CHAPTER V

TECHNIQUE OF PRINTING AND SCRUTINIZING FINGER-PATTERNS

There are important points connected, with the printing of

finger-patterns, especially for legal investigation, which come now to

be considered. A human finger, as we have seen, is not, for printing

purposes, just like a lithographic stone, a box-wood engraving, or

a plate of zinc, steel, or copper. In ordinary printing, especially

of high-class and delicate engravings, the quality and fluency

of ink, the smoothness of surface and hygrometric conditions of

paper--due sometimes to local atmosphere, and sometimes to climate

generally--the skill of workmen, all the conditions co-operate

in producing variations, slight it may be, but noticeable in the

results obtained. In the case of finger-prints we might also have

to consider the willingness or unwillingness of the subject having

his finger-prints officially taken. A finger--even that of a dead

person--is compressible, while retaining on the whole the pattern of

its furrows and ridges, and hence under fairly similar conditions,

the printed products may be somewhat different in appearance. The

same fact would apply, no doubt, also to impressions taken from an

indiarubber stamp, made, we shall suppose, for stamping purposes in

regard to documents, in imitation of a particular finger-print pattern.

Greater compression tends to flatten out the ridges and to narrow

the intervening grooves, while it may also tend, especially when

associated with over-inking, to obliterate some of the characteristic

ramifications of the pattern. But, again, the finger of a living person

is usually in a state of physiological activity. It swells or shrinks,

drying up or exuding moisture from its many pores, which facts, however

minute and insignificant they may appear to the uninstructed, to the

trained dactylographer they leave a most interesting and significant

record behind.

Examine carefully a ridge which has been printed--and, if possible,

photographically enlarged--at various periods not long apart, and the

pores with which it is dotted will be found, while retaining their

relative positions, to vary somewhat in their degree of patency. A

single ridge might be compared to a naval cruiser, the numerous funnels

of which are not all belching forth smoke at the same time, but one

is almost smokeless while its neighbour is quite active. Those pores

which have been copiously emitting sweat are seen, when imprinted,

to be larger than those that were inactive. An imaginary case was

once suggested to me as a final blow to finger-print identification.

A certain Mr. William Sykes is officially known to be recruiting

his valuable health at one of His Majesty’s sanatoriums for people

of his profession. That celebrated artist’s “thumb”-print, however,

has been found liberally spotted all over the scene of some tragic

area of crime. What is to be said? Well, the prodigality of display

of the well-known sign-manual, in circumstances when gloves are

almost invariably now worn by experts, might well arouse suspicion

in itself, but it would easily be found in such a case that the

pattern had been prodigally repeated with too great fidelity in the

matter of sweat-pores, which, in the case of an active burglar, who

is a sober, hard-working fellow in spite of his faults, would vary

with each successive imprint, in a way that no manufacturer of bogus

“thumb”-prints could easily follow.

The fact that a finger--a clean finger--is naturally, to some slight

extent, greasy, partly from sebaceous secretion, enables the expert

dactylographer by various chemical and mechanical means to obtain a

pretty clear vision, even in minute detail, of what before had been

quite invisible. A mere accidental smudge from a slightly oily palm

or finger, if imprinted on glass, japanned tin, varnished or polished

wood, etc., may have its invisible lineations brought out by dusting

gently upon it some light powder of appropriate colour. Dr. René

Forgeot, in 1891, first called attention to this method of bringing out

latent imprints, and my friend, Dr. Garson, of this country, gave it

further developments.

In my _Guide_ I have mentioned some of my own results with

modifications of these methods.

On a pane of glass which a malign finger is suspected to have touched,

a fine black powder gives vivid and beautiful results, the sooty matter

clinging to and revealing the oily surface of the lineations in very

full detail. In my article in _Nature_ of 1880 a sooty imprint is shown

to have helped an innocent man to establish his innocence, but in this

case the imprint was quite direct. The powder should be gently blown

over, or dusted lightly on to the greasy impression, with a soft camel

hair brush which is perfectly clean and dry. Care should be taken not

to breathe on the glass, or a damp, smeary effect may result. I have

not found sable brushes act so well as those made of camel hair, a

fact which their structure under the microscope helps to explain. (See

frontispiece.)

The best treatment of a greasy smudge on a dark ground, say the surface

of a japanned cash-box, marble slab, school slate, or enamelled door

panel, is carefully to dust over the object with a fine white powder,

such as the ordinary tooth-powder of the chemists, or still better, as

I find, with the light carbonate of magnesia. In one sense this may

be said to yield a _negative_ print, but an important qualification

arises. The patterns now in white are the ridges which before were

black, while the furrows remain dark as at first. In a smoked glass

print the white ridges have not imparted something to the glass,

but have simply removed the carbonaceous deposit previously there.

Practically, however, the whitened ridges have the quality of a

negative imprint, as previously described.[D]

[D] See _Guide to Finger-Print Identification_ (fig. 12)

Greasy finger-marks may also be acted on chemically, so as to bring

out details by the application of osmic acid. If there is any olein or

oleic acid in the mark, as there generally is in human finger-marks,

the acid deepens the tone of the almost invisible lines into a brownish

hue, revealing all their richness of detail. I have succeeded in

etching finger-marks of this kind on glass by means of hydro-fluoric

acid. They remain quite indelible in all their details so long as the

glass itself endures. The patterns thus etched can be very well brought

into view by painting a dark background on the reverse, or pasting

dark paper behind. There is a clear layer of the skin in both palms

and soles, the fat of which is eleidin. That particular kind of fat

does not stain with osmic acid in the usual way. The sweat of palms and

soles is not supposed to contain any fat at all, but there would seem

to be some faint trace of it in sweat. The greasy surface of the skin

as a rule comes from the sebaceous glands, as previously described.

When clean palms leave a greasy smear, as they often do, I think the

greasiness must generally come by transmission from other parts of the

body, or from contact with foreign greasy substances, which are common

enough.

For those who wish to study dactylography, the apparatus is neither

complicated nor expensive. A good pair of compasses, a botanical

lens, a school slate or tin plate or porcelain tile, a small pot of

fine printer’s ink, and an ink-roller or photographer’s “squeegee”

will suffice for most purposes. For the expert who must make fine

measurements of enlarged photographs, and perhaps defend them under

keen forensic criticism, one or two instruments are required, presently

to be described.

The ink may be daubed evenly and thinly on the slate, tile or plate,

but it is better to use a small printer’s roller for the purpose. Avoid

all fluff, hairs, or grit, which thoroughly spoil any print. The roller

should always be scrupulously cleaned before laying aside, and it is

well to provide a tin case for its reception. The remaining stock of

ink should be carefully levelled a-top, and covered with a drop or two

of linseed or other oil, which will preserve it in good and workable

condition for a long time. Reeve’s Artists’ Depôts, Ltd., 53 Moorgate

Street, London, supply an excellent quality of ink for this purpose,

in flexible tubes, at sixpence each, and the same firm can generally

provide the rollers or squeegees used by photographers, which serve

very well. In an emergency I have made serviceable ink with burnt cork,

lamp soot, even shoe-blacking, using a good smooth and even cork as a

roller. Wax casts, which should occasionally be made for study, can be

made with the sheets of wax used greatly, at one time, for the making

of artificial flowers. Excellent casts can also be made with putty,

gutta-percha, sealing-wax, or hard paraffin, such as is used to encase

the modern candle. Very excellent imprints of this kind have been left

by burglars on candles they have used.

Some useful practical hints as to how finger-prints may be photographed

and enlarged for police purposes are supplied by Inspectors Stedman and

Collins, in an official work by Sir E. R. Henry, _Classification and

Uses of Finger-Prints_; and others occur in _Daktyloskopie_, published

in Vienna. Finger-marks on plated articles, when placed squarely with

the camera in a strong side light, will appear light on a dark ground.

The instructions in such a case are: “Focus sharply. Should, however,

the mark be too faint to be clearly seen on the focussing screen, a

piece of printed paper can be placed around the mark to focus by, but

this should be removed before exposing the plate, otherwise halation

will set in and obscure some of the lines in the finger-mark.” The

plate done in this way gives a negative result, so that a transparency

must be made and used so as to convert that into a positive print.

The fingers and thumbs may each be printed separately. For

identification the serial order of fingers must be retained on the

record. The official method in England is to print four fingers of each

hand simultaneously, adding the right and left thumb to each respective

section of the register. In addition, each thumb and finger is

imprinted by rolling it slightly, which gives an enlarged area for the

display of the more important linear elements in each finger pattern.

The prisoner signs this sheet, and also adhibits an imprint from his

right forefinger under the signature.

The highly-glazed papers now so much used for half-tone photographic

reproductions are not, in my experience, particularly good for ordinary

impressions. The surface of any paper used should be fairly smooth, the

texture firm, tough (not brittle), durable, and the colour white, as

photographs for enlargement as judicial exhibits may be required.

Great care is now taken officially to secure the correct order of

fingers, as on that the validity of the method depends, and the whole

utility of the classification.

Inspectors Stedman and Collins, in the work just quoted, state that

when finger-prints are required to be produced as evidence in a court

of justice, “they are first enlarged 5 diameters direct with an

enlarging camera. The negatives are afterwards placed in an electric

light enlarging lantern, with which it is possible to obtain a

photographic enlargement of a finger-print 36 inches square, such a

photograph being as large as is ever likely to be required.”

In my _Guide to Finger-Print Identification_ (p. 62) I have advocated

uniform enlargement of all such exhibits on the decimal or metric

system, and hope that international agreement on this point may be

secured. Apart from criminal services its scientific utility would

ultimately be very great. The objection that an English jury would

dislike being confronted with the technicalities of a foreign and

“mathematical” system is very easily met. An English jury--and no jury

in the world is fairer or clearer-headed--would only, in any case, have

to compare two figures _similarly enlarged_, one being that of the

accused person’s fingers, taken while in custody, and the other, either

a similar official record of another date, or a smudgy mark from some

blotting-pad, window-pane, drinking-glass, bottle, or the like. The two

exhibits, paired for comparison, would have been enlarged exactly on

the same scale, whatever that scale might have been. For purposes of

judicial comparison, therefore, English terms and English instruments

might be used throughout, and no inconvenience could be felt by the

most insularly prejudiced jury that could possibly be got together.

When a photographic enlargement has been made, it is necessary to

be able readily to test its conformity with the enlargement to be

compared with it, or if there be not strict agreement, to allow for

and calculate the admitted discrepancy. This may easily be done by an

application of the “rule of three.”

MALE.

H.C.R. No._____________

|

Name________________________| Classification No.___________

|

Aliases_____________________|

|

Prison______________________|

Prison Reg. No. ________ RIGHT HAND.

-------------+-----------+-------------+------------+--------------

1.--R. Thumb.|2.--R. Fore|3.--R. Middle|4.--R. Ring |5.--R. Little

| Finger.| Finger. | Finger.| Finger.

-------------+-----------+-------------+------------+--------------

| | | |

| | | |

| | | |

| | | |

-------------+-----------+-------------+------------+--------------

(Fold.) | | | | (Fold.)

-------------+-----------+-------------+------------+--------------

Impressions to be so taken that the flexure of the last joint shall

be immediately above the black line marked (Fold). If the impression

of any digit be defective a second print may be taken in the vacant

space above it.

When a finger is missing or so injured that the impression cannot be

obtained, or is deformed and yields a bad print, the fact should be

noted under _Remarks_.

LEFT HAND.

-------------+-----------+-------------+------------+--------------

1.--L. Thumb.|2.--L. Fore|3.--L. Middle|4.--L. Ring |5.--L. Little

| Finger.| Finger. | Finger. | Finger.

-------------+-----------+-------------+------------+--------------

| | | |

| | | |

| | | |

| | | |

-------------+-----------+-------------+------------+--------------

(Fold.) | | | | (Fold.)

-------------+-----------+-------------+------------+--------------

LEFT HAND. | RIGHT HAND.

Place impressions of the four | Place impressions of the four

fingers taken simultaneously. | fingers taken simultaneously.

---------------------------------+---------------------------------

|

|

|

|

---------------------------------+---------------------------------

_Impressions taken by_ _Rank_ _Prison_

-------------------------------------------------------------------

_Governor’s Signature_ _Date_

-------------------------------------------------------------------

_Classified at H.C. Registry by_ _Date_

-------------------------------------------------------------------

_Tested at H.C. Registry by_ _Date_

-------------------------------------------------------------------

[Illustration: REDUCED COPY OF POLICE REGISTER FORM]

_Prisoner’s Signature_________________

+-------------------------+

| Right forefinger print. |

| To be impressed |

| =immediately= after |

| signature is written. |

+-------------------------+

| |

| |

| |

| |

+-------------------------+

------------------------------------------------+------------------

NAME | =REMARKS.=

------------------------------------------------|

Year of Birth Complexion |

------------------------------------------------|

Hair Eyes |

------------------------------------------------|

Height ft. in. |

------------------------------------------------|

L { |

a { *Sentenced at |

s {---------------------------------------------|

t { |

{ " on |

C {---------------------------------------------|

o { |

n { " to |

v {---------------------------------------------|

i { |

c { " *for |

t {---------------------------------------------|

i { |

o {* Give offence in full, and if remanded only,|

n {substitute “Remanded” for “Sentenced.” |

------------------------------------------------|

|

|

|

It may be necessary to test the concurrence of curved lines in two

exhibits similarly enlarged. At one time I used strips of plumber’s

lead, placed edgeways on the curved lines to be compared. They could

be flexed so as to show the various sinuosities, however complex,

but leaden tapes cannot readily be made to retain the form imparted

to them. Copper wire I found to be stiffer, but it readily warps off

the plane. An excellent way is to draw on transparent paper a line

corresponding to the curved line seen underneath. The transparency is

then transferred and adjusted to the other enlargement, the curves of

which should be seen to be congruent. The instrument called “flexible

curves” which is used by engineers and mechanical draughtsmen I at last

tried, and found it to be exceedingly serviceable for such comparisons.

The pattern “=B=,” self-clamping, 12-inch size, is for most cases the

most suitable. Other patterns are made also, in sizes of 9 and 18

inches. The “=B=” pattern has a flexible steel strip, like the lead

tape just mentioned. After the curve or series of sinuosities has

been adjusted correctly, the shape is rigidly retained by means of

a stiff-hinged link-work arrangement attached by tabs. The strip of

steel should not be pressed down between two tabs, and when bending

or straightening out the instrument one should do so bit by bit,

beginning at one end and continuing onwards from there. This useful

self-clamping instrument used to be supplied by Mr. Wm. Brooks,

scientific instrument maker, 33 Fitzroy Street, Tottenham Court Road,

London. Another instrument of this kind, the “Curve Rule” is sold by

Mr. W. Harling, 47 Finsbury Pavement, E.C., and is figured here.

[Illustration: FLEXIBLE CURVES.]

[Illustration: HARLING’S J. R. B. CURVE RULES.]

In dealing with such _approximate_ curves as one finds among the

lineations of finger-prints, one is not supposed to apply strictly

mathematical principles. The lines, for example, have breadth, but not

quite invariable breadth. We must, therefore, avoid treating them, as

a beginner fresh from the schools is apt to do, as ideal concepts.

The simpler terms, however, as used by a teacher of drawing, with

the provisos already hinted at, will serve very well to guide one’s

efforts, or to explain one’s own conceptions before a magistrate or a

jury.

Besides the congruity of the curves, one has further to test the single

lineations, their junctions, number, and character. An excellent way to

envisage these is to make alternate linings with blue and red pencil,

to represent them as they seem. To do this effectively one may single

out a special measured square, or circle, or parallelogram, of the

enlarged figure. Proceed then, quite ignoring, if need be, all great

curvatures, to consider the lines as simple curved or straight lines,

and analyse them into composing elements, like twigs of a tree or the

characteristics of a runic alphabet. The result will be, perhaps, like

the figure on the next page.

It will now be quite easy to orient, or place correctly in space,

the corresponding part of the other print--if it really does

correspond--and a similar “rune” should result. One may afterwards

follow out each recognized lineation into further complexities or

joinings, as you might trace out a railway line with its various

junctions in a map.

[Illustration: DIAGRAMMATIC ANALYSIS OF LINEATIONS IN A RESTRICTED

SECTION.]

A photographic enlargement, meant for forensic use, ought not to be

marked or soiled in any way, but dots of coloured chalk or ink might be

placed along the margins to denote where imaginary ruled lines might

begin or end. One might also use glazed tissue paper, ruled in squares,

or with eccentric circles like the mileage lines in a map of London.

By the use of these placed over the figure one might verify particular

coincidences or demonstrate discrepancies.

When the skin-pattern is impressed upon soft sealing-wax, clay, putty,

and so on, the _relievo_ image produced is different in this way from

an ordinary ink-printed pattern. The convex ridges are now concave

furrows, while the hollows are changed into heights.

In both kinds of impressions a reverse or _mirror_ pattern is produced,

a matter of some practical importance. This effect may, or may not

again be reversed in the photographic process. It is not impossible, in

such circumstances, that a suspect’s finger might be confused with a

resembling “mirror” pattern, which was really not his own.

I have thought that the word _verso_, used technically for the reverse

of a coin or medal, might be usefully employed in dactylography for the

reverse or mirror image of a finger-pattern when printed. A technical

word for the indented impression made by a finger on wax and the like

is also wanted. Now geologists use _-lite_ as a terminal to express the

impression or cavity which had been formed in a rock, when soft, by the

impressed body of an organism. Hence the word _dactylolite_ might be

used to denote an indented impression of a finger.

[Illustration: KEW MICROMETER.]

In making measurements of exhibits, the Kew micrometer devised by Sir

Joseph Hooker is of much service. It is figured here, and has the

useful quality of rendering measurements at the same time in both the

English and decimal systems.

For the method of encircling suspect smudges, either before or after

enlargement, and measuring from one fixed centre by the Kew micrometer

or ordinary compasses, I have devised a disc of glass such as is used

in microscope slides, and about the size of half-a-crown. In the centre

is a conical pit into which one leg of the compass rests. Precise

centring is thus obtained without the slightest risk of damaging the

photographic or other exhibit by the sharp point of the compasses,

which have, at the same time, free swing. These were prepared for me by

Mr. Franks, optician, Stoke-on-Trent, and cost very little.

[Illustration: GLASS DISC CENTRED (enlarged).]

In all measurements close to a fork or junction, as in the crook of

the letter =Y=, care must be taken in counting the lines below or

above the fork. Ambiguity readily arises, with a train of resulting

discrepancies. Other ambiguities also occur which require mention in

a word or two. In deciphering an ancient manuscript blurred, mouldy,

mayhap worm-eaten, doubts may arise as to which of two or three

possible words or letters may have been intended. One looks for some

rationality in the author’s writing, but in finger-prints there can

be no such help. In manuscripts the problem may not directly be as

to a word, but only as to a letter, but that single letter, read

differently, may change the tenor of a passage. Is ={deformed G}=

to be read as =C= or as =G= or as =O=? Is ={deformed E}= to be

read as =E= or as =B=? So Fork is liable to be read as Pork.

Now, a very similar difficulty frequently occurs in reading a blurred

finger-print, and such evidence should be scrutinized with the greatest

vigilance, and all really doubtful cases should be discarded as useless

in evidence. While the obscurity is sometimes merely due to defective

printing, there are several patterns of frequent occurrence which

are liable to be read variably. This was discussed at some length in

chapter iii. of the _Guide_. There is a tendency so to view blots or

blurs in such a case, that the cloudy spots become a weasel or even a

whale. In Japan there are artists’ wine-parties, where a common game

is to make an accidental splash of ink or colour, which is passed on

to the next guest, who in turn converts it by one or more strokes of

the brush into a figure of some character. Some years ago, I gave

to a young men’s meeting a lecture on Ghosts, in which I showed a

collection of ink-splashes produced without design, some of which were

quite strikingly artistic in their suggestive impressionism. Hence

the importance of clear printing, vigilant scrutiny of exhibits to be

compared, and the attention of a well-informed judge and intelligent

jury.

In certain circumstances, when a suspected person has been arrested

abroad or at a distance, it may be desirable to compare his fresh

finger-prints broadly with that of some well-known criminal whose

register has been long in the hands of the police. This want led me

to suggest, in 1905, that photo-telegraphy, in one of its forms, might

be brought into use. Many improvements have been made since then, and

it is now, I think, quite feasible to secure and transmit to a great

distance outline lineations quite good enough for use at a preliminary

enquiry, previous to a remand or committal.

Dactylography; Or, The Study of Finger-prints · 第 5 / 8 章