Cayley pulled at his mustache. "I wish I had noticed Vixley."

"Why?"

"Oh, I'd like to see him, that's all. He must be a pretty clever fakir.

Of course he isn't straight?"

"As a bow-knot," said Fancy, "but if he amuses you, I'll introduce you

to him. I've got a pretty good stand-in with him, yet." She smiled

sadly.

"Suppose you do. I'd like to hear him talk."

"All right," said Fancy. They rose and walked in the medium's

direction, encountering him on the foreward deck. He was holding his

hat against the fresh breeze and gazing at the approaching lights of the

city. The meeting was somewhat constrained at first. Vixley seemed to

be embarrassed at Cayley's aristocratic appearance, and evidently

wondered what his motive was in being introduced. Cayley, however, was

sufficiently a man of the world to be able to put the medium at his

ease. He told stories, he made jokes, and gradually drew Vixley out.

The wolf talked gingerly, making sure of his ground, his little black

eyes shifting from one to the other, whether he spoke or listened.

Cayley held him cleverly until the crowd began to descend, making ready

for the disembarkation. They went down to the lower deck. Here the

crowd had begun to pack together into a close mass, jostling, joking,

singing--all sorts and conditions of men in a common holiday mood.

Cayley managed so that Fancy went ahead, and, with some dexterous

manoeuvering, allowed two or three persons to pass between himself and

her. Vixley was just behind him, when Cayley turned and said quickly:

"Can you meet me at the Hospital Saloon at ten o'clock to-night?"

"What for?" the Professor demanded.

"Important--something about Payson. It is decidedly to your advantage

to see me."

"I'll be there!" A light gleamed behind Vixley's shrewd black eyes.

The two squirmed their way to where Fancy was standing, and accompanied

her off the boat. At the entrance to the ferry building the medium took

his leave. Cayley and Fancy had dinner together, after which, urging an

engagement, he put her aboard her car and walked down Market Street to

the "Hospital."

Vixley was there, waiting for him, sitting at a side table, regarding an

enormous painting of a nude over the bar. His quick eye caught Cayley

as he entered and drew him on. For the rest of the interview they did

not leave the young man's face.

*CHAPTER XII*

*THE FIRST TURNING TO THE RIGHT*

"All I got to say is this," said Madam Spoll, "if you know what's best

for yourself, you won't make no enemies."

"I scarcely think you can hurt me much," said Granthope, losing interest

in the discussion, as he saw he could make no way with her.

"We can't, can't we? We know a whole lot more about you than you'd care

to have told, Frank Granthope. Since I seen you last, things have

developed with Payson, and now we're in a position to say to you, look

out for yourself. Payson's stock has went up some. We've got inside

information that's valuable."

"Then you don't need me, surely."

"We need you to keep your mouth shut, if nothing else."

"You mean not to tell Mr. Payson anything? I would if I thought I could

make him listen."

"Tell _him_? Lord, you can tell him till you're black in the face, and

he wouldn't believe it--not till you tell him where we got our

information. Why, if he caught me at the keyhole of his room, he

wouldn't suspect anything. We've got the goods to deliver this time,

don't you fool yourself. Payson's a ten-to-one shot all right. All we

want to be sure of now is the girl you're trying to marry."

"I'm not trying to marry her," said Granthope bitterly.

"That's lucky for you!"

"Why?" he demanded suspiciously.

Madam Spoll spoke very slowly and deliberately without asperity,

"Because if you _should_ be fool enough to try it on your own hook

without helping us out in our game, why, we'd have to show you up to

her. I know a little too much about you, Frank Granthope, for you to

throw me down as easy as that. You can't exactly set yourself up for a

saint, you know; there's the Bennett affair and one or two more like it.

Then, again, there's Fancy Gray and several others like _that_. It'll

add up to a pretty tidy scandal, if the Payson girl should happen to

hear about it all; and if not her, there's others that it won't do you

any good to have know."

Granthope shrugged his shoulders nonchalantly, looking calmly at the

medium. Her face was as placid and unwrinkled as his. She showed not

the slightest trace of vindictiveness, talking as though discussing some

impersonal business arrangement.

"Then I am to understand that you threaten me with blackmail?"

"Black, white or yellow, any color you like." She made a deprecatory

gesture, "But I don't put it that way myself; all I do say is, that it's

for your interest to leave us alone. You know as well as I do that we

can put the kibosh on your business, if we want to. We've got a pretty

good gang to work with, and when we pass the word round and hand you the

double-cross, you won't read many more palms at five per, not in this

town you won't."

He smiled. "That's all a bluff. You can't expose me without giving

yourself away as well."

"What have we got to lose? We could get the old man back any time we

gave him a jolly. You can't bust up our business--too many suckers in

town for that. Lord, I've been exposed till I grew fat on it. But we

can break _you_, Frank Granthope; we can bust your business and queer

you with this swell push, easy, not to speak of Clytie Payson."

"Well, then," said Granthope, rising and taking his hat, "go ahead and

do it! We might just as well settle this thing now. Smash my

business--I don't care; I wish you would! Ruin any social ambition I

may be fool enough to have--it'll serve me right for caring for such

nonsense. Tell Miss Payson all you know--it'll save me the shame of

telling her myself. God knows I wish she did know it! I'm getting sick

of the whole dirty game."

Madam Spoll, completely taken aback by his unexpected change of base,

stood with a sneer on her face, watching him. "You ought to go on the

stage, Frank Granthope--you almost fooled me for a minute," she said

with an ironic smile. "I fully expected you to say you had joined the

Salvation Army next, and had come around here to save me from hell. So

you've got religion, have you? You'd look well in a white necktie, you

would! And your inside pocket full of mash notes!"

"Well," he said, walking to the door, "you've had your say and I've had

mine. You can believe what you please, but when you do think it over,

you may recall the fact that I usually mean what I say."

This was the end of the interview. Madam Spoll, at Vixley's

instigation, had sent for Granthope and had "put on the screws."

Granthope walked back to his rooms in a brown study. He was at bay now,

and there seemed to be no escape for him.

The red-headed office boy was whistling and whittling a pencil lazily at

Fancy's desk as the palmist entered. There was no one else in the room.

"Has anybody been here, Jim?" Granthope asked.

Jim looked up carelessly and replied, "Dere was a lady what blew in

about a half an hour ago and she told me she might float back."

"Who was she?"

"She wouldn't leave no name, but she was a kissamaroot from Peachville

Center all right. She looked like she was just graduated from a French

laundry. She left dese gloves here."

He handed over a pair of long, immaculately white gloves, which were

lying on a chair. Granthope looked at them carefully, blew one out till

it took the form of a hand and then inspected the wrinkles.

"Oh," he said. "Tell Miss Payson to come into my studio when she comes

back."

"Say, Mr. Granthope, who's Miss Gray? De lady wanted to know where was

Miss Gray, and I told her she could search me, for I wasn't on. She

looked like she took me for a shine to be holdin' down de desk here;

dat's right."

Granthope walked quickly into his studio without answering.

He seated himself thoughtfully and looked about him, still holding the

white glove caressingly in his hand. His eye traveled from the

electric-lighted table, round the black velvet arras, to the panel where

the signs of the zodiac were embroidered in gold: then his eyes closed.

He sat silent for ten minutes or so, then he drew his hand through his

heavy black hair and across his brow. His eyes opened; he arose; a

faint whimsical smile shone on his face.

Then, still smiling, he strode deliberately across the room, grasped the

black velvet hanging and gave it a violent tug, wrenching it from the

cornice. It fell in a soft, dark mass upon the floor. He seized the

next breadth of drapery, and the next, tearing them from the wall. So

he went calmly round the room in his work of destruction, disclosing a

widening space of horribly-patterned wall-paper--pink and yellow roses

writhing up a violently blue background. On the last side of the room

two windows appeared, the glass almost opaque with dust.

He threw up a sash; a shaft of sunshine shot in, and, falling upon the

velvet waves upon the floor, changed them to dull purple. In that ray a

universe of tiny motes danced radiantly. A current of air set them in

motion and swept them from the room through the window into the world

outside.

And, as he stood there, his face like that of a child who had released a

toy balloon, watching that beam of yellow light, Clytie Payson opened

the door of the studio and looked in at him. She appeared suddenly,

like a picture thrown vividly upon a screen. She saw Granthope before

he saw her, and, for a moment, she stood gazing. His pose was eloquent;

he was, in his setting, almost symbolistic--she needed no explanation of

what had happened. Then, it was as if some tense cord snapped in her

mind, and she threw herself forward, no longer the dreamer, but the

actor, giving free rein to her emotion.

[Illustration: His pose was eloquent]

He turned and caught sight of her. Her hands were outstretched, her

eyes were burning with a new fire, as if her smoldering had burst into

flame.

"Oh! You have done it! I knew you would!"

He gave her his two hands in hers, nodding his head slowly; his smile

was that of one who viewed himself impersonally, looking on at his own

actions. He did not speak. A quaint humor struggled in his mind with

the intensity of the situation. Something in him, also, had snapped,

and he was self-conscious in his new role.

She clutched his hands excitedly, and lifted her eyes up to his, with a

new, unabashed fondness burning in them. She had thrown away all her

reserves.

"It's magnificent!" she said. "Oh, how I have longed for this! How I

have waited for it! And now, how I admire--and love you for it!"

Her face was so near his that, like an electric spark, the flash of

eagerness darted from one to the other. He felt the shock of emotion

tingling his blood. It swept his mind from control and flooded his will

with an irresistible desire for her. He saw that she was ready for him,

willing to be won. He took her in his arms and kissed her softly, but

gripping her almost savagely in his embrace.

"Do you mean it?" he cried. "Do you love me, really? I can't believe

it! It's too much for me. Tell me!"

She released herself gently, still looking up at him and smiling

frankly. "Didn't you know? You, who know so much of women? I thought

you understood me as I have understood you."

He still held her, as if he feared he could never get her again so

close, and she went on:

"Oh, I would never have told you, if you had gone on as you were going,

though I should always have loved you--I could never have helped that.

But now, after this crisis, this victory--I know what it all means--I

_must_ tell you! Why shouldn't I? It is true, and I am not ashamed to

be the first to speak. Yes, I love you!"

The reaction came, his sight grew dark at the thought of his

unworthiness, and he freed her, putting her away slowly. Then, as if to

resist any temptation, he clasped his hands behind his back.

"I can't stand it!" he exclaimed. "It isn't fair for me to let you say

that. Don't say it yet. Wait till I have told you what I am. Then you

will despise me, and hate me."

"Never!" she said firmly. "Do you think I don't know you? I am sure.

It is impossible for you to surprise me. Whatever you have been or

done, it will make no difference--for better or for worse. Of course, I

can't know all the circumstances of your life, but I feel that I am sure

of your motives--I may know an ideal 'you,' but, if that is not what you

are now, it is what you are to be. It is that 'you' that I love--all

the rest is dead, I hope." She swept her eyes about the barren room,

and her hand went out in comprehensive gesture. "Surely all this can't

mean anything less than that? You are not one for compromise or

half-measures. You have burned your bridges, haven't you?"

"Oh, yes," he said. "I don't intend to do things half-way. But it's

not a pretty story I have to tell. It's selfish, sordid, vulgar."

"Oh, I know something of it, already. Mr. Cayley has told me about that

Bennett affair, for he suspected, somehow, that you were implicated in

it. And I have guessed more. You needn't be afraid. But you had

better tell me as much as you can--not for my sake, but for your own.

Then it will all be over, and we can begin fresh."

She dropped to a seat on the couch and leaned languidly against the

cushions, clasping her hands in her lap. He scarcely dared look at her,

and walked nervously up and down the room, dreading the inevitable

ordeal. For a while he did not speak, then he turned swiftly to say:

"Positively, I don't know where to begin!"

"You would better begin at the beginning, then--with Madam Grant."

"You suspected that, then?"

"It was that suspicion that has drawn me to you. I should never have

begun to love you without that, perhaps. It seemed to justify my

growing feeling for you. Haven't I hinted at that often enough? I mean

that in some way we had been connected before. You _were_ the little

boy who disappeared when she died, weren't you?"

"Yes, of course."

"But I can't make it out! There was never any child there when I went,

though I was conscious of some secret presence--some one invisible."

"I was locked in the closet--I watched you through a crack in the door."

"Oh!" Her eyes widened with a full direct stare; her breath came

quickly at the revelation. He watched her, as her expression was

transmuted from bewilderment to the beginning of an agonized

disillusion. He could not bear it, as he saw that her mind was

hastening to the explanation, and he forestalled her next question by

his ruthless confession.

"Of course, that's the way I was able to give you that very wonderful

clairvoyant reading--the picture of you in Madam Grant's room."

She took the blow bravely, but it was evident that she had not been

quite ready for it. "Then you are really not clairvoyant at all? You

were simply imposing on my credulity? I want to know the exact truth,

so that we can straighten matters out." She spoke slowly, hesitatingly.

"I told you it was a ghastly story--this is the least of it," he said,

wincing.

The smile fluttered back to her quivering lips, and with a quick impulse

she rose, went to him again and clasped his hand.

"Oh, I'm not making it easy for you!" she cried. "Forgive me, please. I

can bear anything you say--be sure of that, won't you? Come here!"

She drew him down to the couch beside her, still keeping his hand in

hers. "This is better," she said softly. "Don't think of me as an

inquisitor, but as a friend. What you have been can not matter any

longer. But let us have no more deceit or reserve between us. You see,

I don't quite understand yet about that day. How did you know who I

was? How did you get my name?"

He summoned his courage as for an operation desperately necessary, and

looked her straight in the eye.

"That was a trick. I read 'Clytie' inside your ring."

The Heart Line: A Drama of San Francisco · 第 52 / 72 题