“‘What is that you say, fellow?’ I exclaimed, hastily. Paul was

silent, but began again in a few seconds: ‘Yes, Lizzy is a good woman

after all; she said, after she had looked at the coffee grounds, that

there was nothing the matter with Dolly, and that the salamander look

about the eyes came from cracknel-baking or the dancing-room; but, at

the same time, she advised me to remain single, and told me that a

certain good gentleman was in great danger. These salamanders, she

said, are the worst sort of things that the devil employs to lure a

poor human soul to destruction, because they have certain passions--ah,

one must only stand firm and keep God in one’s heart--then I myself saw

in the coffee grounds Major O’Malley quite like and natural.’

“I bid the fellow hold his tongue, but you may conceive the feelings

that were awakened in me at this strange discourse of Paul’s, whom I

suddenly found initiated into my dark secret, and who so unexpectedly

displayed a knowledge of cabalistic matters, for which he was probably

indebted to the coffee-prophetess. I passed the most uneasy day I ever

had in my life. Paul was not to be got out of the room all that

evening, but was constantly returning and finding something to do.

When it was near midnight, and he was at last obliged to go, he said

softly, as if praying to himself: ‘Bear God in thy heart--think of the

salvation of thy soul--and thou wilt resist the enticements of Satan.’

“I cannot describe the manner--I may almost say, the fearful manner--in

which my soul was moved at these simple words of my servant. All my

endeavours to keep myself awake were in vain. I fell into that state

of confused dreaming, which I could not look upon as natural, but as

the operation of some foreign principle. The magical beaming woke me

as usual. Aurora in the full lustre of supernatural beauty, stood

before me, and passionately stretched her arms towards me.

Nevertheless, Paul’s pious words shone in my soul as if written there

with letters of fire. ‘Depart, thou seductive birth of hell!’ I cried,

when the terrible O’Malley, now of a gigantic stature, rose before me,

and piercing me with eyes, from which an infernal fire was flashing,

howled out: ‘Resist not--poor atom of humanity. Thou hast become

ours!’ My courage could have withstood the frightful aspect of the

most hideous spectre, but I lost my senses at the sight of O’Malley,

and fell to the ground.

“A loud report awoke me from this state of stupefaction. I felt myself

held by the arms of a man, and struggled with all the force of despair,

to free myself. ‘Gracious lieutenant, it is I,’ said a voice in my

ears. It was honest Paul who endeavoured to raise me from the ground.

I let him have his own way. He would not at first tell me plainly how

all had happened, but he at last assured me, with a mysterious smile,

that he knew better to what unholy acquaintance the major had lured me,

than I could suspect. The old pious Lizzy had revealed every thing to

him. He had not gone to sleep the night before, but had well loaded

his gun, and had watched at the door. When he had heard me cry aloud

and fall to the ground, he had, although his courage failed him a

little, burst open the door and entered. ‘There,’ he continued in his

mad way, ‘there stood Major O’Malley before me, as frightful to look

upon as in the cup of coffee. He grinned at me hideously, but I did

not allow myself to be stirred from my purpose and said: ‘If, gracious

major, you are the devil, pardon me for stepping boldly up to you as a

pious Christian and saying to you: ‘Avaunt, thou cursed Satan-Major, I

command thee in the name of the Lord. Begone, or I will fire!’ The

major would not give way, but kept on grinning at me, and began to

abuse me. I then cried, ‘Shall I fire?--shall I fire? and when he

persisted in keeping his place I fired in reality. But all had

vanished--both Major Satan and Mam’sell Belzebub had departed through

the wall!’

“The continued strain upon the mind during the period that had just

passed, together with the last frightful moments, threw me upon a

tedious sick-bed. When I recovered I left Potsdam, without seeing any

more of O’Malley, whose further fate has remained unknown to me. The

image of those portentous days grew fainter and fainter, and at last

vanished all together, so that I recovered perfect freedom of mind,

until here--”

“Well,” asked Albert, with the greatest curiosity and astonishment, “do

you mean to say you have lost your freedom again here? I cannot

conceive, why here--”

“Oh,” said Victor, interrupting his friend, while his tone became

somewhat solemn, “I can explain all in two words. In the sleepless

nights of the illness, I endured here, all the dreams of that noblest

and most terrible period of my life were revived. It was my glowing

passion itself, that assumed a form--Aurora--she again appeared to

me--glorified--purified in the fire of Heaven;--no devilish O’Malley

has further power over her--Aurora is--the baroness!”

“How! what!” cried Albert, shrinking with horror. Then he muttered to

himself, “The little plump housewife with the great bunch of keys--she

an elementary spirit!--she a salamander!”--and he felt a difficulty in

suppressing his laughter.

“In the figure,” continued Victor, “there is no longer any trace of

resemblance to be found, that is to say, in ordinary life; but the

mysterious fire that flashes from her eyes,--the pressure of her

hand.”--

“You have been very ill,” said Albert, gravely, “for the wound you

received in your head was serious enough to put your life in peril; but

now I find you are so far recovered that you will be able to go with

me. From the very bottom of my heart I implore you, my dear,--my

beloved friend, to leave this place, and accompany me to-morrow to

Aix-la-Chapelle.”

“I certainly do not intend to remain here any longer,” replied Victor.

“so I will go with you; however, let this matter first be cleared up.”

The next morning, when Albert woke, Victor told him that a strange,

ghostly sort of dream had revealed to him the mysterious word, which

O’Malley had taught him, when they prepared the Teraphim. He thought

that he would make use of it for the last time. Albert shook his head

doubtfully, and caused every thing to be got ready for a speedy

departure, while Paul Talkebarth evinced the most joyful activity by

all sorts of mad expressions. “Zackermanthö,” he muttered to himself

in Albert’s hearing, “It is a good thing that the devil Bear fetched

the Irish devil Foot long ago, otherwise there would have been

something wrong now.”

Victor, as he had wished, found the baroness alone in her room,

occupied with some domestic work. He told her that he was now at last

about to quit the house, where he had enjoyed such noble hospitality.

The baroness assured him that she had never entertained a friend more

dear to her. Victor then took her hand, and asked her if she were ever

at Potsdam, and knew a certain Irish Major. “Victor,” said the

baroness interrupting him hastily, “we shall part to-day, we shall

never see each other again; nay, we must not. A dark veil hangs over

my life. Let it suffice if I tell you that a fearful destiny condemns

me always to appear a different being from the one which I really am.

In the hateful position in which you have found me, and which causes me

spiritual torments, which my bodily health seems to belie, I am atoning

for a heavy fault--yet no more--farewell!” Upon this, Victor cried

with a loud voice: “Nehelmiahmiheal!” and the baroness, with a shriek

of horror, fell senseless to the ground. Victor under the influence of

a storm of strange feelings, and quite beside himself could scarcely

summon resolution enough to ring the bell. However, having done this,

he rushed from the chamber. “At once,--let us leave at once!” he cried

to his friend, and told him in a few words what had happened. Both

leaped upon the horses that had been brought for them, and rode off

without waiting for the return of the baron, who had gone out hunting.

Albert’s reflections on the ride from Liège to Aix-la-Chapelle have

already shown, with what profound earnestness, with what noble feeling,

he had appreciated the events of that fatal period. On the journey to

the Residence, whither the two friends now returned, he succeeded in

completely delivering Victor from the dreamy condition into which he

had sunk, and while Albert brought to his friend’s mind, depicted in

the most lively colours, all the monstrous occurrences which the days

of the last campaign had brought forth, the latter felt himself

animated by the same spirit as that which dwelt in Albert. And

although Albert never ventured upon long contradictions or doubts,

Victor himself now seemed to look upon his mystical adventure, as

nothing but a bad dream.

In the Residence it was natural that the ladies were favourably

disposed to the colonel, who was rich, of noble figure, young for the

high rank which he held, and who, moreover, was amiability itself.

Albert looked upon him as a lucky man, who might choose the fairest for

a wife, but Victor observed, very seriously: “Whether it was, that I

had been mystified, and, by wicked means, made to serve some unknown

end, or whether an evil power really tried to tempt me, this much is

certain, that though the past has not cost me my happiness, it has

deprived me of the paradise of love. Never can that time return, when

I felt the highest earthly felicity, when the ideal of my sweetest,

most transporting dreams, nay, love itself, was in my arms. Love and

pleasure have vanished, since a horrible mystery deprived me of her,

who to my inmost heart was really a higher being, such as I shall not

again find upon earth!”

The colonel remained unmarried.

J. O.

[1] _Eulenspiegelei_ signifies odd practical jokes, and is derived from

Eulenspiegel, the traditional perpetrator of such pleasantries.--J. O.

[2] Calderon’s “Medico de su honra.”

SAINT CECILIA; OR, THE POWER OF MUSIC.

A CATHOLIC LEGEND, BY HEINRICH VON KLEIST.

Towards the end of the sixteenth century, when iconoclasm was raging in

the Netherlands, three young brothers, who all studied at Wittenberg,

chanced to meet at Aix-la-Chapelle with a fourth, who had been

appointed preacher at Antwerp. They wished to take possession of an

inheritance, which had fallen to them by the death of an old uncle,

perfectly unknown to all of them, and had turned into an inn, because

no one was on the spot to whom they could apply. After the lapse of

some days, which they had passed in listening to the preacher’s

accounts of the remarkable occurrences that had taken place in the

Netherlands, it chanced that the festival of _Corpus Christi_ was just

about to be solemnised by the nuns of St. Cecilia’s convent, which then

stood before the city gates. The four brothers heated with fanaticism,

youth, and the example of the Netherlands, determined to give the town

of Aix-la-Chapelle a spectacle of image-breaking. The preacher, who

had been more than once at the head of such enterprises, assembled in

the evening preceding the festival a number of young tradesmen and

students, devoted to the new doctrine, who spent the night in eating

and drinking at the inn. Day had no sooner appeared over the

battlements than they provided themselves with axes and all sorts of

instruments of destruction, to begin their violent work. Exulting with

delight, they agreed upon a signal at which they would begin to knock

in the windows, which were painted over with biblical subjects, and,

secure of finding a great number of followers among the people, they

betook themselves to the cathedral, at the hour when the bells first

rang, with the determination not to leave one stone upon another. The

abbess, who, as early as daybreak, had been informed by a friend of the

peril in which the convent stood, sent several times, but always in

vain, to the imperial officer who held command in the town, requesting

him to appoint a guard for the protection of the convent. The officer,

who, clandestinely at least, was favorably imposed towards the new

doctrine, refused her request, under the pretext that she was merely

dreaming, and that not the slightest danger to her convent was to be

apprehended. In the meanwhile the hour appointed for the commencement

of the solemnities arrived, and the nuns prepared themselves for mass,

praying and trembling with the apprehension of approaching events. The

bailiff of the convent, an old man, aged seventy, with a troop of armed

servants, whom he had posted at the entrance of the church, was their

only protection. In nuns’ convents, it is well known, the sisters

themselves, who are well practised in every sort of instrument, are

their own musicians, and they play with a precision, a feeling, and an

intelligence, which we often miss in orchestras of men, probably

because there is something feminine in this mysterious art. Now it

happened, to increase the embarrassment, that the conductress of the

orchestra, Sister Antonia, had fallen sick of a nervous fever some days

before, and the consequence was, that the whole convent was in the

greatest tumult about the performance of a suitable piece of music, to

say nothing of the fact that the four profane brothers were already

visible, wrapped in mantles among the pillars of the church. The

abbess who, on the evening of the preceding day, had ordered the

performance of a very old Italian mass, by an unknown master, with

which the greatest effect had always been produced on account of its

peculiarly sacred and solemn character, and who was now more than ever

bent on her purpose, sent again to sister Antonia to know how she was.

The nun who took the message, returned with the intelligence that the

sister lay in a perfectly unconscious condition and that all notion of

her conducting the music must be entirely given up. In the meanwhile,

there had already been several very critical scenes in the convent into

which more than a hundred impious persons of all ranks and ages, armed

with hatchets and crowbars, had gradually found their way. Some of the

guards who stood at the portals had been shamefully annoyed, and the

nuns, who, engaged in their holy offices, had from time to time

appeared singly in the porticoes, were insulted by the most unseemly

expressions. At last the bailiff retreated to the sacristy, and there

upon his knees implored the abbess to stop the festival, and to seek

the protection of the commander in the city. But the abbess was

immoveable, insisting that the festival which had been instituted for

the honour of the Deity must take its course. She reminded the bailiff

that it was his duty to defend the mass, and all the solemnities of the

cathedral with life and limb, and as the bell had rang, ordered the

nuns, who surrounded her, shaking and trembling, to take an oratorium

of some sort or other, and make a beginning by performing it.

The nuns had just taken their places in the organ-loft, the different

parts of a composition that had already been frequently played, were

distributed, violins, oboes, and bass-viols were tried and tuned, when

suddenly Sister Antonia, quite fresh and well, though her face was a

little pale, appeared from the stairs. She had under her arm the parts

of the old Italian mass, on the performance of which the abbess had so

earnestly insisted. To the questions of the nuns, who asked with

astonishment whence she came, and how she had so suddenly recovered,

she replied, “No matter, friends, no matter!” distributed the parts she

had carried, and glowing with enthusiasm, sat down to the organ, to

undertake the direction of the excellent composition. This phenomenon

was a wonderful and truly heavenly consolation to the hearts of the

pious ladies; they at once sat down to their desks with their

instruments, and the very embarrassment in which they were placed, had

the effect of bearing their souls, as if upon wings, through all the

heaven of harmony. The oratorium was played with a musical

magnificence of the noblest and highest kind. Not a breath was heard

through the benches and aisles, and when the Salve Regina, and still

more, when the _Gloria in excelsis_ was performed, it was as if the

whole population in the church was dead. In spite of the four profane

brothers and their followers, not so much as the dust on the pavement

was disturbed, and the cloister remained standing till the end of the

“Thirty Years’ War,” when it was secularized by virtue of a clause in

the “Treaty of Westphalia.”

Six years had passed, and this occurrence had been long forgotten, when

the mother of the four youths came from the Hague, and mournfully

alleging that they had completely disappeared, instituted judicial

inquiries with the magistrates of Aix-la-Chapelle, to learn what road

they had taken from the city. The last account that had been received

of them in the Netherlands, where they purposely resided, was, as she

said, contained in a letter which the preacher had written to his

friend, a schoolmate at Antwerp, on the eve of a _Corpus Christi_ day.

The preacher, with great cheerfulness, or rather wantonness, had

closely filled four sides of this letter with the account of an

enterprise which he had projected against the Convent of St. Cecilia,

and which the mother would not enter upon more particularly. After

many vain endeavours to find the persons whom this afflicted lady was

seeking, it was at last remembered that seven years ago--at a time

which seemed to correspond to the account--four young people, whose

country and origin was unknown, had been put in the madhouse, which had

been recently erected in the city by the emperor. However, as these

persons were affected by religious extravagance, and their

deportment--as the court believed it had heard--was exceedingly

melancholy, this account seemed to accord so little with the

disposition of the sons--which was but too well known to the mother

that there was no need for her to attach much importance to it,

especially as it was pretty evident that the persons were Catholics.

However, as she was struck by many peculiarities which were described

to her, she went one day to the madhouse accompanied by one of the

messengers of the court, and asked the superintendent to allow her to

examine four unfortunate lunatics who were confined there. But who can

describe the poor lady’s horror, when, on entering the door, she

recognised her sons at the very first glance. They were dressed in

long black robes, and were sitting round a table, on which was a

crucifix. This they appeared to worship, leaning silently and with

folded hands upon the board. To the questions of the lady, who had

sunk into a chair quite exhausted, as to what they were doing, the

superintendents replied, that they were merely occupied in the

glorification of the Redeemer, of whose divinity, according to their

own account, they had a clearer knowledge than others. They added that

the young men had led this ghost-like life for six years, that they

slept little and tasted little, that no sound usually passed their

lips, and that it was only at the hour of midnight that they rose from

their seats, when, with voices loud enough to shatter the windows of

the house, they sang the _Gloria in excelsis_. The superintendents

concluded with the remark that the young men enjoyed perfect bodily

health, that a certain serenity, though of a very serious and solemn

kind, could not be denied them, and that when they heard themselves

called mad, they shrugged their shoulders with an air of compassion,

and had more than once declared that the good city of Aix-la-Chapelle

if it knew what they knew, would cease from all business and likewise

devote itself to singing the _Gloria_ round the crucifix.

The lady, who could not support the horrible sight of her unfortunate

sons, and who was soon led back tottering to her house, set off on the

following morning to Herr Veit Gotthelf, a celebrated cloth-merchant of

the city, to gain some intelligence as to the cause of this unfortunate

occurrence. She did so because the letter from the preacher mentioned

this man, and showed that he had taken a lively interest in the plan

for destroying the cloister of St. Cecilia on Corpus Christi day. Veit

Gotthelf, the cloth-merchant, who had become a husband and a father

since the time, and had moreover undertaken his father’s extensive

business, received his visitor very kindly, and when he heard the

affair that had brought her to him, bolted the door, and having

requested her to take a seat, proceeded as follows:

Tales from the German, comprising specimens from the most celebrated authors · 第 37 / 54 段