CHAPTER VI. BACKWARDS.

Sunday night, and I have three pictures to show you.

First, let us glance at the open windows of Cassandra’s reception-room.

The vine-clad balcony, behind which waved soft lace curtains, appeared

cool and inviting in the stillness of that warm, star-lit evening. Soft

rays of rosy light from shaded lamps streamed out upon the floor.

Lying back in a large chair, in all the glory of jewels and fleecy

lace, was the lovely Clovis. Her large dark eyes had a dreamy, far-away

look, for she was thinking of the one man in all the world whom she

loved. Yes, with her whole heart, her whole soul, she loved Neil Emory.

Years ago, let me tell it now, she ran away from home and married a

handsome, worthless fellow, who, when he died, left her nothing. She

was of English birth. Her mother was dead and her father married a

second time. An uncle, a stage manager in America, offered her a home,

which she accepted, and, for a long while, she was his housekeeper. She

was frequently at the theatre, occasionally assuming some minor part

in the play; but she was never considered an actress--she was merely a

“responsible lady.”

One day her uncle fell sick and she was compelled to take his place. He

became almost an invalid, so it happened that for a long while she was

virtually the manager. Yet so efficiently was the business conducted

that the world never suspected the real manager was rarely behind the

scenes.

About that time an actress of some note was engaged for thirty nights

on her uncle’s boards. When she had played fifteen nights, and each

time to an admiring audience, she caught a violent cold and lay

dangerously ill.

Now a strange thing happened. The sick actress sent for the manager’s

niece and informed her she must take her place in the bill. There was a

wonderful resemblance between the two women; in form and feature, hair,

eyes and brow, they were alike. The almost dying woman pleaded that she

should assume her very name and finish her engagement, urging that, as

the girl had watched her performance for fifteen nights in the wings

and had even understudied the part, she ought to be able to play it.

“Keep my engagement for me,” she begged, “for, far away over the water,

I have a little child dependent on me.”

It would require too much space to give all the particulars, but that

night the girl walked the stage in borrowed name and robes, and, when

the curtain fell, had achieved a triumph as an actress. Such is the

public. It paid blind tribute to her and she was content. None knew the

difference. Night after night, she played her part, and long before the

thirty days expired the sick actress had passed away to the unknown

shore, bequeathing her name and glory to another.

Thus, as Cassandra Clovis, the girl began life anew and constantly sent

to the child across the water all she needed.

One night, the theatre at which she was playing caught fire and was

destroyed. In the red glare of the flames a woman threw herself in

front of Clovis and begged to be saved. They were in a dressing-room

beneath the stage.

“I cannot help you!” cried Clovis. “Look to yourself!”

“I am beside myself with fright!” the woman cried.

Clovis seized her by the hand.

“Quick, then, this way!” and with difficulty they reached the street

where they were safe.

Clovis asked her companion where she would go, where were her friends

and home.

“I have neither friends nor home!” was the reply. “He has perished in

the flames! Let me go with you!”

Together they went, and thus it happened that Cassandra kept about her

the woman known to the world as “Kitty who laughs.”

She was seated, that Sunday night, on a low stool, dressed in white and

blue. A bowl of water, in which were a number of beautiful flowers,

stood beside her. She was making a wreath and humming a tune.

The flowers were to adorn their rooms next day, should Cliquot win.

“What folly!” said Clovis. “Toss away the blossoms!”

“Oh, no!” said the other; “we don’t fling aside full-blown roses, and

there are no buds here!”

“I understand,” said the actress, and went on dreaming, while Kitty

sang an old song--“Did they Tell Thee I was Dead, Katy Darling?”

Having finished the garland, she rose, and, opening a drawer, took from

it some gilt letters.

“I might as well fix it all now,” she said; “there won’t be time

to-morrow.”

She pushed a chair against the wall and began to tack the letters on

the paper. She had completed the name “Cliquot” in gold and was busy

arranging the wreath in the shape of a horse-shoe around it when a

voice cried:

“Come down! come down! A most dangerous position! I really must hold

you, for I think you are growing giddy!” and she felt two hands clasp

her waist.

“Let go, Reginald! I don’t like that!”

“But I do!”

Clovis looked up, angrily.

“Stop that child’s play!” she said. “You’re always at it!”

“Don’t you think you are a little cross to-night, Miss Clovis?” the

man asked, going over to where she sat. “It must be that, for you’re

never jealous.”

“Of you?”

“Hardly,” he muttered; “but wasn’t it saucy of her to be sticking that

(pointing to the decoration) in your very face?”

“I don’t know what you mean by that!” she replied. “A lot of letters

and flowers will never bring him success!”

“Let us see.”

“Oh!” cried Kitty, “please don’t pun; you know it is the lowest order

of wit.”

“I beg your pardon,” replied the young man; “I did not mean it as such.”

“Did you come to tell us about the race to-morrow?”

“Yes, I can tell you of it now I am here, though I really did not come

for that. You know I am fond of you myself after a fashion, Cassandra!”

and he gave her a bright, half-impudent look.

“He’s a handsome sort of a fellow, and I wish I could have loved him!”

thought the woman.

“Of course, you’ll both be out on the track. Everybody is going,

and there’ll be great excitement. I wish to Heaven,” he exclaimed,

whirling towards Clovis, “that you would persuade Emory to part with

that beast! He will ruin him!”

“I persuade him! I, indeed! Are you mad? What influence has Cassandra

Clovis over your friend that you bid her do this thing? Oh, no!”

“Perhaps Kitty has more?”

“Bah!” said the girl, shaking her mane; “he don’t even know me!” and

she laughed, yes, laughed even longer and sweeter than usual--and the

night sped on.

* * * * *

In another part of the city I have a second picture for you. A young

man of dark complexion, magnificent eyes, close-cut black hair,

moustache the same color, a tall slender figure as graceful as

possible--altogether, a handsome fellow--sat in the bright light of an

unshaded gas-jet, ruthlessly tearing up old letters and throwing them

into an open grate to be fired by a match before he retired.

The room was intensely hot, though three windows were opened to the

floor. The furniture was ordinary, the carpet worn. The door of a

bed-room stood open, and a bath-room beyond showed them to be a suite,

occupied by a person you have met before--Mr. George Clayton, a young

lawyer, who was a spendthrift and a gambler, a lover of the real

“Cliquot” and a gentleman born. The pretended lover of Gwendoline was

he and the real lover of Clovis he would be should she allow it.

That night he was destroying all evidence of a past folly, rending

apart the tender wordings of a woman’s pen and tossing them away as

though he had never cared a straw for them.

At length he reached the last note that lay at the bottom of the box in

company with the woman’s picture; this he opened and glanced at. A slow

smile broke over his lips.

“A deuced handsome girl! I think I’ll keep it!” He thought the eyes and

brow lovely--who did not?--with the brown hair brushed well back.

“I don’t think she’s breaking her heart, wherever she is!” he murmured.

“I’ve seen her but once since that night, that awful night! I hope she

enjoyed my letter of dismissal. I wonder where she is?”

He tore the last envelope to pieces and stuffed the picture into his

coat-pocket, little dreaming how much harm it might bring him.

* * * * *

About a mile outside of the city stood a blacksmith’s shop, and near

by its owner’s hut. Under a large tree, in front of the door, sat the

man and his wife, enjoying the coolness denied to those who dwelt in

mansions in the city. The woman held a bundle on her lap, examining its

contents by the faint light which came through the open door.

“Do you think they’ll fit?” asked she.

“I told the girl to do her best, bein’ as how we couldn’t find the

lad at the right time. She had t’other pants to go by,” said Peleg,

shortly. “You can’t expect a chap to keer much how his jockey’s clothes

fits so they hangs all right.”

“Well!” sighed the woman, “I only hopes and prays as they won’t turn

out to be his burial clothes, as you tells me it’s a mighty bad horse

he is goin’ to ride.”

“It is a pretty bad ’un for them as don’t know nothin’ about horses;

but I guess this chap is all right. You know, Mandy, some has a way wid

a critter as you can hardly account for.”

“Yes, so they has, so they has!” and she grew silent, as her thoughts

went back through many years.

* * * * *

The city’s hum grew less, and the clocks chimed the midnight hour as

the dark curtain rolled down before the footlights of the stars--to

rise again in the glory of day.

Cliquot: A Racing Story of Ideal Beauty · 第 6 / 16 章