She obeyed him, although with evident reluctance. All the brief dignity

which her elevation of mood had imparted had vanished now, leaving her

more haggard and worn than ever. A faded, prematurely old woman, she

sat twisting her red, stained hands in a vain attempt to hide their

ugliness in the folds of her poor dress. Even self-pity in Farnsworth's

breast began to vanish in the depth of compassion which the sexton

excited.

"Delia," he said, "I must think for us both, and for the boy. He must

be considered. For his sake we must be married."

It was at once with a sense of relief and of humiliation that he saw how

she shrank from this proposition. To have fallen from godhood in the

meanest woman's eyes is the keenest thrust at man's pride. It gave

Farnsworth a new conception that the gulf between them must look as

impassable from her side as from his. He had thus far been too much

absorbed in the sacrifices he himself was making to consider that all

the desirabilities of his world would not appeal to her as to him,--that

its very fulness and richness which so held and delighted him would

confuse and repel her.

"It is of no use!" he exclaimed, starting up. "I must have time to

think. I will come back in the morning. Think yourself, Delia,--not of

me, or even of yourself, so much as of the boy. It is of him that we

must have the first care. Nothing can much change our lives; but the

world is before him. Goodnight."

However different may have been the reflexions of Farnsworth and of

Delia Grimwet through that long, sad night, their conclusions must have

been in some respects identical, for when the former came to the house

in the morning with the astonished clergyman the woman acquiesced

without any discussion in the performance of the marriage ceremony. It

was an occasion which the Rev. Mr. Eaton long remembered, and of which

he told to the end of his life, filling out, it must be confessed, as

time went on, its spare facts with sundry incidents, trifling, it is

true, yet gradually overlaying the bare truth with a completeness which

the clerical gossip himself, whose belief always kept pace with his

invention, was far from realizing. The only thing he could with accuracy

have told, beyond the simple fact of the marriage, was that when,

according to his wont, he attempted to add a few words of exhortation

and moral reflection, the bridegroom cut him short and showed him to

the door with a courtesy perfect but irresistible, the rebuff somewhat

softened by the liberality of the fee which accompanied the dismissal.

The boy during these singular proceedings had remained in a state of

excited astonishment almost amounting to stupefaction; but when the

newly united family were alone together, his natural perversity broke

out, and showed itself in its natural and unamiable colors. To the

father the child's every uncouth word and act were the most acute

torture; and the mother, partly by woman's instinct, partly from

previous acquaintance with her husband's fastidiousness, was to a great

degree sensible of this. She made no effort, however, to restrain her

child. She seemed to have thrown off all responsibility upon the father,

and busied herself in preparations for the boy's departure, about which,

although neither had spoken of it, there seemed to be some tacit

understanding.

The forenoon was well worn when Farnsworth came to the door with his

carriage, for which he had gone in person.

"Come, Delia," he said, entering the house. "We may as well leave

everything as it is. I told Mrs. Bemis to lock up the house and see to

it. Are you ready?"

"Farnsworth is," she replied, seating herself in a low chair and drawing

to her side the uncouth boy, who struggled to get free.

He broke in rudely, announcing his readiness, his joy at leaving

Kempton, and his satisfaction at wearing his Sunday jacket, which to

his father looked poor enough.

"But you, Delia?" her husband inquired, putting up his hand to quiet the

child. "Are you ready?"

"I am not going."

Whether it was relief, remorse, or astonishment which overwhelmed him,

John Farnsworth could not have told. He stood speechless, looking at his

wife like one suddenly stricken dumb. The boy filled in the pause with

noisy expostulations, depriving the tragedy of even the poor dignity of

silence. The father knew from the outset that remonstrances would not

be likely to avail, yet he remonstrated; perhaps, for human nature is

subtle beyond word, he was unconsciously for that reason the more

earnest in his pleading. He would have been glad could this woman and

her child have been swept out of existence. Already he had to hold

himself strongly in check, lest the reaction which had followed his

heroic resolve to marry Delia should show itself; but he choked back

the feeling with all his resolution.

"No," Delia persistently said, her eyes dry, her voice harsh from

huskiness. "I've no place anywhere but here. It is too late now. I've

more feeling than I thought, for I do care something even now to be an

honest woman in the sight of my neighbors; and that'll help me bear it,

I suppose. Take the boy, and do for him all you owed to me. I should

spoil all if I went. He is best quit of me if he's to please you and

grow like you. I'll stay here and dig graves; I am fit for nothing else.

I want nothing of you. I married you for the boy's sake, and for his

sake I break my heart and send him away; but I will have nothing for

myself. The days when I would have taken a penny from you are long

gone."

She spoke calmly enough, but with a certain poignant stress which made

every word fall like a weight. He did not urge her further. He held out

his hand, into which she laid hers lifelessly.

"Good-bye," he said. "As God sees me, Delia, I'll do my best by the boy.

I will write to you. If you change your decision,--but no matter now. I

will write to you and to the minister."

All other words of parting were brief and soon spoken. The boy showed

no emotion at leaving his mother, as he had throughout exhibited no

tenderness. He climbed noisily into the carriage, and the father and

son, so strangely assorted, rode together up the hill, past the stark

meeting-house, and so on into the world whose seething waves seldom

troubled, even by such a ripple as the events just narrated, the dull

calm of Kempton; and to John Farnsworth it was as if the woful burden of

remorse which had so long vexed heart and conscience had taken bodily

shape and rode by his side.

Delia had been calm until the two were gone,--so calm that her husband

thought her still half dazed by the excitement and anguish of the

previous night. She stood steadily at the window until the carriage

disappeared behind the grave-covered hill. Then she threw herself

grovelling upon the floor in the very ecstasy of woe. She did not

shriek, strangling in her throat into inarticulate moans and gurglings

the cries which rent their way from her inmost soul; but she beat her

head upon the bare floor; she caught at the furniture like a wild

beast, leaving the print of her strong teeth in the hard wood; she

was convulsed with her agony, a speechless animal rage, a boundless,

irrepressible anguish which could not be measured or expressed. She

clutched her bosom with her savage hands, as if she would tear herself

in pieces; she wounded and bruised herself with a fierceness so intense

as to be almost delight.

In the midst of her wildest paroxysm there came a knocking at the door.

She started up, her face positively illuminated.

"They have come back!" she murmured in ecstasy.

She rushed to the door and undid its fastenings with fingers tremulous

from eager joy. A neighbor confronted her, staring in dismay and

amazement at her strange and dishevelled appearance.

"What's come to ye, Dele?" he demanded roughly, though not unkindly.

"When ye goin' to put the box in Widder Pettigrove's grave?"

She confronted him for an instant with a wandering look in her eye, as

though she had mercifully been driven mad. Then the tyranny of life and

habit reasserted itself.

"I'll come up now, Bill," she said.

And she went back to her graves.

THE END.

_Messrs. Roberts Brothers' Publications._

A LAD'S LOVE.

By ARLO BATES.

=16mo, Cloth. Price, $1.00. Paper Covers, 50 Cents.=

It is just the kind of a story to suit the majority of watering-place

people who wish to help pass the time with light reading. The scene is

laid in Campobello; and the social life at a sea-side resort, with its

impromptu festivities, is attractively set forth. The persons who form

the principal group in the story are above the usual watering-place

gossips, that magnify every innocent flirtation they see; and the lad

who at twenty-one falls desperately in love with a charming widow of

thirty-five years, at last sensibly turns to the daughter, loves her and

marries her, through the shrewd management of her mother. The object

of the book is to show how often and how fervently a callow youth is

attracted to some one older and more cultivated than himself; and the

analysis of his passion is very well done.--_Hartford Times._

This time Mr. Bates, who wields a facile pen, has taken up a facile

subject, for the burden of his story is the evolution of a young

man's love in the cool shades and sylvan retreats of Campobello....

Incidentally he pictures certain aspects of society and gives a fair

account of Campobello. _A Lad's Love_ is a readable story, and young

women will read it not only with pleasure but also with profit. It will

teach them how love acts in a pure lad.--_The Beacon._

Arlo Bates is favorably known as a writer of pleasant and healthy verse,

and he appears to equal advantage as the author of this bright novel,

which is as breezy as the air of Mount Desert, where the scene is laid.

The "Lad" is a youth of twenty-two or so, just through Harvard; and the

depth, strength, and variety of his love are well illustrated by his

frantic passion for a widow old enough to be his mother, by his rapid

transfer of affection to her lovely daughter, and by his nearly getting

entangled with a third woman before he secures the right one. There is

a thorough-bred air about the book which leaves a good impression, and

a liveliness of fancy and description which promises more good stories

from Mr. Bates's pen. The minor characters, though merely sketched in

lightly, fill their places admirably, and the two heroines are quite

delicious.--_Pittsburgh Bulletin._

The author delights in making an analytical study of the mental

condition of the principal actors at various stages of the story, and

now and then brightens the pages with a crisp epigram that betrays

a habit of close observation of human nature in the lines of the

story's theme.... The people of the story are lifelike, however,

and there is not an impossible nor even an improbable person among

them.--_Springfield Union._

_Sold everywhere. Mailed, post-paid, on receipt of the price, by the

Publishers_,

ROBERTS BROTHERS, BOSTON.

POEMS BY ARLO BATES.

_Including "BERRIES OF THE BRIER," and "SONNETS IN SHADOW."_

=One Volume. 16mo, Cloth. Price, $1.50.

Each volume separate, price, $1.00.=

These poems are always poetical; they are carefully finished; they are

not _vers de société_; they do not affect American humor, and they are

utterly unpretentious. Mr. T. B. Aldrich might own a good many of them.

They reveal Mr. Bates' mind and temper at their very best, and will be

enjoyed by those who have an ear for fine, light impressions finely and

delicately expressed.--_The Beacon._

The poems, all very short, except the "Ballad of the Spinner," are

almost all flavorous with love's delicious essence. The perennial

passion receives fresh illumination in a hundred ways. Warmth, richness,

suggestiveness, smooth-flowing melody,--these are some of the traits of

Mr. Bates' verses, which are well worthy the tasteful setting here given

them.

They are almost invariably the setting of some pretty and thoroughly

poetic thought; and the writer's expression is clear and precise, and

studded with bits of exquisite imagery.--_Argonaut._

There are many who will welcome another volume from the pen of Arlo

Bates, although it be a sad one. The twenty-nine sonnets which make up

this little collection are but variations of one melody, and that played

in the minor key. They will sink deep into many hearts, for they are the

expressions of various moods which all who have known grief and loss

will have felt and be able to comprehend. The men and women who have no

artistic gifts, and who sit and shed salt tears in stony silence, unable

to give their woe adequate words, will feel that a human heart has here

been revealed to them able to sympathize with every throb and pulsation

of their own. There is not a cry of a bruised soul but will find its

echo in some one of these sonnets, and the knowledge that they are the

expression of a real and personal sorrow gives them a power and interest

that no ideal or imaginary work could possess.--_Transcript._

ROBERTS BROTHERS, BOSTON.

A WOODLAND WOOING.

By ELEANOR PUTNAM.

=16mo, Cloth. Price, $1.00. Paper Covers, 50 Cents.=

A thoroughly wholesome story is _A Woodland Wooing_, by Eleanor Putnam

(the late Mrs. Arlo Bates). It is as sweet as a meadow of clover and

as bright as a crisp October morning. Its simplest events are made

fascinating by their rare naturalness. The motherless children of a

country doctor figure prominently in the tale, and they devise all sorts

of original modes of amusing themselves, of course omitting whatever is

incompatible with self-respect or unapproved by conscience. Boys and

girls are for the most part the story's heroes and heroines, and when

they find themselves quite unexpectedly grown into men and women and

realize all that maturity means, their natures are strong and unhurt by

the evils of self-consciousness or of unwholesome speculations regarding

the significance of this life or the next. They are children of fine,

vigorous intellectual fibre and noble impulses that lead them toward

worthiness, happiness, and usefulness, and the story of their progress

toward higher things is charmingly told.--_The Delineator._

Like a cool breeze on a sultry day comes this little book, _A Woodland

Wooing_, by Eleanor Putnam, fresh and sparkling, with almost child-like

fun, and not even the shadow of a moral spectre to be found stalking

anywhere between its dainty covers.... The Yankee country-folks all

around are photographed very accurately to our mind's eye, and it is

difficult to say whether they are more amusing than the widely-travelled

and elegantly-Bohemian family of Sparhawks, whose advent in the village

makes such a sensation. The infant Sparhawks are especially droll, and

remind one strongly of those famous personages, "Toddy and Budge." In

fact it is just the sort of book to read aloud, so as to have some one

to laugh with over its joyous humor.--_Home Journal._

One of the breeziest, brightest books of the year. It is not only

charmingly original, but thoroughly amusing. Its characters are drawn

with all the skill of the literary artist, and stand out in the mind of

the reader like beautiful pictures upon the canvas. The reading will

make old gray heads feel again young. It will revive the visions of

youth, with spring flowers, when all the world stretched away in

brightness. The story is a summer camping-out, told in alternate

chapters by a brother and sister, in which all sorts of people are

introduced to the reader in a most delightful and amusing way. It

matters not that it contains much nonsense; life needs a good deal of

such to spice it up. The woodland wooing, it may be remarked, is carried

on under many and trying circumstances. But it all ends well. It is

indeed a bright, breezy, pleasing book, and tears will only come in the

remembrance that the hand that penned the lines has ceased forever from

such pleasing earthly tasks.--_Chicago Inter-Ocean._

_Sold everywhere. Mailed, post-paid, on receipt of the price, by the

Publishers_,

ROBERTS BROTHERS, BOSTON.

PRINCE VANCE.

=A Story of a Prince with a Court in His Box.= By ELEANOR PUTNAM and

ARLO BATES. Illustrated by Frank Myrick.

[Illustration]

_"Prince Vance" is an Entertaining Fairy Story of the wildest and most

fantastic adventures and of amusing and original impossibilities, which,

however, carry with them a stern puritan moral. This allegiance of

unfettered imagination and straightforward, wholesome, moral teaching is

unusual, and gives the little book a special value._

Small 4to. Cloth gilt. Price, $1.50.

ROBERTS BROTHERS, BOSTON.

Transcriber's Note

For this txt-version italics were surrounded with _underscores_, bold

with =signs=, and small capitals changed to all capitals.

In the Table of Contents "283" was changed to "285" (Interlude Eighth:

A CUBAN MORNING 285). Also the following corrections were made, on page

171 "forgotton" changed to "forgotten" (he had forgotten the pain

she might endure)

174 "Dr" changed to "Dr." (while Dr. Lommel, who had charge of the

ward)

240 "Gran'sir" changed to "Gran'sir'" (Gran'sir' Welch's red

cottage)

269 "slighest" changed to "slightest" (I had not the slightest

difficulty)

273 "anoyance" changed to "annoyance" (mingling of philosophy and

annoyance)

279 "persausions" changed to "persuasions" (but my persuasions,

seconded by those of)

313 "accomodations" changed to "accommodations" (furnished

accommodations to a boarder).

Otherwise the original was preserved, including archaic and inconsistent

spelling and hyphenation.

A Book o' Nine Tales. · 第 13 / 13 段