Mary expostulated; Humpy offered advice as to the best manne

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A

REVERSIBLE

SANTA CLAUS

BY

MEREDITH NICHOLSON

WITH ILLUSTRATIONS BY

FLORENCE H. MINARD

BOSTON and NEW YORK

HOUGHTON MIFFLIN COMPANY

The Riverside Press, Cambridge

1917

COPYRIGHT, 1917, BY MEREDITH NICHOLSON

ALL RIGHTS RESERVED

_Published October 1917_

By Meredeth Nicholson

A REVERSIBLE SANTA CLAUS. Illustrated.

THE PROOF OF THE PUDDING. Illustrated.

THE POET. Illustrated.

OTHERWISE PHYLLIS. With frontispiece in color.

THE PROVINCIAL AMERICAN AND OTHER PAPERS.

A HOOSIER CHRONICLE. With illustrations.

THE SIEGE OF THE SEVEN SUITORS. With illustrations.

HOUGHTON MIFFLIN COMPANY

BOSTON AND NEW YORK

A Reversible Santa Claus

[Illustration: "DO YOU MIND TELLING ME JUST WHY YOU READ THAT NOTE?"

_(Page 78)_]

Illustrations

"DO YOU MIND TELLING ME JUST WHY YOU READ THAT NOTE?" _Frontispiece_

THE HOPPER GRINNED, PROUD OF HIS SUCCESS,

WHICH MARY AND HUMPY VIEWED WITH GRUDGING ADMIRATION 44

THE FAINT CLICK OF A LATCH MARKED THE PROWLER'S PROXIMITY TO A HEDGE 116

THE THREE MEN GATHERED ROUND THEM, STARING DULLY 150

_From Drawings by F. Minard_

* * * * *

[Illustration]

A Reversible Santa Claus

I

Mr. William B. Aikins, _alias_ "Softy" Hubbard, _alias_ Billy The Hopper,

paused for breath behind a hedge that bordered a quiet lane and peered out

into the highway at a roadster whose tail light advertised its presence to

his felonious gaze. It was Christmas Eve, and after a day of unseasonable

warmth a slow, drizzling rain was whimsically changing to snow.

The Hopper was blowing from two hours' hard travel over rough country. He

had stumbled through woodlands, flattened himself in fence corners to

avoid the eyes of curious motorists speeding homeward or flying about

distributing Christmas gifts, and he was now bent upon committing himself

to an inter-urban trolley line that would afford comfortable

transportation for the remainder of his journey. Twenty miles, he

estimated, still lay between him and his domicile.

The rain had penetrated his clothing and vigorous exercise had not greatly

diminished the chill in his blood. His heart knocked violently against his

ribs and he was dismayed by his shortness of wind. The Hopper was not so

young as in the days when his agility and genius for effecting a quick

"get-away" had earned for him his sobriquet. The last time his Bertillon

measurements were checked (he was subjected to this humiliating

experience in Omaha during the Ak-Sar-Ben carnival three years earlier)

official note was taken of the fact that The Hopper's hair, long carried

in the records as black, was rapidly whitening.

At forty-eight a crook--even so resourceful and versatile a member of the

fraternity as The Hopper--begins to mistrust himself. For the greater part

of his life, when not in durance vile, The Hopper had been in hiding, and

the state or condition of being a fugitive, hunted by keen-eyed agents of

justice, is not, from all accounts, an enviable one. His latest experience

of involuntary servitude had been under the auspices of the State of

Oregon, for a trifling indiscretion in the way of safe-blowing. Having

served his sentence, he skillfully effaced himself by a year's siesta on

a pine-apple plantation in Hawaii. The island climate was not wholly

pleasing to The Hopper, and when pine-apples palled he took passage from

Honolulu as a stoker, reached San Francisco (not greatly chastened in

spirit), and by a series of characteristic hops, skips, and jumps across

the continent landed in Maine by way of the Canadian provinces. The Hopper

needed money. He was not without a certain crude philosophy, and it had

been his dream to acquire by some brilliant _coup_ a sufficient fortune

upon which to retire and live as a decent, law-abiding citizen for the

remainder of his days. This ambition, or at least the means to its

fulfillment, can hardly be defended as praiseworthy, but The Hopper was a

singular character and we must take him as we find him. Many prison

chaplains and jail visitors bearing tracts had striven with little

success to implant moral ideals in the mind and soul of The Hopper, but he

was still to be catalogued among the impenitent; and as he moved southward

through the Commonwealth of Maine he was so oppressed by his poverty, as

contrasted with the world's abundance, that he lifted forty thousand

dollars in a neat bundle from an express car which Providence had

sidetracked, apparently for his personal enrichment, on the upper waters

of the Penobscot. Whereupon he began perforce playing his old game of

artful dodging, exercising his best powers as a hopper and skipper. Forty

thousand dollars is no inconsiderable sum of money, and the success of

this master stroke of his career was not to be jeopardized by careless

moves. By craftily hiding in the big woods and making himself agreeable

to isolated lumberjacks who rarely saw newspapers, he arrived in due

course on Manhattan Island, where with shrewd judgment he avoided the

haunts of his kind while planning a future commensurate with his new

dignity as a capitalist.

He spent a year as a diligent and faithful employee of a garage which

served a fashionable quarter of the metropolis; then, animated by a worthy

desire to continue to lead an honest life, he purchased a chicken farm

fifteen miles as the crow flies from Center Church, New Haven, and boldly

opened a bank account in that academic center in his newly adopted name of

Charles S. Stevens, of Happy Hill Farm. Feeling the need of companionship,

he married a lady somewhat his junior, a shoplifter of the second class,

whom he had known before the vigilance of the metropolitan police

necessitated his removal to the Far West. Mrs. Stevens's inferior talents

as a petty larcenist had led her into many difficulties, and she

gratefully availed herself of The Hopper's offer of his heart and hand.

They had added to their establishment a retired yegg who had lost an eye

by the premature popping of the "soup" (i.e., nitro-glycerin) poured into

the crevices of a country post-office in Missouri. In offering shelter to

Mr. James Whitesides, _alias_ "Humpy" Thompson, The Hopper's motives had

not been wholly unselfish, as Humpy had been entrusted with the herding of

poultry in several penitentiaries and was familiar with the most advanced

scientific thought on chicken culture.

The roadster was headed toward his home and The Hopper contemplated it in

the deepening dusk with greedy eyes. His labors in the New York garage had

familiarized him with automobiles, and while he was not ignorant of the

pains and penalties inflicted upon lawless persons who appropriate motors

illegally, he was the victim of an irresistible temptation to jump into

the machine thus left in the highway, drive as near home as he dared, and

then abandon it. The owner of the roadster was presumably eating his

evening meal in peace in the snug little cottage behind the shrubbery, and

The Hopper was aware of no sound reason why he should not seize the

vehicle and further widen the distance between himself and a

suspicious-looking gentleman he had observed on the New Haven local.

The Hopper's conscience was not altogether at ease, as he had, that

afternoon, possessed himself of a bill-book that was protruding from the

breast-pocket of a dignified citizen whose strap he had shared in a

crowded subway train. Having foresworn crime as a means of livelihood, The

Hopper was chagrined that he had suffered himself to be beguiled into

stealing by the mere propinquity of a piece of red leather. He was angry

at the world as well as himself. People should not go about with

bill-books sticking out of their pockets; it was unfair and unjust to

those weak members of the human race who yield readily to temptation.

He had agreed with Mary when she married him and the chicken farm that

they would respect the Ten Commandments and all statutory laws, State and

Federal, and he was painfully conscious that when he confessed his sin she

would deal severely with him. Even Humpy, now enjoying a peace that he had

rarely known outside the walls of prison, even Humpy would be bitter. The

thought that he was again among the hunted would depress Mary and Humpy,

and he knew that their harshness would be intensified because of his

violation of the unwritten law of the underworld in resorting to

purse-lifting, an infringement upon a branch of felony despicable and

greatly inferior in dignity to safe-blowing.

These reflections spurred The Hopper to action, for the sooner he reached

home the more quickly he could explain his protracted stay in New York (to

which metropolis he had repaired in the hope of making a better price for

eggs with the commission merchants who handled his products), submit

himself to Mary's chastisement, and promise to sin no more. By returning

on Christmas Eve, of all times, again a fugitive, he knew that he would

merit the unsparing condemnation that Mary and Humpy would visit upon him.

It was possible, it was even quite likely, that the short, stocky

gentleman he had seen on the New Haven local was not a "bull"--not really

a detective who had observed the little transaction in the subway; but the

very uncertainty annoyed The Hopper. In his happy and profitable year at

Happy Hill Farm he had learned to prize his personal comfort, and he was

humiliated to find that he had been frightened into leaving the train at

Bansford to continue his journey afoot, and merely because a man had

looked at him a little queerly.

Any Christmas spirit that had taken root in The Hopper's soul had been

disturbed, not to say seriously threatened with extinction, by the

untoward occurrences of the afternoon.

[Illustration]

[Illustration]

II

The Hopper waited for a limousine to pass and then crawled out of his

hiding-place, jumped into the roadster, and was at once in motion. He

glanced back, fearing that the owner might have heard his departure, and

then, satisfied of his immediate security, negotiated a difficult turn in

the road and settled himself with a feeling of relief to careful but

expeditious flight. It was at this moment, when he had urged the car to

its highest speed, that a noise startled him--an amazing little chirrupy

sound which corresponded to none of the familiar forewarnings of engine

trouble. With his eyes to the front he listened for a repetition of the

sound. It rose again--it was like a perplexing cheep and chirrup, changing

to a chortle of glee.

"Goo-goo! Goo-goo-goo!"

The car was skimming a dark stretch of road and a superstitious awe fell

upon The Hopper. Murder, he gratefully remembered, had never been among

his crimes, though he had once winged a too-inquisitive policeman in

Kansas City. He glanced over his shoulder, but saw no pursuing ghost in

the snowy highway; then, looking down apprehensively, he detected on the

seat beside him what appeared to be an animate bundle, and, prompted by a

louder "goo-goo," he put out his hand. His fingers touched something warm

and soft and were promptly seized and held by Something.

The Hopper snatched his hand free of the tentacles of the unknown and

shook it violently. The nature of the Something troubled him. He renewed

his experiments, steering with his left hand and exposing the right to

what now seemed to be the grasp of two very small mittened hands.

"Goo-goo! Goody; teep wunnin'!"

"A kid!" The Hopper gasped.

That he had eloped with a child was the blackest of the day's calamities.

He experienced a strange sinking feeling in the stomach. In moments of

apprehension a crook's thoughts run naturally into periods of penal

servitude, and the punishment for kidnaping, The Hopper recalled, was

severe. He stopped the car and inspected his unwelcome fellow passenger

by the light of matches. Two big blue eyes stared at him from a hood and

two mittens were poked into his face. Two small feet, wrapped tightly in a

blanket, kicked at him energetically.

"Detup! Mate um skedaddle!"

Obedient to this command The Hopper made the car skedaddle, but

superstitious dread settled upon him more heavily. He was satisfied now

that from the moment he transferred the strap-hanger's bill-book to his

own pocket he had been hoodooed. Only a jinx of the most malevolent type

could have prompted his hurried exit from a train to dodge an imaginary

"bull." Only the blackest of evil spirits could be responsible for this

involuntary kidnaping!

"Mate um wun! Mate um 'ippity stip!"

The mittened hands reached for the wheel at this juncture and an

unlooked-for "jippity skip" precipitated the young passenger into The

Hopper's lap.

This mishap was attended with the jolliest baby laughter. Gently but with

much firmness The Hopper restored the youngster to an upright position and

supported him until sure he was able to sustain himself.

"Ye better set still, little feller," he admonished.

The little feller seemed in no wise astonished to find himself abroad with

a perfect stranger and his courage and good cheer were not lost upon The

Hopper. He wanted to be severe, to vent his rage for the day's calamities

upon the only human being within range, but in spite of himself he felt no

animosity toward the friendly little bundle of humanity beside him.

Still, he had stolen a baby and it was incumbent upon him to free himself

at once of the appalling burden; but a baby is not so easily disposed of.

He could not, without seriously imperiling his liberty, return to the

cottage. It was the rule of house-breakers, he recalled, to avoid babies.

He had heard it said by burglars of wide experience and unquestioned

wisdom that babies were the most dangerous of all burglar alarms. All

things considered, kidnaping and automobile theft were not a happy

combination with which to appear before a criminal court. The Hopper was

vexed because the child did not cry; if he had shown a bad disposition The

Hopper might have abandoned him; but the youngster was the cheeriest and

most agreeable of traveling companions. Indeed, The Hopper's spirits rose

under his continued "goo-gooing" and chirruping.

"Nice little Shaver!" he said, patting the child's knees.

Little Shaver was so pleased by this friendly demonstration that he threw

up his arms in an effort to embrace The Hopper.

"Bil-lee," he gurgled delightedly.

The Hopper was so astonished at being addressed in his own lawful name by

a strange baby that he barely averted a collision with a passing motor

truck. It was unbelievable that the baby really knew his name, but perhaps

it was a good omen that he had hit upon it. The Hopper's resentment

against the dark fate that seemed to pursue him vanished. Even though he

had stolen a baby, it was a merry, brave little baby who didn't mind at

all being run away with! He dismissed the thought of planting the little

shaver at a door, ringing the bell and running away; this was no way to

treat a friendly child that had done him no injury, and The Hopper highly

resolved to do the square thing by the youngster even at personal

inconvenience and risk.

The snow was now falling in generous Christmasy flakes, and the high speed

the car had again attained was evidently deeply gratifying to the young

person, whose reckless tumbling about made it necessary for The Hopper to

keep a hand on him.

"Steady, little un; steady!" The Hopper kept mumbling.

His wits were busy trying to devise some means of getting rid of the

youngster without exposing himself to the danger of arrest. By this time

some one was undoubtedly busily engaged in searching for both baby and

car; the police far and near would be notified, and would be on the

lookout for a smart roadster containing a stolen child.

"Merry Christmas!" a boy shouted from a farm gate.

"M'y Kwismus!" piped Shaver.

The Hopper decided to run the machine home and there ponder the

disposition of his blithe companion with the care the unusual

circumstances demanded.

"'Urry up; me's goin' 'ome to me's gwanpa's kwismus t'ee!"

"Right ye be, little un; right ye be!" affirmed The Hopper.

The youngster was evidently blessed with a sanguine and confiding nature.

His reference to his grandfather's Christmas tree impinged sharply upon

The Hopper's conscience. Christmas had never figured very prominently in

his scheme of life. About the only Christmases that he recalled with any

pleasure were those that he had spent in prison, and those were marked

only by Christmas dinners varying with the generosity of a series of

wardens.

But Shaver was entitled to all the joys of Christmas, and The Hopper had

no desire to deprive him of them.

"Keep a-larfin', Shaver, keep a-larfin'," said the Hopper. "Ole Hop ain't

a-goin' to hurt ye!"

The Hopper, feeling his way cautiously round the fringes of New Haven,

arrived presently at Happy Hill Farm, where he ran the car in among the

chicken sheds behind the cottage and carefully extinguished the lights.

"Now, Shaver, out ye come!"

Whereupon Shaver obediently jumped into his arms.

[Illustration]

[Illustration]

III

The Hopper knocked twice at the back door, waited an instant, and knocked

again. As he completed the signal the door was opened guardedly. A man and

woman surveyed him in hostile silence as he pushed past them, kicked the

door shut, and deposited the blinking child on the kitchen table. Humpy,

the one-eyed, jumped to the windows and jammed the green shades close into

the frames. The woman scowlingly waited for the head of the house to

explain himself, and this, with the perversity of one who knows the

dramatic value of suspense, he was in no haste to do.

"Well," Mary questioned sharply. "What ye got there, Bill?"

The Hopper was regarding Shaver with a grin of benevolent satisfaction.

The youngster had seized a bottle of catsup and was making heroic efforts

to raise it to his mouth, and the Hopper was intensely tickled by Shaver's

efforts to swallow the bottle. Mrs. Stevens, _alias_ Weeping Mary, was not

amused, and her husband's enjoyment of the child's antics irritated her.

"Come out with ut, Bill!" she commanded, seizing the bottle. "What ye been

doin'?"

Shaver's big blue eyes expressed surprise and displeasure at being

deprived of his plaything, but he recovered quickly and reached for a

plate with which he began thumping the table.

"Out with ut, Hop!" snapped Humpy nervously. "Nothin' wuz said about

kidnapin', an' I don't stand for ut!"

"When I heard the machine comin' in the yard I knowed somethin' was wrong

an' I guess it couldn't be no worse," added Mary, beginning to cry. "You

hadn't no right to do ut, Bill. Hookin' a buzz-buzz an' a kid an' when we

wuz playin' the white card! You ought t' 'a' told me, Bill, what ye went

to town fer, an' it bein' Christmas, an' all."

That he should have chosen for his fall the Christmas season of all times

was reprehensible, a fact which Mary and Humpy impressed upon him in the

strongest terms. The Hopper was fully aware of the inopportuneness of his

transgressions, but not to the point of encouraging his wife to abuse

him.

As he clumsily tried to unfasten Shaver's hood, Mary pushed him aside and

with shaking fingers removed the child's wraps. Shaver's cheeks were rosy

from his drive through the cold; he was a plump, healthy little shaver and

The Hopper viewed him with intense pride. Mary held the hood and coat to

the light and inspected them with a sophisticated eye. They were of

excellent quality and workmanship, and she shook her head and sighed

deeply as she placed them carefully on a chair.

"It ain't on the square, Hop," protested Humpy, whose lone eye expressed

the most poignant sorrow at The Hopper's derelictions. Humpy was tall and

lean, with a thin, many-lined face. He was an ill-favored person at best,

and his habit of turning his head constantly as though to compel his

single eye to perform double service gave one an impression of restless

watchfulness.

"Cute little Shaver, ain't 'e? Give Shaver somethin' to eat, Mary. I guess

milk'll be the right ticket considerin' th' size of 'im. How ole you make

'im? Not more'n three, I reckon?"

"Two. He ain't more'n two, that kid."

"A nice little feller; you're a cute un, ain't ye, Shaver?"

Shaver nodded his head solemnly. Having wearied of playing with the plate

he gravely inspected the trio; found something amusing in Humpy's bizarre

countenance and laughed merrily. Finding no response to his friendly

overtures he appealed to Mary.

"Me wants me's paw-widge," he announced.

"Porridge," interpreted Humpy with the air of one whose superior breeding

makes him the proper arbiter of the speech of children of high social

station. Whereupon Shaver appreciatively poked his forefinger into Humpy's

surviving optic.

"I'll see what I got," muttered Mary. "What ye used t' eatin' for supper,

honey?"

The "honey" was a concession, and The Hopper, who was giving Shaver his

watch to play with, bent a commendatory glance upon his spouse.

"Go on an' tell us what ye done," said Mary, doggedly busying herself

about the stove.

The Hopper drew a chair to the table to be within reach of Shaver and

related succinctly his day's adventures.

"A dip!" moaned Mary as he described the seizure of the purse in the

subway.

"You hadn't no right to do ut, Hop!" bleated Humpy, who had tipped his

chair against the wall and was sucking a cold pipe. And then, professional

curiosity overmastering his shocked conscience, he added: "What'd she

measure, Hop?"

The Hopper grinned.

"Flubbed! Nothin' but papers," he confessed ruefully.

Mary and Humpy expressed their indignation and contempt in unequivocal

terms, which they repeated after he told of the suspected "bull" whose

presence on the local had so alarmed him. A frank description of his

flight and of his seizure of the roadster only added to their bitterness.

Humpy rose and paced the floor with the quick, short stride of men

habituated to narrow spaces. The Hopper watched the telltale step so

disagreeably reminiscent of evil times and shrugged his shoulders

impatiently.

"Set down, Hump; ye make me nervous. I got thinkin' to do."

"Ye'd better be quick about doin' ut!" Humpy snorted with an oath.

"Cut the cussin'!" The Hopper admonished sharply. Since his retirement to

private life he had sought diligently to free his speech of profanity and

thieves' slang, as not only unbecoming in a respectable chicken farmer,

but likely to arouse suspicions as to his origin and previous condition of

servitude. "Can't ye see Shaver ain't use to ut? Shaver's a little gent;

he's a reg'ler little juke; that's wot Shaver is."

"The more 'way up he is the worse fer us," whimpered Humpy. "It's

kidnapin', that's wot ut is!"

"That's wot it _ain't_," declared The Hopper, averting a calamity to his

watch, which Shaver was swinging by its chain. "He was took by accident I

tell ye! I'm goin' to take Shaver back to his ma--ain't I, Shaver?"

"Take 'im back!" echoed Mary.

Humpy crumpled up in his chair at this new evidence of The Hopper's

insanity.

"I'm goin' to make a Chris'mas present o' Shaver to his ma," reaffirmed

The Hopper, pinching the nearer ruddy cheek of the merry, contented

guest.

Shaver kicked The Hopper in the stomach and emitted a chortle expressive

of unshakable confidence in The Hopper's ability to restore him to his

lawful owners. This confidence was not, however, manifested toward Mary,

who had prepared with care the only cereal her pantry afforded, and now

approached Shaver, bowl and spoon in hand. Shaver, taken by surprise,

inspected his supper with disdain and spurned it with a vigor that sent

the spoon rattling across the floor.

"Me wants me's paw-widge bowl! Me wants me's _own_ paw-widge bowl!" he

screamed.

Mary expostulated; Humpy offered advice as to the best manner of dealing

with the refractory Shaver, who gave further expression to his resentment

by throwing The Hopper's watch with violence against the wall. That the

table-service of The Hopper's establishment was not to Shaver's liking was

manifested in repeated rejections of the plain white bowl in which Mary

offered the porridge. He demanded his very own porridge bowl with the

increasing vehemence of one who is willing to starve rather than accept so

palpable a substitute. He threw himself back on the table and lay there

kicking and crying. Other needs now occurred to Shaver: he wanted his

papa; he wanted his mamma; he wanted to go to his gwan'pa's. He clamored

for Santa Claus and numerous Christmas trees which, it seemed, had been

promised him at the houses of his kinsfolk. It was amazing and bewildering

that the heart of one so young could desire so many things that were not

immediately attainable. He had begun to suspect that he was among

strangers who were not of his way of life, and this was fraught with the

gravest danger.

"They'll hear 'im hollerin' in China," wailed the pessimistic Humpy,

running about the room and examining the fastenings of doors and windows.

"Folks goin' along the road'll hear 'im, an' it's terms fer the whole

bunch!"

The Hopper began pacing the floor with Shaver, while Humpy and Mary

denounced the child for unreasonableness and lack of discipline, not

overlooking the stupidity and criminal carelessness of The Hopper in

projecting so lawless a youngster into their domestic circle.

"Twenty years, that's wot ut is!" mourned Humpy.

"Ye kin get the chair fer kidnapin'," Mary added dolefully. "Ye gotta get

'im out o' here, Bill."

Pleasant predictions of a long prison term with capital punishment as the

happy alternative failed to disturb The Hopper. To their surprise and

somewhat to their shame he won the Shaver to a tractable humor. There was

nothing in The Hopper's known past to justify any expectation that he

could quiet a crying baby, and yet Shaver with a child's unerring instinct

realized that The Hopper meant to be kind. He patted The Hopper's face

with one fat little paw, chokingly declaring that he was hungry.

'"Course Shaver's hungry; an' Shaver's goin' to eat nice porridge Aunt

Mary made fer 'im. Shaver's goin' to have 'is own porridge bowl

to-morry--yes, sir-ee, oo is, little Shaver!"

Restored to the table, Shaver opened his mouth in obedience to The

Hopper's patient pleading and swallowed a spoonful of the mush, Humpy

holding the bowl out of sight in tactful deference to the child's delicate

æsthetic sensibilities. A tumbler of milk was sipped with grateful gasps.

[Illustration: THE HOPPER GRINNED, PROUD OF HIS SUCCESS, WHICH MARY AND

HUMPY VIEWED WITH GRUDGING ADMIRATION]

The Hopper grinned, proud of his success, while Mary and Humpy viewed his

efforts with somewhat grudging admiration, and waited patiently until The

Hopper took the wholly surfeited Shaver in his arms and began pacing the

floor, humming softly. In normal circumstances The Hopper was not musical,

and Humpy and Mary exchanged looks which, when interpreted, pointed to

nothing less than a belief that the owner of Happy Hill Farm was bereft of

his senses. There was some question as to whether Shaver should be

undressed. Mary discouraged the idea and Humpy took a like view.

"Ye gotta chuck 'im quick; that's what ye gotta do," said Mary hoarsely.

"We don't want 'im sleepin' here."

Whereupon The Hopper demonstrated his entire independence by carrying the

Shaver to Humpy's bed and partially undressing him. While this was in

progress, Shaver suddenly opened his eyes wide and raising one foot until

it approximated the perpendicular, reached for it with his chubby hands.

"Sant' Claus comin'; m'y Kwismus!"

"Jes' listen to Shaver!" chuckled The Hopper. "'Course Santy is comin,'

an' we're goin' to hang up Shaver's stockin', ain't we, Shaver?"

He pinned both stockings to the foot-board of Humpy's bed. By the time

this was accomplished under the hostile eyes of Mary and Humpy, Shaver

slept the sleep of the innocent.

[Illustration]

[Illustration]

IV

They watched the child in silence for a few minutes and then Mary detached

a gold locket from his neck and bore it to the kitchen for examination.

"Ye gotta move quick, Hop," Humpy urged. "The white card's what we wuz all

goin' to play. We wuz fixed nice here, an' things goin' easy; an' the yard

full o' br'ilers. I don't want to do no more time. I'm an ole man, Hop."

"Cut ut!" ordered The Hopper, taking the locket from Mary and weighing it

critically in his hand. They bent over him as he scrutinized the face on

which was inscribed:--

_Roger Livingston Talbot_

_June 13, 1913_

"Lemme see; he's two an' a harf. Ye purty nigh guessed 'im right, Mary."

The sight of the gold trinket, the probability that the Shaver belonged to

a family of wealth, proved disturbing to Humpy's late protestations of

virtue.

"They'd be a heap o' kale in ut, Hop. His folks is rich, I reckon. Ef we

wuzn't playin' the white card--"

Ignoring this shocking evidence of Humpy's moral instability, The Hopper

became lost in reverie, meditatively drawing at his pipe.

"We ain't never goin' to quit playin' ut square," he announced, to Mary's

manifest relief. "I hadn't ought t' 'a' done th' dippin'. It were a

mistake. My ole head wuzn't workin' right er I wouldn't 'a' slipped. But

ye needn't jump on me no more."

"Wot ye goin' to do with that kid? Ye tell me that!" demanded Mary,

unwilling too readily to accept The Hopper's repentance at face value.

"I'm goin' to take 'im to 'is folks, that's wot I'm goin' to do with 'im,"

announced The Hopper.

"Yer crazy--yer plum' crazy!" cried Humpy, slapping his knees excitedly.

"Ye kin take 'im to an orphant asylum an' tell um ye found 'im in that

machine ye lifted. And mebbe ye'll git by with ut an' mebbe ye won't, but

ye gotta keep me out of ut!"

"I found the machine in th' road, right here by th' house; an' th' kid

was in ut all by hisself. An' bein' humin an' respectible I brought 'im in

to keep 'im from freezin' t' death," said The Hopper, as though repeating

lines he was committing to memory. "They ain't nobody can say as I didn't.

Ef I git pinched, that's my spiel to th' cops. It ain't kidnapin'; it's

life-savin', that's wot ut is! I'm a-goin' back an' have a look at that

place where I got 'im. Kind o' queer they left the kid out there in the

buzz-wagon; _mighty_ queer, now's I think of ut. Little house back from

the road; lots o' trees an' bushes in front. Didn't seem to be no lights.

He keeps talkin' about Chris'mas at his grandpa's. Folks must 'a' been

goin' to take th' kid somewheres fer Chris'mas. I guess it'll throw a

skeer into 'em to find him up an' gone."

"They's rich, an' all the big bulls'll be lookin' fer 'im; ye'd better

'phone the New Haven cops ye've picked 'im up. Then they'll come out, an'

yer spiel about findin' 'im'll sound easy an' sensible like."

The Hopper, puffing his pipe philosophically, paid no heed to Humpy's

suggestion even when supported warmly by Mary.

"I gotta find some way o' puttin' th' kid back without seein' no cops.

I'll jes' take a sneak back an' have a look at th' place," said The

Hopper. "I ain't goin' to turn Shaver over to no cops. Ye can't take no

chances with 'em. They don't know nothin' about us bein' here, but they

ain't fools, an' I ain't goin' to give none o' 'em a squint at me!"

He defended his plan against a joint attack by Mary and Humpy, who saw in

it only further proof of his tottering reason. He was obliged to tell

them in harsh terms to be quiet, and he added to their rage by the

deliberation with which he made his preparations to leave.

He opened the door of a clock and drew out a revolver which he examined

carefully and thrust into his pocket. Mary groaned; Humpy beat the air in

impotent despair. The Hopper possessed himself also of a jimmy and an

electric lamp. The latter he flashed upon the face of the sleeping Shaver,

who turned restlessly for a moment and then lay still again. He smoothed

the coverlet over the tiny form, while Mary and Humpy huddled in the

doorway. Mary wept; Humpy was awed into silence by his old friend's

perversity. For years he had admired The Hopper's cleverness, his genius

for extricating himself from difficulties; he was deeply shaken to think

that one who had stood so high in one of the most exacting of professions

should have fallen so low. As The Hopper imperturbably buttoned his coat

and walked toward the door, Humpy set his back against it in a last

attempt to save his friend from his own foolhardiness.

"Ef anybody turns up here an' asks for th' kid, ye kin tell 'em wot I

said. We finds 'im in th' road right here by the farm when we're doin' th'

night chores an' takes 'im in t' keep 'im from freezin'. Ye'll have th'

machine an' kid here to show 'em. An' as fer me, I'm off lookin' fer his

folks."

Mary buried her face in her apron and wept despairingly. The Hopper,

noting for the first time that Humpy was guarding the door, roughly pushed

him aside and stood for a moment with his hand on the knob.

"They's things wot is," he remarked with a last attempt to justify his

course, "an' things wot ain't. I reckon I'll take a peek at that place an'

see wot's th' best way t' shake th' kid. Ye can't jes' run up to a house

in a machine with his folks all settin' round cryin' an' cops askin'

questions. Ye got to do some plannin' an' thinkin'. I'm goin' t' clean ut

all up before daylight, an' ye needn't worry none about ut. Hop ain't

worryin'; jes' leave ut t' Hop!"

There was no alternative but to leave it to Hop, and they stood mute as he

went out and softly closed the door.

[Illustration]

[Illustration]

V

The snow had ceased and the stars shone brightly on a white world as The

Hopper made his way by various trolley lines to the house from which he

had snatched Shaver. On a New Haven car he debated the prospects of more

snow with a policeman who seemed oblivious to the fact that a child had

been stolen--shamelessly carried off by a man with a long police record.

Merry Christmas passed from lip to lip as if all creation were attuned to

the note of love and peace, and crime were an undreamed of thing.

For two years The Hopper had led an exemplary life and he was keenly alive

now to the joy of adventure. His lapses of the day were unfortunate; he

thought of them with regret and misgivings, but he was zestful for

whatever the unknown held in store for him. Abroad again with a pistol in

his pocket, he was a lawless being, but with the difference that he was

intent now upon making restitution, though in such manner as would give

him something akin to the old thrill that he experienced when he enjoyed

the reputation of being one of the most skillful yeggs in the country. The

successful thief is of necessity an imaginative person; he must be able to

visualize the unseen and to deal with a thousand hidden contingencies. At

best the chances are against him; with all his ingenuity the broad, heavy

hand of the law is likely at any moment to close upon him from some

unexpected quarter. The Hopper knew this, and knew, too, that in yielding

to the exhilaration of the hour he was likely to come to grief. Justice

has a long memory, and if he again made himself the object of police

scrutiny that little forty-thousand dollar affair in Maine might still be

fixed upon him.

When he reached the house from whose gate he had removed the roadster with

Shaver attached, he studied it with the eye of an experienced strategist.

No gleam anywhere published the presence of frantic parents bewailing the

loss of a baby. The cottage lay snugly behind its barrier of elms and

shrubbery as though its young heir had not vanished into the void. The

Hopper was a deliberating being and he gave careful weight to these

circumstances as he crept round the walk, in which the snow lay

undisturbed, and investigated the rear of the premises. The lattice door

of the summer kitchen opened readily, and, after satisfying himself that

no one was stirring in the lower part of the house, he pried up the sash

of a window and stepped in. The larder was well stocked, as though in

preparation for a Christmas feast, and he passed on to the dining-room,

whose appointments spoke for good taste and a degree of prosperity in the

householder.

Cautious flashes of his lamp disclosed on the table a hamper, in which

were packed a silver cup, plate, and bowl which at once awoke the Hopper's

interest. Here indubitably was proof that this was the home of Shaver, now

sleeping sweetly in Humpy's bed, and this was the porridge bowl for which

Shaver's soul had yearned. If Shaver did not belong to the house, he had

at least been a visitor there, and it struck The Hopper as a reasonable

assumption that Shaver had been deposited in the roadster while his lawful

guardians returned to the cottage for the hamper preparatory to an

excursion of some sort. But The Hopper groped in the dark for an

explanation of the calmness with which the householders accepted the loss

of the child. It was not in human nature for the parents of a youngster so

handsome and in every way so delightful as Shaver to permit him to be

stolen from under their very noses without making an outcry. The Hopper

examined the silver pieces and found them engraved with the name borne by

the locket. He crept through a living-room and came to a Christmas

tree--the smallest of Christmas trees. Beside it lay a number of packages

designed clearly for none other than young Roger Livingston Talbot.

Housebreaking is a very different business from the forcible entry of

country post-offices, and The Hopper was nervous. This particular house

seemed utterly deserted. He stole upstairs and found doors open and a

disorder indicative of the occupants' hasty departure. His attention was

arrested by a small room finished in white, with a white enameled bed, and

other furniture to match. A generous litter of toys was the last proof

needed to establish the house as Shaver's true domicile. Indeed, there was

every indication that Shaver was the central figure of this home of whose

charm and atmosphere The Hopper was vaguely sensible. A frieze of dancing

children and watercolor sketches of Shaver's head, dabbed here and there

in the most unlooked-for places, hinted at an artistic household. This

impression was strengthened when The Hopper, bewildered and baffled,

returned to the lower floor and found a studio opening off the living

room. The Hopper had never visited a studio before, and satisfied now that

he was the sole occupant of the house, he passed passed about shooting his

light upon unfinished canvases, pausing finally before an easel supporting

a portrait of Shaver--newly finished, he discovered, by poking his finger

into the wet paint. Something fell to the floor and he picked up a large

sheet of drawing paper on which this message was written in charcoal:--

_Six-thirty._

_Dear Sweetheart:_--

This is a fine trick you have played on me, you dear girl! I've

been expecting you back all afternoon. At six I decided that you

were going to spend the night with your infuriated parent and

thought I'd try my luck with mine! I put Billie into the

roadster and, leaving him there, ran over to the Flemings's to

say Merry Christmas and tell 'em we were off for the night. They

kept me just a minute to look at those new Jap prints Jim's so

crazy about, and while I was gone you came along and skipped

with Billie and the car! I suppose this means that you've been

making headway with your dad and want to try the effect of

Billie's blandishments. Good luck! But you might have stopped

long enough to tell me about it! How fine it would be if

everything could be straightened out for Christmas! Do you

remember the first time I kissed you--it was on Christmas Eve

four years ago at the Billings's dance! I'm just trolleying out

to father's to see what an evening session will do. I'll be back

early in the morning.

Love always,

ROGER.

Billie was undoubtedly Shaver's nickname. This delighted The Hopper. That

they should possess the same name appeared to create a strong bond of

comradeship. The writer of the note was presumably the child's father and

the "Dear Sweetheart" the youngster's mother. The Hopper was not reassured

by these disclosures. The return of Shaver to his parents was far from

being the pleasant little Christmas Eve adventure he had imagined. He had

only the lowest opinion of a father who would, on a winter evening,

carelessly leave his baby in a motor-car while he looked at pictures, and

who, finding both motor and baby gone, would take it for granted that the

baby's mother had run off with them. But these people were artists, and

artists, The Hopper had heard, were a queer breed, sadly lacking in

common sense. He tore the note into strips which he stuffed into his

pocket.

Depressed by the impenetrable wall of mystery along which he was groping,

he returned to the living-room, raised one of the windows and unbolted the

front door to make sure of an exit in case these strange, foolish Talbots

should unexpectedly return. The shades were up and he shielded his light

carefully with his cap as he passed rapidly about the room. It began to

look very much as though Shaver would spend Christmas at Happy Hill

Farm--a possibility that had not figured in The Hopper's calculations.

Flashing his lamp for a last survey a letter propped against a lamp on the

table arrested his eye. He dropped to the floor and crawled into a corner

where he turned his light upon the note and read, not without difficulty,

the following:--

_Seven o'clock._

_Dear Roger:--_

I've just got back from father's where I spent the last three

hours talking over our troubles. I didn't tell you I was going,

knowing you would think it foolish, but it seemed best, dear,

and I hope you'll forgive me. And now I find that you've gone

off with Billie, and I'm guessing that you've gone to _your_

father's to see what you can do. I'm taking the trolley into New

Haven to ask Mamie Palmer about that cook she thought we might

get, and if possible I'll bring the girl home with me. Don't

trouble about me, as I'll be perfectly safe, and, as you know, I

rather enjoy prowling around at night. You'll certainly get back

before I do, but if I'm not here don't be alarmed.

We are so happy in each other, dear, and if only we could get

our foolish fathers to stop hating each other, how beautiful

everything would be! And we could all have such a merry, merry

Christmas!

MURIEL.

The Hopper's acquaintance with the epistolary art was the slightest, but

even to a mind unfamiliar with this branch of literature it was plain that

Shaver's parents were involved in some difficulty that was attributable,

not to any lessening of affection between them, but to a row of some sort

between their respective fathers. Muriel, running into the house to write

her note, had failed to see Roger's letter in the studio, and this was

very fortunate for The Hopper; but Muriel might return at any moment, and

it would add nothing to the plausibility of the story he meant to tell if

he were found in the house.

[Illustration]

[Illustration]

VI

Anxious and dejected at the increasing difficulties that confronted him,

he was moving toward the door when a light, buoyant step sounded on the

veranda. In a moment the living-room lights were switched on from the

entry and a woman called out sharply:--

"Stop right where you are or I'll shoot!"

The authoritative voice of the speaker, the quickness with which she had

grasped the situation and leveled her revolver, brought The Hopper to an

abrupt halt in the middle of the room, where he fell with a discordant

crash across the keyboard of a grand piano. He turned, cowering, to

confront a tall, young woman in a long ulster who advanced toward him

slowly, but with every mark of determination upon her face. The Hopper

stared beyond the gun, held in a very steady hand, into a pair of fearless

dark eyes. In all his experiences he had never been cornered by a woman,

and he stood gaping at his captor in astonishment. She was a very pretty

young woman, with cheeks that still had the curve of youth, but with a

chin that spoke for much firmness of character. A fur toque perched a

little to one side gave her a boyish air.

This undoubtedly was Shaver's mother who had caught him prowling in her

house, and all The Hopper's plans for explaining her son's disappearance

and returning him in a manner to win praise and gratitude went glimmering.

There was nothing in the appearance of this Muriel to encourage a hope

that she was either embarrassed or alarmed by his presence. He had been

captured many times, but the trick had never been turned by any one so

cool as this young woman. She seemed to be pondering with the greatest

calmness what disposition she should make of him. In the intentness of her

thought the revolver wavered for an instant, and The Hopper, without

taking his eyes from her, made a cat-like spring that brought him to the

window he had raised against just such an emergency.

"None of that!" she cried, walking slowly toward him without lowering the

pistol. "If you attempt to jump from that window I'll shoot! But it's

cold in here and you may lower it."

The Hopper, weighing the chances, decided that the odds were heavily

against escape, and lowered the window.

"Now," said Muriel, "step into that corner and keep your hands up where I

can watch them."

The Hopper obeyed her instructions strictly. There was a telephone on the

table near her and he expected her to summon help; but to his surprise she

calmly seated herself, resting her right elbow on the arm of the chair,

her head slightly tilted to one side, as she inspected him with greater

attention along the blueblack barrel of her automatic. Unless he made a

dash for liberty this extraordinary woman would, at her leisure, turn him

over to the police as a housebreaker and his peaceful life as a chicken

farmer would be at an end. Her prolonged silence troubled The Hopper. He

had not been more nervous when waiting for the report of the juries which

at times had passed upon his conduct, or for judges to fix his term of

imprisonment.

"Yes'm," he muttered, with a view to ending a silence that had become

intolerable.

Her eyes danced to the accompaniment of her thoughts, but in no way did

she betray the slightest perturbation.

"I ain't done nothin'; hones' to God, I ain't!" he protested brokenly.

"I saw you through the window when you entered this room and I was

watching while you read that note," said his captor. "I thought it funny

that you should do that instead of packing up the silver. Do you mind

telling me just why you read that note?"

"Well, miss, I jes' thought it kind o' funny there wuzn't nobody round an'

the letter was layin' there all open, an' I didn't see no harm in

lookin'."

"It was awfully clever of you to crawl into the corner so nobody could see

your light from the windows," she said with a tinge of admiration. "I

suppose you thought you might find out how long the people of the house

were likely to be gone and how much time you could spend here. Was that

it?"

"I reckon ut wuz some thin' like that," he agreed.

This was received with the noncommittal "Um" of a person whose thoughts

are elsewhere. Then, as though she were eliciting from an artist or man of

letters a frank opinion as to his own ideas of his attainments and

professional standing, she asked, with a meditative air that puzzled him

as much as her question:--

"Just how good a burglar are you? Can you do a job neatly and safely?"

The Hopper, staggered by her inquiry and overcome by modesty, shrugged his

shoulders and twisted about uncomfortably.

"I reckon as how you've pinched me I ain't much good," he replied, and was

rewarded with a smile followed by a light little laugh. He was beginning

to feel pleased that she manifested no fear of him. In fact, he had

decided that Shaver's mother was the most remarkable woman he had ever

encountered, and by all odds the handsomest. He began to take heart.

Perhaps after all he might hit upon some way of restoring Shaver to his

proper place in the house of Talbot without making himself liable to a

long term for kidnaping.

"If you're really a successful burglar--one who doesn't just poke abound

in empty houses as you were doing here, but clever and brave enough to

break into houses where people are living and steal things without making

a mess of it; and if you can play fair about it--then I think--I

think--maybe--we can come to terms!"

A Reversible Santa Claus · 第 1 / 4 段