Elsie added, "But you'll be awfully talked about. Fancy, do be careful."

"Will I?" said Fancy. "I don't care. If I like Blan and he likes me, I

don't care who knows it."

"Are you going to marry him?" Elsie ventured.

"He hasn't said anything about it--yet--but I'm not thinking of that.

All I want is for somebody to love me. I'll be satisfied with that."

"You're all right, Fancy; only I hope you're not in for a broken heart,"

said Dougal.

"Just imagine Fancy with a broken heart!" Elsie laughed.

"Oh, you don't believe me, but you will sometime."

Fancy's eyes were not for them all this while. She was watching the

passengers approaching the ferry, her glance darting from one to the

other, scanning the cable-cars which drew up at the terminus, questing

up toward Market Street, and along the sidewalks and crossings.

"Have you left Granthope?" Dougal inquired.

"Yep." Fancy, as usual, did not explain.

"Why didn't you let us know where you were, then?" he complained. "I

was up to the place the other day looking for you, and no one seemed to

know where you were."

Fancy, still watching for Cayley, did not answer.

"Have you got any money, Fancy?"

"Sure!" she answered eagerly. "I have two dollars here--do you want

it?"

"Oh, no!" he laughed. "I was going to offer you some. If you're out of

a job you must need it. I can let you have twenty or so easy." He put

his hand into his pocket.

She hesitated for a moment, then she said:

"I don't know but I could use it, Dougal, if you can spare it as well as

not."

"I'm flush this week." He handed her a gold double eagle.

"Granthope will lend me all I want, or I could get it from Blanchard,

but somehow I hate to take it from them. Of course, it's all right, and

they have plenty, but I'd feel better borrowing of you, you know."

"That's the best thing you've said yet," he said, beaming on her.

"Oh, Dougal, tell her about the seance," said Elsie, as Fancy put the

money in her purse.

"Oh, yes! I wanted to see you about a materializing seance, Fancy. Do

you know of a good one? We want to go some night and see the spooks.

The bunch is going to have some fun with them."

"You want to look out for yourself, then. They always have two or three

bouncers, and they'll throw you out if there's any row, you know."

Dougal grinned happily. "That's just what we want. I haven't had a

good scrap for months. Maxim can handle three or four of them alone,

while Benton, Starr and I raise a rough house. We're going to go early

and get front seats."

It was Fancy's turn to laugh. "You can't do it, Dougal. You don't know

the first rules of the game. They always have their own crowd on the

first two rows, and they won't let you get near the spirits. They only

want believers, anyway. If you aren't careful, they won't let you in at

all; they'll say all the seats are taken. You'd better go separately

and sit in different parts of the room, and spot the bouncers if you

can."

"Oh, we'll handle them all right. Where's a good one?"

Fancy reflected a minute. "I think, perhaps, Flora Flint is the best.

She's a clever actress, and she always has a crowd. It's fifty cents.

Her place is on Van Ness Avenue--I think her seances are on Wednesday

evenings--you'll find the notice in the papers. But they're pretty

smooth; they've had people try to break up the show before. If you try

to turn on the light or grab any ghost, look out you don't get beaten

up."

"Oh, you can trust us; we've got a new game," he answered.

Then, as the Sausalito boat was about to leave, they bade Fancy a

hurried farewell and ran for the entrance to the slip. A few minutes

after this Blanchard Cayley appeared, put his arm through hers, and they

went on board the ferry.

The harbor of Tiburon, in the northern part of San Francisco Bay, is

sheltered on the west by the promontory of Belvedere, where pretty

cottages climb the wooded slopes, and on the south by Angel Island, with

its army barracks, hospital and prison. Here was huddled a little fleet

of house-boats or "arks," the farthest outshore of which belonged to

Sully Maxwell.

It was a queer collection of architectural amphibia, these nautical

houses floating in the bay. They were of all sizes, some seemingly too

small to stretch one's legs in without kicking down a wall, others more

ambitious in size, with double decks and roof-gardens. There were all

grades and quality as well; some even had electric lights and telephone

wires laid to the shore. Here, free from rent, taxes or insurance, the

little summer colony dwelt, and the rowboats of butcher, baker and

grocer plied from one to another. It was late in the season now,

however, and only a few were occupied. A little later, when the rains

had set in, they would all be towed into their winter quarters to

hibernate till spring.

Cayley conducted Fancy Gray down to the end of a wharf where the skiff

was moored, in the care of a boatman, and after loading the provisions

and supplies he had purchased at the little French restaurant by the

station, he rowed her out to the _Edyth_.

The bay was cloudless and without fog. The September sun poured over

the water and sparkled from every tiny wave-top, the breeze was a

gentle, easterly zephyr. Cayley seemed younger in the open air, and all

that was best in him came to the surface. He was almost enthusiastic.

Fancy was in high feather. As she sat in the stern of the skiff and

trailed her hand in the salt water, he watched her with almost as much

pride as had Gay P. Summer.

She climbed rapturously aboard, unlocked the front room and filled it

with her gleeful exclamations of delight. Then she popped into the tiny

kitchen and gazed curiously at the neat, shining collection of

cooking-utensils and the gasoline stove. She danced out again, to

circle round the narrow railed deck. Finally she pulled a steamer chair

to the front porch and flopped into it.

"I'm never going to leave this place," she cried. "It's just like

having a deserted island all to yourself. I feel like a new-laid bride.

Let's hoist a white flag."

Cayley, meanwhile, put the provisions on the kitchen table and came out

to be deliciously idle with her--but she could not rest. She was up and

about like a bee, humming a gay tune. She went into the square, white

sitting-room to inspect everything that was there, commenting on each

object. She sat in every chair and upon the table as well. She tried a

little wheezy melodeon with a snatch of rag-time. She criticized every

picture, she cleaned the mirror with her handkerchief, then went out to

wash it in salt water and hang it on a line to dry. She read aloud the

titles of all the books, she opened and shut drawers, and peeped into a

little state-room with bunks and was lost there for five minutes. When

she came out again, her copper hair was braided down her back and she

had on a white ruffled apron.

"I'm going to cook dinner," she announced.

The Heart Line: A Drama of San Francisco · 第 49 / 72 题