CLEMENCE DANE

I am the aunt of Annabel. Annabel is coming next Friday to the birthday

party she ought to have had a month ago; but she had measles instead. I

am anxious for Annabel to enjoy herself. Whom shall I ask to meet her?

Annabel is five—a gracious-mannered five, with a smooth bobbed head of

red hair, eyes like lilacs, and a generously curved mouth. She is a

darling. She is also a devil. She never allows me or anyone else a quiet

moment with her mother when she is in the room: indeed, she owns her

parents and regards all visitors as her perquisites. She owns also, and

can use with disastrous effect on my borders, a scooter and a tricycle.

She can adjust the wireless set and listen in at her pleasure to

Bournemouth, Cardiff or London. She swears at the dog in broad Devon,

and has her ideas about her frocks. But she cannot read or tie her own

shoes or tell the time.

Annabel is coming to tea on Friday. How am I to keep her amused? Shall I

invite Philip Collins, that hard-working child, proprietor of

stickle-backs, my particular friend? Will there be anything left of

Philip if I do—or of Annabel? Philip is seven. With only a year or so

between them they ought to get on. And yet, how did I feel towards seven

when I was five? Across the white magic-lantern circle of my memory a

shadow flits, a leggy, olive-green shadow, with fur at its neck and

wrists, and I recognise Gilbert, and pause.

Annabel is so much more sophisticated and so much more of a baby than we

were ever allowed to be, that the Gilbert adventure could hardly happen

to her. She would say she didn’t like him and be done with it. And

yet—suppose she didn’t! Suppose she suffered him in silence like her

aunt before her! I do want Annabel to enjoy herself.

[Illustration: “SHE OWNS ALSO, AND CAN USE WITH DISASTROUS EFFECT ON MY

BORDERS, A SCOOTER AND A TRICYCLE.”]

You must not think that there was any harm in Gilbert. He was, I see

now, a nice, polite little boy. My Aunt Angela said so. He was as nice a

boy, I daresay, as Philip, who is—perhaps—to make Annabel’s acquaintance

next Friday. But he was long and, as it was a fancy-dress ball, his

mother had dressed him in greenery-yallery tights, and a doublet with

moleskin at the neck and wrists. Now, when you are no older than Annabel

and own a live mole which you keep in the ring-dove’s cage, you do not

feel friendly to people who wear moleskin. (No, I don’t know what

happened to the ring-dove, though I remember that she lived for some

time in the kitchen in a straw-coloured wicker-work cage, and was

incessantly laying eggs that wouldn’t hatch and croo-rooing over them in

a lamentable voice which made the nursery feel that the whole bitter

business was the nursery’s fault.)

It is not too much to say that from the moment I set eyes upon Gilbert I

felt for him that unreasoning sick dislike of which only a child is

capable, and which it never attempts to explain. I never said a word to

my Aunt Angela about Gilbert, though I noted him with a prophetic

shudder as I followed her across the shining, slippery floor. Indeed,

nobody could help noticing Gilbert. It was not only that he was so much

longer than anybody else, so prominent among the Joan of Arcs and

Pierrots and Geishas, but that he was such a pervasive dancer: he seemed

to be behaving beautifully with everybody at once. There was a horrible

fascination in his smiling efficiency: he wasn’t shy like everyone else:

he didn’t mind what he did: and he did it well. He was a handsome boy

too, for my Aunt Angela said so. Indeed, I can best fix him for you by

recalling the fact that when I saw Lewis Waller come upon the stage as

Robin Hood I instantly, and for the first time in fifteen years,

remembered Gilbert.

Before I could pull on my white silk mittens, my aunt (I knew she would)

had caught Gilbert and introduced him to me, and he wrote his name on my

programme and his own, and his moleskin wrist—his mole must have been an

older and oilier mole than mine—rubbed against my bare hand. In the

frantic subsequent attempts to scrub off the feel, I spilled water down

my new frock, my fancy-dress of yellow satin petals over a green satin

skirt, with three green satin leaves dangling from the neck; for I, in

that hour, was a primrose.

But washing my hands and drying my frock only took up a dance and a

half: Gilbert and his Berlin Polka were still to be faced.

I had an idea. I would anticipate Gilbert: I would have a partner of my

own. I marked one down, a rosy, bewildered little girl in sparkles: a

Snow-white—a Fairy queen—what did I care? I gave her her orders; for she

was only four. She was to look out for me when number seven began. She

was to refuse to dance with anyone else. She was dancing the Berlin

polka with me—did she understand?—with me: and if a green boy with

moleskin on his wrists asked her where I was, well—there I wasn’t! Did

she quite understand?

I was still passionately explaining the situation when the music of

number six struck up, and her partner, a Father Christmas smaller than

herself, jogged her away. I can still see so clearly the bunchy little

figure—we were not so particular about the cut of our clothes as is

Annabel’s generation—and the alarmed dark eyes and hot cheeks as she

looked back at me over her winged shoulder. As for me, I had to put in

the perilous time somehow. I hid.

I found a beautiful place to hide in, a room with cane chairs and palms,

and one or two screened recesses with two chairs and a table in each. I

sat me down in the only empty recess and listened to the music, and

wondered whether Gilbert had begun to look for me yet. Soon a young lady

with bare shoulders and a young gentleman with an eye-glass arrived,

looked in, departed, and shortly returned again. It was quite evident

that they wanted my refuge. I wasn’t going to let them have it. I was

terrified of them both, but I was still more terrified of Gilbert.

Said the young gentleman:

“What are you doing here?” and he called me “little girl!”

Said I, firmly, but I was on the edge of tears:

“I am waiting for my partner,” and felt that I lied, for I was not

exactly waiting for Gilbert.

[Illustration: “HE STARED AT ME REPROACHFULLY”]

“Oh, indeed!” said the young gentleman, and stared again, and whispered

to the young lady with the white shoulders, and the young lady whispered

back. You cannot think how miserable I felt. They went away at last; but

they, and my lie—a lie was a lie in those days—had ruined my haven. I

slipped out as the music stopped, and instantly the young gentleman and

the young lady got up from two chairs under a palm and sat down behind

my screen, while—oh horror!—Gilbert’s green and questing length crossed

and re-crossed the lighted swirling space on the other side of the

draped doorway. I knew—who better?—whom he sought. I backed into the

dark corner formed by the wall and the other side of the screen, too

much occupied with Gilbert’s next move to attend to the murmurs on the

other side of it. But the sitters-out were sensitive; or I, effacing

myself as much as possible, must have pushed against the screen. Slowly,

over the top, rose the head of the young gentleman. He stared down at me

reproachfully and I, in a paralysis of embarrassment, stared up at him.

You cannot think how tall the screen seemed, and how terrible the face

of the young gentleman to the eyes of five. Nothing was said. How long

he was prepared to stare at me I do not know, for his eye-glass was more

than I could bear: at that moment even Gilbert was easier to face. I

sidled back into the ballroom, worming my way as self-effacingly as

possible in and out between mothers and empty chairs, till a familiar

glitter caught my eye. It was my partner, my illegal partner, so soft,

so rosy, so cosy, so blessedly harmless, so very much smaller than I.

She was not pleased to see me (I realise now that I must have been as

awful to her as Gilbert to me) but what did that matter? I grasped her

hurriedly by a hand and a wing:

“One, two, three,” I prompted: and we put our feet into the second

position. But fate was looking after the little girl in sparkles, not

after me.

“My dance, I think.” Gilbert, cool, easy, adequate, even remembered to

bow. “I’ve been looking for you everywhere!” he said and he put out

mole-skinny hands.

“I’m dancing with _her_,” I muttered. It was my last throw. But at that

a new voice interposed:

“Oh, Mary, you mustn’t take the little girl away from her partner!” And

the fairy queen, inexpressible relief in her eyes, pulled her hand out

of mine and retired upon her mother.

The flying carpet · 第 59 / 87 题