and fetch him

from Bloomsbury."

"One has gone," said another policeman. "Bart Tawsey isn't he?"

"Mr. Bartholemew Tawsey, if you please," said the servant, grandly. "I

only hope he'll be here soon to protect me."

"You're quite safe," said Prince, dryly, whereat there was a smile on

the faces of his underlings, for Deborah in her disordered dress and

with her swollen, flushed, excited face was not comely. "But what about

this brooch you say is the cause of it all?"

Deborah dropped with an air of fatigue. "If you kill me I can't talk of

it now," she protested. "The brooch belonged to Mr. Paul Beecot."

"And where is he?"

"In the Charing Cross Hospital if you want to know, and as he's engaged

to my pretty you needn't think he done it--so there."

"I am accusing no one," said the Inspector, grimly, "but we must get to

the bottom of this horrible crime."

"Ah, well you may call it that," wailed Deborah, "with that serping on

his poor mouth and him wriggling like an eel to get free. But 'ark,

there's my pretty a-calling," and Miss Junk dashed headlong from the

shop shouting comfort to Sylvia as she went.

Prince looked at the dead man and at the opal serpent which he held in

his hand. "This at one end of the matter, and that at the other. What is

the connecting link between this brooch and that corpse?"

The Opal Serpent · 第 7 / 26 章