Rap!----

Suddenly came a wild scream. It was such a scream as I had never

heard before in my life. It came as though a dagger had been thrust into

the heart of Mrs. Popper. The lights flashed up as Kennedy turned the

switch.

A man was lying flat on the floor--it was Inspector O'Connor. He had

succeeded in slipping noiselessly, like a snake, below the curtain

into the cabinet. Craig had told him to look out for wires or threads

stretched from Mrs. Popper's clothing to the bulging curtain of the

cabinet. Imagine his surprise when he saw that she had simply freed

her foot from the shoe, which I was carefully holding down, and with a

backward movement of the leg was reaching out into the cabinet behind

her chair and was doing the rapping with her toes.

Lying on the floor he had grasped her foot and caught her heel with a

firm hand. She had responded with a wild yell that showed she knew she

was trapped. Her secret was out.

Hysterically Mrs. Popper began to upbraid the inspector as he rose to

his feet, but Farrington quickly interposed.

“Something was working against us to-night, gentlemen. Yet you demanded

results. And when the spirits will not come, what is she to do? She

forgets herself in her trance; she produces, herself, the things that

you all could see supernaturally if you were in sympathy.”

The mere sound of Farrington's voice seemed to rouse in me all the

animosity of my nature. I felt that a man who could trump up an excuse

like that when a person was caught with the goods was capable of almost

anything.

“Enough of this fake seance,” exclaimed Craig. “I have let it go

on merely for the purpose of opening the eyes of a certain deluded

gentleman in this room. Now, if you will all be seated I shall have

something to say that will finally establish whether Mary Vandam was the

victim of accident, suicide, or murder.”

With hearts beating rapidly we sat in silence.

Craig took the beakers and test-tubes from the shelf behind the curtain

and placed them on the little deal table that had been so merrily

dancing about the room.

“The increasing frequency with which tales of murder by poison appear

in the newspapers,” he began formally, “is proof of how rapidly this new

civilisation of ours is taking on the aspects of the older civilisations

across the seas. Human life is cheap in this country; but the ways

in which human life has been taken among us have usually been direct,

simple, aboveboard, in keeping with our democratic and pioneer

traditions. The pistol and the bowie-knife for the individual, the rope

and the torch for the mob, have been the usual instruments of sudden

death. But when we begin to use poisons most artfully compounded

in order to hasten an expected bequest and remove obstacles in its

way--well, we are practising an art that calls up all the memories of

sixteenth century Italy.

“In this beaker,” he continued, “I have some of the contents of the

stomach of the unfortunate woman. The coroner's physician has found that

they show traces of morphine. Was the morphine in such quantities as to

be fatal? Without doubt. But equally without doubt analysis could not

discover and prove it in the face of one inconsistency. The usual test

which shows morphine poisoning failed in this case. The pupils of her

eyes were not symmetrically contracted. In fact they were normal.

“Now, the murderer must have known of this test. This clever criminal

also knew that to be successful in the use of this drug where others had

failed, the drug must be skilfully mixed with something else. In that

first box of capsules there were six. The druggist compounded them

correctly according to the prescription. But between the time when they

came into the house from the druggist's and the time when she took the

first capsule, that night, someone who had access to the house emptied

one capsule of its harmless contents and refilled it with a deadly dose

of morphine--a white powder which looks just like the powder already in

the capsules.

“Why, then, the normal pupils of the eyes? Simply because the criminal

put a little atropine, or belladonna, with the morphine. My tests show

absolutely the presence of atropine, Dr. Hanson,” said Craig, bowing to

the physician.

“The best evidence, however, is yet to come. A second box of six

capsules, all intact, was discovered yesterday in the possession of

Henry Vandam. I have analysed the capsules. One contains no quinine at

all--it is all morphine and atropine. It is, without doubt, precisely

similar to the capsule which killed Mrs. Vandam. Another night or so,

and Henry Vandam would have died the same death.”

The old man groaned. Two such exposures had shaken him. He looked from

one of us to another as if not knowing in whom he could trust. But

Kennedy hurried on to his next point.

“Who was it that gave the prescription to Mrs. Vandam originally? She is

dead and cannot tell. The others won't tell, for the person who gave her

that prescription was the person who later substituted the fatal capsule

in place of the harmless. The original prescription is here. I have been

able to discover from it nothing at all by examining the handwriting.

Nor does the texture of the paper indicate anything to me. But the

ink--ah, the ink.

“Most inks seem very similar, I suppose, but to a person who has made a

study of the chemical composition of ink they are very different. Ink

is composed of iron tannate, which on exposure to air gives the black of

writing. The original pigment--say blue or blue-black ink--is placed

in the ink, to make the writing visible at first, and gradually fades,

giving place to the black of the tannate which is formed. The dyestuffs

employed in the commercial inks of to-day vary in colour from pale

greenish blue to indigo and deep violet. No two give identical

reactions--at all events not when mixed with the iron tannate to form

the pigment in writing.

“It is owing to the difference in these provisional colouring matters

that it is possible to distinguish between writing written with

different kinds of ink. I was able easily to obtain samples of the

inks used by the Vandams, by Mrs. Popper, by Mr. Farrington, and by the

druggist. I have compared the writing of the original prescription with

a colour scale of my own construction, and I have made chemical

tests. The druggist's ink conforms exactly to the writing on the two

pill-boxes, but not to the prescription. One of the other three inks

conforms by test absolutely to the ink in that prescription signed 'Dr.

C. W. H.' as a blind. In a moment my chain of evidence against the owner

of that bottle of ink will be complete.”

I could not help but think of the two pendulums on the shelf behind

the curtain, but Craig said nothing for a moment to indicate that he

referred to that apparatus. We sat dazed. Farrington seemed nervous

and ill at ease. Mrs. Popper, who had not recovered from the hysterical

condition of her exposure, with difficulty controlled her emotion.

Vandam was crushed.

“I have not only arranged this laboratory so as to reproduce Mrs.

Popper's seance-room,” began Craig afresh, “but I have had the cabinet

placed in relatively the same position a similar cabinet occupies in Mr.

Vandam's private seance-room in the Vandam mansion.

“One night, Mr. Jameson and myself were visiting Mr. Vandam. At

precisely twelve-thirty we heard most unaccountable rappings from that

cabinet. I particularly noted the position of the cabinet. Back of

it ran a hallway. That is duplicated here. Back of this cabinet is a

hallway. I had heard of these rappings before we went, but was afraid

that it would be impossible for me to catch the ghost red handed. There

is a limit to what you can do the first time you enter a man's house,

and, besides, that was no time to arouse suspicion in the mind of

anyone. But science has a way out of every dilemma. I determined to

learn something of these rappings.”

Craig paused and glanced first at Farrington, then at Mrs. Popper, and

then at Mr. Vandam.

“Mr. Jameson,” he resumed, “will escort the doctor, the inspector, Mr.

Farrington, Mrs. Popper, and Mr. Vandam into my imitation hall of the

Vandam mansion. I want each of you in turn to tiptoe up that hall to a

spot indicated on the wall, back of the cabinet, and strike that spot

several sharp blows with your knuckles.”

I did as Craig instructed tiptoeing up myself first so that they could

not mistake his meaning. The rest followed separately, and after a

moment we returned silently in suppressed excitement to the room.

Craig was still standing by the table, but now the pendulums with the

magnets and needles and the drums worked by clockwork were before him.

“Another person outside the Vandam family had a key to the Vandam

mansion,” he began gravely. “That person, by the way, was the one who

waited, night by night, until Mrs. Vandam took the fatal capsule,

and then when she had taken it apprised the old man of the fact and

strengthened an already blind faith in the shadow world.”

You could have heard a pin drop. In fact you could almost have felt it

drop.

“That other person who, unobserved, had free access to the house,” he

continued in the breathless stillness, “is in this room now.”

He was looking at O'Connor as if for corroboration. O'Connor nodded.

“Information derived from the butler,” he muttered.

“I did not know this until yesterday,” Kennedy continued, “but I

suspected that something of the sort existed when I was first told by

Dr. Hanson of the rappings. I determined to hear those rappings, and

make a record of them. So, the night Mr. Jameson and I visited Mr.

Vandam, I carried this little instrument with me.”

Almost lovingly he touched the pendulums on the table. They were now

at rest and kept so by means of a lever that prevented all vibration

whatever.

“See, I release this lever--now, let no one in the room move. Watch

the needles on the paper as the clockwork revolves the drums. I take a

step--ever so lightly. The pendulums vibrate, and the needles trace a

broken line on the paper on each drum. I stop; the lines are practically

straight. I take another step and another, ever so lightly. See the

delicate pendulums vibrate? See, the lines they trace are jagged lines.”

He stripped the paper off the drums and laid it flat on the table before

him, with two other similar pieces of paper.

“Just before the time of the rapping I placed this instrument in the

corner of the Vandam cabinet, just as I placed it in this cabinet after

Mr. Jameson conducted you from the room. In neither case were suspicions

aroused. Everything in both cases was perfectly normal--I mean the

'ghost' was in ignorance of the presence, if not the very existence, of

this instrument.

“This is an improved seismograph,” he explained, “one after a very

recent model by Prince Galitzin of the Imperial Academy of St.

Petersburg. The seismograph, as you know, was devised to register

earthquakes at a distance. This one not only measures the size of

a distant earthquake, but the actual direction from which the

earth-tremors come. That is why there are two pendulums and two drums.

“The magnetic arrangement is to cut short the vibrations set up in the

pendulums, to prevent them from continuing to vibrate after the first

shock. Thus they are ready in an instant to record another tremor. Other

seismographs continue to vibrate for a long time as a result of one

tremor only. Besides, they give little indication of the direction from

which the tremors come.

“I think you must all appreciate that your tiptoeing up the hall must

cause a far greater disturbance in this delicate seismograph than even

a very severe earthquake thousands of miles away, which it was built to

record.”

He paused and examined the papers sharply.

“This is the record made by the 'ghost's' walk the other night,” he

said, holding up two of them in his left hand. “Here on the table, on

two other longer sheets, I have records of the vibrations set up by

those in this room walking to-night.

“Here is Mr. Jameson's--his is not a bit like the ghost's. Nor is Mr.

Vandam's. Least of all are Dr. Hanson's and Inspector O'Connor's, for

they are heavy men.

“Now here is Mr. Farrington's”--he bent down closely, “he is a light

man, and the ghost was light.”

Craig was playing with his victim like a cat with a mouse.

Suddenly I felt something brush by me, and with a swish of air and of

garments I saw Mrs. Popper fling herself wildly at the table that bore

the incriminating records. In another instant Farrington was on his feet

and had made a wild leap in the same direction.

It was done so quickly that I must have acted first and thought

afterward. I found myself in the midst of a melee with my hand at

his throat and his at mine. O'Connor with a jiu-jitsu movement bent

Farrington's other arm until he released me with a cry of pain.

In front of me I saw Craig grasping Mrs. Popper's wrists as in a vise.

She was glaring at him like a tigress.

“Do you suppose for a moment that that toy is going to convince the

world that Henry Vandam has been deceived and that the spirit which

visited him was a fraud? Is that why you have lured me here under false

pretences, to play on my feelings, to insult me, to take advantage of a

lone, defenceless woman, surrounded by hostile men? Shame on you,” she

added contemptuously. “You call yourself a gentleman, but I call you a

coward.”

Kennedy, always calm and collected, ignored the tirade. His voice was

as cold as steel as he said: “It would do little good, Mrs. Popper, to

destroy this one link in the chain I have forged. The other links are

too heavy for you. Don't forget the evidence of the ink. It was your

ink. Don't forget that Henry Vandam will not any longer conceal that he

has altered his will in favour of you. To-night he goes from here to his

lawyer's to draw up a new will altogether. Don't forget that you have

caused the Vandams separately to have the prescription filled, and that

you are now caught in the act of a double murder. Don't forget that you

had access to the Vandam mansion, that you substituted the deadly for

the harmless capsules. Don't forget that your rappings announced the

death of one of your victims and urged the other, a cruelly wronged and

credulous old man, to leave millions to you who had deceived and would

have killed him.

“No, the record of the ghost on the seismograph was not Mr.

Farrington's, as I implied at the moment when you so kindly furnished

this additional proof of your guilt by trying to destroy the evidence.

The ghost was you, Mrs. Popper, and you are at liberty to examine the

markings as minutely as you please, but you must not destroy them. You

are an astute criminal, Mrs. Popper, but to-night you are under arrest

for the murder of Mary Vandam and the attempted murder of Henry Vandam.”

The Silent Bullet · 第 18 / 36 题