Norman nodded. "A rather quiet kid. Does mimeographing."

"Well, a little while ago, she threw an hysterical fit in Mrs. Carr's

office. Claimed that you had seduced her. Mrs. Carr immediately dumped

the whole business in my lap."

"Well?" said Norman.

Gunnison frowned and cocked an eye at him. "Things like this sometimes

really happen," he muttered.

"Sure," Norman replied. "But not this time."

"Of course. I had to ask."

"Sure. There _was_ opportunity though. We worked late several

nights over at Morton, editing stuff."

Gunnison reached for a folder. "On a chance, I got out her neurotic

index. She ranks way up near the top. A regular bundle of complexes.

We'll just have to handle it smoothly."

"I'll want to hear her accuse me," said Norman. "Soon as possible."

"Of course. I've arranged for a meeting at Mrs. Carr's office. Four

o'clock this afternoon. Meantime she's seeing the college physician.

That should sober her up."

"Four o'clock," repeated Norman, standing up. "You'll be there?"

"Certainly. I'm sorry about this whole business, Norm. Frankly, I think

Mrs. Carr botched it. Got panicky. She's a pretty old lady."

In the outer office he stopped to glance at a small display case of

items concerned with Gunnison's work in physical chemistry. The present

display was of Prince Rupert drops and other high-tension oddities. It

occurred to him that Hempnell was something like a Prince Rupert drop.

Hit the main body with a hammer and you only jarred your hand. But

flick with a fingernail the delicate filament in which the drop ended,

and it would explode in your face.

Fanciful.

He glanced at the other objects, among them a tiny mirror, which, the

legend explained, would fly to powder at the slightest scratch or

sudden change in temperature.

Yet it wasn't so fanciful, when you got to thinking about it. Any

highly organized, complex, somewhat artificial institution, such as a

college, tends to develop dangerous weaknesses. And the same would be

true of a person or a career. Flick the delicate spot in the mind of

a neurotic girl, and she would explode with wild accusations. Or take

a saner person, like himself. Suppose someone should be studying him

secretly, looking for the vulnerable filament, finger casually poised

to flick--

But that was really getting fanciful.

* * * * *

Coming out of their eleven-o'clock classes, Hervey Sawtelle buttonholed

him.

Hervey Sawtelle resembled an unfriendly caricature of a college

professor. Sometimes he carried two brief cases, and he was usually on

his way to a committee meeting. Routine worries chased themselves up

and down his nervous face.

But at the moment he was in the grip of one of his petty excitements.

"Say, Norman, the most interesting thing! I was down in the stacks this

morning, and I happened to pull out an old doctor's thesis--1930--by

someone I never heard of--with the title 'Superstition and Neurosis.'"

He produced a bound, typewritten manuscript that looked as if it had

aged without ever being opened. "Almost the same as your 'Parallelisms

in Superstition and Neurosis.' An odd coincidence, eh? I'm going to

look it over tonight."

They were hurrying together toward the dining hall down a walk flooded

with jabbering, laughing students. Norman studied Sawtelle's face

covertly. Surely the fool must remember that his "Parallelisms" had

been published in 1931, giving an ugly suggestion of plagiarism. But

Sawtelle's nervous, toothy grin was without guile.

He had the impulse to pull Sawtelle aside and tell him that there

was something odder than a coincidence involved, and that it did not

reflect in any way on his own integrity of scholarship. But this seemed

hardly the place.

Yet there was no denying the incident bothered him a trifle. Why,

it was years since he had even thought of that stupid business of

Cunningham's thesis. It had lain buried and forgotten in the past--a

hidden vulnerability, waiting for the flick of the fingernail.

Asinine fancifulness! It could all be very well explained, to Sawtelle

or anyone else, at a more suitable time.

Sawtelle's mind was back to routine worries. "You know, we should

be having our conference on the social-science program for next

year. On the other hand, I suppose we should wait until--" He paused

embarrassedly.

"Until it's decided whether you or I get the chairmanship of the

department?" Norman finished for him. "I don't see why. We'll be

working together in any case."

"Yes, of course. I didn't mean to suggest that--"

They were joined by some other faculty members on the steps of the

dining hall. The deafening clatter of trays from the student section

was subdued to a faint din as they entered the faculty sanctum.

Conversation revolved among the old familiar topics, with an

undercurrent of speculation as to what reorganizations and curtailments

of staff the new war year might bring to Hempnell. There was some

reference to the political ambitions of President Pollard--it was

rumored that he might be persuaded to run for governor or senator;

discreet silences here and there around the table substituted for

adverse criticisms on this possibility. Sawtelle's Adam's apple

twitched convulsively at a chance reference to the vacant chairmanship

in sociology.

Norman managed to get a fairly interesting conversation going. He was

glad that he would be busy with classes and conferences until four

o'clock. He knew he could work half again as hard as someone like

Sawtelle, but if he were compelled to do one quarter of the worrying

that man did--

* * * * *

Yet the four-o'clock meeting proved to be an anticlimax. He had no

sooner put his hand on the door leading to Mrs. Carr's office, when--as

if that had provided the necessary stimulus--a shrill, tearful voice

burst out with: "It's all a lie! I made it up."

Gunnison was sitting near the window, face a trifle averted, arms

folded, looking like a slightly bored, slightly embarrassed but very

stolid elephant. In a chair in the center of the room was huddled a

delicate, fair-haired, but rather homely girl, tears dribbling down her

cheeks and hysterical sobs racking her shoulders. Mrs. Carr was trying

to calm her in a fluttery way.

"I don't know why I did it," the girl bleated pitifully. "I was in love

with him, and he wouldn't even look at me. I was going to kill myself

last night, and then I thought I would do this instead, to hurt him,

or--"

"Now, Margaret, you must control yourself," Mrs. Carr admonished, her

hands hovering over the girl's shoulders.

"Just a minute," Norman cut in, "did you say last night?"

"There, there, dear. I think you better leave, Professor Saylor." Mrs.

Carr's eyes, magnified by thick glasses, looked fishlike. Her attitude

was hostile. "There's obviously no need of asking questions."

"I think I should be permitted at least one," said Norman. "Just

exactly at what time last night, Miss van Nice, did you get this idea?"

Gunnison registered puzzled but vague curiosity.

The tear-stained face looked up at Norman.

"It was just after one o'clock," she said. "I had been lying awake in

the dark for hours, planning to kill myself. And then, in a flash the

idea came to me." Suddenly she shook loose from Mrs. Carr and stood up,

facing Norman. "Oh, I hate you!" she screamed. "I hate you!"

Gunnison followed him out of the office. He yawned, shook his head, and

remarked, "Glad that's over."

"Never a dull moment," Norman responded, absently.

"Oh, by the way," Gunnison said, dragging a stiff white envelope out of

his inside pocket, "here's a note for Mrs. Saylor. Hulda asked me to

give it to you. I forgot about it before."

"I met her coming out of your office this morning," Norman said, his

thoughts still elsewhere.

* * * * *

Somewhat later, back at Morton, Norman tried to come to grips with

those thoughts, but found them remarkably slippery. The dragon on the

roof ridge of Estrey Hall lured away his attention. Funny about little

things like that. You never even noticed them for years, and then

they suddenly popped into focus. How many people could give you one

single definite fact about the architectural ornaments of buildings in

which they worked? Not one in ten, probably. Why, if you'd asked him

yesterday about that dragon, he wouldn't for his life have been able to

tell you even if there _was_ one or not.

He leaned on the window sill, looking at the lizardlike yet grotesquely

anthropoid form, bathed in the yellow sunset glow, which, his wandering

mind remembered, was supposed to symbolize the souls of the dead

passing into and out of the underworld. Below the dragon, jutting out

from under the cornice, was a sculptured head, one of a series of

famous scientists and mathematicians decorating the entablature. He

made out the name "Galileo," along with a brief inscription of some

sort.

When he turned back to answer the phone, it suddenly seemed very dark

in the office.

"Saylor? I just want to tell you that I'm going to give you until

tomorrow--"

"Listen, Jennings," Norman cut in sharply, "I hung up on you last night

because you kept shouting into the phone. This threatening line won't

do you any good."

The voice continued where it had broken off, growing dangerously high.

"--until tomorrow to withdraw your charges and have me reinstated at

Hempnell. If you don't--"

"I told you not to threaten. There were no charges. You just flunked

out. If you want to talk it over reasonably, come and see me."

The voice at the other end of the line broke into a screaming obscene

torrent of abuse, so loud that he could still hear it very plainly as

he was placing the receiver back in the cradle.

Paranoid--that was the way it sounded.

Then he suddenly sat very still.

At twenty past one last night he had burned a charm supposedly designed

to ward off evil influence from him. The last of Tansy's "hands."

At about the same time Margaret van Nice had decided to accuse him of

seducing her, and Marvin Jennings had decided to make him responsible

for an imaginary plot.

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