EDITOR OF "THE ALLEYNIAN."
_True ease in writing comes from art, not chance._
POPE: "ESSAY ON CRITICISM."
To the school magazine, _The Alleynian_, which is published monthly,
Paul began contributing in 1912. His success in essays having shown
that he had facility in writing, he was asked by those in authority to
report the lectures for the magazine and help to liven up its
contents. His first contribution deals with a lantern lecture on the
"Soudan," delivered before the Science and Photographic Society by
Major Perceval on November 23, 1912. A summary of the lecture is
enlivened by such observations as these:
A large and very distinguished audience was present. On the back
benches in particular was a great array of Dulwich "knuts." The
lecturer was, however, undaunted, though there can be no doubt
that he felt much awe at the number of mighty men in his
audience.
From the report of a lecture delivered on January 31, 1913, "The Land
of the Maori," the following quotation is made because of its
allusions to then topical events:
The lecturer said that in New Zealand the interests of labour
were so well safeguarded that the country is called "the
working-man's paradise" (loud cheers), while the women there had
votes. At this an unparalleled uproar broke out. Cheers and
hisses were commingled in one tremendous cataclysm of sound.
Certainly we heard shouts of "Bravo" countered by shrieks of
"Shame." The lecturer seemed dazed by the dreadful din.
A report of the "Servants' Concert" (28th July, 1913) is in rollicking
vein:
Success was in the air from the very start. The crush at the
doors was like Twickenham on the day of the England v. Scotland
match--we had almost said the Crystal Palace on Cup Final Day. It
is evident that there is a tremendous amount of talent for the
stage and the music-halls in the school. To hear Gill give the
tragic history of "Tommy's Little Tube of Seccotine," or the duet
on the touching story of "Two Little Sausages," by Savage and
Livock, would have brought tears to the eyes of a prison warder.
Then there were F. W. Gilligan to relate his horticultural, and
brother A. E. R. his zoological reminiscences--works of great
value to scientists and others. To hear Killick dilate upon the
dangers of the new disease, the "Epidemic Rag" (which seems to be
quite as catching as the mumps), Gill upon the risks of the
piscatorial art, or Savage upon an original Polynesian theme,
"Zulu Lulu," was to feel like Keats's watcher of the skies, "when
a new planet swims into his ken." For the admirer of Spanish
customs there was A. E. J. Inglis (O.A.) to sing, as only he can,
the Toreador's song; while for the Cockney there was Killick to
give, in his own inimitable fashion, that really touching little
ballad "My Old Dutch," Ould Oireland being well catered for by
Livock in "A Little Irish Girl." The pianoforte solos by Nalder,
Jacob and Shirley were all excellent and thoroughly well
appreciated, as was our old friend, "Let's have a Peal," by the
First XI.
And now for the "star" performance of the evening. Positively for
one night only, the Dulwich College Dramatic Society were down to
give us W. G. O. Gill's one-act farce, "The Lottery Ticket." This
fairly brought down the house. It went "with a bang," as actors
say, from the very start. The great point about it was that all
the performers forgot that they were acting, and were so
perfectly natural. There was not a hitch. Killick, as a withered
old Shylock, gave a really masterly representation of ancient
villainy. Evans was admirably suited with the role of a dashing
young man-about-town. The way he took his gloves off was worth a
fortune in itself. We felt that there must be many degrees of
blue blood in his veins. His back-chat repartee was far better
than that of Mr. F. E. Smith, K.C. If Gill and Waite are in the
future ever in need of a berth they should, judging by their
performances in this play, apply to Sir Herbert Beerbohm Tree for
parts as a dilapidated charwoman and unwashed office-boy
respectively. The topical allusions in the play were all
thoroughly well made and appreciated. We might suggest that it is
not the custom "in polite circles" to open and read other
people's telegrams, but for a hardened old reprobate like Mr.
Grabbit we can feel no pity, while we can forgive anything to a
Principal Boy like Mr. Knowall.
It is an open secret that the concert was organised by Killick.
We take this opportunity of congratulating him heartily. From
what rumour says, we take it that the Powers-that-be are very
pleased with the concert. So are we. It was a complete success
from start to finish. It is to be hoped that it will become a
regular institution, especially considering the object it has in
view--to give pleasure to those who have not often the chance of
it.
In 1913 he was appointed secretary and treasurer of the magazine, and
a few months later he became one of the editors. Throughout 1913 and
1914 he was the chief contributor to its pages. Reporting a lady's
lecture on Tibet (October 17, 1913), he wrote:
But, at least, the Tibetans can teach us something--simplicity in
ceremonies. For when Miss Kemp went to see the palace of the King
all the decoration she saw there was a simple table and chair. A
Tibetan kitchen was a very popular slide. In that country they
apparently use a golf-bag to brew tea in, and cast-off bicycle
wheels for plates. There prevails in Tibet some element of
democracy, for Miss Kemp's cook was also a J.P., a Civil Servant,
and held other such offices of fame. One of her assistants was a
positive marvel--a human carpet-sweeper. If the floor was to be
brushed he would simply roll over and over on it and clean it
with his clothes! The Tibetans have no motor-bikes and no S. F.
Edges, their fastest conveyance being a yak, a species of ox,
which moves at an average speed of two miles an hour (with the
high gear in), and can slow down to an infinite extent. However,
the nature of the country would make high speeds rather
dangerous, as constantly you find yourself in danger of falling
over precipices, down crevasses, or of being overwhelmed by
falling boulders, for the mountain lands are covered with great
glaciers. It was these mountain views that were especially
magnificent. They were, for the most part, taken with
tele-photographic lenses at a distance of fifty or sixty miles.
To the November _Alleynian_ he contributed a racy and rattling parody
of the modern sensational drama entitled _Red Blood: a Western Drama
in Two Acts_, in which the dramatis personae are an English cowboy
(heir to a million dollars without knowing it), an Indian chief (his
friend), a wicked uncle, a murderer, and a New York detective. His
historical tastes peep out in his report of a lecture delivered 7th
November, 1913, on the famous mediaeval doctor, Pareil (1510-1590).
From this report the following is extracted:
Much interest attaches to the historic associations of Pareil's
life. As a famous surgeon he was in constant attendance on
figures renowned in history, personages like Coligny (who was
murdered by the mob of Paris while recovering from an amputation
of Pareil's), Erasmus, Servetus, Leonardo da Vinci, and Catherine
de Medici. Like Chaucer's doctour of physik, Pareil knew well the
works of "Olde Ypocras," Galen, Avycen, etc., the famous
physicians whose names have come down from history, but he was no
pedantic scholar, preferring to do his own thinking. A stout
Protestant, his last act was to beseech the Catholic Archbishop
of Lyons, who was holding Paris against the assaults of Henry of
Navarre (with the result that the population of the city was
perishing by thousands), to open the gates and save the
inhabitants, but he beseeched in vain.
Altogether a remarkable figure, this old Pareil. Looked at in
perspective, and in his era, it is clear how great a man he was.
For he, first of all men in medicine, freed the world from the
influence of pedantic tradition, and paved the way for modern
medical science. Then all honour to his name, for, as the Master
put it in proposing the vote of thanks to Mr. Paget, the art of
healing is the greatest boon which man can give to the world.
The last lecture he reported was delivered by Mr. F. M. Oldham, chief
Science Master at the College, on "Primitive Man," on 3rd April, 1914.
From this report the following extract is taken:
Our main knowledge of man in the earliest stages of his existence
comes from the examination of river mud. Mr. Oldham showed how
different strata are built up by the river on its bed, and how in
the lowest of these strata there will be found the oldest relics
of man. In this way we are able to declare that the difference
between the earliest man and his immediate followers lay in the
question of polishing his flint instruments. That is to say, the
earliest or palaeolithic man had his implements unpolished; his
successors polished them, often to a beautifully smooth surface.
This Mr. Oldham illustrated with a series of films--your pardon,
slides--of the arrow-heads made by palaeolithic and neolithic man.
It was a natural step, once man had learned to polish his
instruments, and when he was advanced enough to try to form
conceptions of beauty for himself, that he should draw or scratch
pictures on stone. Several of these Mr. Oldham showed on the
screen; some of them are extraordinarily well executed and show
real artistic feeling. We would particularly mention one such
representation of a reindeer, and another of a man stalking a
bison.
After the cave-dwellers' epoch comes that of huts, wood and
bronze. Man in this stage is really but little different from
what he is to-day. He has even the wit to construct himself
lake-dwellings, consisting of huts placed on rafts and secured
temporarily with large stones sunk in the lake-bed.
Characteristic of this period are the great tolmens and monoliths
found all over the world. Neolithic man had, indeed, sometimes
constructed for himself a hut of stone, as Dartmoor will testify,
but the tolmens are of quite different origin, and indicate a
distinctly greater mental development, in that they are usually
put up as monuments to great men or events. Of the same nature
are the great mounds or "barrows" that abound in Ireland; inside
there was a sort of crypt in which chiefs were buried. The
monoliths were constructed, as doubtless the Pyramids also were,
by rolling the great stones up an inclined bank of earth
previously built up.
Throughout 1914 Paul was the mainstay of the magazine. The May number
contains from his pen exhaustive reports of two house matches
(football), a shrewd commentary on the Junior School Cup matches, and
a long report of a lecture. For the July number he wrote ten pages of
cricket reports, and an account of the swimming competition. He was
also responsible for the finances of the magazine, continuing to act
as secretary and treasurer. All this time he was preparing for his
Oxford scholarship. If he owed much to Dulwich, the College also owed
something to him. No boy ever worked harder for it, or consecrated
himself with more entire devotion to its welfare.