CHAPTER IV. MADEMOISELLE LANGE

The green-room was crowded when de Batz and St. Just arrived there after

the performance. The older man cast a hasty glance through the open

door. The crowd did not suit his purpose, and he dragged his companion

hurriedly away from the contemplation of Mlle. Lange, sitting in a far

corner of the room, surrounded by an admiring throng, and by innumerable

floral tributes offered to her beauty and to her success.

De Batz without a word led the way back towards the stage. Here, by the

dim light of tallow candles fixed in sconces against the surrounding

walls, the scene-shifters were busy moving drop-scenes, back cloths and

wings, and paid no heed to the two men who strolled slowly up and down

silently, each wrapped in his own thoughts.

Armand walked with his hands buried in his breeches pockets, his head

bent forward on his chest; but every now and again he threw quick,

apprehensive glances round him whenever a firm step echoed along the

empty stage or a voice rang clearly through the now deserted theatre.

“Are we wise to wait here?” he asked, speaking to himself rather than to

his companion.

He was not anxious about his own safety; but the words of de Batz had

impressed themselves upon his mind: “Heron and his spies we have always

with us.”

From the green-room a separate foyer and exit led directly out into

the street. Gradually the sound of many voices, the loud laughter and

occasional snatches of song which for the past half-hour had proceeded

from that part of the house, became more subdued and more rare. One by

one the friends of the artists were leaving the theatre, after having

paid the usual banal compliments to those whom they favoured, or

presented the accustomed offering of flowers to the brightest star of

the night.

The actors were the first to retire, then the older actresses, the ones

who could no longer command a court of admirers round them. They all

filed out of the green-room and crossed the stage to where, at the

back, a narrow, rickety wooden stairs led to their so-called

dressing-rooms--tiny, dark cubicles, ill-lighted, unventilated, where

some half-dozen of the lesser stars tumbled over one another while

removing wigs and grease-paint.

Armand and de Batz watched this exodus, both with equal impatience.

Mlle. Lange was the last to leave the green-room. For some time, since

the crowd had become thinner round her, Armand had contrived to catch

glimpses of her slight, elegant figure. A short passage led from the

stage to the green-room door, which was wide open, and at the corner

of this passage the young man had paused from time to time in his walk,

gazing with earnest admiration at the dainty outline of the young girl’s

head, with its wig of powdered curls that seemed scarcely whiter than

the creamy brilliance of her skin.

De Batz did not watch Mlle. Lange beyond casting impatient looks in the

direction of the crowd that prevented her leaving the green-room. He

did watch Armand, however--noted his eager look, his brisk and alert

movements, the obvious glances of admiration which he cast in the

direction of the young actress, and this seemed to afford him a

considerable amount of contentment.

The best part of an hour had gone by since the fall of the curtain

before Mlle. Lange finally dismissed her many admirers, and de Batz had

the satisfaction of seeing her running down the passage, turning back

occasionally in order to bid gay “good-nights” to the loiterers who

were loath to part from her. She was a child in all her movements, quite

unconscious of self or of her own charms, but frankly delighted with

her success. She was still dressed in the ridiculous hoops and panniers

pertaining to her part, and the powdered peruke hid the charm of her

own hair; the costume gave a certain stilted air to her unaffected

personality, which, by this very sense of contrast, was essentially

fascinating.

In her arms she held a huge sheaf of sweet-scented narcissi, the spoils

of some favoured spot far away in the South. Armand thought that never

in his life had he seen anything so winsome or so charming.

Having at last said the positively final adieu, Mlle. Lange with a happy

little sigh turned to run down the passage.

She came face to face with Armand, and gave a sudden little gasp of

terror. It was not good these days to come on any loiterer unawares.

But already de Batz had quickly joined his friend, and his smooth,

pleasant voice, and podgy, beringed hand extended towards Mlle. Lange,

were sufficient to reassure her.

“You were so surrounded in the green-room, mademoiselle,” he said

courteously, “I did not venture to press in among the crowd of

your admirers. Yet I had the great wish to present my respectful

congratulations in person.”

“Ah! c’est ce cher de Batz!” exclaimed mademoiselle gaily, in that

exquisitely rippling voice of hers. “And where in the world do you

spring from, my friend?

“Hush-sh-sh!” he whispered, holding her small bemittened hand in

his, and putting one finger to his lips with an urgent entreaty for

discretion; “not my name, I beg of you, fair one.”

“Bah!” she retorted lightly, even though her full lips trembled now as

she spoke and belied her very words. “You need have no fear whilst

you are in this part of the house. It is an understood thing that the

Committee of General Security does not send its spies behind the curtain

of a theatre. Why, if all of us actors and actresses were sent to

the guillotine there would be no play on the morrow. Artistes are not

replaceable in a few hours; those that are in existence must perforce be

spared, or the citizens who govern us now would not know where to spend

their evenings.”

But though she spoke so airily and with her accustomed gaiety, it was

easily perceived that even on this childish mind the dangers which beset

every one these days had already imprinted their mark of suspicion and

of caution.

“Come into my dressing-room,” she said. “I must not tarry here any

longer, for they will be putting out the lights. But I have a room to

myself, and we can talk there quite agreeably.”

She led the way across the stage towards the wooden stairs. Armand, who

during this brief colloquy between his friend and the young girl had

kept discreetly in the background, felt undecided what to do. But at

a peremptory sign from de Batz he, too, turned in the wake of the gay

little lady, who ran swiftly up the rickety steps, humming snatches of

popular songs the while, and not turning to see if indeed the two men

were following her.

She had the sheaf of narcissi still in her arms, and the door of her

tiny dressing-room being open, she ran straight in and threw the flowers

down in a confused, sweet-scented mass upon the small table that

stood at one end of the room, littered with pots and bottles, letters,

mirrors, powder-puffs, silk stockings, and cambric handkerchiefs.

Then she turned and faced the two men, a merry look of unalterable

gaiety dancing in her eyes.

“Shut the door, mon ami,” she said to de Batz, “and after that sit down

where you can, so long as it is not on my most precious pot of unguent

or a box of costliest powder.”

While de Batz did as he was told, she turned to Armand and said with a

pretty tone of interrogation in her melodious voice:

“Monsieur?”

“St. Just, at your service, mademoiselle,” said Armand, bowing very low

in the most approved style obtaining at the English Court.

“St. Just?” she repeated, a look of puzzlement in her brown eyes.

“Surely--”

“A kinsman of citizen St. Just, whom no doubt you know, mademoiselle,”

he exclaimed.

“My friend Armand St. Just,” interposed de Batz, “is practically a

new-comer in Paris. He lives in England habitually.”

“In England?” she exclaimed. “Oh! do tell me all about England. I would

love to go there. Perhaps I may have to go some day. Oh! do sit down, de

Batz,” she continued, talking rather volubly, even as a delicate blush

heightened the colour in her cheeks under the look of obvious admiration

from Armand St. Just’s expressive eyes.

She swept a handful of delicate cambric and silk from off a chair,

making room for de Batz’ portly figure. Then she sat upon the sofa, and

with an inviting gesture and a call from the eyes she bade Armand sit

down next to her. She leaned back against the cushions, and the table

being close by, she stretched out a hand and once more took up the bunch

of narcissi, and while she talked to Armand she held the snow-white

blooms quite close to her face--so close, in fact, that he could not

see her mouth and chin, only her dark eyes shone across at him over the

heads of the blossoms.

“Tell me all about England,” she reiterated, settling herself down among

the cushions like a spoilt child who is about to listen to an oft-told

favourite story.

Armand was vexed that de Batz was sitting there. He felt he could have

told this dainty little lady quite a good deal about England if only his

pompous, fat friend would have had the good sense to go away.

As it was, he felt unusually timid and gauche, not quite knowing what to

say, a fact which seemed to amuse Mlle. Lange not a little.

“I am very fond of England,” he said lamely; “my sister is married to an

Englishman, and I myself have taken up my permanent residence there.”

“Among the society of emigres?” she queried.

Then, as Armand made no reply, de Batz interposed quickly:

“Oh! you need not fear to admit it, my good Armand; Mademoiselle Lange,

has many friends among the emigres--have you not, mademoiselle?”

“Yes, of course,” she replied lightly; “I have friends everywhere. Their

political views have nothing to do with me. Artistes, I think, should

have naught to do with politics. You see, citizen St. Just, I never

inquired of you what were your views. Your name and kinship would

proclaim you a partisan of citizen Robespierre, yet I find you in the

company of M. de Batz; and you tell me that you live in England.”

“He is no partisan of citizen Robespierre,” again interposed de Batz;

“in fact, mademoiselle, I may safely tell you, I think, that my friend

has but one ideal on this earth, whom he has set up in a shrine, and

whom he worships with all the ardour of a Christian for his God.”

“How romantic!” she said, and she looked straight at Armand. “Tell me,

monsieur, is your ideal a woman or a man?”

His look answered her, even before he boldly spoke the two words:

“A woman.”

She took a deep draught of sweet, intoxicating scent from the narcissi,

and his gaze once more brought blushes to her cheeks. De Batz’

good-humoured laugh helped her to hide this unwonted access of

confusion.

“That was well turned, friend Armand,” he said lightly; “but I assure

you, mademoiselle, that before I brought him here to-night his ideal was

a man.”

“A man!” she exclaimed, with a contemptuous little pout. “Who was it?”

“I know no other name for him but that of a small, insignificant

flower--the Scarlet Pimpernel,” replied de Batz.

“The Scarlet Pimpernel!” she ejaculated, dropping the flowers suddenly,

and gazing on Armand with wide, wondering eyes. “And do you know him,

monsieur?”

He was frowning despite himself, despite the delight which he felt at

sitting so close to this charming little lady, and feeling that in a

measure his presence and his personality interested her. But he felt

irritated with de Batz, and angered at what he considered the latter’s

indiscretion. To him the very name of his leader was almost a sacred

one; he was one of those enthusiastic devotees who only care to name the

idol of their dreams with bated breath, and only in the ears of those

who would understand and sympathise.

Again he felt that if only he could have been alone with mademoiselle he

could have told her all about the Scarlet Pimpernel, knowing that in her

he would find a ready listener, a helping and a loving heart; but as it

was he merely replied tamely enough:

“Yes, mademoiselle, I do know him.”

“You have seen him?” she queried eagerly; “spoken to him?”

“Yes.”

“Oh! do tell me all about him. You know quite a number of us in France

have the greatest possible admiration for your national hero. We know,

of course, that he is an enemy of our Government--but, oh! we feel that

he is not an enemy of France because of that. We are a nation of heroes,

too, monsieur,” she added with a pretty, proud toss of the head; “we can

appreciate bravery and resource, and we love the mystery that surrounds

the personality of your Scarlet Pimpernel. But since you know him,

monsieur, tell me what is he like?”

Armand was smiling again. He was yielding himself up wholly to the charm

which emanated from this young girl’s entire being, from her gaiety

and her unaffectedness, her enthusiasm, and that obvious artistic

temperament which caused her to feel every sensation with superlative

keenness and thoroughness.

“What is he like?” she insisted.

“That, mademoiselle,” he replied, “I am not at liberty to tell you.”

“Not at liberty to tell me!” she exclaimed; “but monsieur, if I command

you--”

“At risk of falling forever under the ban of your displeasure,

mademoiselle, I would still remain silent on that subject.”

She gazed on him with obvious astonishment. It was quite an unusual

thing for this spoilt darling of an admiring public to be thus openly

thwarted in her whims.

“How tiresome and pedantic!” she said, with a shrug of her pretty

shoulders and a moue of discontent. “And, oh! how ungallant! You have

learnt ugly, English ways, monsieur; for there, I am told, men hold

their womenkind in very scant esteem. There!” she added, turning with

a mock air of hopelessness towards de Batz, “am I not a most unlucky

woman? For the past two years I have used my best endeavours to catch

sight of that interesting Scarlet Pimpernel; here do I meet monsieur,

who actually knows him (so he says), and he is so ungallant that he even

refuses to satisfy the first cravings of my just curiosity.”

“Citizen St. Just will tell you nothing now, mademoiselle,” rejoined

de Batz with his good-humoured laugh; “it is my presence, I assure you,

which is setting a seal upon his lips. He is, believe me, aching to

confide in you, to share in your enthusiasm, and to see your beautiful

eyes glowing in response to his ardour when he describes to you the

exploits of that prince of heroes. En tete-a-tete one day, you will, I

know, worm every secret out of my discreet friend Armand.”

Mademoiselle made no comment on this--that is to say, no audible

comment--but she buried the whole of her face for a few seconds among

the flowers, and Armand from amongst those flowers caught sight of a

pair of very bright brown eyes which shone on him with a puzzled look.

She said nothing more about the Scarlet Pimpernel or about England just

then, but after awhile she began talking of more indifferent subjects:

the state of the weather, the price of food, the discomforts of her own

house, now that the servants had been put on perfect equality with their

masters.

Armand soon gathered that the burning questions of the day, the horrors

of massacres, the raging turmoil of politics, had not affected her very

deeply as yet. She had not troubled her pretty head very much about the

social and humanitarian aspect of the present seething revolution.

She did not really wish to think about it at all. An artiste to her

finger-tips, she was spending her young life in earnest work, striving

to attain perfection in her art, absorbed in study during the day, and

in the expression of what she had learnt in the evenings.

The terrors of the guillotine affected her a little, but somewhat

vaguely still. She had not realised that any dangers could assail her

whilst she worked for the artistic delectation of the public.

It was not that she did not understand what went on around her, but that

her artistic temperament and her environment had kept her aloof from

it all. The horrors of the Place de la Revolution made her shudder, but

only in the same way as the tragedies of M. Racine or of Sophocles which

she had studied caused her to shudder, and she had exactly the same

sympathy for poor Queen Marie Antoinette as she had for Mary Stuart, and

shed as many tears for King Louis as she did for Polyeucte.

Once de Batz mentioned the Dauphin, but mademoiselle put up her hand

quickly and said in a trembling voice, whilst the tears gathered in her

eyes:

“Do not speak of the child to me, de Batz. What can I, a lonely,

hard-working woman, do to help him? I try not to think of him, for if

I did, knowing my own helplessness, I feel that I could hate my

countrymen, and speak my bitter hatred of them across the footlights;

which would be more than foolish,” she added naively, “for it would not

help the child, and I should be sent to the guillotine. But oh sometimes

I feel that I would gladly die if only that poor little child-martyr

were restored to those who love him and given back once more to joy and

happiness. But they would not take my life for his, I am afraid,”

she concluded, smiling through her tears. “My life is of no value in

comparison with his.”

Soon after this she dismissed her two visitors. De Batz, well content

with the result of this evening’s entertainment, wore an urbane, bland

smile on his rubicund face. Armand, somewhat serious and not a little in

love, made the hand-kiss with which he took his leave last as long as he

could.

“You will come and see me again, citizen St. Just?” she asked after that

preliminary leave-taking.

“At your service, mademoiselle,” he replied with alacrity.

“How long do you stay in Paris?”

“I may be called away at any time.”

“Well, then, come to-morrow. I shall be free towards four o’clock.

Square du Roule. You cannot miss the house. Any one there will tell you

where lives citizeness Lange.”

“At your service, mademoiselle,” he replied.

The words sounded empty and meaningless, but his eyes, as they took

final leave of her, spoke the gratitude and the joy which he felt.

El Dorado: An Adventure of the Scarlet Pimpernel · 第 4 / 25 章