Acknowledgments are due the officers and members of the Offi

FOURTEENTH ANNUAL REPORT

OF THE

BUREAU OF ETHNOLOGY

TO THE

SECRETARY OF THE SMITHSONIAN INSTITUTION

1892–93

BY

J. W. POWELL

DIRECTOR

PART 2

[Illustration]

WASHINGTON

GOVERNMENT PRINTING OFFICE

1896

THE GHOST-DANCE RELIGION

AND THE

SIOUX OUTBREAK OF 1890

BY

JAMES MOONEY

Say, shall not I at last attain

Some height, from whence the Past is clear,

In whose immortal atmosphere

I shall behold my dead again?

_Bayard Taylor._

For the fires grow cold and the dances fail,

And the songs in their echoes die;

And what have we left but the graves beneath,

And, above, the waiting sky?

_The Song of the Ancient People._

My Father, have pity on me!

I have nothing to eat,

I am dying of thirst—

Everything is gone!

_Arapaho Ghost Song._

CONTENTS

Page

Introduction 653

The narrative 657

Chapter I—Paradise lost 657

II—The Delaware prophet and Pontiac 662

III—Tenskwatawa the Shawano prophet 670

IV—Tecumtha and Tippecanoe 681

V—Känakûk and minor prophets 692

Känakûk 692

Pa′thĕskĕ 700

Tä′vibo 701

Nakai′-doklĭ′ni 704

The Potawatomi prophet 705

Cheez-tah-paezh the Sword-bearer 706

VI—The Smohalla religion of the Columbia region 708

Smohalla 708

Joseph and the Nez Percé war 711

VII—Smohalla and his doctrine 716

VIII—The Shakers of Puget sound 746

IX—Wovoka the messiah 764

X—The doctrine of the Ghost dance 777

Appendix:

The Mormons and the Indians 792

Porcupine’s account of the messiah 793

The Ghost dance among the Sioux 796

Selwyn’s interview with Kuwapi 798

XI—The Ghost dance west of the Rockies 802

XII—The Ghost dance east of the Rockies—among the Sioux 816

Appendix: Causes of the outbreak 829

Commissioner Morgan’s statement 829

Ex-Agent McGillycuddy’s statement 831

Statement of General Miles 833

Report of Captain Hurst 836

Statement of American Horse 839

Statement of Bishop Hare 840

XIII—The Sioux outbreak—Sitting Bull and Wounded Knee 843

Appendix: The Indian story of Wounded Knee 884

XIV—Close of the outbreak—The Ghost dance in the south 887

XV—The ceremony of the Ghost dance 915

Among the northern Cheyenne 915

Among the Sioux 915

Song rehearsals 918

Preparations for the dance 918

Giving the feather 919

The painting of the dancers 919

The ceremony 920

The crow dance 921

The hypnotic process 922

The area covered by the dance 926

Present condition of the dance 927

XVI—Parallels in other systems 928

The Biblical period 928

Mohammedanism 930

Joan of Arc 932

Dance of Saint John 935

The Flagellants 935

Ranters, Quakers, and Fifth-Monarchy men 936

French prophets 938

Jumpers 939

Methodists 939

Shakers 941

Kentucky revival 942

Adventists 944

Other parallels 945

Beekmanites 945

Patterson and Brown’s mission 946

Wilderness worshipers 946

Heavenly recruits 947

Appendix: Hypnotism and the dance among the Dervishes 948

The songs 953

Introductory 953

The Arapaho 953

Tribal synonymy 953

Tribal signs 954

Sketch of the tribe 954

Songs of the Arapaho 958

1. Opening song: _Eyehe′! nä′nisa′na_—O, my children! 958

2. _Sĕ′icha′ hei′ta′wuni′na_—The sacred pipe tells me 959

3. _Ate′bĕ tiăwu′nănu′_—When at first I liked the whites 961

4. _A′bä′ni′hi′_—My partner 962

5. _A′-nisûna′a′hu_—My father 962

6. _E′yehe′! Wû′nayu′uhu′—E′yehe′!_—They are new 963

7. _Hi′sähi′hi_—My partner! My partner 964

8. _Ä′-nani′ni′bi′nä′si waku′na_—The wind makes the

head-feathers sing 965

9. _He′! Näne′th bi′shiqa′wă_—When I met him approaching 965

10. _Häna′na′wunănu_—I take pity on those 966

11. _A-ni′qu wa′wanä′nibä′tia′_—Father, now I am singing it 966

12. _Ha′yana′-usi′ya′_—How bright is the moonlight! 966

13. _Ha′ti ni′bät_—The cottonwood song 967

14. _Eyehe′! A′nie′sa′na′_—The young Thunderbirds 968

15. _A′he′sûna′nini năya′qûti′hi_—Our father, the Whirlwind 970

16. _A′he′sûna′nini năya′qûti′_—Our father, the Whirlwind 970

17. _Ninaä′niahu′na_—I circle around 970

18. _Ha′nahawu′nĕn bĕni′ni′na_—The _Hanahawunĕn_ gave it to me 971

19. _Ate′be′ tana′-ise′ti_—When first our father came 971

20. _A-ni′änĕ′thăhi′nani′na_—My father did not recognize me 972

21. _Ni′-athu′-a-u′ ă′hakä′nith′iĭ_—The whites are crazy 972

22. _Na′ha′ta bi′taa′wu_—The earth is about to move 973

23. _Ahe′sûna′nini ächiqa′hă′wa-ŭ′_—I am looking at my father 973

24. _Ha′ănake′i_—The rock 973

25. _Wa′wa′na′danä′diă′_—I am about to hum 974

26. _A-te′bĕ dii′nĕtita′niĕg_—At the beginning of existence 975

27. _Tahu′na′änä′nia′huna_—It is I who make the thunder 976

28. _Ani′qu ne′chawu′nani′_—Father, have pity on me 977

29. _A-ni′niha′niahu′na_—I fly around yellow 977

30. _Niha′nata′yeche′ti_—The yellow hide 978

31. _A-bää′thina′hu_—The cedar tree 978

32. _Wa′wa nû′nanû′naku′ti_—Now I am waving an eagle feather 979

33. _A-ni′qana′ga_—There is a solitary bull 980

34. _A-nĕä′thibiwă′hană_—The place where crying begins 981

35. _Thi′äya′ he′năă′awă_—When I see the _thi′äya_ 981

36. _A-hu′hu ha′geni′sti′ti_—The crow is making a road 982

37. _Bi′taa′wu hu′hu′_—The crow brought the earth 983

38. _Ni′nini′tubi′na hu′hu′_ (I)—The crow has called me 983

39. _Nû′nanû′naa′tăni′na hu′hu′_ (I)—The crow is circling

above me 984

40. _I′yu hä′thäbĕ′nawa′_—Here it is, I hand it to you 984

41. _Ha′naě′hi ya′ga′ahi′na_—Little boy, the coyote gun 984

42. _He′sûna′ na′nahatha′hi_—The father showed me 985

43. _Nänisa′tăqu′thi Chĭnachi′chibä′iha′_—The seven venerable

priests 986

44. _Nä′nisa′tăqi Chĭ′năchi′chibä′iha′_—The seven venerable

priests 990

45. _Nû′nanû′naa′tani′na hu′hu′_ (II) 990

46. _Na′tănu′ya chĕ′bi′nh_—The pemmican that I am using 991

47. _Häĭ′nawa′ hä′ni′ta′quna′ni_—I know, in the pitfall 991

48. _Bä′hinä′nina′tä ni′tabä′na_—I hear everything 993

49. _A-bä′qati′ hä′nichä′bi′hinä′na_—With the wheel I am

gambling 994

50. _Ani′äsa′kua′na_—I am watching 995

51. _Ni′chī′ă i′theti′hi_—(There) is a good river 995

52. _Ni′nini′tubi′na hu′hu′_ (II) 996

53. _Anihä′ya atani′tă′nu′nawa′_—I use the yellow (paint) 997

54. _Ni′naä′niahu′tawa bi′taa′wu_—I am flying about the earth 997

55. _I′nita′ta′-usä′na_—Stand ready 998

56. _Wa′wäthä′bi_—I have given you magpie feathers 998

57. _Ani′qa hĕ′tabi′nuhu′ni′na_—My father, I am poor 999

58. _Nä′nisa′taqu′thi hu′na_—The seven crows 999

59. _Ahu′nä he′sûna′nĭn_—There is our father 1000

60. _Ga′awa′hu_—The ball, the ball 1000

61. _Ahu′ ni′higa′hu_—The Crow is running 1000

62. _Ya′thä-yû′na_—He put me in five places 1001

63. _Ni′naä′qa′wa chibä′ti_—I am going around the

sweat-house 1001

64. _Hise′hi_—My comrade 1002

65. _Na′tu′wani′sa_—My top, my top 1005

66. _He′nä′ga′nawa′nen_—When we dance until daylight 1006

67. _Ni′nä′nina′ti′naku′ni′na_—I wear the morning star 1006

68. _A-ne′na′ tabi′ni′na_—My mother gave it to me 1007

69. _Yĭ′hä′ä′ä′hi′hĭ′_—Gambling song (Paiute gambling songs) 1008

70. _Ni′qa-hu′hu′_—My father, my father 1010

71. _A′hu′nawu′hu′_—With red paint 1010

72. _Ani′qa naga′qu_—Father, the Morning Star 1010

73. _Ahu′yu häthi′na_—Closing song 1011

Arapaho glossary 1012

The Cheyenne 1023

Tribal synonymy 1023

Tribal sign 1024

Sketch of the tribe 1024

Songs of the Cheyenne 1028

1. _O′tä nä′nisĭ′näsists_—Well, my children 1028

2. _Ehä′n esho′ini′_—Our father has come 1028

3. _Nä′niso′näsĭ′stsihi′_—My children 1029

4. _Nä′see′nehe′ ehe′yowo′mi_—I waded into the yellow river 1030

5. _Wosi′vä-ă′ă′_—The mountain is circling 1030

6. _Ni′ha-i′hi′hi′_—My father, I come 1031

7. _Hi′awu′hi_—We have put the devil aside 1031

8. _Ni′ha e′yehe′!_—My father, my father 1031

9. _Ä′minû′qi_—My comrade 1032

10. _He′stutu′ai_—The buffalo head 1032

11. _Nä′mio′ts_—I am coming in sight 1034

12. _A′gachi′hi_—The crow is circling 1034

13. _Nä′nise′näsĕ′stse_—My children, I am now humming 1034

14. _Ogo′ch ehe′eye′!_—The crow, the crow 1035

15. _Tsĭso′soyo′tsĭto′ho_—While I was going about 1035

16. _Ni′ha e′yehe′e′yeye′!_—My father, my father 1036

17. _A′ga′ch ehe′e′ye′!_—The crow, the crow 1037

18. _Nä′niso′näsĭ′stsi he′e′ye′!_—My children, my children 1037

19. _A′guga-ihi_—The crow woman 1038

Cheyenne glossary 1039

The Comanche 1043

Tribal synonymy 1043

Tribal sign 1043

Sketch of the tribe 1043

Songs of the Comanche 1046

1. _Heyo′hänä häe′yo_ 1046

2. _Ya′hi′yû′niva′hu_ 1047

3. _Yani′tsini′hawa′na_ 1047

4. _Ni′nini′tuwi′na_ 1047

The Paiute, Washo, and Pit River tribes 1048

Paiute tribal synonymy 1048

Sketch of the Paiute 1048

Characteristics 1048

Genesis myth 1050

The Washo 1051

The Pit River Indians 1052

Songs of the Paiute 1052

1. _Nüvä ka ro′răni′_—The snow lies there 1052

2. _Dĕna′ gayo′n_—A slender antelope 1053

3. _Do tĭ′mbi_—The black rock 1053

4. _Päsü′ wĭ′noghän_—The wind stirs the willows 1053

5. _Pägü′nävä′_—Fog! Fog! 1054

6. _Wûmbĭ′ndomä′n_—The whirlwind 1054

7. _Kosi′ wûmbi′ndomä′_—There is dust from the whirlwind 1054

8. _Dombi′na so′wina′_—The rocks are ringing 1055

9. _Sû′ng-ä ro′yonji′_—The cottonwoods are growing tall 1055

Paiute glossary 1056

The Sioux 1057

Tribal synonymy 1057

Tribal sign 1057

Sketch of the tribe 1058

Songs of the Sioux 1061

1. Opening song: _A′te he′ye e′yayo_—The father says so 1061

2. _Michĭ′nkshi nañpe_—My son, let me grasp your hand 1061

3. _He tuwe′cha he_—Who think you comes there? 1064

4. _Wana′yañ ma′niye_—Now he is walking 1064

5. _Lechel miyo′qañ-kte_—This is to be my work 1065

6. _Michinkshi′yi tewa′qila che_—I love my children 1065

7. _Mila kiñ hiyu′michi′chiyana_—Give me my knife 1065

8. _Le he′yahe′_—This one says 1068

9. _Niya′te-ye′ he′u′we_—It is your father coming 1068

10. _Miyo′qañ kiñ wañla′ki_—You see what I can do 1068

11. _Michĭ′nkshi mita′waye_—It is my own child 1069

12. _A′te he′ u-we_—There is the father coming 1069

13. _Wa′sna wa′tiñ-kta_—I shall eat pemmican 1069

14. _A′te lena ma′qu-we_—The father gave us these 1069

15. _Ina′ he′kuwo′_—Mother, come home 1070

16. _Wa′na wanasa′pi-kta_—Now they are about to chase the

buffalo 1070

17. _He! kii′ñyañka a′gali′-ye_—He! They have come back

racing 1071

18. _Mī′ye wañma′yañka-yo!_—Look at me! 1071

19. _Maka′ sito′maniyañ_—The whole world is coming 1072

20. _Le′na wa′kañ_—These sacred things 1072

21. _Miyo′qañ kiñ chichu′-che_—I have given you my strength 1072

22. _Michĭ′nkshi take′na_—My child, come this way 1073

23. _Wana wichĕ′shka_—Now set up the tipi 1073

24. _A′te mi′chuye_—Father, give them to me 1074

25. _Hañpa wecha′ghe_—I made moccasins for him 1074

26. _Waka′ñyañ iñya′ñkiñ-kte_—The holy (hoop) shall run 1075

Sioux glossary 1075

The Kiowa and Kiowa Apache 1078

Kiowa tribal synonymy 1078

Kiowa tribal sign 1078

Sketch of the Kiowa 1078

The Kiowa Apache 1081

Songs of the Kiowa 1081

1. _Da′ta-i so′da′te_—The father will descend 1081

2. _Da′k̔i′ñago (ĭm) zä′nteähe′dal_—The spirit army is

approaching 1082

3. _Gu′ato ädâ′ga_—I scream because I am a bird 1082

4. _Da′ta-i nyä′hoănga′mo_—The father shows me the road 1083

5. _Dak̔iñ′a bate′yä_—The spirit (God) is approaching 1083

6. _Na′da′g äka′na_—Because I am poor 1084

7. _Ze′bät-gâ′ga igu′ănpa′-ima′_—He makes me dance with

arrows 1084

8. _Be′ta! To′ngyä-gu′adăl_—Red Tail has been sent 1085

9. _Da′ta-i änka′ñgo′na_—My father has much pity for us 1085

10. _Da′ta-i iñka′ñtähe′dal_—My father has had pity on me 1085

11. _Dak̔iñ′ago äho′ähe′dal_—The spirit host is advancing 1086

12. _E′hyu′ñi degi′ăta_—I am mashing the berries 1087

13. _Go′mgyä-da′ga_—That wind shakes my tipi 1087

14. _Dak̔iñ′a daka′ñtähe′dal_—God has had pity on us 1087

15. _Anso′ gyätä′to_—I shall cut off his feet 1088

Kiowa glossary 1088

The Caddo and associated tribes 1092

Caddo tribal synonymy 1092

Caddo tribal sign 1092

Sketch of the Caddo 1092

The Wichita, Kichai, and Delaware 1095

Songs of the Caddo 1096

1. _Ha′yo ta′ia′ ă′ă′_—Our father dwells above 1096

2. _Wû′nti ha′yano′ di′witi′a_—All our people are going up 1096

3. _Nûna ĭ′tsiya′_—I have come 1097

4. _Na′tsiwa′ya_—I am coming 1097

5. _Na′-iye′ ino′ ga′nio′sĭt_—My sister above 1097

6. _Na′a ha′yo ha′wano_—Our father above (has) paint 1098

7. _Wû′nti ha′yano ka′ka′na′_—All the people cried 1098

8. _Na′wi i′na_—We have our mother below 1098

9. _Ni′ ika′ na′a_—Our grandmother and our father above 1099

10. _Hi′na ha′natobi′na_—The eagle feather headdress 1099

11. _Na′ aa′ o′wi′ta′_—The father comes from above 1099

12. _Na′ iwi′ o′wi′ta′_—See! the eagle comes 1100

13. _A′nana′ hana′nito′_—The feather has come back 1101

14. _Na′ iwi′ ha′naa′_—There is an eagle above 1101

15. _Wi′tŭ′ Ha′sini′_—Come on, Caddo 1101

Caddo glossary 1102

Authorities cited 1104

ILLUSTRATIONS

Page

+Plate+ LXXXV. Map of the Indian reservations of the United States

showing the approximate area of the Ghost dance 653

LXXXVI. The prayer-stick 698

LXXXVII. Chief Joseph 712

LXXXVIII. Map showing the distribution of the tribes of the

upper Columbia 716

LXXXIX. Smohalla and his priests 721

XC. Smohalla church on Yakima reservation 723

XCI. Interior of Smohalla church 727

XCII. Winter view in Mason valley showing snow-covered

sagebrush 769

XCIII. Sioux ghost shirts from Wounded Knee battlefield 789

XCIV. Sioux sweat-house and sacrifice pole 823

XCV. Map of the country embraced in the campaign against

the Sioux 850

XCVI. Map of Standing Rock agency and vicinity 855

XCVII. Map of Wounded Knee battlefield 869

XCVIII. After the battle 873

XCIX. Battlefield of Wounded Knee 875

C. Burying the dead 877

CI. Grave of the dead at Wounded Knee 879

CII. Battlefield after the blizzard 881

CIII. Arapaho ghost shirt, showing coloring 895

CIV. Arapaho ghost shirt—reverse 897

CV. Black Coyote 898

CVI. Biäñk̔i, the Kiowa dreamer 908

CVII. Biäñk̔i’s vision 910

CVIII. Kiowa summer shelter 913

CIX. The Ghost dance (buckskin painting) 915

CX. Sacred objects from the Sioux Ghost dance 916

CXI. Sacred objects from the Sioux Ghost dance 918

CXII. The Ghost dance—small circle 921

CXIII. The Ghost dance—larger circle 923

CXIV. The Ghost dance—large circle 925

CXV. The Ghost dance—praying 927

CXVI. The Ghost dance—inspiration 929

CXVII. The Ghost dance—rigid 931

CXVIII. The Ghost dance—unconscious 933

CXIX. The crow dance 935

CXX. Arapaho bed 962

CXXI. The sweat-lodge: Kiowa camp on the Washita 981

CXXII. Dog-soldier insignia 988

+Figure+ 56. Tenskwatawa the Shawano prophet, 1808 and 1831 670

57. Greenville treaty medal 671

58. Tecumtha 682

59. Harrison treaty pipe 688

60. Känakûk the Kickapoo prophet 693

61. Känakûk’s heaven 694

62. Onsawkie 698

63. Nakai′-doklĭ′ni’s dance-wheel 704

64. Smohalla’s flag 726

65. Charles Ike, Smohalla interpreter 728

66. Diagram showing arrangement of worshipers at Smohalla

service 729

67. John Slocum and Louis Yowaluch 746

68. Shaker church at Mud bay 758

69. Wovoka 764

70. Navaho Indians 810

71. Vista in the Hopi pueblo of Walpi 812

72. A Sioux warrior—Weasel Bear 844

73. Red Cloud 846

74. Short Bull 851

75. Kicking Bear 853

76. Red Tomahawk 856

77. Sitting Bull the Sioux medicine-man 858

78. Sketch of the country of the Sitting Bull fight,

December 15, 1890 859

79. Survivors of Wounded Knee—Blue Whirlwind and children 877

80. Survivors of Wounded Knee—Marguerite Zitkala-noni 878

81. Survivors of Wounded Knee—Jennie Sword 879

82. Survivors of Wounded Knee—Herbert Zitkalazi 880

83. Sitting Bull the Arapaho apostle 896

84. Two Kiowa prophecies (from a Kiowa calendar) 907

85. Poor Buffalo 908

86. Sitting Bull comes down (from a Kiowa calendar) 909

87. Ā′piatañ 912

88. Arapaho tipi and windbreak 957

89. Bed of the prairie tribes 963

90. Shinny stick and ball 964

91. Wakuna or head-feathers 964

92. The Thunderbird 969

93. Hummer and bull-roarer 974

94. Dog-soldier insignia—rattle and quirt 987

95. Diagram of awl game 1002

96. Sticks used in awl game 1003

97. Trump sticks used in awl game 1003

98. Baskets used in dice game 1004

99. Dice used in dice game 1005

100. Cheyenne camping circle 1026

101. Paiute wikiup 1049

102. Native drawings of Ghost dance—A, Comanche; B, Sioux 1060

103. Jerking beef 1066

104. Kiowa camping circle 1080

[Illustration: PL. LXXXV

INDIAN RESERVATIONS

OF THE

UNITED STATES

IN 1890

Showing approximate area

of the Ghost Dance

]

THE GHOST-DANCE RELIGION

By +James Mooney+

INTRODUCTION

In the fall of 1890 the author was preparing to go to Indian Territory,

under the auspices of the Bureau of Ethnology, to continue researches

among the Cherokee, when the Ghost dance began to attract attention,

and permission was asked and received to investigate that subject

also among the wilder tribes in the western part of the territory.

Proceeding directly to the Cheyenne and Arapaho, it soon became evident

that there was more in the Ghost dance than had been suspected, with

the result that the investigation, to which it had been intended to

devote only a few weeks, has extended over a period of more than

three years, and might be continued indefinitely, as the dance still

exists (in 1896) and is developing new features at every performance.

The uprising among the Sioux in the meantime made necessary also the

examination of a mass of documentary material in the files of the

Indian Office and the War Department bearing on the outbreak, in

addition to the study in the field of the strictly religious features

of the dance.

The first visit of about four months (December, 1890–April, 1891) was

made to the Arapaho, Cheyenne, Kiowa, Comanche, Apache, Caddo, and

Wichita, all living near together in the western part of what was then

Indian Territory, but is now Oklahoma. These tribes were all more or

less under the influence of the new religion. The principal study

was made among the Arapaho, who were the most active propagators of

the “Messiah” doctrine among the southern tribes and are especially

friendly and cordial in disposition.

On returning to Washington, the author received a commission to make

an ethnologic collection for the World’s Columbian Exposition, and,

selecting the Kiowa for that purpose as a representative prairie

tribe, started out again almost immediately to the same field. This

trip, lasting three months, gave further opportunity for study of the

Ghost dance among the same tribes. After returning and attending to

the labeling and arranging of the collection, a study was made of all

documents bearing on the subject in possession of the Indian Office

and the War Department. Another trip was then made to the field for

the purpose of investigating the dance among the Sioux, where it had

attracted most attention, and among the Paiute, where it originated.

On this journey the author visited the Omaha, Winnebago, Sioux of Pine

Ridge, Paiute, Cheyenne, and Arapaho; met and talked with the messiah

himself, and afterward, on the strength of this fact, obtained from the

Cheyenne the original letter containing his message and instructions to

the southern tribes. This trip occupied about three months.

A few months later, in the summer of 1892, another journey was made

to the West, in the course of which the southern tribes and the Sioux

were revisited, and some time was spent in Wyoming with the Shoshoni

and northern Arapaho, the latter of whom were perhaps the most earnest

followers of the messiah in the north. This trip consumed four months.

After some time spent in Washington in elaborating notes already

obtained, a winter trip (1892–93) was made under another commission

from the World’s Fair to the Navaho and the Hopi or Moki, of New Mexico

and Arizona. Although these tribes were not directly concerned in the

Ghost dance, they had been visited by apostles of the new doctrine, and

were able to give some account of the ceremony as it existed among the

Havasupai or Cohonino and others farther to the west. On the return

journey another short stay was made among the Kiowa and Arapaho. In

the summer of 1893 a final visit, covering a period of five months,

was made to the western tribes of Oklahoma, bringing the personal

observation and study of the Ghost dance down to the beginning of 1894.

The field investigation therefore occupied twenty-two months, involving

nearly 32,000 miles of travel and more or less time spent with about

twenty tribes. To obtain exact knowledge of the ceremony, the author

took part in the dance among the Arapaho and Cheyenne. He also carried

a kodak and a tripod camera, with which he made photographs of the

dance and the trance both without and within the circle. Several months

were spent in consulting manuscript documents and printed sources

of information in the departments and libraries at Washington, and

correspondence was carried on with persons in various parts of the

country who might be able to give additional facts. From the beginning

every effort was made to get a correct statement of the subject. Beyond

this, the work must speak for itself.

As the Ghost dance doctrine is only the latest of a series of Indian

religious revivals, and as the idea on which it is founded is a

hope common to all humanity, considerable space has been given to a

discussion of the primitive messiah belief and of the teachings of the

various Indian prophets who have preceded Wovoka, together with brief

sketches of several Indian wars belonging to the same periods.

In the songs the effort has been to give the spirit and exact

rendering, without going into analytic details. The main purpose of the

work is not linguistic, and as nearly every tribe concerned speaks a

different language from all the others, any close linguistic study must

be left to the philologist who can afford to devote a year or more to

an individual tribe. The only one of these tribes of which the author

claims intimate knowledge is the Kiowa.

Acknowledgments are due the officers and members of the Office of

Indian Affairs and the War Department for courteous assistance in

obtaining documentary information and in replying to letters of

inquiry; to Mr De Lancey W. Gill and Mr J. K. Hillers and their

assistants of the art and photographic divisions of the United States

Geological Survey; to Mr A. R. Spofford, Librarian of Congress; to

Mr F. V. Coville, botanist, Agricultural Department; Honorable T. J.

Morgan, former Commissioner of Indian Affairs; Major J. W. MacMurray,

first artillery, United States Army; Dr Washington Matthews, surgeon,

United States Army; Captain H. L. Scott, seventh cavalry, United States

Army; Captain J. M. Lee, ninth infantry, United States Army; Captain E.

L. Huggins, second cavalry, United States Army, of the staff of General

Miles; the late Captain J. G. Bourke, third cavalry, United States

Army; Captain H. G. Browne, twelfth infantry, United States Army;

Judge James Wickersham, Tacoma, Washington; Dr George Bird Grinnell,

editor of “Forest and Stream,” New York city; Mr Thomas V. Keam and the

late A. M. Stephen, Keams Canyon, Arizona; Rev. H. R. Voth, Oraibi,

Arizona; General L. W. Colby, Washington, District of Columbia; Mr D.

B. Dyer, Augusta, Georgia; Rev. Myron Eells, Tacoma, Washington; Mr

Emile Berliner and the Berliner Gramophone Company, for recording,

and Professors John Philip Sousa and F. W. V. Gaisberg, for arranging

the Indian music; W. S. Godbe, Bullionville, Nevada; Miss L. McLain,

Washington City; Addison Cooper, Nashville, Tennessee; Miss Emma C.

Sickels, Chicago; Professor A. H. Thompson, United States Geological

Survey, Washington; Mrs L. B. Arnold, Standing Rock, North Dakota; Mr

C. H. Bartlett, South Bend, Indiana; Dr T. P. Martin, Taos, New Mexico,

and to the following Indian informants and interpreters: Philip Wells,

Louis Menard, Ellis Standing Bear, American Horse, George Sword, and

Fire Thunder, of Pine Ridge, South Dakota; Henry Reid, Rev. Sherman

Coolidge, Norcok, Sage, and Sharp Nose, of Fort Washakie, Wyoming;

Charley Sheep of Walker river, Nevada; Black Coyote, Sitting Bull,

Black Short Nose, George Bent, Paul Boynton, Robert Burns, Jesse Bent,

Clever Warden, Grant Left-hand, and the Arapaho police at Darlington,

Oklahoma; Andres Martinez, Belo Cozad, Paul Setkopti, Henry Poloi,

Little Bow, William Tivis, George Parton, Towakoni Jim, Robert Dunlap,

Kichai, John Wilson, Tama, Igiagyahona, Deoñ, Mary Zotom, and Eliza

Parton of Anadarko, Oklahoma.

THE NARRATIVE

+Chapter I+

PARADISE LOST

There are hours long departed which memory brings

Like blossoms of Eden to twine round the heart.

_Moore._

The wise men tell us that the world is growing happier—that we live

longer than did our fathers, have more of comfort and less of toil,

fewer wars and discords, and higher hopes and aspirations. So say the

wise men; but deep in our own hearts we know they are wrong. For were

not we, too, born in Arcadia, and have we not—each one of us—in that

May of life when the world was young, started out lightly and airily

along the path that led through green meadows to the blue mountains

on the distant horizon, beyond which lay the great world we were to

conquer? And though others dropped behind, have we not gone on through

morning brightness and noonday heat, with eyes always steadily forward,

until the fresh grass began to be parched and withered, and the way

grew hard and stony, and the blue mountains resolved into gray rocks

and thorny cliffs? And when at last we reached the toilsome summits, we

found the glory that had lured us onward was only the sunset glow that

fades into darkness while we look, and leaves us at the very goal to

sink down, tired in body and sick at heart, with strength and courage

gone, to close our eyes and dream again, not of the fame and fortune

that were to be ours, but only of the old-time happiness that we have

left so far behind.

As with men, so is it with nations. The lost paradise is the world’s

dreamland of youth. What tribe or people has not had its golden age,

before Pandora’s box was loosed, when women were nymphs and dryads and

men were gods and heroes? And when the race lies crushed and groaning

beneath an alien yoke, how natural is the dream of a redeemer, an

Arthur, who shall return from exile or awake from some long sleep to

drive out the usurper and win back for his people what they have lost.

The hope becomes a faith and the faith becomes the creed of priests and

prophets, until the hero is a god and the dream a religion, looking to

some great miracle of nature for its culmination and accomplishment.

The doctrines of the Hindu avatar, the Hebrew Messiah, the Christian

millennium, and the Hesûnanin of the Indian Ghost dance are essentially

the same, and have their origin in a hope and longing common to all

humanity.

Probably every Indian tribe, north and south, had its early hero god,

the great doer or teacher of all first things, from the Inskeha and

Manabozho of the rude Iroquoian and Algonquian to the Quetzalcoatl, the

Bochica, and the Viracocha of the more cultivated Aztecs, Muyscas, and

Quichuas of the milder southland. Among the roving tribes of the north

this hero is hardly more than an expert magician, frequently degraded

to the level of a common trickster, who, after ridding the world of

giants and monsters, and teaching his people a few simple arts, retires

to the upper world to rest and smoke until some urgent necessity again

requires his presence below. Under softer southern skies the myth takes

more poetic form and the hero becomes a person of dignified presence, a

father and teacher of his children, a very Christ, worthy of all love

and reverence, who gathers together the wandering nomads and leads them

to their destined country, where he instructs them in agriculture,

house building, and the art of government, regulates authority, and

inculcates peaceful modes of life. “Under him, the earth teemed with

fruits and flowers without the pains of culture. An ear of Indian corn

was as much as a single man could carry. The cotton, as it grew, took

of its own accord the rich dyes of human art. The air was filled with

intoxicating perfumes and the sweet melody of birds. In short, these

were the halcyon days, which find a place in the mythic systems of

so many nations in the Old World. It was the golden age of Anahuac.”

(_Prescott, 1._)[1] When at last his work is well accomplished, he bids

farewell to his sorrowing subjects, whom he consoles with the sacred

promise that he will one day return and resume his kingdom, steps into

his magic boat by the seashore, and sails away out of their sight to

the distant land of sunrise.

Such was Quetzalcoatl of the Aztecs, and such in all essential respects

was the culture god of the more southern semicivilized races. Curiously

enough, this god, at once a Moses and a messiah, is usually described

as a white man with flowing beard. From this and other circumstances

it has been argued that the whole story is only another form of the

dawn myth, but whether the Indian god be an ancient deified lawgiver of

their own race, or some nameless missionary who found his way across

the trackless ocean in the early ages of Christianity, or whether we

have here only a veiled parable of the morning light bringing life

and joy to the world and then vanishing to return again from the east

with the dawn, it is sufficient to our purpose that the belief in the

coming of a messiah, who should restore them to their original happy

condition, was well nigh universal among the American tribes.

This faith in the return of a white deliverer from the east opened the

gate to the Spaniards at their first coming alike in Haiti, Mexico,

Yucatan, and Peru. (_Brinton, 1._) The simple native welcomed the white

strangers as the children or kindred of their long-lost benefactor,

immortal beings whose near advent had been foretold by oracles and

omens, whose faces borrowed from the brightness of the dawn, whose

glistening armor seemed woven from the rays of sunlight, and whose

god-like weapons were the lightning and the thunderbolt. Their first

overbearing demands awakened no resentment; for may not the gods claim

their own, and is not resistance to the divine will a crime? Not until

their most sacred things were trampled under foot, and the streets

of the holy city itself ran red with the blood of their slaughtered

princes, did they read aright the awful prophecy by the light of

their blazing temples, and know that instead of the children of an

incarnate god they had welcomed a horde of incarnate devils. “The light

of civilization would be poured on their land. But it would be the

light of a consuming fire, before which their barbaric glory, their

institutions, their very existence and name as a nation, would wither

and become extinct. Their doom was sealed when the white man had set

his foot on their soil.” (_Prescott, 2._)

The great revolt of the Pueblo Indians in August, 1680, was one of the

first determined efforts made by the natives on the northern continent

to throw off the yoke of a foreign oppressor. The Pueblo tribes along

the Rio Grande and farther to the west, a gentle, peaceful race, had

early welcomed the coming of the Spaniards, with their soldiers and

priests, as friends who would protect them against the wild marauding

tribes about them and teach them the mysteries of a greater “medicine”

than belonged to their own kachinas. The hope soon faded into bitter

disappointment. The soldiers, while rough and overbearing toward

their brown-skin allies, were yet unable to protect them from the

inroads of their enemies. The priests prohibited their dances and

simple amusements, yet all their ringing of bells and chanting of

hymns availed not to bring more rain on the crops or to turn aside the

vengeful Apache. “What have we gained by all this?” said the Pueblos

one to another; “not peace and not happiness, for these new rulers will

not protect us from our enemies, and take from us all the enjoyments we

once knew.”

The pear was ripe. Popé, a medicine-man of the Tewa, had come back

from a pilgrimage to the far north, where he claimed to have visited

the magic lagoon of Shipapu, whence his people traced their origin and

to which the souls of their dead returned after leaving this life. By

these ancestral spirits he had been endowed with occult powers and

commanded to go back and rouse the Pueblos to concerted effort for

deliverance from the foreign yoke of the strangers.

Wonderful beings were these spirit messengers. Swift as light and

impalpable as thought, they passed under the earth from the magic lake

to the secret subterranean chamber of the oracle and stood before him

as shapes of fire, and spoke, telling him to prepare the strings of

yucca knots and send them with the message to all the Pueblos far and

near, so that in every village the chiefs might untie one knot from the

string each day, and know when they came to the last knot that then was

the time to strike.

From the Pecos, across the Rio Grande to Zuñi and the far-distant Hopi

mesas, every Pueblo village accepted the yucca string and began secret

preparation for the rising. The time chosen was the new moon of August,

1680, but, through a partial discovery of the plot, the explosion was

precipitated on the 10th. So sudden and complete was the surprise that

many Spaniards in the Pueblo country, priests, soldiers, and civilians,

were killed, and the survivors, after holding out for a time under

Governor Otermin at Santa Fé, fled to El Paso, and in October there

remained not a single Spaniard in all New Mexico. (_Bandelier, 1a, 1b._)

Despite their bitter disappointment, the southern nations continued to

cherish the hope of a coming redeemer, who now assumed the character

of a terrible avenger of their wrongs, and the white-skin conqueror

has had bloody occasion to remember that his silent peon, as he toils

by blue Chapala or sits amid the ruins of his former grandeur in the

dark forests of Yucatan, yet waits ever and always the coming of the

day which shall break the power of the alien Spaniard and restore to

their inheritance the children of Anahuac and Mayapan. In Peru the

natives refused to believe that the last of the Incas had perished a

wanderer in the forests of the eastern Cordilleras. For more than two

centuries they cherished the tradition that he had only retired to

another kingdom beyond the mountains, from which he would return in

his own good time to sweep their haughty oppressors from the land. In

1781 the slumbering hope found expression in a terrible insurrection

under the leadership of the mestizo Condorcanqui, a descendant of the

ancient royal family, who boldly proclaimed himself the long lost

Tupac Amaru, child of the sun and Inca of Peru. With mad enthusiasm

the Quichua highlanders hailed him as their destined deliverer and

rightful sovereign, and binding around his forehead the imperial fillet

of the Incas, he advanced at the head of an immense army to the walls

of Cuzco, declaring his purpose to blot out the very memory of the

white man and reestablish the Indian empire in the City of the Sun.

Inspired by the hope of vengeance on the conqueror, even boys became

leaders of their people, and it was only after a bloody struggle of two

years’ duration that the Spaniards were able to regain the mastery and

consigned the captive Inca, with all his family, to an ignominious and

barbarous death. Even then so great was the feeling of veneration which

he had inspired in the breasts of the Indians that “notwithstanding

their fear of the Spaniards, and though they were surrounded by

soldiers of the victorious army, they prostrated themselves at the

sight of the last of the children of the sun, as he passed along the

streets to the place of execution.” (_Humboldt, 1._)

In the New World, as in the Old, the advent of the deliverer was to

be heralded by signs and wonders. Thus in Mexico, a mysterious rising

of the waters of Lake Tezcuco, three comets blazing in the sky, and a

strange light in the east, prepared the minds of the people for the

near coming of the Spaniards. (_Prescott, 3._) In this connection,

also, there was usually a belief in a series of previous destructions

by flood, fire, famine, or pestilence, followed by a regeneration,

through, the omnipotent might of the savior. The doctrine that the

world is old and worn out, and that the time for its renewal is near

at hand, is an essential part of the teaching of the Ghost dance.

The number of these cycles of destruction was variously stated among

different tribes, but perhaps the most sadly prophetic form of the

myth was found among the Winnebago, who forty years ago held that the

tenth generation of their people was near its close, and that at the

end of the thirteenth the red race would be destroyed. By prayers and

ceremonies they were then endeavoring to placate their angry gods and

put farther away the doom that now seems rapidly closing in on them.

(_Schoolcraft, Ind. Tribes, 1._)

+Chapter II+

THE DELAWARE PROPHET AND PONTIAC

Hear what the Great Spirit has ordered me to tell you: Put off

entirely the customs which you have adopted since the white people

came among us.—_The Delaware Prophet._

This is our land, and not yours.—_The Confederate Tribes, 1752._

The English advances were slow and halting, for a long period almost

imperceptible, while the establishment of a few small garrisons and

isolated trading stations by the French hardly deserved to be called an

occupancy of the country. As a consequence, the warlike northern tribes

were slow to realize that an empire was slipping from their grasp,

and it was not until the two great nations prepared for the final

struggle in the New World that the native proprietors began to read

the stars aright. Then it was, in 1752, that the Lenape chiefs sent to

the British agent the pointed interrogatory: “The English claim all on

one side of the river, the French claim all on the other—where is the

land of the Indians?” (_Bancroft, 1._) Then, as they saw the French

strengthening themselves along the lakes, there came a stronger protest

from the council ground of the confederate tribes of the west: “This is

our land and not yours. Fathers, both you and the English are white;

the land belongs to neither the one nor the other of you, but the Great

Being above allotted it to be a dwelling place for us; so, fathers, I

desire you to withdraw, as I have desired our brothers, the English.”

A wampum belt gave weight to the words. (_Bancroft, 2._) The French

commander’s reply was blunt, but more practiced diplomats assured

the red men that all belonged to the Indian, and that the great king

of the French desired only to set up a boundary against the further

encroachments of the English, who would otherwise sweep the red tribes

from the Ohio as they had already driven them from the Atlantic. The

argument was plausible. In every tribe were French missionaries, whose

fearless courage and devotion had won the admiration and love of the

savage; in every village was domiciliated a hardy voyageur, with his

Indian wife and family of children, in whose veins commingled the blood

of the two races and whose ears were attuned alike to the wild songs of

the forest and the rondeaus of Normandy or Provence. It was no common

tie that bound together the Indians and the French, and when a governor

of Canada and the general of his army stepped into the circle of braves

to dance the war dance and sing the war song with their red allies,

thirty-three wild tribes declared on the wampum belt, “The French are

our brothers and their king is our father. We will try his hatchet

upon the English” (_Bancroft, 3_), and through seven years of blood

and death the lily and the totem were borne abreast until the flag of

France went down forever on the heights of Quebec.

For some time after the surrender the unrest of the native tribes was

soothed into a semblance of quiet by the belief, artfully inculcated

by their old allies, that the king of France, wearied by his great

exertions, had fallen asleep for a little while, but would soon awake

to take vengeance on the English for the wrongs they had inflicted on

his red children. Then, as they saw English garrisons occupying the

abandoned posts and English traders passing up the lakes even to the

sacred island of the Great Turtle, the despairing warriors said to one

another, “We have been deceived. English and French alike are white men

and liars. We must turn from both and seek help from our Indian gods.”

In 1762 a prophet appeared among the Delawares, at Tuscarawas, on the

Muskingum, who preached a union of all the red tribes and a return

to the old Indian life, which he declared to be the divine command,

as revealed to himself in a wonderful vision. From an old French

manuscript, written by an anonymous eyewitness of the scene which he

describes, we have the details of this vision, as related by Pontiac

to his savage auditors at the great council of the tribes held near

Detroit in April, 1763. Parkman gives the story on the authority of

this manuscript, which he refers to as the “Pontiac manuscript,” and

states that it was long preserved in a Canadian family at Detroit,

and afterward deposited with the Historical Society of Michigan. It

bears internal evidence of genuineness, and is supposed to have been

written by a French priest. (_Parkman, 1._) The vision, from the same

manuscript, is related at length in Schoolcraft’s Algic Researches.

According to the prophet’s story, being anxious to know the “Master

of Life,” he determined, without mentioning his desire to anyone, to

undertake a journey to the spirit world. Ignorant of the way, and

not knowing any person who, having been there, could direct him, he

performed a mystic rite in the hope of receiving some light as to the

course he should pursue. He then fell into a deep sleep, in which he

dreamed that it was only necessary to begin his journey and that by

continuing to walk forward he would at last arrive at his destination.

Early the next morning, taking his gun, ammunition, and kettle,

he started off, firmly convinced that by pressing onward without

discouragement he should accomplish his object. Day after day he

proceeded without incident, until at sunset of the eighth day, while

preparing to encamp for the night by the side of a small stream in a

little opening in the forest, he noticed, running out from the edge of

the prairie, three wide and well-trodden paths. Wondering somewhat that

they should be there, he finished his temporary lodging and, lighting

a fire, began to prepare his supper. While thus engaged, he observed

with astonishment that the paths became more distinct as the night grew

darker. Alarmed at the strange appearance, he was about to abandon his

encampment and seek another at a safer distance, when he remembered

his dream and the purpose of his journey. It seemed to him that one of

these roads must lead to the place of which he was in search, and he

determined, therefore, to remain where he was until morning, and then

take one of the three and follow it to the end. Accordingly, the next

morning, after a hasty meal, he left his encampment, and, burning with

the ardor of discovery, took the widest path, which he followed until

noon, when he suddenly saw a large fire issuing apparently from the

earth. His curiosity being aroused, he went toward it, but the fire

increased to such a degree that he became frightened and turned back.

He now took the next widest of the three paths, which he followed

as before until noon, when a similar fire again drove him back and

compelled him to take the third road, which he kept a whole day

without meeting anything unusual, when suddenly he saw a precipitous

mountain of dazzling brightness directly in his path. Recovering from

his wonder, he drew near and examined it, but could see no sign of a

road to the summit. He was about to give way to disappointment, when,

looking up, he saw seated a short distance up the mountain a woman of

bright beauty and clad in snow-white garments, who addressed him in his

own language, telling him that on the summit of the mountain was the

abode of the Master of Life, whom he had journeyed so far to meet. “But

to reach it,” said she, “you must leave all your cumbersome dress and

equipments at the foot, then go and wash in the river which I show you,

and afterward ascend the mountain.”

He obeyed her instructions, and on asking how he could hope to climb

the mountain, which, was steep and slippery as glass, she replied that

in order to mount he must use only his left hand and foot. This seemed

to him almost impossible, but, encouraged by the woman, he began to

climb, and at length, after much difficulty, reached the top. Here the

woman suddenly vanished, and he found himself alone without a guide. On

looking about, he saw before him a plain, in the midst of which were

three villages, with well-built houses disposed in orderly arrangement.

He bent his steps toward the principal one, but after going a short

distance he remembered that he was naked, and was about to turn back

when a voice told him that as he had washed himself in the river he

might go on without fear. Thus bidden, he advanced without hesitation

to the gate of the village, where he was admitted and saw approaching

a handsome man in white garments, who offered to lead him into the

presence of the Master of Life. Admiring the beauty of everything about

him, he was then conducted to the Master of Life, who took him by

the hand and gave him for a seat a hat bordered with gold. Afraid of

spoiling the hat, he hesitated to sit down until again told to do so,

when he obeyed, and the Master of Life thus addressed him:

I am the Master of Life, whom you wish to see and with whom you

wish to speak. Listen to what I shall tell you for yourself and for

all the Indians.

He then commanded him to exhort his people to cease from drunkenness,

wars, polygamy, and the medicine song, and continued:

The land on which you are, I have made for you, not for others.

Wherefore do you suffer the whites to dwell upon your lands? Can

you not do without them? I know that those whom you call the

children of your Great Father [the King of France] supply your

wants; but were you not wicked as you are you would not need them.

You might live as you did before you knew them. Before those whom

you call your brothers [the French] had arrived, did not your bow

and arrow maintain you? You needed neither gun, powder, nor any

other object. The flesh of animals was your food; their skins

your raiment. But when I saw you inclined to evil, I removed the

animals into the depths of the forest that you might depend on your

brothers for your necessaries, for your clothing. Again become good

and do my will and I will send animals for your sustenance. I do

not, however, forbid suffering among you your Father’s children. I

love them; they know me; they pray to me. I supply their own wants,

and give them that which they bring to you. Not so with those who

are come to trouble your possessions [the English]. Drive them

away; wage war against them; I love them not; they know me not;

they are my enemies; they are your brothers’ enemies. Send them

back to the lands I have made for them. Let them remain there.

(_Schoolcraft, Alg. Res., 1._)

The Master of Life then gave him a prayer, carved in Indian

hieroglyphics upon a wooden stick, which he was told to deliver to his

chief on returning to earth. (_Parkman, 2._) His instructor continued:

Learn it by heart, and teach it to all the Indians and children. It

must be repeated morning and evening. Do all that I have told thee,

and announce it to all the Indians as coming from the Master of

Life. Let them drink but one draught, or two at most, in one day.

Let them have but one wife, and discontinue running after other

people’s wives and daughters. Let them not fight one another. Let

them not sing the medicine song, for in singing the medicine song

they speak to the evil spirit. Drive from your lands those dogs

in red clothing; they are only an injury to you. When you want

anything, apply to me, as your brothers do, and I will give to

both. Do not sell to your brothers that which I have placed on the

earth as food. In short, become good, and you shall want nothing.

When you meet one another, bow and give one another the [left]

hand of the heart. Above all, I command thee to repeat morning and

evening the prayer which I have given thee.

The Ghost-dance religion and the Sioux outbreak of 1890 · 第 1 / 58 段