I thought that this was very likely, too, but I would not admit it.

The dress came home at nine o’clock, and operated a happy diversion from

my imaginable shortcomings; for it appeared from Mrs. March’s asides to

me that it was a perfect horror in the set, and that everybody could see

that it had been simply _slung_ together at the last moment, and she

would never, as long as the world stood, go to that woman for anything

again.

I must say I could not myself see anything wrong about the dress. I

thought it exquisite in tint and texture; a delicate, pale-greenish film

that clung and floated, and set off the girl’s beauty as the leafage of a

flower heightens the loveliness of a flower. I did not dare to say this

in the face of Mrs. March’s private despair, and I was silent while the

girl submitted to be twirled about for my inspection like a statue on a

revolving pedestal. Kendricks, however, had no such restrictions upon

him, and I could see him start with delight in the splendid vision before

he spoke.

“_Isn’t_ it a poem?” demanded Mrs. March. “Isn’t it a perfect _lyric_?”

“Why should you have allowed her to be transported altogether into the

ideal? Wasn’t she far enough from us before?” he asked; and I found

myself wishing that he would be either less or more articulate. He ought

to have been mute with passion, or else he ought to have been frankly

voluble about the girl’s gown, and gone on about it longer. But he

simply left the matter there, and though I kept him carefully under my

eye, I could not see that he was concealing any further emotion. She, on

her part, neither blushed nor frowned at his compliment; she did nothing

by look or gesture to provoke more praise; she took it very much as the

beautiful evening might, so undeniably fine, so perfect in its way.

She and the evening were equally fitted for the event to which they

seemed equally dedicated. The dancing was to be out of doors on a vast

planking, or platform, set up in the heart of that bosky court which the

hotel incloses. Around this platform drooped the slim, tall Saratogan

trees, and over it hung the Saratogan sky, of a nocturnal blue very rare

in our latitude, with the stars faint in its depths, and by and by a

white moon that permitted itself a modest competition with the electric

lights effulgent everywhere. There was a great crowd of people in the

portico, the vestibule, and the inner piazzas, and on the lawn around the

platform, where “the trodden weed” sent up the sweet scent of bruised

grass in the cool night air. My foolish old heart bounded with a pulse

of youth at the thought of all the gay and tender possibilities of such a

scene.

But the young people under my care seemed in no haste to mingle in it.

We oldsters are always fancying youth impatient, but there is no time of

life which has so much patience. It behaves as if it had eternity before

it—an eternity of youth—instead of a few days and years, and then the

frosty poll. We who are young no longer think we would do so and so if

we were young, as women think they would do so and so if they were men;

but if we were really young again, we should not do at all what we think.

We should not hurry to experience our emotions; we should not press

forward to discharge our duties or repair our mistakes; we should not

seize the occasion to make a friend or reconcile an enemy; we should let

weeks and months go by in the realisation of a passion, and trust all

sorts of contingencies and accidents to help us out with its confession.

The thoughts of youth are very long, and its conclusions are deliberate

and delayed, and often withheld altogether. It is age which is

tremulously eager in these matters, and cannot wait with the fine

patience of nature in her growing moods.

As soon, even, as I was in the hotel I was impatient to press through to

the place where the dancing was, and where I already heard the band

playing. I knew very well that when we got there I should have to sit

down somewhere on the edge of the platform with the other frumps and

fogies, and begin taking cold in my dress-coat, and want to doze off

without being able to, while my young people were waltzing together, or

else promenading up and down ignoring me, or recognising me by the offer

of a fan, and the question whether I was not simply melting; I have seen

how the poor chaperon fares at such times. But they, secure of their

fun, were by no means desirous to have it over, or even to have it begin.

They dawdled through the thronged hotel office, where other irresponsible

pairs were coming and going under the admiring eyes of the hotel

loungers, and they wandered up and down the waste parlours, and sat on

_tête-à-têtes_ just to try them, apparently; and Miss Gage verified in

the mirrors the beauty which was reflected in all eyes. They amused

themselves with the extent of the richly-carpeted and upholstered

desolation around them, where only a few lonely and aging women lurked

about on sofas and ottomans; and they fell to playing with their

compassion for the plebeian spectators at the long verandah windows

trying to penetrate with their forbidden eyes to the hop going on in the

court far beyond the intermediary desert of the parlours.

When they signified at last that they were ready for me to lead them on

to the dance, I would so much rather have gone to bed that there are no

words for the comparison. Then, when we got to the place, which I should

never have been able to reach in the world if it had not been for the

young energy and inspiration of Kendricks, and they had put me in a

certain seat with Miss Gage’s wraps beside me where they could find me,

they went off and danced for hours and hours. For hours and hours? For

ages and ages! while I withered away amid mouldering mothers, and saw my

charges through the dreadful half-dreams of such a state whirling in the

waltz, hopping in the polka, sliding in the galop, and then endlessly

walking up and down between the dances, and eating and drinking the chill

refreshments that it made my teeth chatter to think of. I suppose they

decently came to me from time to time, though they seemed to be always

dancing, for I could afterward remember Miss Gage taking a wrap from me

now and then, and quickly coming back to shed it upon my lap again. I

got so chilled that if they had not been unmistakably women’s wraps I

should have bundled them all about my shoulders, which I could almost

hear creak with rheumatism. I must have fallen into a sort of drowse at

last; for I was having a dispute with some sort of authority, which

turned out to be Mrs. March, and upbraiding her with the fact that there

were no women’s wraps which would also do for a man, when the young

people stood arm in arm before me, and Miss Gage said that she was tired

to death now, and they were going.

But it appeared that they were only going as far as the parlours for the

present; for when they re-entered the hotel, they turned into them, and

sat down there quite as if that had been the understanding. When I

arrived with the wraps, I was reminded of something, and I said, “Have

you two been dancing together the whole evening?”

They looked at each other as if for the first time they now realised the

fact, and Kendricks said, “Why, of course we have! We didn’t know

anybody.”

“Very well, then,” I said; “you have got me into a scrape.”

“Oh, poor Mr. March!” cried the girl. “How have we done it?”

“Why, Mrs. March said that Mr. Kendricks would be sure to know numbers of

people, and I must get you other partners, for it wouldn’t do for you to

dance the whole evening together.”

She threw herself back in the chair she had taken, and laughed as if this

were the best joke in the world.

He said hardily, “You see it _has_ done.”

“And if it wouldn’t do,” she gasped, “why didn’t you bring me the other

partners?”

“Because I didn’t know any,” I said; and this seemed to amuse them both

so much that I was afraid they would never get their breath.

She looked by and by at her dancing-card, and as soon as she could wipe

the tears from her eyes she said, “No; there is no other name there”; and

this seemed even a better joke than the other from the way they joined in

laughing at it.

“Well, now,” I said, when they were quiet again, “this won’t do, my young

friends. It’s all very well for you, and you seem to like it; but I am

responsible for your having passed a proper evening under my chaperonage,

and something has got to be done to prove it.” They saw the

reasonableness of this, and they immediately became sober. “Kendricks,”

I asked, “can’t you think of something?”

No, he said, he couldn’t; and then he began to laugh again.

I applied to her in the same terms; but she only answered, “Oh, don’t ask

_me_,” and she went off laughing too.

“Very well, then,” I said; “I shall have to do something desperate, and I

shall expect you both to bear me out in it, and I don’t want any

miserable subterfuges when it comes to the point with Mrs. March. Will

you let me have your dancing-card Miss Gage?” She detached it, and

handed it to me. “It’s very fortunate that Mr. Kendricks wrote his name

for the first dance only, and didn’t go on and fill it up.”

“Why, we didn’t think it was worth while!” she innocently explained.

“And that’s what makes it so perfectly providential, as Mrs. March says.

Now then,” I went on, as I wrote in the name of a rising young

politician, who happened just then to have been announced as arriving in

Saratoga to join some other leaders in arranging the slate of his party

for the convention to meet a month later, “we will begin with a good

American.”

I handed the card to Kendricks. “Do you happen to remember the name of

the young French nobleman who danced the third dance with Miss Gage?”

“No,” he said; “but I think I could invent it.” And he dashed down an

extremely probable marquis, while Miss Gage clapped her hands for joy.

“Oh, how glorious! how splendid!”

An Open-Eyed Conspiracy; An Idyl of Saratoga · 第 20 / 25 题