CHAPTER XV

ST. VALENTINE

After that day when, on the lee side of the sand-dune the Evringham family

read together the story of Johnnie and Chips, it was some time before the

last tale in the story book was called for.

The farmhouse where they boarded stood near a pond formed by the rushing in

of the sea during some change in the sands of the beach, so here was still

another water playmate for Jewel.

"I do hope," said Mr. Evringham meditatively, on the first morning that he

and Jewel stood together on its green bank, "I do hope that very particular

housekeeper, Nature, will let this pond alone until we go!"

Jewel looked up at his serious face with the lines between the eyes. "She

wouldn't touch this great big pond, would she?" she asked.

"Ho! Wouldn't she? Well, I guess so."

"But," suggested Jewel, lifting her shoulders, "she's too busy in summer in

the ravines and everywhere."

"Oh," Mr. Evringham nodded his head knowingly. "Nature looks out for

everything."

"Grandpa!" Jewel's eyes were intent. "Would she ask Summer to touch this

great big pond? What would she want to do it for?"

"Oh, more house-cleaning, I suppose."

The child chuckled as she looked out across the blue waves, rippling in

the wind and white-capped here and there, "When you know it's washed all

the _time_, grandpa," she responded. "The waves are just scrubbing it now.

Can't you see?"

"Yes," the broker nodded gravely. "No doubt that is why she has to empty it

so seldom. Sometimes she lets it go a very long time; but then the day

comes when she begins to think it over, and to calculate how much sediment

and one thing and another there is in the bottom of that pond; and at last

she says, 'Come now, out it must go!'"

"But how can she get it out, how?" asked Jewel keenly interested. "The

brooks are all running somewhere, but the pond doesn't. How can she dip it

out? It would take Summer's hottest sun a year!"

"Yes, indeed, Nature is too clever to try that. The winds are her servants,

you know, and they understand their business perfectly; so when she says

'That pond needs to be cleaned out,' they merely get up a storm some night

after everybody's gone to bed. The people have seen the pond fine and full

when the sun went down. All that night the wind howls and the windows

rattle and the trees bend and switch around; and if those in the farmhouse,

instead of being in bed, were over there on the beach," the speaker waved

his hand toward the shining white sand, distant, but in plain sight, "they

might see countless billows working for dear life to dig a trench through

the hard sand. The wind sends one tremendous wave after another to help

them, and as a great roller breaks and recedes, all the little crested

waves scrabble with might and main, pulling at the softened sand, until,

after hours of this labor, the cut is made completely through from sea to

pond."

Mr. Evringham looked down and met the unwinking gaze fixed upon him. "Then

why--why," asked Jewel, "when the big rollers keep coming, doesn't the pond

get filled fuller than ever?"

The broker lifted his forefinger toward his face with a long drawn "Ah-h!

Nature is much too clever for _that_. She may not have gone to college, but

she understands engineering, all the same. All this is accomplished just at

the right moment for the outgoing tide to pull at the pond with a mighty

hand. Well,"--pausing dramatically,--"you can imagine what happens when the

deep cut is finished."

"Does the pond have to go, grandpa?"

"It just does, and in a hurry!"

"Is it sorry, do you think?" asked Jewel doubtfully.

"We-ell, I don't know that I ever thought of that side of it; but you can

imagine the feelings of the people in the farmhouse, who went to bed beside

the ripples of a smiling little lake, and woke to find themselves near a

great empty bog."

Jewel thought and sighed deeply. "Well," she said, at last, "I hope Nature

will wait till we're gone. I love this pond."

"Indeed I hope so, too. There wouldn't be any pleasant side to it."

Jewel's thoughtful face brightened. "Except for the little fishes and

water-creatures that would rush out to sea. It's fun for _them_. Mustn't

they be surprised when that happens, grandpa?"

"I should think so! Do you suppose the wind gives them any warning, or any

time to pack?"

Jewel laughed. "I don't know; but just think of rushing out into those

great breakers, when you don't expect it, right from living so quietly in

the pond!"

"H'm. A good deal like going straight from Bel-Air Park to Wall Street, I

should think."

Jewel grew serious. "I think fish have the most _fun_," she said. "Do you

know, grandpa, I've decided that if I couldn't be your little grandchild,

I'd rather be a lobster than anything."

The broker threw up his head, laughing. "Some children could combine the

two," he replied, "but you can't."

"What?" asked Jewel.

"Nothing. Why not be a fish, Jewel? They're much more graceful."

"But they can't creep around among the coral and peek into oyster shells at

the pearls."

"Imagine a lobster peeking!" Mr. Evringham strained his eyes to their

widest and stared at Jewel, who shouted.

"That's just the way the sand-fleas look," she exclaimed.

"Well," remarked the broker, recovering his ordinary expression, "you may

as well remain a little girl, so far as that goes. You can creep around

among the coral and peek at pearls at Tiffany's."

"What's Tiffany's?"

"Something you will take more interest in when you're older." The broker

shook his head. "The difference is that the lobster wouldn't care to wear

the coral and pearls. An awful thought comes over me once in a while,

Jewel," he added, after a pause.

The child looked up at him seriously. "It can be met," she answered

quickly.

He smiled. He understood her peculiar expressions in these days. "Hardly, I

think," he answered. "It is this: that you are going to grow up."

Jewel looked off at the blue water. "Well," she replied at last hopefully,

"you're grown up, you know, and perhaps you'll like me then just as much as

I do you."

He squeezed the little hand he held. "We'll hope so," he said.

"And besides, grandpa," she went on, for she had heard him express the same

dread before, "we'll be together every day, so perhaps you won't notice it.

Sometimes I've tried to see a flower open. I've known it was going to do

it, and I've been just _bound_ I'd see it; and I've watched and watched,

but I never could see when the leaves spread, no matter how much I tried,

and yet it would get to be a rose, somehow. Perhaps some day somebody'll

say to you, 'Why, Jewel's a grown up lady, isn't she?' and you'll say, 'Is

she, really? Why, I hadn't noticed it.'"

"That's a comforting idea," returned Mr. Evringham briefly, his eyes

resting on the upturned face.

"So now, if the pond won't run away, we'll have the most _fun_," went on

Jewel, relieved. "They _said_ we could take this boat, grandpa, and have a

row." She lifted her shoulders and smiled.

"H'm. A row and a swim combined," returned the broker. "I'm surprised

they've nothing better this year than that ramshackle boat. You'll have to

bail if we go."

"What's bail?" eagerly.

"Dipping out the water with a tin cup."

"Oh, that'll be fun. It'll be an adventure, grandpa, won't it?"

"I hope not," earnestly, was the reply; but Jewel was already sitting on

the grass pulling off her shoes and stockings. She leaped nimbly into the

wet boat, and Mr. Evringham stepped gingerly after her, seeking for dry

spots for his canvas shoes.

"I think," said the child joyfully, as they pushed off, "when the winds and

waves notice us having so much fun, they'll let the pond alone, don't you?"

"If they have any hearts at all," responded Mr. Evringham, bending to the

oars.

"Oh, grandpa, you can tell stories like any thing!" exclaimed Jewel

admiringly.

"It has been said before," rejoined the broker modestly.

* * * * *

When outdoor gayeties had to be dispensed with one day, on account of a

thorough downpour of rain, the last story in Jewel's book was called for.

The little circle gathered in the big living-room; there was no question

now as to whether Mr. Evringham should be present.

"It is Hobson's choice this time," said Mrs. Evringham, "so we'll all

choose the story, won't we?"

"Let Anna Belle have the turn, though," replied Jewel. "She chose the first

one and she must have the last, because she doesn't have so much fun as the

rest of us." She hugged the doll and kissed her cheeks comfortingly. It

was too true that often of late Anna Belle did not accompany all the

excursions, but she went to bed with Jewel every night, and it was seldom

that the child was too sleepy to take her into full confidence concerning

the events of the day; and Anna Belle, being of a sedentary turn and given

to day dreams, was apparently quite as well pleased.

Now Mr. Evringham settled in a big easy-chair; the reader took a small one

by the window, and Jewel sat on the rug before the fire, holding Anna

Belle.

"Now we're off," said Mr. Evringham.

"Go to sleep if you like, father," remarked the author, smiling, and then

she began to read the story entitled

ST. VALENTINE

There was a little buzz of interest in Miss Joslyn's room in the public

school, one day in February, over the arrival of a new scholar. Only a very

little buzz, because the new-comer was a plain little girl as to face and

dress, with big, wondering eyes, and a high-necked and long-sleeved gingham

apron.

"Take this seat, Alma," said Miss Joslyn; and the little girl obeyed, while

Ada Singer, the scholar directly behind her, nudged her friend, Lucy Berry,

and mimicked the stranger's surprised way of looking around the room.

The first day in a new school is an ordeal to most children, but Alma felt

no fear or strangeness, and gazed about her, well pleased with her novel

surroundings, and her innocent pleasure was a source of great amusement to

Ada.

"Isn't she queer-looking?" she asked of Lucy, as at noon they perched on

the window-sill in the dressing-room, where they always ate their lunch

together.

"Yes, she has such big eyes," assented Lucy. "Who is she?"

"Why, her mother has just come to work in my father's factory. Her father

is dead, or in prison, or something."

"Oh, no!" exclaimed a voice, and looking down from their elevated seat the

girls saw Alma Driscoll, a big tin dinner-pail in her hand, and her cheeks

flushing. "My father went away because he was discouraged, but he is coming

back."

Ada shrugged her shoulders and took a bite of jelly-cake. "What a delicate

appetite you must have," she said, winking at Lucy and looking at the big

pail.

"Oh, it isn't full; the things don't fit very well," replied Alma, taking

off the cover and disclosing a little lunch at the bottom; "but it was all

the pail we had." Then she sat down on the floor of the dressing-room and

took out a piece of bread and butter.

"Well, upon my word, if that isn't cool!" exclaimed Ada, staring at the

brown gingham figure.

Alma looked up mildly. She had come to the dressing-room on purpose to eat

her lunch where she could look at Lucy Berry, who seemed beautiful to Alma,

with her brown eyes, red cheeks, and soft cashmere dress, and it never

occurred to her that she could be in the way.

Ada turned to Lucy with a curling lip. "I should hate to be a third party,

shouldn't you?" she asked, so significantly that even Alma couldn't help

understanding her. Tears started to the big eyes as the little girl

dropped her bread back into the hollow depths of the pail, replaced the

cover, and went away to find a solitary corner, with a sorer spot in her

heart than she had ever known.

"Oh, why did you say that, Ada?" exclaimed Lucy, making a movement as if to

slip down from the window-seat and follow.

"Don't you go one step after her, Lucy Berry," commanded Ada. "My mother

doesn't want me to associate with the children of the factory people.

She'll find plenty of friends of her own kind."

"But you hurt her feelings," protested Lucy.

"Oh, no, I didn't," carelessly; "besides, if I did, she'll forget all about

it. I had to let her know that she couldn't stay with us. Do you want a

stranger like that to hear everything we're saying?"

"I feel as if I ought to go and find her and see if she has somebody to eat

with."

"Very well, Lucy. If you go with her, I can't go with you, that's all. You

can take your choice."

The final tone in Ada's voice destroyed Lucy's courage. The little girls

were very fond of one another, and Lucy was entirely under strong-willed

Ada's influence.

Ada was a most attractive little person. Her father, the owner of the

factory, was the richest man in town; and to play on Ada's wonderful piano,

where you had only to push with your feet to play the gayest music, or to

ride with her in her automobile, were exciting joys to her friends. She

always had money in her pocket, and boxes of candy for the entertainment of

other children, and Lucy was proud of her own position as Ada's intimate

friend. So when it came to making a choice between this brilliant companion

and the gingham-clad daughter of a factory hand, Lucy Berry's courage and

sympathy oozed away, and she sat back on the window-seat, while Ada began

talking about something else.

This first school-day was Alma Driscoll's introduction into the world

outside of her mother's love. She had never felt so lonely as when

surrounded by all these girls, each of whom had her intimate friend, and

among whom she was not wanted. She could not help feeling that she was

different from the others, and day by day the wondering eyes grew shy and

lonely; and she avoided the children out of school hours, bravely hiding

from her mother that the gingham apron, which always hid her faded dress,

seemed to her a badge of disgrace that separated her from her daintily

dressed schoolmates.

Such was the state of affairs when St. Valentine's day dawned. Alma's two

weeks of school had seemed a little eternity to her; but this day she could

feel that there was something unusual in the air, and she could not help

being affected by the pleasurable excitement afloat in the room. She knew

what the big white box by the door was for, and when, after school, Miss

Joslyn was appointed to uncover and distribute the valentines, Alma found

herself following the crowd, until, pressed close to Lucy Berry's side, she

stood in the centre of the merry group about the teacher.

While the dainty envelopes were being passed around her, a shade of

wistfulness crept over the child's face, and her eager fingers crumpled the

checked apron as though Alma feared they might otherwise touch the

beautiful valentines that shone so enticingly with red and blue, gold and

silver. Suddenly Miss Joslyn spoke her name,--Alma Driscoll; only she said

"Miss Alma Driscoll," and, yes, there was no mistake about it, she had read

it off one of those vine-wreathed envelopes.

"Did you ever see such a goose!" exclaimed Ada Singer, as she watched the

mixture of shyness and eagerness with which Alma took her valentine and

opened the envelope.

Poor little Alma! How her heart beat as she unfolded her prize--and how it

sank when she beheld the coarse, flaring picture of a sewing girl, with a

disgusting rhyme printed beneath it. She dropped the valentine, a great sob

of disappointment choked her, and bursting into tears, she pushed her way

through the crowd and rushed from the schoolroom.

"What is the meaning of that?" asked Miss Joslyn.

For answer some one handed her the picture. The young lady glanced at it,

then tore it in pieces as she looked sadly around on her scholars.

"Whoever sent this knows that Alma's mother works in the factory," she

said. "It makes me ashamed of my whole school to think there is one child

in it cruel enough to do this thing;" then, amid the silent consternation

of the scholars, Miss Joslyn rose, and leaving the half-emptied box, went

home without another word.

"What a fuss about nothing," said Ada Singer. "The idea of crying because

you get a 'comic!' What else could Alma Driscoll expect?"

Lucy Berry's cheeks had been growing redder all through this scene, and now

she turned upon Ada.

"She has a right to expect a great deal else," she returned excitedly, "but

we've all been so hateful to her it's a wonder if she did. I wish I'd been

kind to her before," she continued, her heart aching with the remembrance

of the little lonely figure, and the big, hollow dinner-pail; "but I'm

going to be her friend now, always, and you can be friends with us or not,

just as you please;" and turning from the astonished Ada, Lucy Berry

marched out of the schoolroom, fearing she should cry if she stayed, and

sure that if there were any more beauties for her in the white box, her

stanch friend, Frank Morse, would take care of them for her. Among the

valentines she had already received was one addressed in his handwriting,

and she looked at it as she walked along.

"It's the handsomest one I ever saw," she thought, lifting a rose here, and

a group of cupids there, and reading the tender messages thus disclosed.

"I know what I'll do!" she exclaimed aloud. "I'll send it to Alma. Frank

won't care," and covering the valentine in its box, she started to run, and

turned a corner at such speed that she bumped into somebody coming at equal

or greater speed, from the opposite direction. A passer-by just then would

have been amused to see a boy and girl sitting flat on the sidewalk,

rubbing their heads and staring at one another.

"Lucy Berry!"

"Frank Morse!"

"What's up?"

"Nothing. Something's down, and it's me."

"Well, excuse me; but I guess you haven't seen any more stars than I have.

I don't care anything for the Fourth now, I've seen enough fireworks to

last me a year."

Both children laughed. "You've got grit, Lucy," added Frank, jumping up and

coming to help her. "Most girls would have boo-hooed over that."

"Oh, I wouldn't," returned the little girl, springing to her feet. "I'm too

excited."

"Well, what _is_ up?" persisted Frank. "I skipped out of the side door to

try to meet you."

"Well, you did," laughed Lucy. "Oh, Frank, I don't know how I can laugh,"

she pursued, sobering. "I don't deserve to, ever again."

"What is it? Something about that Driscoll kid? She was crying. I was back

there and I didn't hear what Miss Joslyn said; but I saw her leave, and

then you, and I thought _I_'d go to the fire, too, if there was one."

"Oh, there is," returned Lucy, "right in here." She grasped the waist of

her dress over where her heart was beating hard.

Frank Morse was older than herself and Ada, and she knew that he was one of

the few of their friends whose good opinion Ada cared for. To enlist him on

Alma's side would mean something.

"Is Ada still there?" she added.

"Yes, she took charge of the valentine box after Miss Joslyn left."

"Oh, Frank, do you suppose she could have sent Alma the 'comic'?" Genuine

grief made Lucy's voice unsteady.

"Supposing she did," returned Frank stoutly. "Is that what Big-Eyes was

crying about? I hate people to be touchy and blubber over a thing like

that."

"You don't know. Her mother works in the factory, and this was a horrid

picture making fun of it. Think of your own mother earning your living and

being made fun of."

"Ada wouldn't do that," replied Frank shortly. "What made you think of such

a thing?"

"It was error for me to say it," returned Lucy, with a meek groan. "I've

been doing error things ever since Alma came to school. Oh, Frank, you're a

Christian Scientist, too. You must help me to get things straight."

"You don't need to be a Christian Scientist to see that it wasn't a square

deal to send the kid that picture."

"No, I know it; but when Alma first came, Ada said her mother didn't allow

her to go with girls from the factory, and so I stopped trying to be kind

to Alma, because Ada wouldn't like me if I did; and it's been such

mesmerism, Frank."

The boy smiled. "Do you remember the stories your mother used to tell us

about the work of the error-fairies?"

"Indeed I do. My head's just been full of it the last fifteen minutes. I've

done nothing for two weeks but give the error-fairies backbones, and I

don't care what happens to me, or how much I'm punished, if I can only do

right again."

"Who's going to punish you?" asked Frank, not quite seeing the reason for

so much feeling.

"Ada. We've always had so much fun, and now it's all over."

"Oh, I guess not. Ada Singer's all right."

Lucy didn't think so. She was convinced that her friend had done this last

unkindness to Alma, and it was the shock of that discovery that was causing

a portion of her suffering now.

Frank and Lucy talked for a few minutes longer, and it was agreed that the

former should return to the school and get any other valentines that should

be there for Lucy and himself; then, as soon as it grew dark, they would

run to the Driscoll cottage with an offering.

Late that afternoon three mothers were called to interviews with three

little girls. Lucy Berry surprised hers by rushing in where Mrs. Berry was

seated, sewing.

"Oh!" exclaimed the little girl, "I'm so sorry all over, mother!"

"Then you must know why you can't be," returned Mrs. Berry, looking up at

the flushed face and seeing something there that made her put aside her

work.

Lucy usually considered herself too large to sit in her mother's lap, but

now she did so, and flinging her arms around her neck, poured out the whole

story.

"To think that Ada _could_ send it!" finished Lucy, with one big sob.

"Be careful, be careful. You don't know that she did," replied Mrs. Berry.

"'Thou shalt not bear false witness.'"

"Oh, I do _hope_ she didn't," responded Lucy, "but Ada is stuck up. I've

been seeing it more and more lately."

"And how about the beam in my little girl's own eye?" asked Mrs. Berry

gently.

"Haven't I been telling you all about it? I've been just as selfish and

cowardly as I could be." Lucy's voice was despairing.

"I think there's a beam there still. I think you are angry with Ada."

"How can I help it? If it hadn't been for her I shouldn't have been so

mean."

"Oh, Lucy dear!" Mrs. Berry smiled over the head on her shoulder. "There is

old Adam again, blaming somebody else for his fall. Have you forgotten that

there is only one person you have the right to work with and change?"

"I don't care," replied Lucy hotly. "I've been calling evil good. I have.

I've been calling Ada good and sticking to her and letting her run me."

"Was it because of what you could get from her, or because of what you

could do for her?" asked Mrs. Berry quietly.

Lucy was silent a minute, then she spoke: "She wanted me. She liked me

better than anybody."

"Well, now you see what selfish attachments can turn into," returned Mrs.

Berry. "Do you remember the teaching about the worthlessness of mortal mind

love? Here are you and Ada, yesterday thinking you love one another, and

to-day at enmity."

"I'm going with Alma Driscoll now, and I'm going to eat my lunch with her,

and everything. I should think that was unselfish."

"Perhaps it will be. We'll see. Isn't it a little comfort to you to think

that it will be some punishment to Ada to see you do it?"

"I don't know," replied Lucy, who was so honest that she hesitated.

"Well, then, think until you do know, and be very certain whether the

thoughts that are stirring you so are all loving. You see, dearie, we're

all so tempted, in times of excitement, to begin at the wrong end: tempted

to begin with ourselves instead of with God. The all-loving Creator of you

and Ada and Alma has made three dear children, one just as precious to Him

as another. If the loveliness of His creation is hidden by something

discordant, then we must work away at it; and one's own consciousness is

the place where she has a right to work, and that helps all. It says in the

Bible 'When He giveth quietness who then can make trouble?' You can rest

yourself with the thought of His great quietness now, and you will reflect

it."

Mrs. Berry paused and her rocking-chair swayed softly back and forth during

a moment of silence.

"You know enough about Science," she went on, at last, "to be certain that

weeks of an offended manner with Ada would have no effect except to make

her long to punish you. You know that love is reflected in love, and that

its opposite is just as certain to be reflected unless one knows God's

truth."

"But you don't say anything at all about Alma," said Lucy. "She's the chief

one."

Mrs. Berry smiled. "No," she returned gently. "You are the chief one. Just

as soon as your thought is surely right, don't you know that your heavenly

Father is going to show you how to unravel this little snarl? You remember

there isn't any personality to error, whether it tries to fasten on Ada, or

on you."

Lucy sat upright. Her cheeks were still flushed, but her eyes had lost

their excited light. "Frank Morse and I are going to take some pretty

valentines to Alma's as soon as it is dark," she said.

"That will be pleasant. Now let us read over the lesson for to-day again,

and know what a joyous thing life is."

"Well, mother, will you go and see Mrs. Driscoll some time?"

"Certainly I will, Sunday. I suppose she is too busy to see me other days."

In the Singer house another excited child had rushed home from school and

sought and found her mother.

Mrs. Singer had just reached a most interesting spot in the novel she was

reading, when Ada startled her by running into the room and slamming the

door behind her.

"Mother, you know you don't want me to go with the factory people," she

cried.

"Of course not. What's the matter?" returned Mrs. Singer briefly, keeping

her finger between the leaves of her half-closed book.

"Why, Lucy Berry is angry with me, and I don't care. I shall never go with

her again!"

"Dear me, Ada. I should think you could settle these little differences

without bothering me. What has the factory to do with it?"

"Why, there is a new girl at school, Alma Driscoll, and her mother works

there; and she tried to come with Lucy and me, and Lucy would have let

her, but I told her you wouldn't like it, and, anyway, of course we didn't

want her. So to-day when the valentine box was opened, Alma Driscoll got a

'comic;' and she couldn't take a joke and cried and went home. I can't bear

a cry-baby, anyway. And then Miss Joslyn made a fuss about it and _she_

went home, and after that Lucy Berry flared up at me and said she was going

to be friends with Alma after this, and _she_ went home. It just spoiled

everybody's fun to have them act so silly. Lucy got Frank Morse to bring

out all his valentines and hers. I'll never go with her again, whether she

goes with Alma or not!"

Angry little sparks were shining in Ada's eyes, and she evidently made

great effort not to cry.

"What was this comic valentine that made so much trouble?"

"Oh, something about a factory girl. You know the verses are always silly

on those."

"Well, it wasn't very nice to send it to her before all the children, I

must say. Who do you suppose did it?"

"No one ever tells who sends valentines," returned Ada defiantly. "No one

will ever know."

"Well, if the foolish child, whoever it was, only had known, she wasn't so

smart or so unkind as she thought she was. Mrs. Driscoll isn't an ordinary

factory hand. She is an assistant in the bookkeeping department."

"Well, they must be awfully poor, the way Alma looks, anyway," returned

Ada.

"I suppose they are poor. I happened to hear Mr. Knapp begging your father

to let a Mrs. Driscoll have that position, and your father finally

consented. I remember his telling how long the husband had been away trying

for work, and what worthy people they were, old friends of his. They lived

in some neighboring town; so when Mrs. Driscoll was offered this position

they came here. They live"--

"Oh, I know where they live," interrupted Ada, "and I knew they were

factory people anyway, and you wouldn't want me going with girls like

Alma."

"I'd want you to be kind to her, of course," returned Mrs. Singer.

"Then she'd have stuck to us if I had been. I guess you've forgotten the

way it is at school."

Mrs. Singer sighed and opened her book wistfully. "You ought to be kind to

everybody, Ada," she said vaguely, "but I really think I shall have to take

you out of the public school. It is such a mixed crowd there. I should have

done it long ago, only your father thinks there is no such education."

Ada saw that in another minute her mother would be buried again in her

story. "But what shall I do about Frank and Lucy?" she asked, half crying.

"Why, is Frank in it, too?"

"Yes. I know Lucy has been talking to him. He came back and got her

valentines."

"Oh, pshaw! Don't make a quarrel over it. Just be polite to Alma Driscoll.

They're perfectly respectable people. You don't need to avoid her. Don't

worry. Lucy will soon get over her little excitement, and you may be sure

she will be glad to make up with you and be more friendly than ever."

Mrs. Singer began to read, and Ada saw it was useless to pursue the

subject. She left the room undecidedly, her lips pressed together. All

right, let Lucy befriend Alma. She wouldn't _look_ at her, and they'd just

see which would get tired of it first.

This hard little determination seemed to give Ada a good deal of comfort

for the present, and she longed for to-morrow, to begin to show Lucy Berry

what she had lost.

Meanwhile Alma Driscoll had hastened home to an empty cottage, where she

threw herself on the calico-covered bed and gave way again to her hurt and

sorrow, until she had cried herself to sleep.

There her mother found her when she returned from work. Mrs. Driscoll had

plenty of troubles of her own in these days, adjusting herself to her

present situation and trying hard to fill the position which her old friend

Mr. Knapp had found for her. Alma knew this, and every evening when her

mother came home from the factory she met her cheerfully, and had so far

bravely refrained from telling of the trials at school, which were big ones

to her, and which she often longed to pour out; but the sight of her

mother's face always silenced her. She knew, young as she was, that her

mother was finding life in the great school of the world as hard as she was

in pretty Miss Joslyn's room; and so she kept still, but her eyes grew

bigger, and her mother saw it.

To-day when Mrs. Driscoll came in, she was surprised to find the house

dark. She lighted the lamp and saw Alma asleep on the bed. "Poor little

dear," she thought. "The hours must seem long between school and my coming

home."

She went around quietly, getting supper, and when it was ready she came

again to the bed and kissed Alma's cheek.

"Doesn't my little girl want anything to eat to-night?" she asked.

Alma turned and opened her eyes.

"Guess which it is," went on Mrs. Driscoll, smiling. "Breakfast or supper."

"Oh, have you come?" Alma sat up. She clasped her arms around her mother.

"Please don't make me go to school any more," she said, the big sob with

which she went to sleep rising again in her throat.

"Why, what has happened, dear?" Mrs. Driscoll grew serious.

"I don't want to tell you, mother, only please let me stay at home. I'll

study just as hard."

"You'd be lonely here all day, Alma."

"I want to be lonely," returned the little girl earnestly.

Mrs. Driscoll looked very sober. "Let's sit down at the table," she said,

"for I have your boiled egg all ready."

Alma took her place opposite her mother. Supper was usually the bright spot

in the day, but this evening there seemed nothing but clouds.

"I want to hear all about it, Alma, but you'd better eat first," said Mrs.

Driscoll, as she poured the tea.

"It isn't anything very much," replied the little girl, torn between the

longing for sympathy and unwillingness to give her mother pain; "only there

aren't any lonely children in that school. Everybody has some one she likes

to play with."

A pang of understanding went through the mother's heart, so tender that she

forced a smile.

"Oh, my dearie," she said, "you remind me of the old song,--

'Every lassie has her laddie,

Nane, they say, have I,

But all the lads, they smile on me,

When comin' thro' the rye.'

If my Alma smiles on all the children, they'll all smile on her."

Alma shook her head. It was too great an undertaking to explain all those

daily experiences of longing and disappointment to her mother. The child's

throat grew so full of the sob that she could not swallow the nice egg.

"This is Valentine's Day," she said, with an effort. "They had a box in

school. Everybody got pretty ones but me. They sent me a 'comic.'"

She swallowed bravely between the sentences, but big tears rolled down her

cheeks and splashed on the gingham apron.

"Well, wasn't it meant to make you laugh, dearie?"

"N-no. It was--was a hateful one. I--I can't tell you."

A line came in Mrs. Driscoll's forehead. Her swift thought pictured the

scene only too vividly. She swallowed, too.

"Silly pictures can't hurt us, Alma," she said.

"But please don't make me go back," returned the child earnestly. "I cried

and ran away, and I know all the other children laughed, and, oh, mother, I

_can't_ go back!" She was sobbing again, now, and trying to dry her tears

with her apron.

Mrs. Driscoll's lips pressed firmly together to keep from quivering.

"Mother," said Alma brokenly, as soon as she could speak again, "when do

you think father will come home?"

For a minute the mother could not reply. The last letter she had received

from her husband had sounded discouraged, and for six weeks now she had

heard nothing. Her anxiety was very great; but it made her position at the

factory more than ever important, while it increased the difficulty of

performing her work.

"I can't tell, dearie," she answered low. "We must pray and wait."

As she finished speaking there came a loud knock at the door. A very

unusual sound this, for no one had yet called on them, except Mr. Knapp,

once on business.

"I'll go," said Mrs. Driscoll. "Wipe your eyes, Alma."

To her surprise, when she opened the door no one was there. Something white

on the step caught her eye in the gloom. It was a box, and when she brought

it to the light, she saw that it was addressed to Miss Alma Driscoll.

Her heart was too sore to hand it to the child until she had made certain

that its contents were not designed to hurt. One glimpse of the gold and

red interior, however, made her clap on the cover again. She brought the

box to the table and seated herself.

"What's all this?" she asked, passing it to the child. "It seems to be for

you. There was nobody there, but I found that on the step."

Alma's swollen eyes looked wonderingly at the box as she took off the cover

and discovered the elaborate valentine.

"My! What a beauty!" exclaimed her mother.

The little girl lifted the red roses and looked at the verses. The catches

kept coming in her throat and she smiled faintly.

"Who is this that hasn't any friend?" asked Mrs. Driscoll cheeringly.

"Somebody was sorry," returned Alma. "I wish they didn't have to be sorry

for me."

"Oh, you can't be sure. When I was a little girl all the best part of

Valentine's Day was running around to the houses with them after dark. How

do you know that this wasn't meant for you all day?"

"Because I remember it. Miss Joslyn handed it to Lucy Berry out of the

school box. Lucy is the prettiest"--

Another loud knocking at the door interrupted.

Mrs. Driscoll answered the call. A big white envelope lay on the step, and

it was addressed to Alma. This time the latter's smile was a little

brighter as she took out a handsome card covered with garlands and swinging

cupids and inscribed "To my Valentine."

"Well, I never saw any prettier ones," said Mrs. Driscoll.

"But they weren't bought for me," returned Alma.

When soon again a knocking sounded on the door and a third valentine

appeared, blossoming with violets, above which butterflies hovered, Mrs.

Driscoll leaned lovingly toward her little girl.

"Alma," she said. "I think you were mistaken in saying that _all_ the

children laughed when you received that 'comic.' Now," in a different tone,

"let's have some fun! Some child or children are giving you the very best

they have. Let's catch the next one who comes, and find out who your

friends are!"

"Oh, no," returned Alma, smiling, but shrinking shyly from the idea.

"Yes, indeed. We all used to try when I was little. I'm going to stand by

the door and hold it open a bit and you see if I don't catch somebody."

Alma lifted her shoulders. She wasn't sure that she liked to have her

mother try this; but Mrs. Driscoll went to the door, set it ajar in the

dark, and stood beside it.

She did not expect there would be any further greetings, and did this

rather to amuse Alma, who sat examining her three valentines with a tearful

little smile; but it was a very short time before another knock sounded on

the usually neglected door, and quick as a wink it opened and Mrs.

Driscoll's hand flying out caught another hand. A little scream followed,

and in a second she had drawn a young lady into the tiny hall.

They couldn't see one another's faces very well in the gloom.

"Oh, I beg your pardon!" exclaimed Mrs. Driscoll, very much embarrassed. "I

was trying to catch a valentine."

"Well, you did," laughed the stranger. "There's one on the step now, unless

my skirt switched it off when I jumped. I didn't intend to come in this

time, though I meant to return after I had done an errand; but now I'm

here I'll stay a minute if it isn't too early."

"If you'll excuse the table," returned Mrs. Driscoll "Alma and I have a

late tea." She stooped at the door and picked up a valentine from the edge

of the step, and both women were smiling as they entered the room where

Alma was standing, flushed and wide-eyed, scarcely able to believe that she

recognized the voice.

Sure enough, as the visitor came into the lamplight, the little girl saw

that the valentine her mother had caught and brought in out of the dark was

really Miss Joslyn. She could hardly believe her eyes as she looked at the

merry, blushing face which she was wont to see so serious and watchful. All

the pretty teacher's scholars admired her, but she had a dignity and

strictness which gave them some awe of her, too, and it seemed wonderful to

Alma that this important person should be standing here and laughing with

her mother, right in their own sitting-room.

Miss Joslyn's bright eyes saw signs of tears in her pupil's face, and she

also saw the handsome valentines strewn upon the table. "Well, well, Alma!"

she exclaimed softly, "you have quite a show there!"

"And here is another," said Mrs. Driscoll, handing the latest arrival to

the little girl. Alma smiled gratefully at her teacher as she opened the

envelope and took out a dove in full flight, carrying a leaf in its beak.

On the leaf was printed in gold letters the word _Love_.

"I was caught in the act, Alma," laughed Miss Joslyn, "but I guess I am too

old and slow to be running about at night with valentines."

"I like it the best of all," replied the little girl. "It was bought for

me," she added in her own thought, and she was right. Twenty minutes ago

the white dove had been reposing at a stationer's, with every prospect of

remaining there until another Valentine's Day came around.

"Please sit down, Miss Joslyn," said Mrs. Driscoll.

"Well, just for a minute," replied the young lady, taking the offered

chair, "but I wish you would finish your supper."

"We had, really," replied Mrs. Driscoll, smiling, "or I shouldn't have been

playing such a game by the door. You haven't been the giver of all these

valentines, I suppose?"

"Oh, no, indeed. Those are from some of the school children, no doubt. I've

been trying to find an evening to come here for some time, but my work

isn't done when school is out."

"I'm sure it isn't," replied Mrs. Driscoll, while Alma sat with her dove in

her hands, watching the bright face that looked happy and at home in these

unusual surroundings. It seemed so very strange to be close to Miss Joslyn,

like this, where the teacher had no bell to touch and no directions to

give.

She looked at Alma and spoke: "The public school is a little hard for new

scholars at first," she said, "where they enter in the middle of a term.

You are going to like it better after a while, Alma."

"I think she will, too," put in Mrs. Driscoll. "My hours are long at the

factory and I have liked to think of Alma as safe in school. Does she do

pretty well in her studies, Miss Joslyn?"

"Yes, I have no fault to find." The visitor smiled at Alma. "You haven't

become much acquainted yet," went on Miss Joslyn. "I have noticed that you

eat your lunch alone. So do I. Supposing you and I have it together for a

while until you are more at home with the other scholars. I have another

chair in my corner, and we'll have a cosy time."

Alma's heart beat fast. She had never heard that an invitation from royalty

is equivalent to a command, but instantly all possibility of staying at

home from school disappeared. The picture rose before her thought of Miss

Joslyn as she always appeared at the long recess: her chair swung about

until her profile only was visible, the white napkin on her desk, the book

in her hand as she read and ate at one and the same time. Little did Alma

suspect what it meant to the kind teacher to give up that precious

half-hour of solitude; but Miss Joslyn saw the child's eyes grow bright at

the dazzling prospect, and noted the color that covered even her forehead

as she murmured thanks and looked over at her mother for sympathy.

The young lady talked on for a few minutes and then said good-night,

leaving an atmosphere of brightness behind her.

"Oh, mother, I don't know what all the children will say," said Alma,

clasping her hands together. "I'm going to eat lunch with Miss Joslyn!"

"It's fine," responded Mrs. Driscoll, glad of the change in her little

girl's expression, and wishing the ache at her own heart could be as easily

comforted. "Do you suppose Valentine's Day is over, dearie, or had I better

stand by the door again?"

"Oh, they wouldn't send me any more!" replied Alma, looking fondly at her

dove. "I think Lucy Berry was so kind to give me her lovely things; but I'd

like to give them back."

"No, indeed, that wouldn't do," replied Mrs. Driscoll. "I'm going to stand

there once more. Perhaps I'll catch somebody else to prove to you that Lucy

isn't the only one thinking about you."

Mrs. Driscoll returned quietly to her post, and Alma could see her smiling

face through the open door.

Alma had very much wanted to send valentines to a few children, herself;

but five cents was all the spending money she could have, and she had

bought with it one valentine which had been addressed to Lucy Berry in the

school box. She was glad it had not come back to her to-night. That would

have been hardest of all to bear.

Just as she was thinking this there did come another knock at the door. The

child looked up eagerly, and swiftly again Mrs. Driscoll's hand flew out,

and grasping a garment, pulled gently and firmly.

"Well, well, ma'am!" exclaimed a bass voice, and this time it was the

hostess's turn to give a little cry, followed by a laugh, as a stout,

elderly man with chin whiskers came deliberately in.

She retreated. "Oh, Mr. Knapp, please excuse me! I thought you were a

valentine!"

"Nobody'd have me, ma'am. Nobody'd have me. Not a mite o' use to try to

stick a pair o' Cupid's wings on these shoulders. It would take an awful

pair to fly me. Well, come now," he added, with a broad, approving smile at

the laughing mother and child, "I'm right down glad to see you playin' a

game. I've thought, the last few days, you was lookin' kind o' peaked and

down in the mouth; so, seein' as we found a letter for you that was somehow

overlooked this afternoon, I decided I'd bring it along. Might be fetchin'

you a fortune, for all I knew."

Mrs. Driscoll's smile vanished, and her eyes looked eagerly into the

good-humored red face, as Mr. Knapp sought deliberately in his coat pocket

and brought forth an envelope, at sight of which Alma's mother flushed and

paled.

"You have a valentine, too!" cried the little girl.

"Yes, it is from father. Won't you sit down, Mr. Knapp?"

"No, no, I'll just run along and let you read your letter in peace. I know

you want to, and I hope it brings good news. If it don't, you just remember

it's always darkest before day. Frank Driscoll's bound to come out right

side up. He's a good feller."

So saying, the kind friend to this couple took his departure, and Mrs.

Driscoll's eager fingers tore open the envelope.

At the first four words, "It's all right, Nettie," she crushed the paper

against her happy eyes and then hugged Alma.

It _was_ all right. Mr. Driscoll had a position at last, and by the time

summer should come he was sure they could be together again.

After the letter had been read and re-read, the two washed and put away the

supper dishes with light hearts, and the next morning Mrs. Driscoll went

off smiling to the factory, leaving a rather excited little girl to finish

the morning work and arrange the lunch in the tin pail which was to be

opened beside Miss Joslyn's desk.

There were two other excited children getting ready for school that

morning. They had both slept on their troubles, but were very differently

prepared to meet the day. Ada Singer's mental attitude was, "I'll never

give in, and Lucy Berry will find it out."

Lucy felt comforted, but there remained now the great step of eating lunch

with Alma and being punished by Ada in consequence. Her heart fluttered at

the thought; but she was going to try not to think of herself at all, but

to do right and let the consequences take care of themselves.

"There isn't any other way," her mother said to her at parting. "Anything

which you do in any other spirit has simply to be done over again some

time."

"Not one error-fairy shall cheat me to-day," thought Lucy stoutly, and then

a disconcerting idea came to her: supposing Alma shouldn't come to school

at all!

But Alma was there. Ada Singer, too, wearing a charming new dress and with

a head held up so stiffly that it couldn't turn to look at anybody. Frank

Morse, from his seat at the back of the room, looked curiously from one to

another of the three girls and shook his head at his book.

At the first recess Ada Singer spoke to him as he was going out. "Wait a

minute, Frank. It is so mild to-day, mother is coming for me after school

with the auto. We're going to take a long spin. Wouldn't you like to go?"

"Yes, indeed," replied Frank; "but don't you want to take Lucy in my

place?" He was a little uncomfortable.

"If I did I shouldn't ask you," returned Ada coolly.

"All right. Thank you," said Frank, but as he joined the boys on the

playground he felt still more uncomfortable.

Lucy Berry, as soon as the recess bell had sounded, had gone straight to

Alma. Her cheeks were very red, and the brown eyes were full of kindness.

Alma looked up in shy pleasure at her, a little embarrassed because she

didn't know whether to thank Lucy for the valentines or not.

The latter did not give her time to speak. She said: "I came to see if you

won't eat your lunch with me to-day."

Alma colored. How full the world was of kind people! "I'd love to," she

answered, "but I think Ada wants to have you all alone and"--

"But I'd like it if you would," said Lucy firmly, "because I want to get

more acquainted. My mother is coming to see yours on Sunday afternoon,

too."

"I'm real glad she is," replied Alma, fairly basking in the light from

Lucy's eyes. "I'd love to eat lunch with you, but Miss Joslyn invited me to

have it with her to-day."

"Oh!" Lucy's gaze grew larger. "Why, that's lovely!" she said, in an awed

tone.

They had very little more time for talk before the short recess was over.

As the children took their way to their seats, Alma was amazed to see Ada

Singer pass Lucy without a word, and even turn her head to avoid looking

at her. The child had watched this close friendship so wistfully that she

instantly saw there was trouble, and naturally thought of her invitation

from Lucy as connected with it.

At the long recess, thoughts of this possible quarrel mingled with her

pleasure in the visit with Miss Joslyn, who was a charming hostess. Many a

girl or boy came to peep into the forbidden schoolroom, when the report was

circulated that Alma Driscoll was up on the platform laughing and talking

with the teacher and eating lunch with her in the cosy corner.

Miss Joslyn insisted on exchanging a part of her lunch for Alma's,

spreading the things together on the white napkin, and chatting so eagerly

and gayly that the little girl's face beamed. She soon told the teacher

about the good news that came after she left the night before, and Miss

Joslyn was very sympathetic. "It's a pretty nice world, isn't it?" she

asked, smiling.

"Yes'm, it's just a lovely world to-day, only--only there's one thing, Miss

Joslyn."

"What is it?"

"I think Lucy Berry and Ada Singer have had a quarrel."

"Oh, the inseparables? I guess not," the teacher smiled.

"Yes'm. The worst is, I think it's about me. Could I go out in the

dressing-room to get my handkerchief, and see if they're on their usual

window-sill?"

"Yes, indeed, if it will make you feel easier."

So Alma went out and soon returned. Lucy and Ada were not on their

window-sill. Each was sitting with a different group of girls.

Miss Joslyn saw the serious discomfort this gave her little companion, and

persuaded her away from the subject, returning to the congenial theme of

Mr. Driscoll's new prospects.

But as soon as recess was over, Alma's thoughts went back to Ada Singer,

for she felt certain that whatever had happened, Ada was the one to be

appeased. The child could not bear to think of being the cause of trouble

coming to dear, kind Lucy.

When school was dismissed, Ada Singer, her head carried high, put on her

things in the dressing-room within a few feet of Lucy, but ignoring her

presence. "I love her," thought Lucy, "and she does love me. Nothing can

cheat either of us."

Ada went out without a look, and waited at the head of the stairs for Frank

Morse. Alma Driscoll hastened up to her.

Ada drew away. Alma needn't think that because she had shared Miss Joslyn's

luncheon she would now be as good as anybody.

"Can I speak to you just one minute?" asked the little girl so eagerly, yet

meekly, that Ada turned to her; but now that she had gained attention, Alma

did not know how to proceed. She hesitated and clasped and unclasped her

hands over the gingham apron. "Please--please"--she stammered, "don't be

cross with Lucy. She felt sorry for me, but I'll never eat lunch with

her,--truly."

"You don't know what you're talking about," rejoined Ada coldly.

"Yes, she does." It was Frank Morse's voice, and Ada, turning quickly, saw

him and Lucy standing a few feet behind her. The four children were alone

in the deserted hall.

"Here," went on Frank bluntly, "I want you two girls to kiss and make up."

Ada blushed violently as she met Lucy's questioning, wistful look.

"Are you coming down to the auto, Frank?" she asked coolly. "Mother will be

waiting."

"Oh, come now, Ada, be a good fellow. If you and Lucy want to put on the

gloves, I'll see fair play; but for pity's sake drop this icy look

business. Great Scott, I'm glad I'm not a girl!"

The genuine disgust in the boy's tone as he closed did disturb Ada a

little, and then Lucy added at once, beseechingly:

"Oh, it's like a bad dream, Ada, to have anything the matter between us!"

"Whose fault is it?" asked Ada sharply. "Why did you fly at me so

yesterday?"

Both girls had forgotten Alma who, like a soberly dressed, big-eyed little

bird, was watching the proceedings in much distress.

"You just the same as accused me of sending Alma the 'comic,'" continued

Ada.

"Oh, _didn't_ you send it?" cried Lucy, fairly springing at her friend in

her relief. "I don't care what you do to me then! I deserve anything, for I

really thought you did."

Her eloquent face and the love in her eyes broke down some determination in

Ada's proud little heart, and raised another, perhaps quite as proud, but

at least with an element of nobility. She foresaw that the dishonesty was

going to be more than she could bear.

"I did send it," she said suddenly, with her chin up. Then, ignoring Frank

and Lucy's open-mouthed stares, she turned toward Alma. "I sent you the

'comic,'" she went on. "I thought it would be fun, but it wasn't, and I'm

sorry. I should like to have you forgive me."

Her tone was far from humble, but it was music to Alma's ears. The little

girl clasped her hands together. "Oh, I do," she replied earnestly, "and it

made everybody so kind! Please don't feel bad about it. I got the loveliest

valentines in the evening, and Miss Joslyn came to see us, and we had a

letter from my father and he has a splendid place to work and--and

everything!"

Ada breathed a little faster at the close of this breathless speech. Alma's

eagerness to ascribe even her father's good fortune to the sending of the

'comic' touched her. In her embarrassment she took another determination.

"If you'll excuse me, Frank," she said turning to him, "I think I'll take

Alma home in the auto, instead of you."

"All right," returned the boy, his face flushed. "You're a brick, Ada!"

This praise from one who seldom praised gave Ada secret elation, and made

her resolve to deserve it. "Good-by, Lucy," was all she said, but the

girls' eyes met, and Lucy knew the trouble was over.

As Ada and Alma went downstairs, Lucy ran to the hall window, and Frank

followed. "Don't let them see us," she said joyfully.

So, very cautiously, the two peeped and saw the handsome automobile

waiting. Mrs. Singer was sitting within and they saw Ada say something to

her; then Alma, her thick coat over the gingham apron, and the large

dinner-pail in her hand, climbed in, Ada after her, and away they all went.

Lucy turned to Frank with her face glowing.

"It's all right now," she said. "When Ada takes hold she never lets go; and

now she's taken hold right!"

Jewel's Story Book · 第 15 / 18 章