CHAPTER III.

BEN.

"Please 'm, my name is Ben Brown, and I'm traveling."

"Where are you going?"

"Anywheres to get work."

"What sort of work can you do?"

"All kinds. I'm used to horses."

"Bless me! such a little chap as you?"

"I'm twelve, ma'am, and can ride anything on four legs;" and the small

boy gave a nod that seemed to say, "Bring on your Cruisers. I'm ready

for 'em."

"Haven't you got any folks?" asked Mrs. Moss, amused but still

anxious, for the sunburnt face was very thin, the eyes big with hunger

or pain, and the ragged figure leaned on the wheel as if too weak or

weary to stand alone.

"No,'m, not of my own; and the people I was left with beat me so,

I--run away." The last words seemed to bolt out against his will, as if

the woman's sympathy irresistibly won the child's confidence.

"Then I don't blame you. But how did you get here?"

"I was so tired I couldn't go any further, and I thought the folks up

here at the big house would take me in. But the gate was locked, and I

was so discouraged, I jest lay down outside and give up."

"Poor little soul, I don't wonder," said Mrs. Moss, while the children

looked deeply interested at mention of _their_ gate.

The boy drew a long breath, and his eyes began to twinkle in spite of

his forlorn state as he went on, while the dog pricked up his ears at

mention of his name:

"While I was restin' I heard some one come along inside, and I peeked,

and saw them little girls playin'. The vittles looked so nice I

couldn't help wantin' 'em; but I didn't take nothin',--it was Sancho,

and he took the cake for me."

Bab and Betty gave a gasp and stared reproachfully at the poodle, who

half closed his eyes with a meek, unconscious look that was very droll.

"And you made him put it back?" cried Bab.

"No; I did it myself. Got over the gate when you was racin' after

Sanch, and then clim' up on the porch and hid," said the boy, with a

grin.

"And you laughed?" asked Bab.

"Yes."

"And sneezed?" added Betty.

"Yes."

"And threw down the roses?" cried both.

"Yes; and you liked 'em, didn't you?"

"Course we did! What made you hide?" said Bab.

"I wasn't fit to be seen," muttered Ben, glancing at his tatters as if

he'd like to dive out of sight into the dark coach again.

"How came you _here_?" demanded Mrs. Moss, suddenly remembering her

responsibility.

"I heard them talk about a little winder and a shed, and when they'd

gone I found it and come in. The glass was broke, and I only pulled the

nail out. I haven't done a mite of harm sleepin' here two nights. I was

so tuckered out I couldn't go on nohow, though I tried a Sunday."

"And came back again?"

"Yes, 'm; it was so lonesome in the rain, and this place seemed kinder

like home, and I could hear 'em talkin' outside, and Sanch he found

vittles, and I was pretty comfortable."

"Well, I never!" ejaculated Mrs. Moss, whisking up a corner of her

apron to wipe her eyes, for the thought of the poor little fellow alone

there for two days and nights with no bed but musty straw, no food but

the scraps a dog brought him, was too much for her. "Do you know what

I'm going to do with you?" she asked, trying to look calm and cool,

with a great tear running down her wholesome, red cheek, and a smile

trying to break out at the corners of her lips.

"No, ma'am; and I dunno as I care. Only don't be hard on Sanch; he's

been real good to me, and we're fond of one another; aint us, old

chap?" answered the boy, with his arm around the dog's neck, and an

anxious look which he had not worn for himself.

[Illustration: GETTING BEN'S SUPPER. (SEE NEXT PAGE.)]

"I'm going to take you right home, and wash and feed and put you in a

good bed, and to-morrow--well, we'll see what'll happen then," said

Mrs. Moss, not quite sure about it herself.

"You're very kind, ma'am. I'll be glad to work for you. Aint you got a

horse I can see to?" asked the boy, eagerly.

"Nothing but hens and a cat."

Bab and Betty burst out laughing when their mother said that, and Ben

gave a faint giggle, as if he would like to join in if he only had the

strength to do it. But his legs shook under him, and he felt a queer

dizziness; so he could only hold on to Sancho, and blink at the light

like a young owl.

"Come right along, child. Run on, girls, and put the rest of the broth

to warming, and fill the kettle. I'll see to the boy," commanded Mrs.

Moss, waving off the children, and going up to feel the pulse of her

new charge, for it suddenly occurred to her that he might be sick and

not safe to take home.

The hand he gave her was very thin, but clean and cool, and the black

eyes were clear though hollow, for the poor lad was half starved.

"I'm awful shabby, but I aint dirty. I had a washin' in the rain last

night, and I've jest about lived on water lately," he explained,

wondering why she looked at him so hard.

"Put out your tongue."

He did so, but took it in again to say quickly:

"I aint sick--I'm only hungry; for I haven't had a mite but what Sanch

brought for three days, and I always go halves; don't I, Sanch?"

The poodle gave a shrill bark, and vibrated excitedly between the door

and his master as if he understood all that was going on, and

recommended a speedy march toward the promised food and shelter. Mrs.

Moss took the hint, and bade the boy follow her at once and bring his

"things" with him.

"I aint got any. Some big fellers took away my bundle, else I wouldn't

look so bad. There's only this. I'm sorry Sanch took it, and I'd like

to give it back if I knew whose it was," said Ben, bringing the new

dinner pail out from the depths of the coach where he had gone to

housekeeping.

"That's soon done; it's mine, and you're welcome to the bits your queer

dog ran off with. Come along, I must lock up," and Mrs. Moss clanked

her keys suggestively.

Ben limped out, leaning on a broken hoe-handle, for he was stiff after

two days in such damp lodgings, as well as worn out with a fortnight's

wandering through sun and rain. Sancho was in great spirits, evidently

feeling that their woes were over and his foraging expeditions at an

end, for he frisked about his master with yelps of pleasure, or made

playful darts at the ankles of his benefactress, which caused her to

cry, "Whish!" and "Scat!" and shake her skirts at him as if he were a

cat or hen.

A hot fire was roaring in the stove under the broth-skillet and

tea-kettle, and Betty was poking in more wood, with a great smirch of

black on her chubby cheek, while Bab was cutting away at the loaf as if

bent on slicing her own fingers off. Before Ben knew what he was about,

he found himself in the old rocking-chair devouring bread and butter as

only a hungry boy can, with Sancho close by gnawing a mutton-bone like

a ravenous wolf in sheep's clothing.

While the new-comers were thus happily employed, Mrs. Moss beckoned the

little girls out of the room, and gave them both an errand.

"Bab, you run over to Mrs. Barton's, and ask her for any old duds

Billy don't want; and Betty, you go to the Cutters, and tell Miss

Clarindy I'd like a couple of the shirts we made at last sewing circle.

Any shoes, or a hat, or socks, would come handy, for the poor dear

hasn't a whole thread on him."

Away went the children full of anxiety to clothe their beggar, and so

well did they plead his cause with the good neighbors, that Ben hardly

knew himself when he emerged from the back bedroom half an hour later,

clothed in Billy Barton's faded flannel suit, with an unbleached cotton

shirt out of the Dorcas basket, and a pair of Milly Cutter's old shoes

on his feet.

Sancho also had been put in better trim, for, after his master had

refreshed himself with a warm bath, he gave his dog a good scrub, while

Mrs. Moss set a stitch here and there in the new old clothes, and

Sancho re-appeared, looking more like the china poodle than ever, being

as white as snow, his curls well brushed up, and his tassely tail

waving proudly over his back.

Feeling eminently respectable and comfortable, the wanderers humbly

presented themselves, and were greeted with smiles of approval from the

little girls and a hospitable welcome from "Ma," who set them near the

stove to dry, as both were decidedly damp after their ablutions.

"I declare I shouldn't have known you!" exclaimed the good woman,

surveying the boy with great satisfaction; for, though still very thin

and tired, the lad had a tidy look that pleased her, and a lively way

of moving about in his clothes, like an eel in a skin rather too big

for him. The merry black eyes seemed to see everything, the voice had

an honest sound, and the sun-burnt face looked several years younger

since the unnatural despondency had gone out of it.

"It's very nice, and me and Sanch are lots obliged, ma'am," murmured

Ben, getting red and bashful under the three pairs of friendly eyes

fixed upon him.

Bab and Betty were doing up the tea-things with unusual dispatch, so

that they might entertain their guest, and just as Ben spoke Bab

dropped a cup. To her great surprise no smash followed, for, bending

quickly, the boy caught it as it fell, and presented it to her on the

back of his hand with a little bow.

"Gracious! how could you do it?" asked Bab, looking as if she thought

there was magic about it.

"That's nothing; look here," and taking two plates Ben sent them

spinning up into the air, catching and throwing so rapidly that Bab and

Betty stood with their mouths open, as if to swallow the plates should

they fall, while Mrs. Moss, with her dish-cloth suspended, watched the

antics of her crockery with a housewife's anxiety.

"That does beat all!" was the only exclamation she had time to make,

for, as if desirous of showing his gratitude in the only way he could,

Ben took several clothes-pins from a basket near by, sent several

saucers twirling up, caught them on the pins, balanced the pins on

chin, nose, forehead, and went walking about with a new and peculiar

sort of toad-stool ornamenting his countenance.

[Illustration: "BEN PRESENTED IT TO HER ON THE BACK OF HIS HAND."]

The children were immensely tickled, and Mrs. Moss was so amused she

would have lent her best soup-tureen if he had expressed a wish for it.

But Ben was too tired to show all his accomplishments at once, and he

soon stopped, looking as if he almost regretted having betrayed that he

possessed any.

"I guess you've been in the juggling business," said Mrs. Moss, with a

wise nod, for she saw the same look on his face as when he said his

name was Ben Brown,--the look of one who was not telling the whole

truth.

"Yes, 'm. I used to help Senior Pedro, the Wizard of the World, and I

learned some of his tricks," stammered Ben, trying to seem innocent.

"Now, look here, boy, you'd better tell me the whole story, and tell it

true, or I shall have to send you up to Judge Allen. I wouldn't like to

do that, for he is a harsh sort of a man; so, if you haven't done

anything bad, you needn't be afraid to speak out, and I'll do what I

can for you," said Mrs. Moss, rather sternly, as she went and sat down

in her rocking-chair, as if about to open the court.

"I _haven't_ done anything bad, and I _aint_ afraid, only I don't want

to go back; and if I tell, may be you'll let 'em know where I be," said

Ben, much distressed between his longing to confide in his new friend

and his fear of his old enemies.

"If they abused you, of course I wouldn't. Tell the truth and I'll

stand by you. Girls, you go for the milk."

"Oh, Ma, do let us stay! We'll never tell, truly, truly!" cried Bab and

Betty, full of dismay at being sent off when secrets were about to be

divulged.

"I don't mind 'em," said Ben, handsomely.

"Very well, only hold your tongues. Now, boy, where did you come from?"

said Mrs. Moss, as the little girls hastily sat down together on their

private and particular bench opposite their mother, brimming with

curiosity and beaming with satisfaction at the prospect before them.

_(To be continued.)_

A CHAT ABOUT POTTERY.

BY EDWIN C. TAYLOR.

"Did you see those funny little china figures at the Centennial when

you were there?" asked Willie of his cousin Al on their way home from

school one day.

"What figures, Will? Do you mean those large red clay things from

England, or the Chinese figures that Mr. Wu had at his place?" said Al.

"I don't mean either; I said small figures. Don't you remember a

splendid show of pottery near the music-stand in the main building?"

asked Will.

"Yes," said Al. "Well, there was a lot of figures of London street

people, and some were the funniest-looking things you ever saw."

"I saw so much china and 'pottery,' as you call it, that I hardly

recollect any of it. But 'pottery,' I thought, meant merely flower-pots

and other ordinary stone-ware?"

[Illustration: LONDON CABMAN (ROYAL WORCESTER PORCELAIN)]

"Why, no," said Willie; "it means anything that is formed of earth and

hardened by fire. I heard Uncle Jack say so, and he knows, doesn't he?"

said Willie, decidedly.

"Of course; but people do call these things 'china' or 'porcelain' as

well as 'pottery,' don't they?"

"Yes; but Uncle Jack says 'pottery' means all those together, and

'porcelain,' 'majolica,' and other names like that are names of

different kinds of pottery," answered Willie.

"Well," said Al, "let's ask Uncle Jack to tell us all about it. What do

you say?"

"Yes; let's ask him this very night."

When the lads reached home they told their plan to Willie's sister

Matie, and then all three determined to carry it out.

"Rap-a-tap, tap," sounded briskly at the library door after supper.

"Come in," was the response, and in bounded the three children, their

faces lighted up with smiles at the prospect of spending an evening

with Uncle Jack.

"Welcome, youngsters," said he, in a cheery tone. "But you look as if

you were expecting something; what is it?"

"Oh, Uncle Jack, we want you to tell us all about pottery," cried the

boys.

"Yes, please do," chimed in Matie.

"All about pottery? Why, my dear children, that's very like asking me

to tell you all about the whole civilized world, for a complete history

of one would be almost a history of the other; and I could hardly do

that, you know," said Uncle Jack, with a smile.

"Willie said you could talk about pottery all night," cried Matie.

"And so I might, dear, and not get further than the ABC of its history,

after all," answered Uncle Jack.

"But how many kinds are there, uncle?" asked Will.

"That question demands an answer that must teach something," said Uncle

Jack. "There are two general kinds."

"Why, I saw a thousand kinds at the Centennial," interrupted Al, with a

wise look.

[Illustration: CHINESE DOG (ROYAL WORCESTER PORCELAIN)]

"That may be," said his uncle. "But then, too, you saw a thousand kinds

of people, and yet all those people were either men or women; so all

pottery comes under the two general classes of 'hard paste' and 'soft

paste.'"

"Why, none of it was soft, Uncle Jack, was it? I thought it was all

baked hard," said Will, looking incredulous.

[Illustration: TEA-STAND (ROYAL WORCESTER PORCELAIN)]

"So all pottery _is_ baked hard, for, until it is made hard by firing,

it is only wet clay and sand,--in pretty shapes, perhaps, but not fit

for any use or ornament,--and is not yet pottery."

"Then why is it called 'soft?'"

"You've seen pieces of stone that you could grind to powder under your

heel? You'd call them 'soft.' Other pieces you couldn't crush, and

you'd call them 'hard.' That is something like what is meant by 'hard'

and 'soft' applied to pottery,--at least, 'soft' doesn't mean soft like

putty."

"But if it's all baked, why isn't it all hard alike?" asked Will.

"Because different clays are used, and different degrees of heat

applied. At one time we get a kind of pottery that can be scratched

with a knife, at another a ware too hard to be so scratched; the one is

called 'soft paste' and the other 'hard paste.'"

The boys seemed to be satisfied with this explanation.

"Uncle, didn't you see at the Centennial some funny little figures

representing all sorts of London street-people?" asked Will.

"Yes, and I brought one with me, I think. Ah! here's one," he said,

showing them a droll little man about four inches high, "and it looks

very like a London cabman--or 'cabby,' as he is called."

"He's very homely," said Matie. "Where was he made, Uncle Jack?"

Her uncle turned the figure over, and, looking at a small round

impression on the under side, answered: "At the Royal Worcester Works

in England, where some of the best of modern porcelain has been made."

"Is that hard paste or soft, Uncle Jack?" asked Willie, while Al, as if

inclined to test the matter, began a search in his pockets for a knife.

"This is hard paste porcelain; it is 'translucent,'--that is, it shows

the light through," and he held the little cabman before the lamp.

"Here's another piece from the same factory," continued he, selecting a

second specimen from the cabinet. "This is a copy of the Chinese

'conventional dog,' made of blue 'crackle-ware.' You see, the glaze is

cracked all over the surface," he added.

"Who ever saw a blue dog?" cried Matie.

"In life, no one, my dear; but there are many things in Chinese art

that are not much like living objects."

[Illustration: DRESDEN CHINA.]

"I suppose you have all heard of Dresden china," presently continued

her uncle.

"Oh yes, sir!" cried Al. "Aunt Susie had a Dresden tea-pot that

belonged to her grandmother, and she said the tea always tasted better

out of it than from anything else."

"Well, here is an excellent French copy of an old Dresden figure. It is

a pretty flower-girl. See how gracefully she reaches for a nosegay from

her basket. I have seen bouquets of Dresden porcelain that you could

hardly distinguish from real flowers," said Uncle Jack.

"You'd hardly think that such a beautiful thing was made from common

earth," said Will.

"Nor is it," said his uncle. "This kind of china is made from a very

fine and very rare clay that, for a long time, was found only in China

and the Corean islands; but about a hundred and sixty years ago, a

noted chemist of Meissen, in Saxony, named Böttcher, discovered a bed

of it there, and manufactured the first true porcelain made in Europe,"

said Uncle Jack.

[Illustration: TERRA COTTA VASE.]

"Why couldn't they get the fine clay from China and make their

porcelain anywhere?" asked Will.

"Because the Chinese jealously kept all their clay to themselves,"

answered Uncle Jack.

"How did that man come to discover where the clay was, and if it was of

the right kind?" asked Al.

"By a strange chance. According to the fashion of the time, men

powdered their hair, using wheat flour for that purpose. One day a

neighbor of the chemist, in traveling an unfrequented part of the

country, observed on his horse's hoofs some white sticky clay, and it

occurred to him that this white clay, dried and powdered, would make an

excellent and cheap substitute for wheat flour as a hair powder. So he

carried a little home with him, and some of it finally reached

Böttcher. The chemist found it extremely heavy, and, fearing the

presence of some metal hurtful to the skin, he tested the clay in his

laboratory. To his surprise and joy this white hair-powder proved

itself possessed of the same qualities as the veritable Chinese

_kaolin_, as their clay is called."

[Illustration: MARK OF DRESDEN CHINA.]

[Illustration: MARK OF WORCESTER PORCELAIN.]

"Why, that sounds like a story," said Matie.

"Here now," said Uncle Jack, "is a vase; that might carry the mind back

thousands of years, to the time when bodies were burned instead of

buried, and the ashes kept in just such urns as this."

"Is that vase thousands of years old?" asked Matie.

"No, dear; this vase is only modeled after the ancient cinerary urns,

as they were called, and was made a year or two ago by Ipsen, of

Copenhagen."

"That isn't porcelain, is it, uncle?" asked Al.

"No, this is 'terra cotta,' which is Italian for 'earth cooked.' Those

beautiful lines of color and gilding are painted on the surface."

"Did you ever see any real antique vases, uncle?" asked Willie.

"Why, certainly. There are some in the Cesnola collection at our

Metropolitan Museum of Art in Fourteenth street that are known to have

been made 1,400 years before the Christian era. They were found on the

island of Cyprus, in the Mediterranean Sea, by General Di Cesnola, who

dug up a great many articles,--statues, ornaments of gold, silver and

bronze, beautiful glass bottles, and many domestic utensils. I saw a

cullender made of such earthenware as we have in the kitchen at this

day; it had been used as a milk-strainer, and particles of dried milk

were still clinging to its sides, after lying buried more than three

thousand years."

"Oh, we must go and see them!" cried Matie and the boys.

"Yes, you certainly should go," said their uncle. "You would see some

very curious things there, and the elegant forms of many of the

articles would show you that a love for beauty has existed almost as

long as man has lived."

"You were thinking of ancient times when you said the history of

pottery was almost that of the civilized world; weren't you, uncle?"

asked Will.

[Illustration: JEWELED PORCELAIN.]

"Yes," answered his uncle, taking from his cabinet a small jug covered

with rich gilding, and glistening as if set with precious stones.

"Oh, isn't that lovely?" cried Matie.

"Well, yes; some people think that this jeweled porcelain, as it is

called, is among the choicest of Copeland's works."

"Whose, sir?"

"Copeland, of Stoke-upon-Trent, where are some of the largest potteries

in England."

"But don't you like it, uncle?" asked Matie.

"I do admire it very much, Matie; but not so much as some more simple

objects that I have. Here is something that will explain my meaning,"

he added, taking from the cabinet a little vase of grayish-brown with

darker indented lines drawn in the form of small animals, flowers and

foliage.

"Oh, I've seen ever so many pieces like that, and I thought they were

common stone-ware, the same as the kitchen dishes," said Al.

"They are of common clay, it is true, but look at the drawing of the

figures," said his uncle, pointing to the tracery upon the surface of

the vase.

"Why, yes; it almost seems as if that little rabbit would run away, it

is so life-like," said Willie.

"It was not only for its beauty that I valued this vase, but for the

story that it tells," said Uncle Jack. "In the first place it tells

that the simple earth we walk upon can be made by man into works of

enduring beauty."

"Where was that vase made, uncle?" asked Willie.

"At the Doulton Works, Lambeth, England."

"What is the rest of the story about it?" inquired Al.

"For many years, common drain-pipes and building-tiles were the only

things made at the Doulton works; but some of the pottery people went

to an art school, and they thought it would be a good idea to ornament

some of the common things they made with the designs they had learned

to draw at school. So, with a bit of pointed stick, they made some of

their favorite pictures on the soft clay objects; and when these were

fired, the glaze flowed into the lines, making them darker than the

other parts, and thus the drawings showed plainly."

[Illustration: DOULTON WARE.]

"And since they found that out, have they given up making common pipes

and tiles?" asked Willie, with a look of interest.

"They still make quantities of those things at the Doulton works, but

the young men and women who had received drawing lessons and applied

their knowledge so well are the authors, I might almost say, of a new

style of artistic pottery," said Uncle Jack, in reply.

"Why, that was splendid, wasn't it?" cried Matie.

"Indeed it was a triumph not only for them, but for art itself, and it

shows what a good influence art has on even the humblest people," said

Uncle Jack. "Now can you see why I did not value my little vase most

for its beauty?"

"Oh yes, sir! for when you see it, you think of the potters who became

artists," said Will.

"Yes, and I never see any work of art or of patient industry without

trying to understand the meaning its maker meant it to carry, and to

remember the toils that were perhaps endured in its production,"

replied his uncle. Then, turning to Matie, he said: "I brought this

little 'English pug-dog' for you, Matie. He doesn't bite, and you'll

not need to give him any food," and he put upon the table a comical

little porcelain dog with a wry nose.

"Oh! isn't it funny? What an ugly black nose it has!" cried Matie.

"Will the black come off?"

"Oh, no!"

"Why not?" asked Al.

"Because it's fired; that is, after having been painted, the dog was

placed in a furnace and heated so as to melt the coloring matter, which

had been mixed with other ingredients, so that it flowed on the

surface, and cooled hard like glass."

[Illustration: MAJOLICA PLATE FROM CASTELLANI COLLECTION.]

"Are the colors like those I have in my paint-box?" asked Willie.

"No. They put the color on, worked up with what is called a flux, and

the mixture has the appearance of thin mud, showing no color at all;

the different tints are seen only after 'firing.'"

[Illustration: ENGLISH PUG IN PORCELAIN.]

"How can they tell what it's going to look like, if they don't see the

color?"

"That is one of the nice points of the 'ceramic art,' and much skill

and fine imagination are required to produce some of the wonderful

combinations of color seen upon Italian majolica."

"Why do they call it majolica?" asked Al.

"The name is derived from the Spanish island of Majorca in the

Mediterranean Sea, one of the places in Europe where glazed pottery was

first made. About the twelfth century, some Moorish potters had settled

there and carried their art with them."

"Did you ever see any of the old Italian majolica, uncle?" asked Al.

"Yes; in the splendid Castellani collection there are some of the very

best specimens of the finest majolica ever made,--that produced in the

fifteenth century by Giorgio Andreoli of Gubbio, and others who

followed him."

"Where is Gubbio?" asked Al.

"In Italy."

"Is the Castellani collection in Italy?"

"No, it's at the Metropolitan Museum, too; but only on loan at present,

though an effort is being made to purchase and keep it in this country

forever. I hope it will be successful, for it is a grand collection.

But I must tell you that when the French came to manufacture majolica,

most of which by that time was made in the little Italian town of

Faenza, they called the ware _faience_, after it. This name is applied

to most soft paste glazed pottery, while majolica is a ware that has a

peculiar luster, and in different lights displays all the colors of the

rainbow. Much ordinary glazed, unlustered pottery is incorrectly called

majolica, however."

"How do they make the luster, uncle?"

"By coating the ware with certain metallic oxides, which, at the last

of the many necessary firings, diffuses a glaze over the surface."

"You said the painting was one of the 'nice points of the ceramic art,'

uncle. What does 'ceramic' mean?" asked Willie.

"It is sometimes spelled K-e-r-a-m-i-c, _keramic_, and comes from the

Greek word _cheramos_, signifying 'potters' clay,' and hence, in a

general sense, pottery of every kind and methods of producing it."

Here Matie, who had been hugging her little pug for some time, began to

grow very sleepy, so Uncle Jack dismissed the children with a

"good-night" all around.

The door closed softly, and the little ones ran off to their beds,

while Uncle Jack leaned back in his easy chair in a pleasant reverie,

which we will leave him to enjoy.

POEMS BY TWO LITTLE AMERICAN GIRLS.

[ELAINE AND DORA READ GOODALE, the two sisters some of whose poems are

here given for the benefit of the readers of ST. NICHOLAS, are children

of thirteen and ten years of age.

Their home, where their infancy and childhood have been passed, is on a

large and isolated farm, lying upon the broad slopes of the beautiful

Berkshire hills of western Massachusetts, and is quaintly called "Sky

Farm."

Here, in a simple country life, divided between books and nature, they

began, almost as soon as they began to talk, to express in verse what

they saw and felt, rhyme and rhythm seeming to come by instinct. Living

largely out-of-doors, vigorous and healthful in body as in mind, they

draw pleasure and instruction from all about them.

One of their chief delights is to wander over the lovely hills and

meadows adjoining Sky Farm. Peeping into mossy dells, where wild

flowers love to hide, hunting the early arbutus, the queen harebell, or

the blue gentian, they learn the secrets of nature, and these they pour

forth in song as simply and as naturally as the birds sing.]

SOME VERSES, WRITTEN BY DORA, ON A HUMMING-BIRD'S NEST,

WHICH SHE FOUND OVER HER STOCKING ON CHRISTMAS MORNING.

When June was bright with roses fair,

And leafy trees about her stood,

When summer sunshine filled the air

And flickered through the quiet wood,

There, in its shade and silent rest,

A tiny pair had built their nest.

And when July, with scorching heat,

Had dried the meadow grass to hay,

And piled in stacks about the field

Or fragrant in the barn it lay,

Within the nest so softly made

Two tiny, snowy eggs were laid.

But when October's ripened fruit

Had bent the very tree-tops down,

And dainty flowers faded, drooped,

And stately forests lost their crown,

Their brood was hatched and reared and flown--

The mossy nest was left alone.

And now the hills are cold and white,

'T is sever'd from its native bough;

We gaze upon it with delight;

Where are its cunning builders now?

Far in the sunny south they roam,

And leave to us their northern home.

THE GRUMBLER.

_His Youth_.

His coat was too thick and his cap was too thin,

He couldn't be quiet, he hated a din;

He hated to write, and he hated to read,

He was certainly very much injured indeed;

He must study and work over books he detested,

His parents were strict, and he never was rested;

He knew he was wretched as wretched could be,

There was no one so wretchedly wretched as he.

_His Maturity_.

His farm was too small and his taxes too big,

He was selfish and lazy, and cross as a pig;

His wife was too silly, his children too rude;

And just because he was uncommonly good,

He never had money enough or to spare,

He had nothing at all fit to eat or to wear;

He knew he was wretched as wretched could be,

There was no one so wretchedly wretched as he.

_His Old Age_.

He finds he has sorrows more deep than his fears,

He grumbles to think he has grumbled for years;

He grumbles to think he has grumbled away

His home and his fortune, his life's little day.

But, alas! 't is too late,--it is no use to say

That his eyes are too dim, and his hair is too gray.

He knows he is wretched as wretched can be,

There _is_ no one more wretchedly wretched than he.

DORA.

JUNE.

For stately trees in rich array,

For sunlight all the happy day,

For blossoms radiant and rare,

For skies when daylight closes,

For joyous, clear, outpouring song

From birds that all the green wood throng,

For all things young, and bright, and fair,

We praise thee, Month of Roses!

For blue, blue skies of summer calm,

For fragrant odors breathing balm,

For quiet, cooling shades where oft

The weary head reposes,

For brooklets babbling thro' the fields

Where Earth her choicest treasures yields,

For all things tender, sweet and soft,

We love thee, Month of Roses!

ELAINE.

SPRING SONG.

Oh, the little streams are running,

Running, running!--

Oh, the little streams are running

O'er the lea;

And the green soft grass is springing,

Springing, springing!--

And the green soft grass is springing,

Fair to see.

In the woods the breezes whisper,

Whisper, whisper!--

In the woods the breezes whisper

To the flowers;

And the robins sing their welcome,

Welcome, welcome!--

And the robins sing their welcome,--

Happy hours!

Over all the sun is shining,

Shining, shining!--

Over all the sun is shining,

Clear and bright,--

Flooding bare and waiting meadows,

Meadows, meadows!--

Flooding bare and waiting meadows

With his light.

Sky Farm, March, '76. ELAINE.

[Grown people often write in sympathy with children, but here is a

little poem by a child written in sympathy with grown folks:]

ASHES OF ROSES.

Soft on the sunset sky

Bright daylight closes,

Leaving, when light doth die,

Pale hues that mingling lie--

Ashes of roses.

When love's warm sun is set,

Love's brightness closes;

Eyes with hot tears are wet,

In hearts there linger yet

Ashes of roses.

ELAINE.

SUMMER IS COMING.

"Summer is coming!" the soft breezes whisper;

"Summer is coming!" the glad birdies sing.

Summer is coming--I hear her quick footsteps;

Take your last look at the beautiful Spring.

Lightly she steps from her throne in the woodlands:

"Summer is coming, and I cannot stay;

Two of my children have crept from my bosom:

April has left me but lingering May.

"What tho' bright Summer is crownèd with roses.

Deep in the forest Arbutus doth hide;

I am the herald of all the rejoicing;

Why must June always disown me?" she cried.

Down in the meadow she stoops to the daisies,

Plucks the first bloom from the apple-tree's bough:

"Autumn will rob me of all the sweet apples;

I will take one from her store of them now."

Summer is coming! I hear the glad echo;

Clearly it rings o'er the mountain and plain.

Sorrowful Spring leaves the beautiful woodlands,

Bright, happy Summer begins her sweet reign.

DORA.

SWEET MARJORAM DAY.

(_A Fairy Tale_.)

BY FRANK R. STOCKTON.

It was a very delightful country where little Corette lived. It seemed

to be almost always summer-time there, for the winters were just long

enough to make people glad when they were over. When it rained, it

mostly rained at night, and so the fields and gardens had all the water

they wanted, while the people were generally quite sure of a fine day.

And, as they lived a great deal out-of-doors, this was a great

advantage to them.

The principal business of the people of this country was the raising of

sweet marjoram. The soil and climate were admirably adapted to the

culture of the herb, and fields and fields of it were to be seen in

every direction. At that time, and this was a good while ago, very

little sweet marjoram was raised in other parts of the world, so this

country had the trade nearly all to itself.

The great holiday of the year was the day on which the harvest of this

national herb began. It was called "Sweet Marjoram Day," and the

people, both young and old, thought more of it than of any other

holiday in the year.

On that happy day everybody went out into the fields. There was never a

person so old, or so young, or so busy that he or she could not go to

help in the harvest. Even when there were sick people, which was

seldom, they were carried out to the fields and staid there all day.

And they generally felt much better in the evening.

[Illustration: THE BABIES IN THE SWEET MARJORAM BEDS.]

There were always patches of sweet marjoram planted on purpose for the

very little babies to play in on the great day. They must be poor,

indeed, these people said, if they could not raise sweet marjoram for

their own needs and for exportation, and yet have enough left for the

babies to play in.

So, all this day the little youngsters rolled, and tumbled, and kicked

and crowed in the soft green and white beds of the fragrant herb, and

pulled it up by the roots, and laughed and chuckled, and went to sleep

in it, and were the happiest babies in the world.

They needed no care, except at dinner-time, so the rest of the people

gave all their time to gathering in the crop and having fun. There was

always lots of fun on this great harvest day, for everybody worked so

hard that the whole crop was generally in the sweet marjoram barns

before breakfast, so that they had nearly the whole day for games and

jollity.

In this country, where little Corette lived, there were fairies. Not

very many of them, it is true, for the people had never seen but two.

These were sisters, and there were never fairies more generally liked

than these two little creatures, neither of them over four inches high.

They were very fond of the company of human beings, and were just as

full of fun as anybody. They often used to come to spend an hour or

two, and sometimes a whole day, with the good folks, and they seemed

always glad to see and to talk to everybody.

These sisters lived near the top of a mountain in a fairy cottage. This

cottage had never been seen by any of the people, but the sisters had

often told them all about it. It must have been a charming place.

The house was not much bigger than a bandbox, and it had two stories

and a garret, with a little portico running all around it. Inside was

the dearest little furniture of all kinds,--beds, tables, chairs, and

everything that could possibly be needed.

Everything about the house and grounds was on the same small scale.

There was a little stable and a little barn, with a little old man to

work the little garden and attend to the two little cows. Around the

house were garden-beds ever so small, and little graveled paths; and a

kitchen-garden, where the peas climbed up little sticks no bigger than

pins, and where the little chickens, about the size of flies, sometimes

got in and scratched up the little vegetables. There was a little

meadow for pasture, and a grove of little trees; and there was also a

small field of sweet marjoram, where the blossoms were so tiny that you

could hardly have seen them without a magnifying glass.

It was not very far from this cottage to the sweet marjoram country,

and the fairy sisters had no trouble at all in running down there

whenever they felt like it, but none of the people had ever seen this

little home. They had looked for it, but could not find it, and the

fairies would never take any of them to it. They said it was no place

for human beings. Even the smallest boy, if he were to trip his toe,

might fall against their house and knock it over; and as to any of them

coming into the fairy grounds, that would be impossible, for there was

no spot large enough for even a common-sized baby to creep about in.

On Sweet Marjoram Day the fairies never failed to come. Every year they

taught the people new games, and all sorts of new ways of having fun.

People would never have even thought of having such good times if it

had not been for these fairies.

One delightful afternoon, about a month before Sweet Marjoram Day,

Corette, who was a little girl just old enough, and not a day too old

(which is exactly the age all little girls ought to be), was talking

about the fairy cottage to some of her companions.

"We never can see it," said Corette, sorrowfully.

"No," said one of the other girls, "we are too big. If we were little

enough, we might go."

"Are you sure the sisters would be glad to see us, then?" asked

Corette.

"Yes, I heard them say so. But it doesn't matter at all, as we are not

little enough."

"No," said Corette, and she went off to take a walk by herself.

She had not walked far before she reached a small house which stood by

the sea-shore. This house belonged to a Reformed Pirate who lived there

all by himself. He had entirely given up a sea-faring life so as to

avoid all temptation, and he employed his time in the mildest pursuits

he could think of.

When Corette came to his house, she saw him sitting in an easy-chair in

front of his door near the edge of a small bluff which overhung the

sea, busily engaged in knitting a tidy.

When he saw Corette, he greeted her kindly, and put aside his knitting,

which he was very glad to do, for he hated knitting tidies, though he

thought it was his duty to make them.

"Well, my little maid," he said, in a sort of a muffled voice, which

sounded as if he were speaking under water, for he tried to be as

gentle in every way as he could, "how do you do? You don't look quite

as gay as usual. Has anything run afoul of you?"

"Oh no!" said Corette, and she came and stood by him, and taking up his

tidy, she looked it over carefully and showed him where he had dropped

a lot of stitches and where he had made some too tight and others a

great deal too loose. He did not know how to knit very well.

When she had shown him as well as she could how he ought to do it, she

sat down on the grass by his side, and after a while she began to talk

to him about the fairy cottage, and what a great pity it was that it

was impossible for her ever to see it.

"It _is_ a pity," said the Reformed Pirate. "I've heard of that cottage

and I'd like to see it myself. In fact, I'd like to go to see almost

anything that was proper and quiet, so as to get rid of the sight of

this everlasting knitting."

"There are other things you might do besides knit," said Corette.

"Nothing so depressing and suitable," said he, with a sigh.

"It would be of no use for you to think of going there," said Corette.

"Even I am too large, and you are ever and ever so much too big. You

couldn't get one foot into one of their paths."

"I've no doubt that's true," he replied; "but the thing might be done.

Almost anything can be done if you set about it in the right way. But

you see, little maid, that you and I don't know enough. Now, years ago,

when I was in a different line of business, I often used to get puzzled

about one thing or another, and then I went to somebody who knew more

than myself."

"Were there many such persons?" asked Corette.

[Illustration: THE REFORMED PIRATE.]

"Well, no. I always went to one old fellow who was a Practicing Wizard.

He lived, and still lives, I reckon, on an island about fifty miles

from here, right off there to the sou'-sou'-west. I've no doubt that if

we were to go to him he'd tell us just how to do this thing."

"But how could we get there?" asked Corette.

"Oh! I'd manage that," said the Reformed Pirate, his eyes flashing with

animation. "I've an old sail-boat back there in the creek that's as

good as ever she was, I could fix her up, and get everything all

ship-shape in a couple of days, and then you and I could scud over

there in no time. What do you say? Wouldn't you like to go?"

"Oh, I'd like to go ever so much!" cried Corette, clapping her hands,

"if they'd let me."

"Well, run and ask them," said he, rolling up his knitting and stuffing

it under the cushion of his chair, "and I'll go and look at that boat

right away."

So Corette ran home to her father and mother and told them all about

the matter. They listened with great interest, and her father said:

"Well now, our little girl is not looking quite as well as usual. I

have noticed that she is a little pale. A sea-trip might be the very

thing for her."

"I think it would do her a great deal of good," said her mother, "and

as to that Reformed Pirate, she'd be just as safe with him as if she

was on dry land."

So it was agreed that Corette should go. Her father and mother were

always remarkably kind.

The Reformed Pirate was perfectly delighted when he heard this, and he

went hard to work to get his little vessel ready. To sail again on the

ocean seemed to him the greatest of earthly joys, and as he was to do

it for the benefit of a good little girl, it was all perfectly right

and proper.

When they started off, the next day but one, all the people who lived

near enough, came down to see them off. Just as they were about to

start, the Reformed Pirate said:

"Hello! I wonder if I hadn't better run back to the house and get my

sword! I only wear the empty scabbard now, but it might be safer, on a

trip like this, to take the sword along."

So he ran back and got it, and then he pushed off amid the shouts of

all the good people on the beach.

The boat was quite a good-sized one, and it had a cabin and everything

neat and comfortable. The Reformed Pirate managed it beautifully, all

by himself, and Corette sat in the stern and watched the waves, and the

sky, and the sea-birds, and was very happy indeed.

As for her companion, he was in a state of ecstasy. As the breeze

freshened, the sails filled, and the vessel went dashing over the

waves, he laughed and joked, and sang snatches of old sea-songs, and

was the jolliest man afloat.

[Illustration: THE REFORMED PIRATE IS THE JOLLIEST MAN AFLOAT]

After a while, as they went thus sailing merrily along, a distant ship

appeared in sight. The moment his eyes fell upon it, a sudden change

came over the Reformed Pirate. He sprang to his feet and, with his hand

still upon the helm, he leaned forward and gazed at the ship. He gazed

and he gazed, and he gazed without saying a word. Corette spoke to him

several times, but he answered not. And as he gazed he moved the helm

so that his little craft gradually turned from her course, and sailed

to meet the distant ship.

As the two vessels approached each other, the Reformed Pirate became

very much excited. He tightened his belt and loosened his sword in its

sheath. Hurriedly giving the helm to Corette, he went forward and

jerked a lot of ropes and hooks from a cubby-hole where they had been

stowed away. Then he pulled out a small, dark flag, with bits of

skeleton painted on it, and hoisted it to the top-mast.

By this time he had nearly reached the ship, which was a large

three-masted vessel. There seemed to be a great commotion on board;

sailors were running this way and that; women were screaming; and

officers could be heard shouting, "Put her about! Clap on more sail!"

But steadily on sailed the small boat, and the moment it came alongside

the big ship, the Reformed Pirate threw out grapnels and made the two

vessels fast together. Then he hooked a rope-ladder to the side of the

ship, and rushing up it, sprang with a yell on the deck of the vessel,

waving his flashing sword around his head!

"Down, dastards! varlets! hounds!" he shouted. "Down upon your knees!

Throw down your arms! SURRENDER!"

Then every man went down upon his knees, and threw down his arms and

surrendered.

"Where is your Captain?" roared their conqueror.

The Captain came trembling forward.

"Bring to me your gold and silver, your jewels and your precious

stones, and your rich stuffs!"

The Captain ordered these to be quickly brought and placed before the

Reformed Pirate, who continued to stride to and fro across the deck

waving his glittering blade, and who, when he saw the treasures placed

before him, shouted again:

"Prepare for scuttling!" and then, while the women got down on their

knees and begged that he would not sink the ship, and the children

cried, and the men trembled so that they could hardly kneel straight,

and the Captain stood pale and shaking before him, he glanced at the

pile of treasure, and touched it with his sword.

"Aboard with this, my men!" he said. "But first I will divide it. I

will divide this into,--into,--into _one_ part. Look here!" and then

he paused, glanced around, and clapped his hand to his head. He looked

at the people, the treasure and the ship. Then suddenly he sheathed his

sword, and stepping up to the Captain, extended his hand.

"Good sir," said he, "you must excuse me. This is a mistake. I had no

intention of taking this vessel. It was merely a temporary absence of

mind. I forgot I had reformed, and seeing this ship, old scenes and my

old business came into my head, and I just came and took the vessel

without really thinking what I was doing. I beg you will excuse me. And

these ladies,--I am very sorry to have inconvenienced them. I ask them

to overlook my unintentional rudeness."

"Oh, don't mention it!" cried the Captain, his face beaming with joy as

he seized the hand of the Reformed Pirate. "It is of no importance, I

assure you. We are delighted, sir, delighted!"

"Oh yes!" cried all the ladies. "Kind sir, we are charmed! We are

charmed!"

"You are all very good indeed," said the Reformed Pirate, "but I really

think I was not altogether excusable. And I am very sorry that I made

your men bring up all these things."

"Not at all! not at all!" cried the Captain. "No trouble whatever to

show them. Very glad indeed to have the opportunity. By the by, would

you like to take a few of them, as a memento of your visit?"

"Oh no, I thank you," replied the Reformed Pirate, "I would rather

not."

"Perhaps, then, some of your men might like a trinket or a bit of

cloth--"

"Oh, I have no men! There is no one on board but myself--excepting a

little girl, who is a passenger. But I must be going. Good-by,

Captain!"

"I am sorry you are in such a hurry," said the Captain. "Is there

anything at all that I can do for you?"

"No, thank you. But stop!--there may be something. Do you sail to any

port where there is a trade in tidies?"

"Oh yes! To several such," said the Captain.

"Well, then, I would be very much obliged to you," said the Reformed

Pirate, "if you would sometimes stop off that point that you see there,

and send a boat ashore to my house for a load of tidies."

"You manufacture them by the quantity, then?" asked the Captain.

"I expect to," said the other, sadly.

The Captain promised to stop, and, after shaking hands with every

person on deck, the Reformed Pirate went down the side of the ship, and

taking in his ladder and his grapnels, he pushed off.

As he slowly sailed away, having lowered his flag, the Captain looked

over the side of his ship, and said:

"If I had only known that there was nobody but a little girl on board!

I thought, of course, he had a boat-load of pirates."

Corette asked a great many questions about everything that had happened

on the ship, for she had heard the noise and confusion as she sat below

in the little boat; but her companion was disposed to be silent, and

said very little in reply.

When the trip was over, and they had reached the island, the Reformed

Pirate made his boat fast, and taking little Corette by the hand, he

walked up to the house of the Practicing Wizard.

This was a queer place. It was a great rambling house, one story high

in some places, and nine or ten in other places; and then, again, it

seemed to run into the ground and re-appear at a short distance--the

different parts being connected by cellars and basements, with nothing

but flower-gardens over them.

Corette thought she had never seen such a wonderful building; but she

had not long to look at the outside of it, for her companion, who had

been there before, and knew the ways of the place, went up to a little

door in a two-story part of the house and knocked. Our friends were

admitted by a dark cream-colored slave, who informed them that the

Practicing Wizard was engaged with other visitors, but that he would

soon be at leisure.

So Corette and the Reformed Pirate sat down in a handsome room, full of

curious and wonderful things, and, in a short time, they were summoned

into the Practicing Wizard's private office.

"Glad to see you," said he, as the Reformed Pirate entered. "It has

been a long time since you were here. What can I do for you, now? Want

to know something about the whereabouts of any ships, or the value of

any cargoes?"

"Oh, no! I'm out of that business now," said the other. "I've come this

time for something entirely different. But I'll let this little girl

tell you what it is. She can do it a great deal better than I can."

So Corette stepped up to the Practicing Wizard, who was a pleasant,

elderly man, with a smooth white face, and a constant smile, which

seemed to have grown on his face instead of a beard, and she told him

the whole story of the fairy sisters and their cottage, of her great

desire to see it, and of the difficulties in the way.

"I know all about those sisters," he said; "I don't wonder you want to

see their house. You both wish to see it?"

"Yes," said the Reformed Pirate; "I might as well go with her, if the

thing can be done at all."

"Very proper," said the Practicing Wizard, "very proper, indeed. But

there is only one way in which it can be done. You must be condensed."

"Does that hurt?" asked Corette.

"Oh, not at all! You'll never feel it. For the two it will be one

hundred and eighty ducats," said he, turning to the Reformed Pirate;

"we make a reduction when there are more than one."

"Are you willing?" asked the Reformed Pirate of Corette, as he put his

hand in his breeches' pocket.

"Oh yes!" said Corette, "certainly I am, if that's the only way."

Whereupon her good friend said no more, but pulled out a hundred and

eighty ducats and handed them to the Practicing Wizard, who immediately

commenced operations.

Corette and the Reformed Pirate were each placed in a large easy-chair,

and upon each of their heads the old white-faced gentleman placed a

little pink ball, about the size of a pea. Then he took a position in

front of them.

"Now then," said he, "sit perfectly still. It will be over in a few

minutes," and he lifted up a long thin stick, and, pointing it toward

the couple, he began to count: "One, two, three, four----"

As he counted, the Reformed Pirate and Corette began to shrink, and by

the time he had reached fifty they were no bigger than cats. But he

kept on counting until Corette was about three and a half inches high

and her companion about five inches.

Then he stopped, and knocked the pink ball from each of their heads

with a little tap of his long stick.

"There we are," said he, and he carefully picked up the little

creatures and put them on a table in front of a looking-glass, that

they might see how they liked his work.

It was admirably done. Every proportion had been perfectly kept.

"It seems to me that it couldn't be better," said the Condensed Pirate,

looking at himself from top to toe.

"No," said the Practicing Wizard, smiling rather more than usual, "I

don't believe it could."

"But how are we to get away from here?" said Corette to her friend. "A

little fellow like you can't sail that big boat."

"No," replied he, ruefully, "that's true; I couldn't do it. But

perhaps, sir, you could condense the boat."

"Oh no!" said the old gentleman, "that would never do. Such a little

boat would be swamped before you reached shore, if a big fish didn't

swallow you. No, I'll see that you get away safely."

So saying, he went to a small cage that stood in a window, and took

from it a pigeon.

"This fellow will take you," said he. "He is very strong and swift, and

will go ever so much faster than your boat."

[Illustration: "'IT SEEMS TO ME THAT IT COULDN'T BE BETTER,' SAID THE

CONDENSED PIRATE."]

Next he fastened a belt around the bird, and to the lower part of this

he hung a little basket, with two seats in it. He then lifted Corette

and the Condensed Pirate into the basket, where they sat down opposite

one another.

"Do you wish to go directly to the cottage of the fairy sisters?" said

the old gentleman.

"Oh yes!" said Corette.

So he wrote the proper address on the bill of the pigeon, and, opening

the window, carefully let the bird fly.

"I'll take care of your boat," he cried to the Condensed Pirate, as the

pigeon rose in the air. "You'll find it all right, when you come back."

And he smiled worse than ever.

The pigeon flew up to a great height, and then he took flight in a

straight line for the Fairy Cottage, where he arrived before his

passengers thought they had half finished their journey.

The bird alighted on the ground, just outside of the boundary fence;

and when Corette and her companion had jumped from the basket, he rose

and flew away home as fast as he could go.

The Condensed Pirate now opened a little gate in the fence, and he and

Corette walked in. They went up the graveled path, and under the

fruit-trees, where the ripe peaches and apples hung, as big as peas,

and they knocked at the door of the fairy sisters.

When these two little ladies came to the door, they were amazed to see

Corette.

"Why, how did you ever?" they cried. "And if there isn't our old friend

the Reformed Pirate!"

"Condensed Pirate, if you please," said that individual. "There's no

use of my being reformed while I'm so small as this. I couldn't hurt

anybody if I wanted to."

"Well, come right in, both of you," said the sisters, "and tell us all

about it."

So they went in, and sat in the little parlor, and told their story.

The fairies' were delighted with the whole affair, and insisted on a

long visit, to which our two friends were not at all opposed.

They found everything at this cottage exactly as they had been told.

They ate the daintiest little meals off the daintiest little dishes,

and they thoroughly enjoyed all the delightful little things in the

little place. Sometimes, Corette and the fairies would take naps in

little hammocks under the trees, while the Condensed Pirate helped the

little man drive up the little cows, or work in the little garden.

On the second day of their visit, when they were all sitting on the

little portico after supper, one of the sisters, thinking that the

Condensed Pirate might like to have something to do, and knowing how he

used to occupy himself, took from her basket a little half-knit tidy,

with the needles in it, and asked him if he cared to amuse himself with

that.

"No, MA'AM!" said he, firmly but politely. "Not at present. If I find

it necessary to reform again, I may do something of the kind, but not

now. But I thank you kindly, all the same."

After this, they were all very careful not to mention tidies to him.

Corette and her companion stayed with the fairies for more than a week.

Corette knew that her father and mother did not expect her at home for

some time, and so she felt quite at liberty to stay as long as she

pleased.

As to the sisters, they were delighted to have their visitors with

them.

But, one day, the Condensed Pirate, finding Corette alone, led her,

with great secrecy, to the bottom of the pasture field, the very

outskirts of the fairies' domain.

"Look here," said he, in his lowest tones. "Do you know, little

Corette, that things are not as I expected them to be here? Everything

is very nice and good, but nothing appears very small to me. Indeed,

things seem to be just about the right size. How does it strike you?"

"Why, I have been thinking the same thing," said Corette. "The sisters

used to be such dear, cunning little creatures, and now they're bigger

than I am. But I don't know what can be done about it."

"I know," said the Condensed Pirate.

"What?" asked Corette.

"Condense 'em," answered her companion, solemnly.

"Oh! But you couldn't do that!" exclaimed Corette.

"Yes, but I can--at least, I think I can. You remember those two pink

condensing balls?"

"Yes," said Corette.

"Well, I've got mine."

"You have!" cried Corette. "How did you get it?"

"Oh! when the old fellow knocked it off my head, it fell on the chair

beside me, and I picked it up and put it in my coat-pocket. It would

just go in. He charges for the balls, and so I thought I might as well

have it."

"But do you know how he works them?"

"Oh yes!" replied the Condensed Pirate. "I watched him. What do you

say? Shall we condense this whole place?"

"It wont hurt them," said Corette, "and I don't really think they would

mind it."

"Mind it! No!" said the other. "I believe they'd like it."

So it was agreed that the Fairy Cottage, inmates, and grounds should

be condensed until they were, relatively, as small as they used to be.

That afternoon, when the sisters were taking a nap and the little man

was at work in the barn, the Condensed Pirate went up into the garret

of the cottage and got out on the roof. Then he climbed to the top of

the tallest chimney, which overlooked everything on the place, and

there he laid his little pink ball.

He then softly descended, and, taking Corette by the hand (she had been

waiting for him on the portico), he went down to the bottom of the

pasture field.

When he was quite sure that he and Corette were entirely outside of the

fairies' grounds, he stood up, pointed to the ball with a long, thin

stick which he had cut, and began to count: "One, two, three----"

And as he counted the cottage began to shrink. Smaller and smaller it

became, until it got to be very little indeed.

"Is that enough?" said the Condensed Pirate, hurriedly between two

counts.

"No," replied Corette. "There is the little man, just come out of the

barn. He ought to be as small as the sisters used to be. I'll tell you

when to stop."

So the counting went on until Corette said, "Stop!" and the cottage was

really not much higher than a thimble. The little man stood by the

barn, and seemed to Corette to be just about the former size of the

fairy sisters; but, in fact, he was not quite a quarter of an inch

high. Everything on the place was small in proportion, so that when

Corette said "Stop!" the Condensed Pirate easily leaned over and

knocked the pink ball from the chimney with his long stick. It fell

outside of the grounds, and he picked it up and put it in his pocket.

Then he and Corette stood and admired everything! It was charming! It

was just what they had imagined before they came there. While they were

looking with delight at the little fields, and trees, and chickens,--so

small that really big people could not have seen them,--and at the cute

little house, with its vines and portico, the two sisters came out on

the little lawn.

When they saw Corette and her companion they were astounded.

"Why, when did you grow big again?" they cried. "Oh! how sorry we are!

Now you cannot come into our house and live with us any longer."

Corette and the Condensed Pirate looked at each other, as much as to

say, "They don't know they have been made so little."

Then Corette said: "We are sorry too. I suppose we shall have to go

away now. But we have had a delightful visit."

"It has been a charming one for us," said one of the sisters, "and if

we only had known, we would have had a little party before you went

away; but now it is too late."

The Condensed Pirate said nothing. He felt rather guilty about the

matter. He might have waited a little, and yet he could not have told

them about it. They might have objected to be condensed.

"May we stay just a little while and look at things?" asked Corette.

"Yes," replied one of the fairies; "but you must be very careful not to

step inside the grounds, or to stumble over on our place. You might do

untold damage."

So the two little big people stood and admired the fairy cottage and

all about it, for this was indeed the sight they came to see; and then

they took leave of their kind entertainers, who would have been glad to

have them stay longer, but were really trembling with apprehension lest

some false step or careless movement might ruin their little home.

As Corette and the Condensed Pirate took their way through the woods to

their home, they found it very difficult to get along, they were so

small. When they came to a narrow stream, which Corette would once have

jumped over with ease, the Condensed Pirate had to make a ferry-boat of

a piece of bark, and paddle himself and the little girl across.

"I wonder how the fairies used to come down to us," said Corette, who

was struggling along over the stones and moss, hanging on to her

companion's hand.

"Oh! I expect they have a nice smooth path somewhere through the woods,

where they can run along as fast as they please; and bridges over the

streams."

"Why didn't they tell us of it?" asked Corette.

"They thought it was too little to be of any use to us. Don't you

see?--they think we're big people and wouldn't need their path."

"Oh, yes!" said Corette.

In time, however, they got down the mountain and out of the woods, and

then they climbed up on one of the fences and ran along the top of it

toward Corette's home.

When the people saw them, they cried out: "Oh, here come our dear

little fairies, who have not visited us for so many days!" But when

they saw them close at hand, and perceived that they were little

Corette and the Pirate who had reformed, they were dumbfounded.

Corette did not stop to tell them anything; but still holding her

companion's hand, she ran on to her parents' house, followed by a crowd

of neighbors.

Corette's father and mother could hardly believe that this little thing

was their daughter, but there was no mistaking her face and her

clothes, and her voice, although they were all so small; and when she

had explained the matter to them, and to the people who filled the

house, they understood it all. They were filled with joy to have their

daughter back again, little or big.

When the Condensed Pirate went to his house, he found the door locked,

as he had left it, but he easily crawled in through a crack. He found

everything of an enormous size. It did not look like the old place. He

climbed up the leg of a chair and got on a table, by the help of the

tablecloth, but it was hard work. He found something to eat and drink,

and all his possessions were in order, but he did not feel at home.

Days passed on, and while the Condensed Pirate did not feel any better

satisfied, a sadness seemed to spread over the country, and

particularly over Corette's home. The people grieved that they never

saw the fairy sisters, who indeed had made two or three visits, with

infinite trouble and toil, but who could not make themselves observed,

their bodies and their voices being so very small.

And Corette's father and mother grieved. They wanted their daughter to

be as she was before. They said that Sweet Marjoram Day was very near,

but that they could not look forward to it with pleasure. Corette might

go out to the fields, but she could only sit upon some high place, as

the fairies used to sit. She could not help in the gathering. She could

not even be with the babies; they would roll on her and crush her. So

they mourned.

It was now the night before the great holiday. Sweet Marjoram Eve had

not been a very gay time, and the people did not expect to have much

fun the next day. How could they if the fairy sisters did not come?

Corette felt badly, for she had never told that the sisters had been

condensed, and the Condensed Pirate, who had insisted on her secrecy,

felt worse. That night he lay in his great bed, really afraid to go to

sleep on account of rats and mice.

He was so extremely wakeful that he lay and thought, and thought, and

thought for a long time, and then he got up and dressed and went out.

It was a beautiful moonlight night, and he made his way directly to

Corette's house. There, by means of a vine, he climbed up to her

window, and gently called her. She was not sleeping well, and she soon

heard him and came to the window.

He then asked her to bring him two spools of fine thread.

Without asking any questions, she went for the thread, and very soon

made her appearance at the window with one spool in her arms, and then

she went back for another.

"Now, then," said the Condensed Pirate, when he had thrown the spools

down to the ground, "will you dress yourself and wait here at the

window until I come and call you?"

Corette promised, for she thought he had some good plan in his head,

and he hurried down the vine, took up a spool under each arm, and bent

his way to the church. This building had a high steeple which

overlooked the whole country. He left one of his spools outside, and

then, easily creeping with the other under one of the great doors, he

carried it with infinite pains and labor up into the belfry.

There he tied it on his back, and, getting out of a window, began to

climb up the outside of the steeple.

[Illustration: THE CONDENSED PIRATE CLIMBS UP THE OUTSIDE OF THE

STEEPLE.]

It was not hard for him to do this, for the rough stones gave him

plenty of foot-hold, and he soon stood on the very tip-top of the

steeple. He then took tight hold of one end of the thread on his spool

and let the spool drop. The thread rapidly unrolled, and the spool soon

touched the ground.

Then our friend took from his pocket the pink ball, and passing the end

of the thread through a little hole in the middle of it, he tied it

firmly. Placing the ball in a small depression on the top of the

steeple, he left it there, with the thread hanging from it, and rapidly

descended to the ground. Then he took the other spool and tied the end

of its thread to that which was hanging from the steeple.

He now put down the spool and ran to call Corette. When she heard his

voice she clambered down the vine to him.

"Now, Corette." he said, "run to my house and stand on the beach, near

the water, and wait for me."

Corette ran off as he had asked, and he went back to his spool. He took

it up and walked slowly to his house, carefully unwinding the thread as

he went. The church was not very far from the sea-shore, so he soon

joined Corette. With her assistance he then unwound the rest of the

thread, and made a little coil. He next gave the coil to Corette to

hold, cautioning her to be very careful, and then he ran off to where

some bits of wood were lying, close to the water's edge. Selecting a

little piece of thin board he pushed it into the water, and taking a

small stick in his hand, he jumped on it, and poled it along to where

Corette was standing. The ocean here formed a little bay where the

water was quite smooth.

"Now, Corette," said the Condensed Pirate, "we must be very careful. I

will push this ashore and you must step on board, letting out some of

the thread as you come. Be sure not to pull it tight. Then I will

paddle out a little way, and as I push, you must let out more thread."

Corette did as she was directed, and very soon they were standing on

the little raft a few yards from shore. Then her companion put down his

stick, and took the coil of thread.

"What are you going to do?" asked Corette. She had wanted to ask

before, but there did not seem to be time.

"Well," said he, "we can't make ourselves any bigger--at least, I don't

know how to do it, and so I'm going to condense the whole country. The

little pink ball is on top of the steeple, which is higher than

anything else about here, you know. I can't knock the ball off at the

proper time, so I've tied a thread to it to pull it off. You and I are

outside of the place, on the water, so we wont be made any smaller. If

the thing works, everybody will be our size, and all will be right

again."

"Splendid!" cried Corette. "But how will you know when things are

little enough?"

"Do you see that door in my house, almost in front of us? Well, when I

was of the old size, I used just to touch the top of that door with my

head, if I didn't stoop. When you see that the door is about my present

height, tell me to stop. Now then!"

The Condensed Pirate began to count, and instantly the whole place,

church, houses, fields, and of course the people who were in bed, began

to shrink! He counted a good while before Corette thought his door

would fit him. At last she called to him to stop. He glanced at the

door to feel sure, counted one more, and pulled the thread. Down came

the ball, and the size of the place was fixed!

The whole of the sweet marjoram country was now so small that the

houses were like bandboxes, and the people not more than four or five

inches high--excepting some very tall people who were six inches.

Drawing the ball to him, the Condensed Pirate pushed out some distance,

broke it from the thread, and threw it into the water.

"No more condensing!" said he. He then paddled himself and Corette

ashore, and running to his cottage, threw open the door and looked

about him. Everything was just right! Everything fitted! He shouted

with joy.

It was just daybreak when Corette rushed into her parents' house.

Startled by the noise, her father and mother sprang out of bed.

"Our daughter! Our darling daughter!" they shouted, "and she has her

proper size again!!"

In an instant she was clasped in their arms.

When the first transports of joy were over, Corette sat down and told

them the whole story--told them everything.

"It is all right," said her mother, "so that we are all of the same

size," and she shed tears of joy.

Corette's father ran out to ring the church-bell, so as to wake up the

people and tell them the good news of his daughter's restoration. When

he came in, he said:

"I see no difference in anything. Everybody is all right."

There never was such a glorious celebration of Sweet Marjoram Day as

took place that day.

The crop was splendid, the weather was more lovely than usual, if such

a thing could be, and everybody was in the gayest humor.

But the best thing of all was the appearance of the fairy sisters. When

they came among the people they all shouted as if they had gone wild.

And the good little sisters were so overjoyed that they could scarcely

speak.

"What a wonderful thing it is to find that we have grown to our old

size again! We were here several times lately, but somehow or other we

seemed to be so very small that we couldn't make you see or hear us.

But now it's all right. Hurrah! We have forty-two new games!"

And at that, the crop being all in, the whole country, with a shout of

joy, went to work to play.

There were no gayer people to be seen than Corette and the Condensed

Pirate. Some of his friends called this good man by his old name, but

he corrected them.

"I am reformed, all the same," he said, "but do not call me by that

name, I shall never be able to separate it from its associations with

tidies. And with _them_ I am done for ever. Owing to circumstances, I

do not need to be depressed."

The captain of the ship never stopped off the coast for a load of

tidies. Perhaps he did not care to come near the house of his former

captor, for fear that he might forget himself again, and take the ship

a second time. But if the captain had come, it is not likely that his

men would have found the cottage of the Condensed Pirate, unless they

had landed at the very spot where it stood.

And it so happened that no one ever noticed this country after it was

condensed. Passing ships could not come near enough to see such a very

little place, and there never were any very good roads to it by land.

But the people continued to be happy and prosperous, and they kept up

the celebration of Sweet Marjoram Day as gayly as when they were all

ordinary-sized people.

In the whole country there were only two persons, Corette and the

Pirate, who really believed that they were condensed.

"SING-A-SING!"

BY S.C. STONE.

[Illustration]

Listen! and hear the tea-kettle sing:

"Sing a-sing a-sing a-sing!"

It matters not how hot the fire,

It only sends its voice up higher:

"Sing a-sing a-sing a-sing!

Sing a-sing a-sing a-sing!"

Listen! and hear the tea-kettle sing:

"Sing a-sing a-sing a-sing!"

As if 't were task of fret and toil

To bring cold water to a boil!

"Sing a-sing a-sing a-sing!

Sing a-sing a-sing a-sing!"

NOW, OR THEN?

BY GAIL HAMILTON.

I suppose the wise young women--fourteen, fifteen, sixteen years

old--who read ST. NICHOLAS, who understand the most complex vulgar

fractions, who cipher out logarithms "just for fun," who chatter

familiarly about "Kickero" and "luliuse Kiser," and can bang a piano

dumb and helpless in fifteen minutes--they, I suppose, will think me

frivolous and unaspiring if I beg them to lay aside their

science,--which is admirable,--and let us reason together a few minutes

about such unimportant themes as little points of good manners.

A few months ago I had the pleasure of talking with a gentleman who

thought he remembered being aroused from his midnight sleep by loud

rejoicings in the house and on the streets over the news that Lord

Cornwallis had surrendered the British to the American forces. He was

only two years old at that time; but, he said, he had a very strong

impression of the house being full of light, of many people hurrying

hither and yon, and of the watchman's voice in the street penetrating

through all the din with the cry--"Past twelve o'clock and Cornwallis

is taken!"

Among many interesting reminiscences and reflections, this dignified

and delightful old gentleman said he thought the young people of to-day

were less mannerly than in the olden time, less deferential, less

decorous. This may be true, and I tried to be sufficiently deferential

to my courtly host, not to disagree with him. But when I look upon the

young people of my own acquaintance, I recall that William went, as a

matter of course, to put the ladies in their carriage; Jamie took the

hand luggage as naturally as if he were born for nothing else; Frank

never failed to open a door for them; Arthur placed Maggie in her chair

at table before he took his own; Nelly and Ruth came to my party just

as sweet and bright as if they did not know that the young gentlemen

whom they had expected to meet were prevented from attending; while

Lucy will run herself out of breath for you, and Mary sits and listens

with flattering intentness, and Anne and Alice and--well, looking over

_my_ constituency, I find the young people charming.

It is true that all manners are less formal, that etiquette is less

elaborate, now than a hundred years ago. Our grandfathers and

grandmothers--some, indeed, of our fathers and mothers--did not sit at

breakfast with their fathers and mothers, but stood through the meal,

and never spoke except when spoken to. I cannot say I think we have

deteriorated in changing this. The pleasant, familiar, affectionate

intercourse between parent and child seems to me one of the most

delightful features of domestic life. The real, fond intimacy which

exists between parents and children seems a far better and safer thing

than the old fashion of keeping children at arm's length.

But in casting aside forms we are, perhaps, somewhat in danger of

losing with them some of that inner kindness of which form is only the

outward expression. Without admitting that we are an uncivil people,

insisting even that we compare favorably with other nations, I wish our

boys and girls would resolve that the courtesy of the Republic shall

never suffer in their hands!

Does this seem a trivial aim for those who are bending their energies

to attain a high standing in classics and mathematics? There is perhaps

no single quality that does as much to make life smooth and

comfortable--yes, and successful--as courtesy. Logarithms are valuable

in their way, but there are many useful and happy people who are not

very well versed even in the rule of three. A man may not know a word

of Latin, or what is meant by "the moon's terminator," or how much

sodium is in Arcturus, and yet be constantly diffusing pleasure. But no

man can be agreeable without courtesy, and every separate act of

incivility creates its little, or large, and ever enlarging circle of

displeasure and unhappiness.

One does not wish to go through life trying to be agreeable; but life

is a great failure if one goes through it disagreeable.

Yes, little friends, believe me, you may be very learned, very

skillful, very accomplished. I trust you are: I hope you will become

more so. You may even have sound principles and good habits; but if

people generally do not like you, it is because there is something

wrong in yourself, and the best thing you can do is to study out what

it is and correct it as fast as possible. Do not for a moment fancy it

is because you are superior to other people that they dislike you, for

superiority never, of itself, made a person unlovely. It is invariably

a defect of some sort. Generally it is a defect arising from training,

and therefore possible to overcome.

For instance: two girls in the country have each a pony phaeton. One

drives her sisters, her family, her guests, her equals, and never

thinks of going outside that circle. Another does the same; but, more

than this, she often takes the cook, the laundress, or the one woman

who often is cook, laundress, housemaid, all in one. And to them the

drive is a far greater luxury than to her own comrades, who would be

playing croquet or riding if they were not with her. Now and then she

invites some poor neighbor, she takes some young sempstress or

worsted-worker to town to do her shopping, she carries the tired

housewife to see her mother, she asks three little girls--somewhat

crowded but rapturously happy--three miles to see the balloon that has

alighted on the hill; she drives a widowed old mother-in-Israel to a

tea-drinking of which she would otherwise be deprived. These are not

charities. They are courtesies, and this bright-faced girl is sunshine

in her village home and, by and by, when her box of finery is by some

mistake left at the station, a stalwart youngster, unbidden, shoulders

it and bears it, panting and perspiring, to her door-step, declaring

that he would not do it for another person in town but Miss Fanny! And

perhaps he does not even say _Miss_ Fanny--only Fanny. Now she could

get on very well without the villager's admiring affection, and even

without her box of finery; yet the goodwill of your neighbors is

exceeding pleasant.

Another thing Fanny excels in is the acknowledgment of courtesy, which

is itself as great a courtesy as the performance of kindness. If she is

invited to a lawn party or a boating picnic, whether she accept or

not, she pays a visit to her hostess afterward and expresses her

pleasure or her regrets; and she pays it with promptness, and not with

tardy reluctance, as if it were a burden. If she has been making a

week's visit away from home, she notifies her hostess of her safe

return and her enjoyment of the visit, as soon as she is back again. If

a bouquet is sent her,--too informal for a note,--she remembers to

speak of it afterward. You never can remember? No; but Fanny does. That

is why I admire her. If she has borrowed a book, she has an

appreciative word to say when she returns it; and if she has dropped it

in the mud, she does not apologize and offer to replace it. She

replaces it first and apologizes afterward, though she has to sacrifice

a much-needed pair of four-button gloves to do it! Indeed, no person

has as little apologizing to do as Fanny, because she does everything

promptly; and you may notice that what we apologize for chiefly is

delay. We perform our little social duties, only not in good season,

and so rob them of half their grace. It takes no longer to answer a

letter to-day than it will take to-morrow. But if the letter requires

an answer instantly, and you put it off day after day, your

correspondent is vexed, and your tardy answer will never be quite a

reparation. Remember that no explanation, no apology, is quite as good

as to have done the thing exactly as it should be in the first place.

JACK'S CHRISTMAS

BY EMMA K. PARRISH.

Jack had just heard of Christmas for the first time! Ten years old, and

never knew about Christmas before! Jack's mother was a weary,

overworked woman, and had no heart to tell the children about merry

times and beautiful things in which they could have no share.