CHAPTER II.

IN WHICH I ENTER THE DRAWING-ROOM.

I was now approaching Brandon Hall; less than ten minutes more would set

me down at its door-steps. The stiff figure of Mrs. Marston, the old

housekeeper, pale and austere, in rustling black silk (she was accounted

a miser, and estimated to have saved I dare not say how much money

in the Wylder family--kind to me with the bread-and-jam and

Naples-biscuit-kindness of her species, in old times)--stood in fancy at

the doorway. She, too, was a dream, and, I dare say, her money spent by

this time. And that other dream, to which she often led me, with the

large hazel eyes, and clear delicate tints--so sweet, so _riante_, yet so

sad; poor Lady Mary Brandon, dying there--so unhappily mated--a young

mother, and her baby sleeping in long 'Broderie Anglaise' attire upon the

pillow on the sofa, and whom she used to show me with a peeping mystery,

and her finger to her smiling lip, and a gaiety and fondness in her

pretty face. That little helpless, groping, wailing creature was now the

Dorcas Brandon, the mistress of the grand old mansion and all its

surroundings, who was the heroine of the splendid matrimonial compromise

which was about to reconcile a feud, and avert a possible lawsuit, and,

for one generation, at least, to tranquillise the troubled annals of the

Brandons and Wylders.

And now the ancient gray chapel, with its stained window, and store of

old Brandon and Wylder monuments among its solemn clump of elm-trees,

flitted by on my right; and in a moment more we drew up at the great gate

on the left; not a hundred yards removed from it, and with an eager

recognition, I gazed on the noble front of the old manorial house.

Up the broad straight avenue with its solemn files of gigantic timber

towering at the right and the left hand, the chaise rolled smoothly, and

through the fantastic iron gate of the courtyard, and with a fine

swinging sweep and a jerk, we drew up handsomely before the door-steps,

with the Wylder arms in bold and florid projection carved above it.

The sun had just gone down. The blue shadows of twilight overcast the

landscape, and the mists of night were already stealing like thin smoke

among the trunks and roots of the trees. Through the stone mullions of

the projecting window at the right, a flush of fire-light looked pleasant

and hospitable, and on the threshold were standing Lord Chelford and my

old friend Mark Wylder; a faint perfume of the mildest cheroot declared

how they had been employed.

So I jumped to the ground and was greeted very kindly by the smokers.

'I'm here, you know, _in loco parentis_;--my mother and I keep watch and

ward. We allow Wylder, you see, to come every day to his devotions. But

you are not to go to the Brandon Arms--you got my note, didn't you?'

I had, and had come direct to the Hall in consequence.

I looked over the door. Yes, my memory had served me right. There were

the Brandon arms, and the Brandon quartered with the Wylder; but the

Wylder coat in the centre, with the grinning griffins for supporters, and

flaunting scrolls all round, and the ominous word 'resurgam' underneath,

proclaimed itself sadly and vauntingly over the great entrance. I often

wonder how the Wylder coat came in the centre; who built the old house--a

Brandon or a Wylder; and if a Wylder, why was it Brandon Hall?

Dusty and seedy somewhat, as men are after a journey, I chatted with Mark

and the noble peer for a few minutes at the door, while my valise and _et

ceteras_ were lifted in and hurried up the stairs to my room, whither I

followed them.

While I was at my toilet, in came Mark Wylder laughing, as was his wont,

and very unceremoniously he took possession of my easy-chair, and threw

his leg over the arm of it.

'I'm glad you're come, Charlie; you were always a good fellow, and I

really want a hand here confoundedly. I think it will all do very nicely;

but, of course, there's a lot of things to be arranged--settlements, you

know--and I can't make head or tail of their lingo, and a fellow don't

like to sign and seal hand over head--_you_ would not advise that, you

know; and Chelford is a very good fellow, of course, and all that--but

he's taking care of Dorcas, you see; and I might be left in the lurch.'

'It is a better way, at all events, Mark, than Wylder _versus_ Trustees

of Brandon, minor,' said I.

'Well, things do turn out very oddly; don't they?' said Mark with a sly

glance of complacency, and his hands in his pockets. 'But I know you'll

hold the tiller till I get through; hang me if I know the soundings, or

where I'm going; and you have the chart by heart, Charlie.'

'I'm afraid you'll find me by no means so well up now as six years ago in

"Wylder and Brandon;" but surely you have your lawyer, Mr. Larkin,

haven't you?'

'To be sure--that's exactly it--he's Dorcas's agent. I don't know

anything about him, and I do know you--don't you see? A fellow doesn't

want to put himself into the hands of a stranger altogether, especially a

lawyer, ha, ha! it wouldn't pay.'

I did not half like the equivocal office which my friend Mark had

prepared for me. If family squabbles were to arise, I had no fancy to mix

in them; and I did not want a collision with Mr. Larkin either; and, on

the whole, notwithstanding his modesty, I thought Wylder very well able

to take care of himself. There was time enough, however, to settle the

point. So by this time, being splendid in French boots and white vest,

and altogether perfect and refreshed, I emerged from my dressing-room,

Wylder by my side.

We had to get along a dim oak-panelled passage, and into a sort of

_oeil-de-boeuf_, with a lantern light above, from which diverged two

other solemn corridors, and a short puzzling turn or two brought us to

the head of the upper stairs. For I being a bachelor, and treated

accordingly, was airily perched on the third storey.

To my mind, there is something indescribably satisfactory in the intense

solidity of those old stairs and floors--no spring in the planks, not a

creak; you walk as over strata of stone. What clumsy grandeur! What

Cyclopean carpenters! What a prodigality of oak!

It was dark by this time, and the drawing-room, a vast and grand chamber,

with no light but the fire and a pair of dim soft lamps near the sofas

and ottomans, lofty, and glowing with rich tapestry curtains and

pictures, and mirrors, and carved oak, and marble--was already tenanted

by the ladies.

Old Lady Chelford, stiff and rich, a Vandyke dowager, with a general

effect of deep lace, funereal velvet, and pearls; and pale, with dreary

eyes, and thin high nose, sat in a high-backed carved oak throne, with

red cushions. To her I was first presented, and cursorily scrutinised

with a stately old-fashioned insolence, as if I were a candidate footman,

and so dismissed. On a low seat, chatting to her as I came up, was a very

handsome and rather singular-looking girl, fair, with a light

golden-tinted hair; and a countenance, though then grave enough, instinct

with a certain promise of animation and spirit not to be mistaken. Could

this be the heroine of the pending alliance? No; I was mistaken. A third

lady, at what would have been an ordinary room's length away, half

reclining on an ottoman, was now approached by Wylder, who presented me

to Miss Brandon.

'Dorcas, this is my old friend, Charles de Cresseron. You have often

heard me speak of him; and I want you to shake hands and make his

acquaintance, and draw him out--do you see; for he's a shy youth, and

must be encouraged.'

He gave me a cheerful slap on the shoulder as he uttered this agreeable

bit of banter, and altogether disconcerted me confoundedly. Wylder's

dress-coats always smelt of tobacco, and his talk of tar. I was quietly

incensed and disgusted; for in those days I _was_ a little shy.

The lady rose, in a soft floating way; tall, black-haired--but a

blackness with a dull rich shadow through it. I had only a general

impression of large dusky eyes and very exquisite features--more delicate

than the Grecian models, and with a wonderful transparency, like tinted

marble; and a superb haughtiness, quite unaffected. She held forth her

hand, which I did little more than touch. There was a peculiarity in her

greeting, which I felt a little overawing, without exactly discovering in

what it consisted; and it was I think that she did not smile. She never

took that trouble for form's sake, like other women.

So, as Wylder had set a chair for me I could not avoid sitting upon it,

though I should much have preferred standing, after the manner of men,

and retaining my liberty.

Wylder's Hand · 第 2 / 74 章