IV.

The nameless piece was a brilliant success. The critics said the pathos

was wonderful. Both performers seemed to have but one soul between

them, as in truth they really had. Lord Alison sat like one petrified

as the music ebbed and flowed, but only Giovanni noted that he did

not join in the applause that followed. It cut him to the quick, this

negligence; and when the guests clamoured for an encore he selected a

different piece, greatly to their disgust.

After all the company had gone and that curious dreariness that

invariably invades the scene of a recent merry-making spread through

the rooms, Lord Alison, pale to the very lips, called Giovanni into the

study.

"Take a cigar, boy, and settle yourself to hear a story," he said, as

he closed the door.

Giovanni obeyed, and sank into the corner of the very sofa he had

occupied the first time he entered the house.

After a pause the elder man told a strange tale that was also a

confession. He told how his brother Jack, his big brother Jack, the

poet and musician, had vanished in Italy long years before. Rumour

said he had married a singer whose beauty had captivated him, and that

he feared to return lest his uncle, Lord Alison, should disinherit

him. As time went on, Arthur was recognised as the next-of-kin, and on

succeeding to his father's property had quitted Scotch law and come to

London, where he soon found the gay life of an heir-presumptive to a

great title indispensable to his happiness. Now and then the dread of

his brother's return painted black spots on his sun, but he strove to

erase them, and generally succeeded.

Then came the strange evening when he played his brother's

composition, a relic of college days, and was answered from outside by

an unseen player. From the first he had no doubt who the child was; and

the packet given him by the dying woman confirmed his suspicion, as

well as the worn little dressing-case which he remembered perfectly.

He resolved to reveal all when Giovanni should come of age, but the

fair face of Hester Trenoweth came between them. Then, when the dread

of the missing document was removed, he persuaded himself to sacrifice

conscience to passion. His resolution was increased ten-fold by the

knowledge that Lady Hester loved Giovanni. Arthur's keen eye had

detected her secret. He almost hated them both when the truth became

plain to him. "Boy," he exclaimed, at length, "I've foully wronged you;

but Jack's dead voice spoke again to-night in his melody. It led you to

me, it made me resolve to shelter you (perchance it helped to rob me of

her); but to-night it preached repentance. Take Hester and be happy.

I can claim a younger brother's portion, and I have my profession to

return to, though a selfish life has blunted that weapon I fear. Boy,

say you don't hate me!"

Giovanni's warm Italian blood drove him to a demonstration impossible

to an Englishman.

[Illustration: "I HATE YOU? NEVER!"]

"Uncle Arthur, _I_ hate you? Never! Oh, I've robbed you sorely, I

fear! It's a poor return for what you've done for me. Though you've

erred, you've more than atoned for your error, which has done me no

great harm, and you shall _never_ leave me, _never_." The men embraced

silently, and Arthur Dalziel's face wore a new strange softness, like

that it wore on the night he found Giovanni.

* * * * *

Old Lord Trenoweth had hard work to relish the explanations Dalziel

favoured him with next day. When, however, Dalziel mentioned the true

state of things between Hester and Giovanni, and insisted on his

consenting to their wedding, he seemed infinitely relieved. He summoned

Hester and gently told her that, as he had heard of her love for

Giovanni, he would no longer insist on her engagement to Alison.

"But," she quivered out, "I've pledged my word to marry Lord Alison."

"And so you shall," said her father. "Giovanni is Lord Alison. There

has been a great discovery."

But Hester never knew how long ago that discovery had taken place.

Neither did Society, who, after the first shock, smiled benignant

acquiescence, and said, "To think of its being all through that little

theme with variations that Giovanni wrote from memory. Delightfully

romantic!"

"Oh! Uncle Arthur, you're too, too kind to us," Hester said later in

the day.

But Dalziel was silent.

[Illustration:

The Strand Magazine, Vol. 07, Issue 38, February, 1894 An Illustrated Monthly · 第 10 / 63 题