VI--ALADDIN ON SIMPSON STREET

1

|Elberforce Jenkins was the most accomplished very young man-about-town

in Sunbury. He appeared to have, even at twenty-one, the bachelor gift.

He danced well. His golf was more than promising. He had lately taken

up polo with the Dexter Smith boys and young de Casselles. He owned two

polo ponies, a schooled riding horse, and a carriage team which he

drove to a high cart. His allowance from his father by far overcame the

weakness of his salary (he was with his brother, Jefferson, in a bond

house on La Salle Street). His aptitude at small talk amounted to a

gift. He liked, inevitably, the play that was popular and (though he

read little) the novel that was popular. His taste in girls pointed him

unerringly toward the most desirable among the newest.

He and Henry had been together in high school (Sunbury was democratic

then). They had played together in the football team. They had--during

one hectic month--been rivals for the hand of Ernestine Lambert.

In that instance, in so far as success had come, it had come to Henry.

But those were Henry's big days, when he was directing _Iolanthe_, the

town at his feet. Life, these two years, had flowed swiftly on. The long

dangling figure of Elbow Jenkins had filled out. His crude boyishness

had given way to a smiling reserve. He was a young man of the

world--self-assured, never indiscreet of tongue, always well-mannered,

never individual or interesting.

While Henry still worked on Simpson Street. He hadn't struck his gait.

He was--if you bothered, these days, to think about him--a little

queer. He wore that small moustache and a heavy cord hanging from his

nose-glasses, and dressed a thought too conspicuously. As if impelled

by some inner urge to assert a personality that might otherwise be

overlooked.... As I glance back upon the Henry of this period, it seems

to me that there was more than a touch of pathos about that moustache.

It was such a soft little thing. He fussed with it so much, and kept

trying to twist it up at the ends. He didn't seem to know that they

weren't twisting moustaches up at the ends that year. In fact, I think

he lacked almost utterly the gift of conformity which was the strongest,

element in Elbow Jenkins's nature. And he never acquired it. In

education, in work and preparation for life, he went it alone,

stumbling, blundering, doing apparently stupid things, acting from

baffling obscure motives, then suddenly coming through with an

unexpected flash of insight and power.

From the period of Ernestine Lambert to the time of the present story

Elbow Jenkins had been on Henry's nerves. Whenever they met, that is;

or when Henry saw him driving the newest, prettiest, best-dressed

girl about in his cart. Two years earlier he would have had two ponies

hitched tandem. But now, a little older, less willing to be conspicuous

except in strict conformity with the conventions, he drove his carefully

matched team side by side. His scat, his hold of the reins, the very

turning-back of his tan gloves, all were correct. These, indeed, were

details in the problem of living and moving about with success among

one's fellows that Elberforce Jenkins regarded as really important. Like

one's stance at golf, and cultivating the favour of men who could be

influential in a business or social way.

Yes, Elbow was on Henry's nerves.

But Elbow had long since forgotten Henry, except for a chance nod now

and then. And occasionally a moment's annoyance that Henry should insist

on keeping alive a nickname that had with years and the beginnings of

dignity become undesirable.

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The blow fell on Henry at half-past five on the Tuesday.

I mark the time thus precisely because it perhaps adds a touch of

interest to the consideration of what happened between then and Friday

night, when McGibbon first saw what he had done. Of the importance of

the blow in Henry's life there is no doubt. It turned him sharply Not

until he was approaching middle life could he look back on the occasion

without wincing. And while wincing, he would say that it was what he had

needed. Plainly. That it made a man of him, or started the process.

As to that, I can't say. Perhaps it did. Life is not so simple as Henry

had been taught it was. I am fatalist enough to believe that Henry would

have become what he was to become in any event, because it was in him. I

doubt if he could have been given any other direction. Though of course

he might have gone under simply through a failure to get aroused.

Something had to start him, of course.

The practical difficulty with Henry's life was, of course, that he was

strong. He didn't know this himself. He thought he was weak. Some who

observed him thought the same. There were reasons enough. But Mildred

always declared flatly that he was a genius, that he was too good for

Sunbury, against the smugness of which community she was inclined to

rail. A debate on this point between Mrs Henderson and, say, William F.

Donovan, the drug store man, would have been interesting. Mr Donovan's

judgments of human character were those of Simpson Street.

I say Henry was strong, because I can't interpret his rugged

nonconformity in any other way. A weaker lad would long since have given

up, gone into Smith Brothers' wholesale, taken his spiritual beating

and fallen into step with his generation. But Henry's resistance was

so strong and so deep that he didn't even know he was resisting. He was

doing the only thing he could do, being what he was, feeling what he

felt. And when instinct failed to guide, when 'the Power' lay quiescent,

he was simply waiting and blundering along; but never falling into step.

He had to wait until the Power should rise with him and take him out and

up where he belonged.

There was a little scene the Monday evening before.

It was in the rooms. Mildred was there.

Henry stumbled in on the two of them, Mildred and Humphrey. They were

at the piano, seated side by side. They had been studying _Tristan and

Isolde_ together for a week or so; Mildred playing out the motifs. She

often played the love duet from the second act for him, too. Henry heard

him, mornings, trying to hum it while he shaved.

They insisted that he take a chair. He, with a sense of intrusion, took

the arm of one, and kept hat and stick (his thin bamboo) in his hands.

Henry Is Twenty: A Further Episodic History of Henry Calverly, 3rd · 第 43 / 89 题