Another pause--

‘Crying, Hey, Lackaday!

The ice will give way,

And we shall fall in----’

He pulled off his boots; and finished:

‘If Miss Earle they’d not met

They’d be standing there yet.’

‘Pretty poor,’ cried Julian.

‘Oh, I think it’s awfully good,’ said Judith.

Charlie bowed, and said:

‘I can do more like that.’

‘Go on, then.’

‘Not now. Pouf! I’m tired.’

He looked it. Save for the bright flush on each cheek his pallor was

startling. His eyes looked dark in their shadowy rings, and he leaned

back against Mariella while she gravely fastened his shoes and buttoned

up his coat. When she put on his muffler he dragged it off again,

crying:

‘Oh, Mariella. _No!_ I’m so hot.’

‘You’re to wear it,’ she said quietly. ‘You’ll catch cold,’ and she

wound it round his neck again, while he submitted and made faces at her,

his eyes laughing into hers, like a child coaxing an elder to smiles.

Watching him, Judith thought:

‘Are you conceited and spoilt?’

All that gaiety and proud indifference, all that unconscious-seeming

charm, that confident chatter--all might be the product of a complete

self-consciousness. Surely he must look in the glass and adore his own

reflection. She remembered her old dream of marrying him, and thought

with a vast sorrowful prophetic sense of the many people who would yearn

to him silently for love, while he went on his way, wanting none of

them.

Against the dusk, his head, his face shone as if palely lit.

Narrowly she watched him; but there was no sign for her: all that

brilliance of expression glancing and pausing around him, and nothing

for her beyond a light smile or two, a casual appreciation of her

temporary uses. He and Mariella had scarcely once said: ‘Do you

remember?’ If they still cherished any of the past she was not in it. It

was strange to think of such indifference, when they, with the other

three, were all the pattern, all the colour and richness that had ever

come into life.

In the dying light their mystery fell over them again, and they were as

unattainable as ever. If only with the rare quality of their physical

appearance they must always enslave her; and she felt worn out with the

stress of them.

‘To-morrow,’ said Charlie, ‘we’ll bring Roddy.’

‘Yes. Come on,’ said Mariella. ‘We must hurry for our train.’

They tramped in silence across the cold solitude of the marsh, and the

wind came after them, keen and menacing. When they arrived at the

river’s edge, Charlie stood still, and looked across, saying dreamily:

‘There’s a light in the old house. I suppose that’s the caretaker

person. We might look in to-morrow and surprise her. Doesn’t it look

lonely?... I wish we would live there again. Where’s your house, Judith?

I thought it was next door.’

‘So it is, but the trees hide it.’

‘Oh yes, I’d forgotten.’

Then she ferried them across the river in the punt, and parted from them

on the other side, where the lane to the station branched off.

‘Well, see you to-morrow.’

Julian looked up at the sky.

‘I believe it’s thawing,’ he said. ‘I believe it’ll rain in the night.’

‘Rot!’ said Charlie. ‘Why--feel the ground.’

‘Yes, but the air’s milder. And look at the sky.’

To the east and north the frosty stars pointed their darts; but in the

smoky, tumultuous west, black clouds devoured the last of the sun.

Panic seized Judith, and she hated Julian, wanted to strike him.

‘Rot! that doesn’t mean anything,’ said Charlie uneasily.

‘And listen to the wind.’

The wind was in the treetops, full and relentless, and driving the

clouds.

‘Oh, shut up!’ said Charlie. ‘Can’t there be a wind without a thaw? And

come on, can’t you, or we’ll miss our train.’

‘Good-night then.’

‘G’night, Judith. We’ll look out for you.’

‘I’ll be there.’

‘Goo’night.’

‘Good-night.’

Judith ran home, shutting eyes to the clouds, ears to the wind, and with

the slam of the front door behind her striving to ignore the God of

envy, hatred, malice and all uncharitableness whose portents were abroad

in the sky.

‘To-morrow they are coming again and bringing Roddy. To-morrow I shall

see Roddy. O God, be merciful!’

* * * * *

Towards dawn she woke and heard the blind, drearily sighing, futile

hurry and hiss of the rain,--and said aloud in the darkness: ‘How can I

bear it?’

Yet lured by sick fantastic hope she crossed the river that morning and

made her way to the pond.

There was nobody there, save one small boy, sliding upon the ice through

several inches of water and throwing up before him in his swift career

two separate and divided fountains.

Then that was the end. They were lost again. They would not come back,

they would not write, she would never go to London to see them. Even

Julian would forget about her. They did not care, the rain was glad,

there was nothing in the wide world to give her comfort. She turned from

the rain-blurred place where their unreal lost images mocked at and

confused her,--dreams within the far-off dream of happy yesterday.

3

It was some time in the middle of the war that she knew for certain that

Julian was at the front. She heard it from the old next door gardener,

who had given her apples and pears long ago, and it was from the

grandmother herself that he knew it. She had written to tell him to

plant fresh rose-buds and to keep the tennis lawn in perfect order, for

very soon, directly the war was over, the grandchildren were to have the

house for their own, as a place for week-ends and holidays.

Mr. Julian was at the front, safe so far, God be thanked, and Mr.

Charlie had just been called up; but the fighting, so the grandmother

said, would be over before ever he went to France.

Then, nourished afresh on new hopes, desires, and terrors, the children

next door came back night after night in dreams.

Julian in uniform came suddenly into the library. He said:

‘I’ve come to say good-bye.’

‘Good-bye? Are you going back to the front?’

‘Yes. In a minute. Can’t you hear my train?’

She listened and heard the train-whistle.

‘Charlie’s going too--He’ll be here in a minute. Good-bye, Judith.’

She put out her hand and he took it and then bent down with a sort of

grin and kissed her. He said:

‘That’s what men do when they’re going to the front.’

She thought with pleasure: ‘Then Charlie will want to kiss me too;’ and

she looked out of the window, hoping to see him.

It was impenetrably dark, and she thought anxiously: ‘He won’t be able

to find his way. He always hated the dark.’

‘Come on,’ said Julian. ‘You must come and wave good-bye to me.’

But still she delayed and peered out, looking with growing panic for

Charlie.

All at once she saw him in the darkness outside. He was not in uniform,

but in grey flannel shorts and a white shirt open at the neck,--the

clothes of his childhood. He trailed himself haltingly, as if his feet

hurt him.

‘Sh!’ said Julian in her ear. ‘He’s disguised himself.’

‘Ah, then he won’t get killed....’

‘No.’

She caught sight of his face. It was a terrible disguise,--the

shrivelled, yellow mask of an ancient cretin. He looked at her vacantly,

and she thought with a pang: ‘Ah! I must pretend I don’t know him.’

He passed out of sight with his queer clothes and his limp and his

changed face,--all the careful paraphernalia of his travesty. Looking at

him, she was seized with sudden horror. There was something wrong: they

would see through it.

She tried to reach him, to warn him; but she was voiceless and he had

disappeared.

* * * * *

It was Charlie himself, so the old gardener said, who wrote to tell him

that he and Mariella were to be married. Master Charles had always been

the beloved one,--the one to be ready with a smile and a pleasant word,

and never a bit of haughtiness for all his Grannie made such a little

prince of him.

‘And when this old war’s over, Lacey,’ he says, ‘we’ll be coming back to

live in the dear old house. Grannie wants us to,’ he says, ‘and you may

be sure we want to. We were never ones to like London. So look out for

us before long.’ But ah! he had to come through the fighting first. They

were to get married at once, for he was off to the front. Speaking for

himself, said the old gardener, he’d have had enough of life if anything

happened to Master Charlie.

The next day, the announcement of their marriage at a registry office

appeared in the “Times.”

‘Why, they can’t be more than nineteen,’ said Mamma, ‘and first cousins,

too. A dreadful mistake. However, I suppose the chances are----’ and

she sighed, settling her V.A.D. cap before the mirror. ‘I must write to

the old lady. They were good-looking children--one of them especially.

Why don’t you send a nice little note to the girl, Judith? You used to

play together such a lot.’

‘Oh, she wouldn’t remember me,’ said Judith, and went quickly away, sick

with shock.

Married, those two. Mariella a wife: Mrs. Charles Fyfe.

‘I am _young_ Mrs. Fyfe. This is Charlie, my husband.’

How had it happened?

‘Mariella, you must marry me, you must, you _must_. Oh, Mariella, I _do_

want to marry you, and I’m going to the front so I _do_ think I might be

allowed to have what I want. I may be killed and I shan’t have had

anything out of life. Oh, Mariella, please! You know you’re happiest

with us, Mariella. You couldn’t marry anyone outside and leave us all,

could you? Nor could I. I couldn’t bear to be _touched_ by any other

woman. You and I understand each other so well we _couldn’t_ be unhappy.

We are different from other people, you know. Marry me and I’ll come

back from the war. But if you say no I’ll just go out and let myself be

killed at once....’

And Mariella, pale and childish and not understanding, went away. She

went--yes--to Julian, and looking at him full with her dazed look said:

‘Charlie has asked me to marry him.’ He said not a word, but looked dark

and shrugged his shoulders and turned away as who should reply: ‘What is

that to me?’ So Mariella went straight back to Charlie and said:

‘All right.’

Her mouth quivered and she nearly cried then, but not quite: neither

then nor afterwards. And the grandmother wept bitterly, till in the end

Charlie comforted her; and after that, implacably she would give and

sacrifice all to Charlie.

No, no, that was too stupid, too abnormal. People only behaved like that

in your unbalanced imagination.

Mariella would never have wept, never have gone to Julian, never dreamed

of being in love with him,--him or Charlie or any one else you would

have thought, childless, sexless creature that she had always seemed,

years behind you in development. How she must have changed to be now

liable to passion! All at once she had to be thought of as a woman, the

gulf of marriage fixed between you and her.

Had she consented then in her usual placidly agreeable way, just to

oblige Charlie, without a notion of what it meant to be in love and

marry? Had she gradually fallen in love with him during all the years

they were growing up together, or had it been suddenly, with a shock of

realization, when he told her he was going to France? Or had he come

home one day excited, full of emotion at the thought of what lay ahead

for him, and found her looking beautiful, strange, and thrilling to his

troubled eyes, and taken her suddenly in his arms, charming her into his

own illusion of love?

Or had it been gentle and certain all the time,--an idyll?

‘My dear, you know I shall never love anyone but you.’

‘Nor I anyone but you.’

‘Then let’s marry before I go.’

‘Oh yes,--at once.’

So they married, with all the others gentle and certain, and acquiescent

as a matter of course, saying, whatever their secret thoughts: ‘Ah well,

it had to be.’

They would spend their few days contentedly together, saying quietly:

‘If anything should happen we shall have had this happiness at least:’

their few nights....

When people married they slept in the same room, perhaps in the same

bed: they wanted to. Mariella and Charlie would sleep together: that

would be the only change for them who had lived in the same house since

childhood and knew all about each other. Why had they wanted to make

that change--what had impelled them to seek from each other another

intimacy? Charlie’s beauty belonged to someone now: Mariella of all

people had claims upon it. She might have a baby, and Charlie would be

its father....

It was all so queer and unhappy, so like the dreams from whose

improbabilities she woke in heaviness of spirit, that it was impossible

to realize. This thing had happened and she was further than ever from

them, perplexed in the outer darkness, unremembered, unwanted, nothing

at all. She might hold on all her life but they would never be drawn

back to her.

She was certain now that Charlie was going to be killed. There was that

in the fact of his marriage, of his leaping to fulfil the instincts of

normal man for life which proclaimed more ominously by contrast the

something,--the fatal excess--that foredoomed him; which made darker the

shadow falling ever upon the bright thing coming to confusion.

There seemed nothing now in life but a waiting for his death.

* * * * *

They came and came in her dreams--some that caused her to wake with the

happiness of a bird, thinking for a moment: ‘Then he’s safe ...;’ others

that made her start into bleak consciousness, heavy with the thought

that he was even now dead.

There were dreams of Mariella with a child in her arms; of Mariella and

Charlie walking silently up and down, up and down the lawn next door,

like lovers, their arms about each other, and kissing as they walked.

Then Mariella would turn into Judith, and very soon the whole thing

would go wrong: Charlie would cease to walk up and down like a lover,

and falter and disappear.

She dreamed of standing in the doorway of the old next door schoolroom

looking out into the hall. Between the inner glass doors and the outer

white-painted wooden ones, in the little passage where tubs of

hydrangeas and red and white lilies stood upon a mosaic floor, Mariella

was talking to one of the boys. She must be saying good-bye to Charlie.

The back of her neck was visible, the short curls tilting back as she

lifted her head to him. Tall and shadowy, faceless, almost formless, he

bent over her, and mysteriously, silently they conferred; and she

watched, hidden in the doorway. Suddenly Mariella broke away and ran

past through the hall. Her face was white and wild, streaming with

tears; she bowed it right forward in her hands and fled up the stairs.

‘Oh, look! Mariella is crying for the first time in her life....’

In the doorway the dark figure still stood. It turned and all at once

had a face; and was not Charlie but Julian. She sprang back thinking:

‘He mustn’t see me here, spying;’ and in the agitation of trying to slip

away unobserved, the dream broke.

There was a dream of playing some game among them all in the next door

garden, and of Charlie stopping suddenly, and crawling away with a weak

fumbling step, his hand on his heart.

‘He’s got a weak heart.’

‘Ah, then he won’t go to the front.’

‘No, he’s quite safe.’

She woke up happy.

But sometimes Charlie had been to the front and had come back with that

feebleness and sickness upon him. He was going to die of it. He came

all pale into the schoolroom and stopped, leaning against the big oak

cupboard. He put his hand on his heart, sighing and moaning, looking

about him in appalling distress. He said:

‘I feel ill. I don’t know what it is.... I’d like to consult my

brother.’

He had the face of a stranger, an emaciated and elderly man,--nobody in

the least like Charlie; but it was he. He shuffled out again, almost too

weak to move, looking for Julian, who would not come. In horror-struck

groups the others watched him. He was dying beyond a doubt. She woke,

aghast.

* * * * *

It was at the close of a day in February. Outside, where the gentle dusk

glimmered on rain-wet branches, the bird-calls were like sudden pale

jets of light, coming achingly to the mind; and all at once the sun,

like a bell, struck out a poignant richness, a long dark-golden evening

note with tears in it, searching all the land with its fullness and

dying slowly into an obscurer twilight. The tree-tops were quiet against

the sky. There was no leaf upon them: yet, in that liquid mauve air they

stirred in her a sudden soft pang, a beating of the heart, and were, for

a moment, the whole of the still hidden spring.

She stood staring through the window; and wars and rumours of wars

receded, dwindling into a little shadow beyond the edge of the enchanted

world.

She went out into the garden, towards the river. Ah, these shapely

boughs, this smell of buds, that tenderly-trailing blue smoke from the

rubbish heap, this air like clear greenish water, washing in luminous

tides, those few stars cast up and glowing upon translucent strands

between the riven pale deeps of clouds!... Bearing her ecstasy

delicately, she came to the bottom of the garden, where the connecting

pathway ran towards the house next door. She heard a heavy trailing step

she knew, and she waited to bid good-night to the old gardener coming

home from work.

‘Good-night, Lacey.’

His mumbling voice said from the shadows:

‘Good-night, Missie.’

‘_Lovely_ evening, Lacey.’

‘Ah, grand.’

‘How does your garden look next door?’

‘Ah, a bit forward. There’ll be frosts later, you may be bound.’

He sounded tired to-night; he was getting very old. Now for the

customary last question.

‘When are they coming back, Lacey? It’s high time, isn’t it?’

He paused; then said:

‘You maybe won’t have heard, Miss....’

‘What?’

‘Master Charlie’s been killed.... Yes, Miss. We ‘ad word from London

this afternoon. Ah, it’s cruel. It’ll about kill his Grannie, that’s wot

I sez first thing--about kill her it will. He was the apple of her eye.

That’s what we all said--the apple of her eye. She says to me once she

says: “Lacey,” she says, “Master Charlie’ll live ‘ere when I’m gorn. I’m

keepin’ the place on for ’im,” she says. “It shall never be let nor

nothing. It’s ‘is, for ’im to bring ‘is wife to. Ah, pore little Miss

Mariella, pore soul....” He broke into feeble weeping. “Ah, it’ll about

be the death of ‘is Grannie. Pore Master Charlie--pore little chap ...

everybody’s favourite, I remember ’im when ‘e was.... Yes, Missie, yes,

Miss Judith....’

His voice failed; and with a hand touching his hat over and over again

in mechanical apology, confused distress and appeal, he went shuffling

away into the shadows.

* * * * *

But of course, of course he was dead; she had expected it all the time.

Now it had happened she could turn to other things. She thought: ‘It’s

not bad now; it’ll be worse later: then some time it will stop. I must

bear it--bear it--bear it!’

That wheezing voice echoed in the solitude and complained: ‘Pore Master

Charlie, pore little chap,’ over and over again through the dark lane

among the poplars, above the wall of the garden where the poor little

boy had lived long ago.

Had he really lived? Forget him, forget him. He was only a shadow any

way, a romantic illusion, a beautiful plaything of the imagination:

nothing of importance. Put him away, be sensible, be indifferent, gather

round you once again the imperturbable mysteries of nature, be blinded

and made deaf with them for ever. He was much better dead. He was weak

and spoilt, selfish; he wouldn’t have been any good.... He never could

bear blood: he must be thankful to be dead.

Where was he? He seemed to be near, listening to what you had to say of

his death.

‘Charlie, my darling, if only you’d known how I loved you!’

‘I know now. I shall always be watching you.’

Then there is no cause for weeping: he is alive, he is in God’s keeping.

“Lord, into thy hands I commend his spirit.” What did that mean?

Pretend, pretend to believe it, cover the blankness with confident

assertions.

What had become of that shining head? How did he look now?

At this very moment they were all weeping for Charlie shot dead in

France. It was really true: he was dead and in the earth, he had

vanished for ever. Her mind wavered and fainted under the burden of

their grief: her own she could endure, but theirs was intolerable.

She went back, out of the unregarding night, to the Greek verbs which

must be learnt by to-morrow.

* * * * *

A long time after, came the last terrible dream.

They were all bathing together from the next door raft, in a sort of dim

luminous twilight. She saw her own white legs reaching out to touch the

water; and she stepped in and swam about. Roddy was there, a dark head

bobbing vaguely near her. Sometimes he touches her hand or her shoulder,

smiling at her in a friendly way. The others made a dim group on the

bank. They were all very happy: she felt ecstasy swelling within her,

and passing from her among them all.

Charlie suddenly came into the group. Oh, there was Charlie safe and

well and alive after all, and nobody need be unhappy any more!

He did not speak. He emerged swiftly from among them, and they all

watched him in silence while he stooped to the dim river and slipped in.

He turned his face, his hidden face, downstream, and went floating and

swimming gently along. He too was happy.

A dark misty solitude of night and water was ahead of him, and he went

into it without pause or backward look, and it folded around him. Horror

crept in: for he was disappearing.

A voice broke ringingly, in anguish:

‘Come back!’

It shattered itself, aghast, upon emptiness.

Softly he vanished.

She cried aloud and woke into a night streaming, blind with the rain’s

enormous weeping.

He never came again.

His son was born and his grandmother died; but he was too far, too spent

a ghost to raise his head at that.

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