CHAPTER I.

This eBook was produced by David Widger <widger@cecomet.net>

[NOTE: There is a short list of bookmarks, or pointers, at the end of the

file for those who may wish to sample the author's ideas before making an

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THE EMPEROR, Part 1.

By Georg Ebers

Volume 1.

Translated by Clara Bell

PREFACE.

It is now fourteen years since I planned the story related in these

volumes, the outcome of a series of lectures which I had occasion to

deliver on the period of the Roman dominion in Egypt. But the pleasures

of inventive composition were forced to give way to scientific labors,

and when I was once more at leisure to try my wings with increase of

power I felt more strongly urged to other flights. Thus it came to pass

that I did I not take the time of Hadrian for the background of a tale

till after I had dealt with the still later period of the early monastic

move in "Homo Sum." Since finishing that romance my old wish to depict,

in the form of a story, the most important epoch of the history of that

venerable nation to which I have devoted nearly a quarter century of my

life, has found its fulfilment. I have endeavored to give a picture of

the splendor of the Pharaonic times in "Uarda," of the subjection of

Egypt to the new Empire of the Persians in "An Egyptian Princess," of the

Hellenic period under the Lagides in "The Sisters," of the Roman dominion

and the early growth of Christianity in "The Emperor," and of the

anchorite spirit--in the deserts and rocks of the Sinaitic Peninsula--in

"Homo Sum." Thus the present work is the last of which the scene will be

laid in Egypt. This series of romances will not only have introduced the

reader to a knowledge of the history of manners and culture in Egypt, but

will have facilitated his comprehension of certain dominant ideas which

stirred the mind of the Ancients. How far I may have succeeded in

rendering the color of the times I have described and in producing

pictures that realize the truth, I myself cannot venture to judge; for

since even present facts are differently reflected in different minds,

this must be still more emphatically the case with things long since past

and half-forgotten. Again and again, when historical investigation has

refused to afford me the means of resuscitating some remotely ancient

scene, I have been obliged to take counsel of imagination and remember

the saying that 'the Poet must be a retrospective Seer,' and could allow

my fancy to spread her wings, while I remained her lord and knew the

limits up to which I might permit her to soar. I considered it my lawful

privilege to paint much that was pure invention, but nothing that was not

possible at the period I was representing. A due regard for such

possibility has always set the bounds to fancy's flight; wherever

existing authorities have allowed me to be exact and faithful I have

always been so, and the most distinguished of my fellow-professors in

Germany, England, France and Holland, have more than once borne witness

to this. But, as I need hardly point out, poetical and historical truth

are not the same thing; for historical truth must remain, as far as

possible, unbiassed by the subjective feeling of the writer, while

poetical truth can only find expression through the medium of the

artist's fancy.

As in my last two romances, so in "The Emperor," I have added no notes:

I do this in the pleasant conviction of having won the confidence of my

readers by my historical and other labors. Nothing has encouraged me to

fresh imaginative works so much as the fact that through these romances

the branch of learning that I profess has enlisted many disciples whose

names are now mentioned with respect among Egyptologists. Every one who

is familiar with the history of Hadrian's time will easily discern by

trifling traits from what author or from which inscription or monument

the minor details have been derived, and I do not care to interrupt the

course of the narrative and so spoil the pleasure of the larger class of

readers. It would be a happiness to me to believe that this tale

deserves to be called a real work of art, and, as such, its first

function should be to charm and elevate the mind. Those who at the same

time enrich their knowledge by its study ought not to detect the fact

that they are learning.

Those who are learned in the history of Alexandria under the Romans may

wonder that I should have made no mention of the Therapeutai on Lake

Mareotis. I had originally meant to devote a chapter to them, but Luca's

recent investigations led me to decide on leaving it unwritten. I have

given years of study to the early youth of Christianity, particularly in

Egypt, and it affords me particular satisfaction to help others to

realize how, in Hadrian's time, the pure teaching of the Saviour, as yet

little sullied by the contributions of human minds, conquered--and could

not fail to conquer--the hearts of men. Side by side with the triumphant

Faith I have set that noble blossom of Greek life and culture--Art which

in later ages, Christianity absorbed in order to dress herself in her

beautiful forms. The statues and bust of Antinous which remain to us of

that epoch, show that the drooping tree was still destined to put forth

new leaves under Hadrian's rule.

The romantic traits which I have attributed to the character of my hero,

who travelled throughout the world, climbing mountains to rejoice in the

splendor of he rising sun, are authentic. One of the most difficult

tasks I have ever set myself was to construct from the abundant but

essentially contradictory accounts of Hadian a human figure in which I

could myself at all believe; still, how gladly I set to work to do so!

There was much to be considered in working out this narraive, but the

story itself has flowed straight from the ieart of the writer; I can only

hope it may find its way to that of the reader.

LEIPZIG, November, 1880.

GEORG EBERS.

THE EMPEROR.

CHAPTER I.

The morning twilight had dawned into day, and the sun had risen on the

first of December of the year of our Lord 129, but was still veiled by

milk-white mists which rose from the sea, and it was cold.

Kasius, a mountain of moderate elevation, stands on a tongue of land that

projects from the coast between the south of Palestine and Egypt. It is

washed on the north by the sea which, on this day, is not gleaming, as is

its wont, in translucent ultramarine; its more distant depths slowly

surge in blue-black waves, while those nearer to shore are of quite a

different hue, and meet their sisters that lie nearer to the horizon in a

dull greenish-grey, as dusty plains join darker lava beds. The

northeasterly wind, which had risen as the sun rose, now blew more

keenly, wreaths of white foam rode on the crests of the waves, though

these did not beat wildly and stormily on the mountain-foot, but rolled

heavily to the shore in humped ridges, endlessly long, as if they were of

molten lead. Still the clear bright spray splashed up when the gulls

dipped their pinions in the water as they floated above it, hither and

thither, restless and uttering shrill little cries, as though driven by

terror.

Three men were walking slowly along the causeway which led from the top

of the hill down into the valley, but it was only the eldest, who walked

in front of the other two, who gave any heed to the sky, the sea, the

gulls, and the barren plain that lay silent at his feet. He stopped, and

as soon as he did so, the others followed his example. The landscape

below him seemed to rivet his gaze, and it justified the disapproval with

which he gently shook his head, which was somewhat sunk into his beard.

A narrow strip of desert stretched westward before him as far as the eye

could reach, dividing two levels of water. Along this natural dyke a

caravan was passing, and the elastic feet of the camels fell noiselessly

on the road they trod. The leader, wrapped in his white mantle, seemed

asleep, and the camel-drivers to be dreaming; the dull-colored eagles

by the road-side did not stir at their approach. To the right of the

stretch of flat coast along which the road ran from Syria to Egypt, lay

the gloomy sea, overhung by grey clouds; to the left lay the desert, a

strange and mysterious feature in the landscape, of which the eye could

not see the end, either to the east or to the west, and which looked here

like a stretch of snow, there like standing water, and again like a

thicket of rushes.

The eldest of our travellers gazed constantly towards heaven or into the

distance; the second, a slave who carried rugs and cloaks on his broad

shoulders, never took his eyes off his master; and the third, a young,

free-man, looked wearily and dreamily down the road.

A broad path, leading to a stately temple, crossed that which led from

the summit of the mountain to the coast, and the bearded pedestrian

turned up it; but he followed it only for a few steps, then he turned his

head with a dissatisfied air, muttered a few unintelligible words into

his beard, turned round and hastily retraced his steps to the narrow way,

down which he went towards the valley. His young companion followed him

without raising his head or interrupting his reverie, as if he were his

shadow, but the slave lifted his cropped fair head and a stolen smile

crossed his lips as on the left hand side of the Kasius road he caught

sight of a black kid, and close beside it an old woman who, at the

approach of the three men covered her wrinkled face in alarm with her

dark blue veil.

"That is the reason then!" said the slave to himself with a nod, and

blowing a kiss into the air to a black-haired girl who crouched at the

old woman's feet. But she, for whom the greeting was intended, did not

observe this mute courtship, for her eyes followed the travellers, and

especially the young man, as if spellbound. As soon as the three were

far enough off not to hear her, the girl asked with a shiver, as if some

desert-spectre had passed by-and in a low voice "Grandmother, who was

that?"

The old woman raised her veil, laid her hand on her grandchild's mouth,

and whispered:

"It was he."

"The Emperor?"

The old woman answered with a significant nod, but the girl squeezed

herself up, against her grandmother, with vehement curiosity stretching

out her dusky head to see better, and asked softly: "The young one?"

"Silly child! the one in front with a grey beard."

"He? Oh, I wish the young one was the Emperor!"

It was in fact Hadrian, the Roman Emperor, who walked on in silence

before his escort, and it seemed as though his advent had given life to

the desert, for as he approached the reed-swamp, the kites flew up in the

air, and from behind a sand-hill on the edge of the broader road which

Hadrian had avoided, came two men in priestly robes. They both belonged

to the temple of Baal of Kariotis, a small structure of solid stone,

which faced the sea, and which the Emperor had yesterday visited.

"Do you think he has lost his way?" said one to the other, in the

Phoenician tongue.

"Hardly," was the answer. "Master said that he could always find a road

again by which he had once gone, even in the dark."

"And yet he is gazing more at the clouds than at the road."

"Still, he promised us yesterday."

"He promised nothing for certain," interrupted the other.

"Indeed he did; at parting he called out--and I heard him distinctly:

'Perhaps I shall return and consult your oracle.'"

"Perhaps."

"I think he said 'probably.'"

"Who knows whether some sign he has seen up in the sky may not have

turned him back; he is going to the camp by the sea."

"But the banquet is standing ready for him in our great hall."

"He will find what he needs down there. Come, it is a wretched morning,

and I am being frozen."

"Wait a little longer-look there."

"What?"

"He does not even wear a hat to cover his grey hair."

"He has never yet been seen to travel with anything on his head."

"And his grey cloak is not very imperial looking."

"He always wears the purple at a banquet."

"Do you know who his walk and appearance remind me of?"

"Who?"

"Of our late high-priest, Abibaal; he used to walk in that ponderous,

meditative way, and wear a beard like the Emperor's."

"Yes, yes--and had the same piercing grey eye."

"He too used often to gaze up at the sky. They have both the same broad

forehead, too; but Abibaal's nose was more aquiline, and his hair curled

less closely."

"And our governor's mouth was grave and dignified, while Hadrian's lips

twitch and curl at all he says and hears, as if he were laughing at it

all."

"Look, he is speaking now to his favorite--Antonius I think they call the

pretty boy."

"Antinous, not Antonius. He picked him up in Bithynia, they say."

"He is a beautiful youth."

"Incomparably beautiful! What a figure and what a face! Still, I cannot

wish that he were my son."

"The Emperor's favorite!"

"For that very reason. Why, he looks already as if he had tried every

pleasure, and could never know any farther enjoyment."

............................

On a little level close to the sea-shore, and sheltered by crumbling

cliffs from the east wind, stood a number of tents. Between them fires

were burning, round which were gathered groups of Roman soldiers and

imperial servants. Half-naked boys, the children of the fishermen and

camel-drivers who dwelt in this wilderness, were running busily hither

and thither, feeding the flames with dry stems of sea-grass and dead

desert-shrubs; but though the blaze flew high, the smoke did not rise;

but driven here and there by the squalls of wind, swirled about close to

the ground in little clouds, like a flock of scattered sheep. It seemed

as though it feared to rise in the grey, damp, uninviting atmosphere.

The largest of the tents, in front of which Roman sentinels paced up and

down, two and two, on guard, was wide open on the side towards the sea.

The slaves who came out of the broad door-way with trays on their cropped

heads-loaded with gold and silver vessels, plates, wine-jars, goblets,

and the remains of a meal had to hold them tightly with both hands that

they might not be blown over.

The inside of the tent was absolutely unadorned. The Emperor lay on a

couch near the right wall, which was blown in and bulged by the wind; his

bloodless lips were tightly set, his arms crossed over his breast, and

his eyes half closed. But he was not asleep, for he often opened his

mouth and smacked his lips, as if tasting the flavor of some viand. From

time to time he raised his eyelids--long, finely wrinkled, and blue-

veined--turning his eyes up to heaven or rolling them to one side and

then downwards towards the middle of the tent. There, on the skin of a

huge bear trimmed with blue cloth, lay Hadrian's favorite Antinous. His

beautiful head rested on that of the beast, which had been slain by his

sovereign, and its skull and skin skilfully preserved, his right leg,

supported on his left knee, he flourished freely in the air, and his

hands were caressing the Emperor's bloodhound, which had laid its sage-

looking head on the boy's broad, bare breast, and now and then tried to

lick his soft lips to show its affection. But this the youth would not

allow; he playfully held the beast's muzzle close with his hands or

wrapped its head in the end of his mantle, which had slipped back from

his shoulders.

The dog seemed to enjoy the game, but once when Antinous had drawn the

cloak more tightly round its head and it strove in vain to be free from

the cloth that impeded its breathing, it set up a loud howl, and this

doleful cry made the Emperor change his attitude and cast a glance of

displeasure at the boy lying on the bear-skin, but only a glance, not a

word of blame. And soon the expression, even of his eyes, changed, and

he fixed them on the lads's figure with a gaze of loving contemplation,

as though it were some noble work of art that he could never tire of

admiring. And truly the Immortals had moulded this child of man to such

a type; every muscle of that throat, that chest, those arms and legs was

a marvel of softness and of power; no human countenance could be more

regularly chiselled. Antinous observing that his master's attention had

been attracted to his play with the dog, let the animal go and turned his

large, but not very brilliant, eyes on the Emperor.

"What are you doing here?" asked Hadrian kindly.

"Nothing," said the boy.

"No one can do nothing. Even if we fancy we have succeeded in doing

nothing we still continue to think that we are unoccupied, and to think

is a good deal."

"But I cannot even think."

Every one can think; besides you were not doing nothing, for you were

playing."

"Yes, with the dog." With these words Antinous stretched out his legs on

the ground, pushed away the dog, and raised his curly head on both hands.

"Are you tired?" asked the Emperor.

"Yes."

"We both kept watch for an equal portion of the night, and I, who am so

much older, feel quite wide awake."

"It was only yesterday that you were saying that old soldiers were the

best for night-watches."

The Emperor nodded, and then said:

"At your age while we are awake we live three times as fast as at mine,

and so we need to sleep twice as long. You have every right to be tired.

To be sure it was not till three hours after midnight that we climbed the

mountain, and how often a supper party is not over before that."

"It was very cold and uncomfortable up there."

"Not till after the sun had risen."

"Ah! before that you did not notice it, for till then you were busy

thinking of the stars."

"And you only of yourself--very true."

"I was thinking of your health too when that cold wind rose before Helios

appeared."

"I was obliged to await his rising."

"And can you discern future events by the way and manner of the rising of

the sun?"

Hadrian looked in surprise at the speaker, shook his head in negation,

looked up at the top of the tent, and after a long pause said, in abrupt

sentences, with frequent interruptions:

"Day is the present merely, and the future is evolved out of darkness;

the corn grows from the clods of the field; the rain falls from the

darkest clouds; a new generation is born of the mother's womb; the limbs

recover their vigor in sleep. And what is begotten of the darkness of

death--who can tell?"

When, after saying this, the Emperor had remained for some time silent,

the youth asked him:

"But if the sunrise teaches you nothing concerning the future why should

you so often break your night's rest and climb the mountain to see it?"

"Why? Why?" repeated Hadrian, slowly and meditatively, stroking his

grizzled beard; then he went on as if speaking to himself:

"That is a question which reason fails to answer, before which my lips

find no words; and, if I had them at my command, who among the rabble

would understand me? Such questions can best be answered by means of

parables. Those who take part in life are actors, and the world is their

stage. He who wants to look tall on it wears the cothurnus, and is not a

mountain the highest vantage ground that a man can find for the sole of

his foot? Kasius there is but a hill, but I have stood on greater giants

than he, and seen the clouds rise below me, like Jupiter on Olympus."

"But you need climb no mountains to feel yourself a god," cried Antinous;

"the godlike is your title--you command and the world must obey. With a

mountain beneath his feet a man is nearer to heaven no doubt than he is

on the plain."

"Well?"

"I dare not say what came into my mind."

"Speak out."

"I knew a little girl who when I took her on my shoulder would stretch

out her arms and exclaim, 'I am so tall!' She fancied that she was taller

than I then, and yet was only little Panthea."

"But in her own conception of herself, it was she who was tall, and that

decides the issue, for to each of us a thing is only that which it seems

to us. It is true they call me godlike, but I feel every day, and a

hundred times a day, the limitations of the power and nature of man, and

I cannot get beyond them. On the top of a mountain I cease to feel them;

there I feel as if I were great, for nothing is higher than my head, far

or near. And when, as I stand there, the night vanishes before my eyes,

when the splendor of the young sun brings the world into new life for me,

by restoring to my consciousness all that just before had been engulfed

in gloom, then a deeper breath swells my breast, and my lungs fill with

the purer and lighter air of the heights. Up there, alone and in

silence, no hint can reach me of the turmoil below, and I feel myself one

with the great aspect of nature spread before me. The surges of the sea

come and go, the tree-tops in the forest bow and rise, fog and mist roll

away and part asunder hither and thither, and up there I feel myself so

merged with the creation that surrounds me that often it even seems as

though it were my own breath that gives it life. Like the storks and the

swallows, I yearn for the distant land, and where should the human eye be

more likely to be permitted, at least in fancy, to discern the remote

goal than from the summit of a mountain?

"The limitless distance which the spirit craves for seems there to assume

a form tangible to the senses, and the eye detects its border line. My

whole being feels not merely elevated, but expanded, and that vague

longing which comes over me as soon as I mix once more in the turmoil of

life, and when the cares of state demand my strength, vanishes. But you

cannot understand it, boy. These are things which no other mortal can

share with me."

"And it is only to me that you do not scorn to reveal them!" cried

Antinous, who had turned round to face the Emperor, and who with wide

eyes had not lost one word.

"You?" said Hadrian, and a smile, not absolutely free from mockery,

parted his lips. "From you I should no more have a secret than from the

Cupid by Praxiteles, in my study at Rome."

The blood mounted to the lad's cheeks and dyed them flaming crimson. The

Emperor observed this and said kindly:

"You are more to me than the statue, for the marble cannot blush. In the

time of the Athenians Beauty governed life, but in you I can see that the

gods are pleased to give it a bodily existence, even in our own days, and

to look at you reconciles me to the discords of existence. It does me

good. But how should I expect to find that you understand me; your brow

was never made to be furrowed by thought; or did you really understand

one word of all I said?"

Antinous propped himself on his left arm, and lifting his right hand, he

said emphatically:

"Yes."

"And which," asked Hadrian.

"I know what longing is."

"For what?"

"For many things."

"Tell me one."

"Some enjoyment that is not followed by depression. I do not know of

one."

"That is a desire you share with all the youth of Rome, only they are apt

to postpone the reaction. Well, and what next?"

"I cannot tell you."

"What prevents your speaking openly to me?"

"You, yourself did."

"I?"

"Yes, you; for you forbid me to speak of my home, my mother, and my

people."

The Emperor's brow darkened, and he answered sternly:

"I am your father and your whole soul should be given to me."

"It is all yours," answered the youth, falling back on to the bear-skin,

and drawing the pallima closely over his shoulders, for a gust blew

coldly in at the side of the tent, through which Phlegon, the Emperor's

private secretary, now entered and approached his master. He was

followed by a slave with several sealed rolls under his arms.

"Will it be agreeable to you, Caesar, to consider the despatches and

letters that have just arrived?" asked the official, whose carefully-

arranged hair had been tossed by the sea-breeze.

"Yes, and then we can make a note of what I was able to observe in the

heavens last night. Have you the tablets ready?"

"I left them in the tent set up especially for the work, Caesar."

"The storm has become very violent."

"It seems to blow from the north and east both at once, and the sea is

very rough. The Empress will have a bad voyage."

"When did she set out?"

"The anchor was weighed towards midnight. The vessel which is to fetch

her to Alexandria is a fine ship, but rolls from side to side in a very

unpleasant manner."

Hadrian laughed loudly and sharply at this, and said:

"That will turn her heart and her stomach upside down. I wish I were

there to see--but no, by all the gods, no! for she will certainly forget

to paint this morning; and who will construct that edifice of hair if all

her ladies share her fate. We will stay here to-day, for if I meet her

soon after she has reached Alexandria she will be undiluted gall and

vinegar."

With these words Hadrian rose from his couch, and waving his hand to

Antinous, went out of the tent with his secretary.

A third person standing at the back of the tent had heard the Emperor's

conversation with his favorite; this was Mastor, a Sarmatian of the race

of the Taryges. He was a slave, and no more worthy of heed than the dog

which had followed Hadrian, or than the pillows on which the Emperor had

been reclining. The man, who was handsome and well grown, stood for some

time twisting the ends of his long red moustache, and stroking his round,

closely-cropped head with his bands; then he drew the open chiton

together over his broad breast, which seemed to gleam from the remarkable

whiteness of the skin. He never took his eyes off Antinous, who had

turned over, and covering his face with his hands had buried them in the

bear's hairy mane.

Mastor had something he wanted to say to him, but he dared not address

him for the young favorite's demeanor could not be reckoned on. Often he

was ready to listen to him and talk with him as a friend, but often, too,

he repulsed him more sharply than the haughtiest upstart would repel the

meanest of his servants. At last the slave took courage and called the

lad by his name, for it seemed less hard to submit to a scolding than to

smother the utterance of a strong, warm feeling, unimportant as it might

be, which was formed in words in his mind. Antinous raised his head a

little on his hands and asked:

"What is it?"

"I only wanted to tell you," replied the Sarmatian, "that I know who the

little girl was that you so often took upon your shoulders. It was your

little sister, was it not, of whom you were speaking to me lately?"

The lad nodded assent, and then once more buried his head in his hands,

and his shoulders heaved so violently that it would seem that he was

weeping.--Mastor remained silent for a few minutes, then he went up to

Antinous and said:

"You know I have a son and a little daughter at home, and I am always

glad to hear about little girls. We are alone and if it will relieve

your heart."

"Let me alone, I have told you a dozen times already about my mother and

little Parthea," replied Antinous, trying to look composed.

"Then do so confidently for the thirteenth," said the slave. "In the

camp and in the kitchen I can talk about my people as much as I like.

But you--tell me, what do you call the little dog that Panthea made a

scarlet cloak for?"

"We called it Kallista," cried Antinous wiping his eyes with the back

of his hand. "My father would not allow it but we persuaded my mother.

I was her favorite, and when I put my arms round her and looked at her

imploringly she always said 'yes' to anything I asked her."

A bright light shone in the boy's weary eyes; he had remembered a whole

wealth of joys which left no depression behind them.

The Emperor — Volume 01 · 第 1 / 4 章