CHAPTER V

LE SPORT IN PARIS

Parisian society is not given over wholly to racing during those weeks

that lie between the March winds and braziers of Auteuil and the

sunshine and flowers of Grand Prix. Smart social functions of all kinds

are packed closely into the sunshiny days and the balmy nights, and the

daytime reunions have increased and multiplied during recent years; for

the Parisienne has taken up "le sport."

It is a tyrant, le sport. It exacts the surrender of many of the

self-indulgent habits of Madame. It demands of her more violent

exercise than is agreeable to the true Frenchwoman; it forces her into

short frocks for which she has no love; it endangers her carefully

protected complexion; it interferes with her siesta; it even gets her

up early in the morning after a night of dancing and merry-making--but

it is chic, _tr-r-r-ès_ chic, le sport, and so the Parisienne accepts

it with the verve which characterizes all she does.

The English and Americans are responsible for the rise of sports in

Paris, and neither Frenchmen nor Frenchwomen will ever, as a class,

go in for tennis, golf, hockey, polo, etc., with the genuine energy

and enjoyment displayed by their transatlantic and trans-channel

cousins; but they go through the motions and they have the most ornate

and attractive of installations for each separate sport, and there is

a small French element which actually distinguishes itself in outdoor

athletics. The English and American residents in Paris do the rest, and

so le sport flourishes mightily round about the city on the Seine.

To certain forms of sport, the Parisian takes as naturally as does a

duck to water. He loves excitement, danger, swift motion. He will take,

with a reckless audacity, sporting risks at which an Englishman or

American might hesitate; but ask him to work hard at a game, to lame

his muscles and blister his feet and hands, and earn his golf score or

tennis score or hockey score by the sweat of his brow, and, as a rule,

he will beg to be excused. What is true of the Parisian is true of the

Parisienne. Both combine a certain sensuous indolence of body with a

wild energy of nerves and brain. They do not like exercise, but they

adore excitement; and it is only in the sports that cater to their

nervous excitability that they excel.

The automobile whirled its way straight into the hearts of the French.

From the first it was extravagantly popular in Paris. Here was a sport

that suited perfectly the French temperament. There was danger in it,

excitement in it, piquancy in it. It afforded exhilaration. It provided

the swift changes and sudden contrasts so dear to the restless and

dramatic temperament. With an automobile as slave of the lamp, one

could range far afield even in one short day, and the possibilities

held in solution within the twenty-four hours were multiplied

astonishingly when the motor made its début in Parisian society. Small

wonder that it was greeted with acclaim.

One might fancy that the difficulty of looking well in motor costume

would prejudice the Parisienne against the machine, for with her, the

most important thing connected with taking up a new sport is the excuse

offered for a new and piquant costume. But the difficulties in the way

of the motor woman merely added zest to the adoption of the fad.

Madame flew to her dressmaker.

"Tiens, M'sieu. I have bought three automobiles. What shall I wear?"

And Monsieur brought his brows together in his most effective and

judicial fashion, led the fair motor woman to an inner room where the

conference might have the quiet demanded by such weighty consultations,

and set himself to planning methods of leaping this sartorial hurdle.

Some of the experimental stages of the Parisian motor costume

were fearful and wonderful, and even now our importers bring over

spectacular motor outfits to which are attached the names of famous

makers; but, on the whole, the Parisienne has mastered the problem of

motor dress.

For her electric brougham and victoria and the other luxurious,

smooth-running electric vehicles in which she speeds over the asphalt

and takes her afternoon outing in the Bois, no special costume is

required. Perhaps, if she is her own chauffeuse, she wears a trim

tailor frock and hat, but no eccentricity enters into her attire even

then, and, as a rule, she wears what she might wear were the carriage

drawn by horses instead of being propelled by electricity.

If she is going farther afield--out to the Henri Quatre for luncheon,

to the Reservoir for dinner--she wears an all-enveloping dust cloak

to protect her delicate frock, a veil or perhaps a hood to cover her

fragile hat and shield her face and hair from dust, but beneath this

outer wrapping she is as exquisite, as elaborate as ever. When it

comes to longer runs, or to genuine touring, the Parisienne promptly

abandons all effort to look well on the road. To be comfortable, to be

suitably dressed, to be immaculate at the journey's end,--all these

aims demand the setting aside of a desire to be beautiful; and, since

she may not be beautiful, the quick-witted Madame seizes upon the

possibility of being piquant and goes to the extreme of attaining the

hideous in pursuit of the practical. She hides figure, hair, face. Even

her sparkling eyes are eclipsed behind goggles or dimmed by masks, and

she consoles herself for the ugliness by thought of the dramatic effect

with which she may flutter from the cocoon when her butterfly moment

arrives.

One sees these transformations by the score at such a rendezvous as

Chantilly at the time of the "Derby," for it is the mode to motor to

Chantilly on the eve of the important day and put up over night at

the Grand Condé, or to arrive in time for luncheon before the races.

Machine after machine dashes up to the hotel, discharges its freight

of grotesque figures and wheezes away to the garage. Madame, carrying

a hat box, and cloaked, hooded, masked, powdered with dust, hurries to

the chamber reserved for her. In a twinkling there trips from the room

which swallowed the awesome enigma a charming woman, fresh, dainty,

smiling, gowned in the airiest and most delicate of confections. Or

perhaps there is not even the moment of seclusion. A toot, a whir,

a quick reversing of levers! The automobile has stopped. A dusty,

shrouded, shapeless figure springs lightly to the step, while the

idlers look on curiously. A swift movement of the hands and the hood

falls back; another, and the cloak slips from the shoulders. There is

Fifi, a Dresden china figure all fluttering frills and laces and ribbon

and flowers, a smile on her lips, a challenge in her eyes.

"C'est chic, ça," comments the old Marquis over his Burgundy. "All that

there is of the most modern, mon garçon!"

Paris is the city of automobiles, and France is the motor tourist's

paradise. The roads are good, the inns are excellent and are rapidly

improving under the influence of the motor touring, and on every hand

are picturesque towns and picturesque scenery, not too rugged for the

peace of mind of the average chauffeur.

Many inns known to history, but fallen from their high estate in later

years, are looking up again since the motor took the road. At any hour,

a gay crowd of folk, masquerading in dust coats and goggles and hoods,

may appear at the door demanding luncheon or dinner. They know a good

wine and a good sauce, these travellers, and they scatter gold in a

fashion that recalls stories of the days when the great men of old

France and their retinues took their ease in this same inn. Mine host's

heart warms to the devil wagon and its Parisian freight. He brings long

hoarded bottles covered with cobwebs up from the cellars, he sacrifices

his choicest chickens, he goes into the kitchen himself to prepare

the fish and the sauces, he scolds his wife and bullies the cook and

embraces the maid, all from pure excitement, and beams upon the world

in general and the motorists in particular; for he sees the dawn of a

new day and hears the clink of coin in his long empty tills.

He gives to the party of his best; and, when they whirl away, he stands

at his door watching the cloud of dust that envelopes them. Then he

draws a long breath, sniffs ecstatically at the gasoline-laden air.

"Que j'aime cette odeur là!" he says with fervour. The automobile has

an ardent friend in mine host of the country inn.

With the restaurant keeper at Paris, the story is a different one. It

is so easy to run away from the city for luncheon or dinner since the

motor car is at one's service, and the wandering has an effect upon the

receipts in the town restaurant. Moreover,--one smiles at this, but it

is told in all seriousness and with lively grief by the proprietors

of certain cafés, and echoed dolefully by women accustomed to late

suppers and carousals in those rendezvous,--the automobile has been a

reforming agent. It has interfered with the long established habits of

the gilded youth and more heavily gilded age, wont to furnish the late

suppers and the wherewithal for carousal.

"It makes a difference, the automobile, a great difference," confides

the discreet waiter. "Monsieur now rises early. Before, he was up

early, also, but with a difference. Now he is to make a day's run in

his car. The programme requires that he shall start with the sunrise.

It demands steady nerves, the automobiling. One needs sleep,--and

Monsieur goes to bed early. _Oui, c'est dommage._ _Ça dérange les

choses_, but he will not stay. No; he is devoted to the automobile. He

will even sleep for it. It will pass, perhaps, this mania. They pass

always, the manias. Then again we will have the old crowd, and in the

meantime there are, fortunately, those who do not own the machines."

Of places furnishing the motive for short automobile trips from Paris

there is no end, and the roads running out of the city swarm with cars.

There are quiet-loving country folk who protest, futilely, but even the

country horse and the excitable barnyard fowl of France have become

accustomed to the snort of the motor and the onward rush of the demon,

and are, like Pet Marjorie's turkey, "more than usual calm" as the

great machine speeds past.

[Illustration: The First Sportswoman of France]

One meets them everywhere, these automobiles. Out in the Forest of

Fontainebleau the mosses are still green and gold where the sunshine

filters to them through the interlacing branches of the great trees.

The rocks are still covered with grey and green and faint purple

lichens. Little wood creatures rustle among the ferns and heather.

Bird-notes sound from the branches overhead and from the thicket

depths. The forest is still the grey-green, gold-green, brown and

violet forest beloved of French artists, but one cannot walk for ten

minutes along the woodland paths without hearing the blast of a Gabriel

horn and seeing a huge automobile plunge by, its occupants blind to

the light and shadow and colour, deaf to the rustle in the brake and

the music from the bough, absorbed simply and solely in the breathless

speed of their pace and in the skill with which the chauffeur swings

round corners, dodges boulders, and avoids climbing trees, for to the

motor maniac, Fontainebleau means the Hôtel d'Angleterre and luncheon.

To the impotent rage of the artist clan, the motor has invaded Barbizon

as well, and is to be found by the dozen, puffing and panting outside

the inn sacred to the Bohemians of the Latin Quarter and Montmartre.

"C'est très gentil, Barbizon--très chic," says Madame with an approving

nod of her hooded head, as she climbs into the auto, after her

luncheon. Shades of Millet and Corot and Rousseau! Barbizon has lived

to be called "très chic" by a Parisian Duchess in a blue silk hood.

Wherever historic memories and associations cluster most thickly, where

ghosts walk in the greatest numbers, there the automobile roars and

rattles and toots and puffs its consummately modern way. Many Parisians

are for the first time discovering France since motor touring came into

vogue. Even Fifi talks French history and folk-lore. She has invoked

the sunken city of Y's as she sped through Brittany in her Panhard. She

has a speaking acquaintance with all Normandy. She has motored down

through old Provence on her gay way to Monte Carlo. If she remembers

stopping places rather by what she had to eat there than by historic

associations--still she has enlarged her horizon. Even gastronomic

voyaging is educational.

Close to Paris there are popular restaurants, within driving distance

and almost too near at hand to please those who seek luncheon or dinner

in motor cars. The Henri Quatre at St. Germain is frequented more

than ever by Parisian diners, since motoring eliminated distance. The

Reservoir at Versailles, the Bellevue at Meudon, the Cadran Bleu at

St. Cloud--all have their motoring contingents, and at luncheon and

dinner hours there is a host of machines waiting before these country

restaurants, where one may have the luxury of Paris and the beauty and

seclusion of nature, provided one has the money to pay for the abnormal

combination--which comes high.

One goes to the golf links, too, in one's automobile, unless one

prefers driving out--for the motor has not yet entirely undermined the

Parisian's love for a smart trap and good pair of horses.

There are various links near Paris, all more or less frequented by

devotees of le sport, but the links at La Boulié, near Versailles, are,

with the exception of those at Deauville, the finest in France. All the

smart set of Paris goes to la Boulié to flirt, to gossip, to drink and

smoke and play cards and meet friends. Incidentally golf is played, and

real golfers, enjoying the beautiful course and the perfect greens,

bless the day when golf became a Parisian fad, and look tolerantly at

the goodly collection of dukes and counts and princes and bankers and

diplomats who sit in the shade of the big bungalow during the long

golden afternoon, drinking Scotch whiskey and soda,--as a concession

to the genius loci,--and watching with a certain amused wonder the

scattered figures toiling around the links in the glare of the sun.

"After all, they stood for the thing," says Willy, as he picks his ball

out of the last hole and turns toward the indolent groups around the

club-house.

That is just it. They stood for it all; and if a majority of the

men do not play--well, tastes differ. It is a charming place to

"five-o'clocker," is la Boulié.

The Parisienne and her admirers admit that, from one point of view,

golf has profound merit. As an excuse for a prolonged promenade à deux

it is admirable and "le flirt" thrives famously on the links. One is

willing to make sacrifices in the interests of flirtation; but that one

should golf for the love of golfing, should play from sun up to sun

down alone or with another man,--"Ça, c'est trop," says Monsieur with

a shrug of his shapely shoulders, and, having imbibed whiskey and soda

for the sake of the golfing unities, he orders a vermouth by way of

relaxation. Even assisting at le sport is exacting, very exacting. One

becomes fatigued.

And yet there are Frenchmen who love the game and play it well, and if

one covets the privilege of familiarly shouting "fore" at a Russian

Grand Duke, or an Italian Prince, or an Austrian Baron, la Boulié is

the place in which to gratify that heart's desire. The visitor to

Paris may have the entrée to the club by virtue of one dollar a day

and introductions from two of the club members; but though the dollar

may be procurable, the casual tourist is not likely to enjoy the

acquaintance of two members of the la Boulié set, and the chances are

that he does his Parisian golfing at l'Hermitage, where any respectable

introduction is an open sesame.

Some of the smartest of Parisiennes have gone in for golf and play

fairly well, but they golf in costumes that would fill the Scotch and

English lassies of the famous scores with frank amazement.

"You have seen Lady L----," whispers Madame of the Rue de la Paix

golfing costume. "She is English, yes. It is wonderful how she plays

golf--and without a corset! But yes, vraiment, quite without a corset.

C'est incroyable ça. One has the lines of a poplar."

It all depends upon the point of view. One sacrifices one's game or

one's curves. Either way, the choice has its compensations.

L'Hermitage is not so chic as la Boulié, but there are true golfers,

even among the social elect, who enjoy playing on the Hermitage links

and like the democratic geniality of the less exclusive club; so the

membership list has its sprinkling of notable names.

The course lies out near St. Germain, on the old farm of M. Jean

Boussod, and neither the links nor the house will compare with la

Boulié in point of art and costliness; but there is a charm in the

cluster of old-fashioned cottages over which the vines and roses

clamber, in the raftered dining-room, in the old fruit trees under

which tea is served, in the stately poplars which stand sentinel over

the place, and in the informality which makes even the tourist stranger

feel less far from Ardsley and Baltusrol.

There are good links at Compiègne, too, but Compiègne is too far from

Paris for the ordinary golfer, unless he is going away for a week-end

of the sport, and only in hot weather do the Parisians stray so far

from the boulevards in pursuit of the royal game.

For tennis, the Parisienne has more love than for golf. The game is an

older friend, and then, though it does not furnish, as does golf, ample

pretext for prolonged solitude à deux, it does have a dramatic quality,

a certain swift dash and spirit which appeal to Madame's temperament

and are lacking in the more protracted and leisurely game. There are

good tennis courts at the golf clubs and in various parts of the Bois,

but it is at the Cercle de l'Ile de Puteaux that one finds tennis

at its best and most picturesque. It is one of the most fashionable

and most exclusive clubs of Paris, this club on the little island of

Puteaux, in the Seine. One sees there no one who is not of the elect,

and the little ferry that carries the chosen spirits to these Elysian

fields is thronged with the beauty and fashion of Paris, day after day,

during the season. Such a gay freight the little ferry carries when

Puteaux is especially en fête, such charming women, such ravishing

gowns, such bewitching hats, such coquettish parasols, such admiring

cavaliers! A veritable "embarquement pour Cythère!" The ferry should

be guided by flutterings loves, à la Fragonard, instead of by the

most prosaic Charon who fills the position and regards, unmoved, the

carnival of the vanities.

They play tennis at Puteaux, but they play at the making of love

and of epigrams and of fashion more earnestly still. One may see

all the fashion leaders of the beau monde drinking tea there on a

bright spring afternoon,--the lovable young Duchesse d'Uzes, with her

excessive modernity grafted upon her ancient lineage and traditions;

the beautiful Madame Letellier, who is one of the best dressed women of

Paris; the blonde and chic Vicomtesse Foy, the popular Mrs. Ridgway,

the wealthy Baronne Henri de Rothschild, Baronne Seillière. These are

some of the women who set the fashions, but the complete list is a long

one, and Puteaux brings together all these orchids of Paris.

There have been memorable evening fêtes at Puteaux when the island was

converted into a fairyland of gleaming lights and mysterious shadows

of flowers and music, and all that modern luxury which is pagan in its

prodigality; and cotillions are given there regularly during a part of

the season. But the island is at its best when the sun is shining on

it and touching to vividness the pretty frocks of the tennis players

in the courts, when vivacious women in wonderful gowns and hats are

gossiping over their tea in the shade or flirting under their parasols

of chiffon and lace. It belongs to the open-air phase of French

society, does Puteaux, for, oddly enough, the Parisienne of the scented

boudoir and the hot-house associations has a passion for plein air.

[Illustration: Fashion's Ferry]

Out in the Bois there are open-air clubs and to spare, the Polo Club

and the Tir au Pigeon being those most frequented by the fashionable

set during spring and summer, while the club des Patineurs is the smart

skating club and one of the most attractive social rendezvous of winter

Paris. The Parisienne loves skating. Here is a sport that lends itself

amiably to coquetry, a sport for which one may plan the most piquant

of costumes. Furs are becoming and extravagant, and looking well at an

extravagant cost is the fashionable Parisienne's chief aim in life.

So Madame orders her skating costumes of fur and cloth and velvet,

buys an assortment of skating boas more ornamental than practical, and

plays in her skating as in all her sports a rôle vastly ornamental,

impressively dramatic. Yachting, too, is dear to the heart of our Lady

of the Chiffons, though her yachting consists chiefly in dressing the

part. Scoffers say that the French have a flourishing yacht club but

no yachts, and while this statement is more amusing than accurate,

the actual facts do suggest some such comic-opera situation, for

though there is a yacht club of France, extremely swell and of large

membership, and though several wealthy Frenchmen own superb yachts,

there is little serious French yachting. Boating of one sort or another

is indulged in along the Seine, and a large flotilla of small private

launches and yachts lies in the basin of Deauville during the Normandy

season, but the yachting races of the Regatta week at Havre are given

over almost wholly to foreigners, French entries being extremely rare.

Not until within the past year did the fashionable folk of Paris take

up with ardour any form of water sport. The motor boat has brought

about the revolution and has the distinction of being the latest

Parisian fad. It is easy to understand why this most modern form of

boating has caught the Parisian fancy. Like the automobile, it appeals

irresistibly to the French temperament. It demands no active exercise

and it offers exhilaration, swift travel, danger, novelty. Last summer

there was a race for motor boats from Paris to the sea; and, while the

little boats were scudding along the river, the society folk interested

in them were spinning along the road from Paris to Trouville in their

automobiles, making calls at the châteaux en route, and reaching

Trouville-Deauville, in time to see the up-to-date little boats follow

up their three days' race to Havre by racing for the Menier cup in

Trouville Bay. The motor boat came into its own that day, and next

summer it will rival the horse and the automobile in the affections of

sporting Paris.

Already a number of Parisiennes have adopted the dangerous playthings.

Madame du Gast, upon whom some judges bestow the title of "first

sportswoman of France," is an ardent devotee of motor boating as she

has been of automobiling. She has all the daring of her race associated

with an easy nonchalance and imperturbable self-control which never

deserts her even under the most trying circumstances; and no pastime

is too dangerous, no risk too hazardous for her, provided only that

there is amusement connected with the danger and hazard. She has

made a record in automobile races and ballooning, and she hailed

the motor boat with joy at its first appearance; but her sporting

enthusiasm had of course its Parisian side. There was the costume to be

considered--always the costume is the starting-point of a Parisienne's

sport. The motor boat is a treacherous plaything. It upsets, blows

up, sinks,--and when one starts out in a promenade à bateau, one is

likely to swim home, so petticoats and chiffons are not for motor

boating. Madame du Gast wears what looks much like swimming tights,

save that the one-piece garment is high of neck, long of sleeve, and

at the knee tucks into trim high boots that may be kicked off if

occasion demands. Over this practical attire goes a loose, handsome

coat of sporting allure which quite hides the tights and falls over

the tops of the well-fitted boots; a becoming cap warranted to stay on

without attention from its wearer--and there you have the owner of the

Camille as she looks when she enters a race. When she had the Turquoise

built for the Monaco races, Madame du Gast indulged in a bit of drama

characteristically French. S. A. R. the Prince of Monaco stood sponsor

for the slim little craft. There was a ceremony, with great sheaves

of flowers nodding over the bow of the boat and bedewed with the

christening champagne, with gaily attired friends looking on, and with

the canon from a neighbouring church in gorgeous vestments solemnly

bestowing baptism and the blessing of the church upon the nautical

infant. Roses and champagne and smart frocks, and the owner of Monte

Carlo, and the church--all joining in the launching of the racing boat

of a charming sportswoman in swimming tights and top boots! There you

have a snapshot of le sport as it is sometimes played in France.

The Camille, named for Madame du Gast herself, and a motor boat more

pretentious than the Turquoise, entered, with owner aboard, the famous

and foolhardy high seas race from Tangiers to Toulon, and though

strong winds and rough seas played havoc with all of the tiny craft,

and the Camille and her owner were rescued at the eleventh hour by her

escorting yacht, Madame did not lose for a moment her sporting nerve.

She was obtaining excitement in large blocks and the thrill was well

worth the danger.

It goes without saying that the young Duchesse d'Uzes has taken up

motor boating.

When has she ever passed by a new sport, a new chance for diversion,

this gay little Duchess, who is the typical fine flower of modern

French civilization, the most piquant and perhaps the most popular

figure in French society to-day.

She was born to social eminence, daughter of the great and ancient

family of de Luynes, sister of the ninth Duke of Chaulnes and

Pecquinguy, rich in her own name, good to look at, keen of wit,

exquisite of taste, and stranger to fear. As if this were not enough,

she must needs marry Louis Emmanuel, fourteenth Duke d'Uzes, and add

his prestige and wealth to hers.

The dowager Duchesse d'Uzes, she who came so near mounting Boulanger

on the back of France, is of the old régime, strong, keen, autocratic

still, but surrounding herself with the old customs, the old

traditions, refusing to admit that the world has moved and France with

it.

But the young Duchess--she is all that there is of the most modern, the

most representative type of the motoring, racing, golfing, hunting,

hockey-playing Parisienne. She is all restlessness, all nerves. There

is nothing new that she has not tried, and she is always reaching out

for something more novel, more exciting, more audacious. And yet with

it all she is grande dame, the little pleasure-seeking Duchess, and she

wears her title right royally in spite of her vagaries. She has the

traditions of her race, too, behind her modern caprices. She is devôte,

has her private chaplain, is heart and soul in sympathy with the church

party as opposed to state, she loves politics and ranges herself with

her class. Not for nothing is one of de Luynes and d'Uzes. She was in

the heart of the turmoil on the Place de la Concorde, at the meeting

of protest against the state's measures concerning the nuns, and she

was taken by the troops, this hot-headed little Duchess, though it was

the dowager Duchess who was arrested and fined. She would go to the

scaffold humming a tune and wearing her smartest Paquin frock, were

she called upon to tread the path many of her ancestors trod, but,

since scaffolds are out of date, she runs a motor boat and speeds an

automobile, and dances a cake walk, and plays an extraordinary game of

billiards, and is one of the best shots in France, and plays tennis and

hockey and golf, and rides cross country, and swims like a fish, and

has made ballooning the fashion. She is one of the prettiest, the most

amusing, the cleverest and the best dressed women of Paris, and she,

beyond all of her set, is the champion of le sport.

In Vanity Fair: A Tale of Frocks and Femininity · 第 5 / 11 章