Carr put down his pencil. "There," he said, "I'm done."

With further expressions of thanks, Norman gathered up the sheets.

"Really no trouble at all," Carr assured him. "You gave me a very

exciting afternoon." He added wistfully. "I must confess that you've

aroused my curiosity."

"Linthicum dotes on anything mathematical, especially when it's like a

puzzle," Mrs. Carr told him. "Why, once," she continued, with a kind

of roguish indulgence, "he made all sorts of tabulations on _horse

races_."

"Er ... yes ... but only as a concrete example of the calculus of

probabilities," Mr. Carr interposed quickly. But his smile was equally

indulgent.

Her hand was on his shoulder, and he had reached up his own to cover

hers. Frail, yet somehow hearty, withered, yet somehow fresh, they

seemed like the perfect aged couple.

"I promise you," Norman told Carr, "that if I revolutionize the science

of sociology, you'll be the first to hear of it."

* * * * *

As soon as he was home, Norman got out the code. "_W_" was the

identifying letter at the top of the first sheet. He thought he

remembered what that meant, but he looked it up just to be sure.

"_W_--To conjure out the soul."

Yes, that was it. He turned to the supplementary sheet covered with

Carr's calculations, and carefully decoded the final equation.

"_C_--Notched strip of copper." He nodded. "_T_--Twirl

sunwise." He frowned. He would have expected them to cancel out. Good

thing he'd gotten a mathematician's help in simplifying the seventeen

equations, each representing a different people's formula for conjuring

out the soul--Arabian, Zulu, Polynesian, American Negro, American

Indian, and so on; the most recent formulas available, and ones that

had known actual use.

"_A_--Deadly amanita." Bother! He'd been certain that one would

cancel out. It would be a bit of time and trouble getting a deathcup

mushroom. And there was another even more difficult item. Well, he

could manage without that formula, if he had to. He took up two other

sheets--"_V_--To control the soul of another," "_Z_--To cause

the dwellers in a house to sleep"--and set to work on one of them. In

a few minutes he had assured himself that the ingredients presented no

special difficulties, save that _Z_ required a Hand of Glory to be

used as well as the graveyard dirt to be thrown onto the roof of the

house in which sleep was to be enforced. But he ought to have little

difficulty in filching a suitable severed hand from the anatomy lab.

Now he was getting somewhere. With _Z_ he could place the charm in

the Gunnison house tomorrow night, and with _V_ activate it.

Conscious of a sudden reaction of weariness, he pushed back his chair.

For the first time since he had come into the house, he looked at her.

She sat in the rocking chair, face turned toward the drawn curtains.

When she had started rocking, he did not know. But the muscles of her

body automatically continued the rhythmical movement, once it had begun.

With the suddenness of a blow, longing for Tansy struck him. Her

intonations, her gestures, her mannerisms, her funny fancies--all the

little things that go to make a person real, and human, and loved--he

wanted them all instantly; and the presence of this dead-alive

imitation, this poor husk of Tansy, only made the longing less

bearable. And what sort of a man was he, to be puttering around with

occult formulas, while all the while he--"There are things that can be

done to a soul," she had said. "Servant girls of the Gunnisons have

told stories--" He ought to go up there and take by force what was his!

The reaction was immediate. How could you take by force what was

without form or material being? How could you use open force against

someone who had your dearest possession as a hostage?

No, these repugnant occult formulas were his only hope, and he had

gotten his usual punishment for making the mistake of looking at her.

Deliberately he moved to the other side of the table, so his back was

to the rocking chair.

But he was restless, his muscles itching with fatigue poisons, and for

the moment, he could not get back to the work. All sorts of questions

were plaguing his mind.

* * * * *

Suddenly Norman spoke. "Why do you suppose everything has become

violent and deadly so abruptly?"

"What I believe they call the Balance was upset," was the answer. There

was no interruption in the steady rocking.

"How was that?" He started to look over the back of his chair, but

checked himself in time.

"It happened when I ceased to practice magic." The rocking was a

grating monotony.

"But why should that lead to violence?"

"It upset the Balance."

"Yes, but how can that explain the abruptness of the shift from

relatively trivial attacks to a deadly maliciousness?"

The rocking had stopped. There was no answer. But, as he told himself,

he knew the answer already. This women's warfare was very much like

trench warfare or a battle between fortified lines--a state of siege.

Just as thick, reinforced concrete or armor plating nullified the

shells, so countercharms and protective procedures rendered relatively

futile the most violent onslaughts. But once the armor and concrete

were gone, and you were out in a kind of no man's land--

Then, too, fear of the savage counterattacks that could be launched

from such highly fortified positions, was a potent factor in

discouraging direct assaults. The natural thing would be to sit pat,

snipe away, and only attack if the enemy exposed himself recklessly.

Besides, there were probably all sorts of unsuspected hostages and

secret agreements, all putting a damper on violence.

This idea also seemed to explain why Tansy's apparently pacific action

had upset the Balance. What would any country think if in the midst

of a war, its enemy scuttled all his battleships and dismantled all

his aircraft, apparently laying himself wide open to attack? For the

realistic mind, there could only be one likely answer. Namely, that

the enemy had discovered a weapon far more potent than battleships or

aircraft, and was planning to ask for a peace that would turn out to be

a trap. The only thing would be to strike instantly and hard, before

the secret weapon could be brought into play.

"I think--" he started to say.

Then something--perhaps a faint _whishing_ in the air or a slight

creaking of the floor under the heavy carpet, or some less tangible

sensation--caused him to glance around.

With a writhing jerk sideways, he managed--just managed--to get his

head out of the path of that descending metal flail, which was all he

saw at first. With a shocking _swish_ it crashed downward against

the heavy back of the chair, and there its force was broken. But his

shoulder, which took only the end of the blow, went numb.

Clawing at the chair arm with his good hand, he threw himself forward

against the table and whirled around.

He recoiled from the sight as from another blow, throwing back his good

hand to save himself from overbalancing.

She was poised in the center of the room, having sprung back catlike

after the first blow failed. Almost stiff-legged, but with the weight

forward. In stocking feet--the slippers that might have made a noise

were laid by the rocking chair. In her hand was the steel poker,

stealthily lifted from the stand by the fireplace, so as not to make

the slightest warning rattle.

There was life in her face now. But it was life that champed the teeth

and drooled, life that pinched and flared the nostrils with every

breath, life that switched hair from the eyes with quick, angry flirts,

life that glared redly and steadily. And there was more than that.

With a low snarl she lifted the poker and struck, not at him, but

at the chandelier overhead. Yet, even as pitch darkness flooded the

tightly curtained room, he realized what that more-than-animal life was.

There was no one conclusive reason, but from a multitude of almost

indefinable impressions--too many to be realized separately--he knew

with chilling certainty that the bestial spirit animating Tansy's

body, the crude and unfinished soul conjured into her body--possessing

her body as it used to be said demons possessed the bodies of the

insane--was the same soul that had animated the stone creature that had

crept from the roof.

And then the darkness was complete.

There was a rush of soft footsteps. He ducked to one side.

Nevertheless, the _swish_ came perilously close. There was a sound

as if she had dived or rolled across the table after he eluded the

headlong rush--he could hear the slur of papers skidding and the faint

crackle as some drifted to the floor. Then silence, except for the

rapid _snuff-snuff_ of animal breathing.

He crouched on the carpet, trying not to move a muscle, straining his

ears to catch the direction of that breathing. Abominable, he thought,

how inefficient the human auditory system is at localizing a sound.

First it came from one direction, then another--although he could not

hear the slightest rustle of intervening movement--until he began to

lose his sense of orientation in the room. He tried to remember his

exact movements in springing away from the table. As he had hit the

carpet, he had spun around. But how far? Was he facing toward or away

from the wall? In his zeal to avoid the possibility of anyone spying on

Tansy, he had blacked out this room and the bedroom, and the blackout

was effective. No discernible atom of light filtered through from

the night outside. He was somewhere on what was beginning to seem an

endless expanse of carpet.

And somewhere else on that expanse, it was. Could it see and hear more

than he? Could it discern form in retinal patterns that were only

blackness to Tansy's human soul? What was it waiting for? Now even the

rapid breathing was no longer audible--it possessed cunning.

* * * * *

This might be the darkness of some jungle floor, roofed by yards of

matted creepers. Civilization is a thing of light. When light goes,

civilization is snuffed out. He was rapidly being reduced to _its_

level. Perhaps it had counted on that when it smashed the lights.

This might be the inner chamber of some primeval cave, and he some

cloudy-minded primitive huddled in abject terror of his mate, into

whose beloved form a demon had been conjured up by the witch woman--the

brawny, fat witch woman with the sullen lip and brutish eyes, and

copper ornaments twisted in matted red hair. Should he grope for his

ax and seek to smash the demon from her skull where it was hiding? Or

should he seek out the witch woman and throttle her until she called

off her demon? But how could he constrain his wife meanwhile? If the

tribe found her, they would slay her instantly--it was the law. And

even now the demon in her was seeking to slay him.

With thoughts almost as murky and confused as those of that ghostly

primitive forerunner, he sought to grapple with the problem, until he

suddenly realized what it was waiting for.

Already his muscles were aching. He was getting twinges of pain from

his shoulder, as the numbness went out of it. Soon he would make an

involuntary movement. And in that instant it would be upon him.

Cautiously he stretched out his hand. Slowly--very slowly--he swung it

around until it touched a small table and located the large book he had

remembered was there. Clamping thumb and fingers around the book where

it projected from the table edge, he lifted it and drew it to him. His

muscles began to shake a little from the effort to maintain absolute

quiet.

With a slow movement he launched the book toward the center of the

room, so that it hit the carpet a few feet from him. The sound drew the

instant response he had hoped for. Waiting a second, he dove forward,

seeking to pin it to the floor. But its cunning was greater than he had

guessed. His arms closed on a heavy cushion that it had hurled toward

the book, and only luck saved him as the poker thudded against the

carpet close by his head.

Clutching out blindly, his hands closed on the cold metal. There was

a moment of straining as it sought to break his grip. Then he was

sprawling backward, and the footsteps were retreating toward the rear

of the house.

He followed it to the kitchen. A drawer, jerked out too far, fell to

the floor, and he heard the chilling clatter and scrape of cutlery.

But there was enough light in the kitchen to show him its silhouette.

He lunged at the upraised hand holding the long knife, caught the

wrist. Then it threw itself against him, and they dropped to the floor.

He felt her warm body against his, the touch of it an instant check

to violence. He dared not harm it, and yet viciousness animated it to

the last limits of its strength. For a moment he felt the coldness of

the flat of the knife against his cheek, then he had forced the weapon

away. He doubled up his legs to protect himself from its knees. It

surged convulsively down upon him and he felt jaws clamp the arm with

which he held away the knife. Teeth sawed sideways, trying to penetrate

the fabric of his coat. Cloth ripped as he sought with his free hand

to drag her body away from him. Then he found her hair and forced back

the head so the teeth lost their grip. It dropped the knife and clawed

with both hands at his face. He seized the fingers seeking his eyes and

nostrils; it snarled and spat at him. Steadily he forced down the arms,

twisting them behind it, and with a sudden effort got to his knees.

Strangled sounds of impotent fury came from its throat.

Only too keenly aware of how close his muscles were to the trembling

weakness of fatigue, he shifted his grip so that with one hand he held

the straining wrists. With the other he groped sideways, jerked open

the lower door of the cabinet, and found a length of cord.

Conjure wife · 第 39 / 43 题