III. THE LADY LETTY

Another day passed, then two. Before Wilbur knew it he had settled

himself to his new life, and woke one morning to the realization that

he was positively enjoying himself. Daily the weather grew warmer. The

fifth day out from San Francisco it was actually hot. The pitch grew

soft in the “Bertha Millner's” deck seams, the masts sweated resin.

The Chinamen went about the decks wearing but their jeans and blouses.

Kitchell had long since abandoned his coat and vest. Wilbur's oilskins

became intolerable, and he was at last constrained to trade his

pocket-knife to Charlie for a suit of jeans and wicker sandals, such as

the coolies wore--and odd enough he looked in them.

The Captain instructed him in steering, and even promised to show him

the use of the sextant and how to take an observation in the fake short

and easy coasting style of navigation. Furthermore, he showed him how to

read the log and the manner of keeping the dead reckoning.

During most of his watches Wilbur was engaged in painting the inside

of the cabin, door panels, lintels, and the few scattered moldings; and

toward the middle of the first week out, when the “Bertha Millner”

was in the latitude of Point Conception, he and three Chinamen, under

Kitchell's directions, ratlined down the forerigging and affixed the

crow's nest upon the for'mast. The next morning, during Charlie's watch

on deck, a Chinaman was sent up into the crow's nest, and from that time

on there was always a lookout maintained from the masthead.

More than once Wilbur looked around him at the empty coruscating indigo

of the ocean floor, wondering at the necessity of the lookout, and

finally expressed his curiosity to Kitchell. The Captain had now taken

not a little to Wilbur; at first for the sake of a white man's company,

and afterward because he began to place a certain vague reliance upon

Wilbur's judgment. Kitchell had reemarked as how he had brains.

“Well, you see, son,” Kitchell had explained to Wilbur, “os-tensiblee

we are after shark-liver oil--and so we are; but also we are on any lay

that turns up; ready for any game, from wrecking to barratry. Strike

me, if I haven't thought of scuttling the dough-dish for her insoorance.

There's regular trade, son, to be done in ships, and then there's

pickin's an' pickin's an' pickin's. Lord, the ocean's rich with

pickin's. Do you know there's millions made out of the day-bree and

refuse of a big city? How about an ocean's day-bree, just chew on that

notion a turn; an' as fur a lookout, lemmee tell you, son, cast your

eye out yon,” and he swept the sea with a forearm; “nothin', hey, so it

looks, but lemmee tell you, son, there ain't no manner of place on

the ball of dirt where you're likely to run up afoul of so many

things--unexpected things--as at sea. When you're clear o' land lay to

this here pree-cep', 'A million to one on the unexpected.'”

The next day fell almost dead calm. The hale, lusty-lunged nor'wester

that had snorted them forth from the Golden Gate had lapsed to a zephyr,

the schooner rolled lazily southward with the leisurely nonchalance of

a grazing ox. At noon, just after dinner, a few cat's-paws curdled the

milky-blue whiteness of the glassy surface, and the water once more

began to talk beneath the bow-sprit. It was very hot. The sun spun

silently like a spinning brass discus over the mainmast. On the fo'c'sle

head the Chinamen were asleep or smoking opium. It was Charlie's watch.

Kitchell dozed in his hammock in the shadow of the mainsheet. Wilbur was

below tinkering with his paint-pot about the cabin. The stillness was

profound. It was the stillness of the summer sea at high noon.

The lookout in the crow's nest broke the quiet.

“Hy-yah, hy-yah!” he cried, leaning from the barrel and calling through

an arched palm. “Hy-yah, one two, plenty, many tortle, topside, wattah;

hy-yah, all-same tortle.”

“Hello, hello!” cried the Captain, rolling from his hammock. “Turtle?

Where-away?”

“I tink-um 'bout quallah mile, mebbee, four-piecee tortle all-same

weatha bow.”

“Turtle, hey? Down y'r wheel, Jim, haul y'r jib to win'ward,” he

commanded the man at the wheel; then to the men forward: “Get the dory

overboard. Son, Charlie, and you, Wing, tumble in. Wake up now and see

you stay so.”

The dory was swung over the side, and the men dropped into her and

took their places at the oars. “Give way,” cried the Captain, settling

himself in the bow with the gaff in his hand. “Hey, Jim!” he shouted to

the lookout far above, “hey, lay our course for us.” The lookout nodded,

the oars fell, and the dory shot forward in the direction indicated by

the lookout.

“Kin you row, son? asked Kitchell, with sudden suspicion. Wilbur smiled.

“You ask Charlie and Wing to ship their oars and give me a pair.” The

Captain complied, hesitating.

“Now, what,” he said grimly, “now, what do you think you're going to do,

sonny?”

“I'm going to show you the Bob Cook stroke we used in our boat in '95,

when we beat Harvard,” answered Wilbur.

Kitchell gazed doubtfully at the first few strokes, then with growing

interest watched the tremendous reach, the powerful knee-drive, the

swing, the easy catch, and the perfect recover. The dory was cutting the

water like a gasoline launch, and between strokes there was the least

possible diminishing of the speed.

“I'm a bit out of form just now,” remarked Wilbur, “and I'm used to

the sliding seat; but I guess it'll do.” Kitchell glanced at the human

machine that once was No. 5 in the Yale boat and then at the water

hissing from the dory's bows. “My Gawd!” he said, under his breath.

He spat over the bows and sucked the nicotine from his mustache,

thoughtfully.

“I ree-marked,” he observed, “as how you had brains, my son.”

A few minutes later the Captain, who was standing in the dory's bow and

alternately conning the ocean's surface and looking back to the Chinaman

standing on the schooner's masthead, uttered an exclamation:

“Steady, ship your oars, quiet now, quiet, you damn fools! We're right

on 'em--four, by Gawd, an' big as dinin' tables!”

The oars were shipped. The dory's speed dwindled. “Out your paddles, sit

on the gun'l, and paddle ee-asy.” The hands obeyed. The Captain's voice

dropped to a whisper. His back was toward them and he gestured with one

free hand. Looking out over the water from his seat on the gun'l, Wilbur

could make out a round, greenish mass like a patch of floating seaweed,

just under the surface, some sixty yards ahead.

“Easy sta'board,” whispered the Captain under his elbow. “Go ahead,

port; e-e-easy all, steady, steady.”

The affair began to assume the intensity of a little drama--a little

drama of midocean. In spite of himself, Wilbur was excited. He even

found occasion to observe that the life was not so bad, after all. This

was as good fun as stalking deer. The dory moved forward by inches.

Kitchell's whisper was as faint as a dying infant's: “Steady all,

s-stead-ee, sh-stead--”

He lunged forward sharply with the gaff, and shouted aloud: “I got

him--grab holt his tail flippers, you fool swabs; grab holt quick--don't

you leggo--got him there, Charlie? If he gets away, you swine, I'll rip

y' open with the gaff--heave now--heave--there--there--soh, stand clear

his nippers. Strike me! he's a whacker. I thought he was going to get

away. Saw me just as I swung the gaff, an' ducked his nut.”

Over the side, bundled without ceremony into the boat, clawing,

thrashing, clattering, and blowing like the exhaust of a donkey-engine,

tumbled the great green turtle, his wet, green shield of shell three

feet from edge to edge, the gaff firmly transfixed in his body, just

under the fore-flipper. From under his shell protruded his snake-like

head and neck, withered like that of an old man. He was waving his head

from side to side, the jaws snapping like a snapped silk handkerchief.

Kitchell thrust him away with a paddle. The turtle craned his neck, and

catching the bit of wood in his jaw, bit it in two in a single grip.

“I tol' you so, I tol' you to stand clear his snapper. If that had been

your shin now, eh? Hello, what's that?”

Faintly across the water came a prolonged hallooing from the schooner.

Kitchell stood up in the dory, shading his eyes with his hat.

“What's biting 'em now?” he muttered, with the uneasiness of a captain

away from his ship. “Oughta left Charlie on board--or you, son. Who's

doin' that yellin', I can't make out.”

“Up in the crow's nest,” exclaimed Wilbur. “It's Jim, see, he's waving

his arms.”

“Well, whaduz he wave his dam' fool arms for?” growled Kitchell, angry

because something was going forward he did not understand.

“There, he's shouting again. Listen--I can't make out what he's

yelling.”

“He'll yell to a different pipe when I get my grip of him. I'll twist

the head of that swab till he'll have to walk back'ard to see where

he's goin'. Whaduz he wave his arms for--whaduz he yell like a dam'

philly-loo bird for? What's him say, Charlie?”

“Jim heap sing, no can tell. Mebbee--tinkum sing, come back chop-chop.”

“We'll see. Oars out, men, give way. Now, son, put a little o' that Yale

stingo in the stroke.”

In the crow's nest Jim still yelled and waved like one distraught, while

the dory returned at a smart clip toward the schooner. Kitchell lathered

with fury.

“Oh-h,” he murmured softly through his gritted teeth. “Jess lemmee lay

mee two hands afoul of you wunst, you gibbering, yellow philly-loo

bird, believe me, you'll dance. Shut up!” he roared; “shut up, you crazy

do-do, ain't we coming fast as we can?”

The dory bumped alongside, and the Captain was over the rail like

quicksilver. The hands were all in the bow, looking and pointing to the

west. Jim slid down the ratlines, bubbling over with suppressed news.

Before his feet had touched the deck Kitchell had kicked him into the

stays again, fulminating blasphemies.

“Sing!” he shouted, as the Chinaman clambered away like a bewildered

ape; “sing a little more. I would if I were you. Why don't you sing and

wave, you dam' fool philly-loo bird?”

“Yas, sah,” answered the coolie.

“What you yell for? Charlie, ask him whaffo him sing.”

“I tink-um ship,” answered Charlie calmly, looking out over the

starboard quarter.

“Ship!”

“Him velly sick,” hazarded the Chinaman from the ratlines, adding a

sentence in Chinese to Charlie.

“He says he tink-um ship sick, all same; ask um something--ship velly

sick.”

By this time the Captain, Wilbur, and all on board could plainly

make out a sail some eight miles off the starboard bow. Even at that

distance, and to eyes so inexperienced as those of Wilbur, it needed but

a glance to know that something was wrong with her. It was not that she

failed to ride the waves with even keel, it was not that her rigging was

in disarray, nor that her sails were disordered. Her distance was too

great to make out such details. But in precisely the same manner as a

trained physician glances at a doomed patient, and from that indefinable

look in the face of him and the eyes of him pronounces the verdict

“death,” so Kitchell took in the stranger with a single comprehensive

glance, and exclaimed:

“Wreck!”

“Yas, sah. I tink-um velly sick.”

“Oh, go to 'll, or go below and fetch up my glass--hustle!”

The glass was brought. “Son,” exclaimed Kitchell--“where is that man

with the brains? Son, come aloft here with me.” The two clambered up the

ratlines to the crow's nest. Kitchell adjusted the glass.

“She's a bark,” he muttered, “iron built--about seven hundred tons,

I guess--in distress. There's her ensign upside down at the

mizz'nhead--looks like Norway--an' her distress signals on the spanker

gaff. Take a blink at her, son--what do you make her out? Lord, she's

ridin' high.”

Wilbur took the glass, catching the stranger after several clumsy

attempts. She was, as Captain Kitchell had announced, a bark, and, to

judge by her flag, evidently Norwegian.

“How she rolls!” muttered Wilbur.

“That's what I can't make out,” answered Kitchell. “A bark such as she

ain't ought to roll thata way; her ballast'd steady her.”

“What's the flags on that boom aft--one's red and white and

square-shaped, and the other's the same color, only swallow-tail in

shape?”

“That's H. B., meanin: 'I am in need of assistance.'”

“Well, where's the crew? I don't see anybody on board.”

“Oh, they're there right enough.”

“Then they're pretty well concealed about the premises,” turned Wilbur,

as he passed the glass to the Captain.

“She does seem kinda empty,” said the Captain in a moment, with a sudden

show of interest that Wilbur failed to understand.

“An' where's her boats?” continued Kitchell. “I don't just quite make

out any boats at all.” There was a long silence.

“Seems to be a sort of haze over her,” observed Wilbur.

“I noticed that, air kinda quivers oily-like. No boats, no boats--an'

I can't see anybody aboard.” Suddenly Kitchell lowered the glass and

turned to Wilbur. He was a different man. There was a new shine in

his eyes, a wicked line appeared over the nose, the jaw grew salient,

prognathous.

“Son,” he exclaimed, gimleting Wilbur with his contracted eyes; “I have

reemarked as how you had brains. I kin fool the coolies, but I can't

fool you. It looks to me as if that bark yonder was a derelict; an' do

you know what that means to us? Chaw on it a turn.”

“A derelict?”

“If there's a crew on board they're concealed from the public gaze--an'

where are the boats then? I figger she's an abandoned derelict. Do you

know what that means for us--for you and I? It means,” and gripping

Wilbur by the shoulders, he spoke the word into his face with a savage

intensity. “It means salvage, do you savvy?--salvage, salvage. Do you

figger what salvage on a seven-hundred-tonner would come to? Well, just

lemmee drop it into your think tank, an' lay to what I say. It's all the

ways from fifty to seventy thousand dollars, whatever her cargo is; call

it sixty thousand--thirty thou' apiece. Oh, I don't know!” he exclaimed,

lapsing to landman's slang. “Wha'd I say about a million to one on the

unexpected at sea?”

“Thirty thousand!” exclaimed Wilbur, without thought as yet.

“Now y'r singin' songs,” cried the Captain. “Listen to me, son,” he went

on, rapidly shutting up the glass and thrusting it back in the case;

“my name's Kitchell, and I'm hog right through.” He emphasized the words

with a leveled forefinger, his eyes flashing. “H--O--G spells very truly

yours, Alvinza Kitchell--ninety-nine swine an' me make a hundred swine.

I'm a shoat with both feet in the trough, first, last, an' always.

If that bark's abandoned, an' I says she is, she's ours. I'm out for

anything that there's stuff in. I guess I'm more of a beach-comber by

nature than anything else. If she's abandoned she belongs to us. To 'll

with this coolie game. We'll go beach-combin', you and I. We'll board

that bark and work her into the nearest port--San Diego, I guess--and

get the salvage on her if we have to swim in her. Are you with me?” he

held out his hand. The man was positively trembling from head to

heel. It was impossible to resist the excitement of the situation, its

novelty--the high crow's nest of the schooner, the keen salt air, the

Chinamen grouped far below, the indigo of the warm ocean, and out yonder

the forsaken derelict, rolling her light hull till the garboard streak

flashed in the sun.

“Well, of course, I'm with you, Cap,” exclaimed Wilbur, gripping

Kitchell's hand. “When there's thirty thousand to be had for the asking

I guess I'm a 'na'chel bawn' beach-comber myself.”

“Now, nothing about this to the coolies.”

“But how will you make out with your owners, the Six Companies? Aren't

you bound to bring the 'Bertha' in?”

“Rot my owners!” exclaimed Kitchell. “I ain't a skipper of no oil-boat

any longer. I'm a beach-comber.” He fixed the wallowing bark with

glistening eyes. “Gawd strike me,” he murmured, “ain't she a daisy? It's

a little Klondike. Come on, son.”

The two went down the ratlines, and Kitchell ordered a couple of the

hands into the dory that had been rowing astern. He and Wilbur followed.

Charlie was left on board, with directions to lay the schooner to. The

dory flew over the water, Wilbur setting the stroke. In a few moments

she was well up with the bark. Though a larger boat than the “Bertha

Millner,” she was rolling in lamentable fashion, and every laboring

heave showed her bottom incrusted with barnacles and seaweed.

Her fore and main tops'ls and to'gallants'ls were set, as also were her

lower stays'ls and royals. But the braces seemed to have parted, and

the yards were swinging back and forth in their ties. The spanker was

brailed up, and the spanker boom thrashed idly over the poop as the bark

rolled and rolled and rolled. The mainmast was working in its shoe,

the rigging and backstays sagged. An air of abandonment, of unspeakable

loneliness, of abomination hung about her. Never had Wilbur seen

anything more utterly alone. Within three lengths the Captain rose in

his place and shouted:

“Bark ahoy!” There was no answer. Thrice he repeated the call, and

thrice the dismal thrashing of the spanker boom and the flapping of

the sails was the only answer. Kitchell turned to Wilbur in triumph. “I

guess she's ours,” he whispered. They were now close enough to make out

the bark's name upon her counter, “Lady Letty,” and Wilbur was in

the act of reading it aloud, when a huge brown dorsal fin, like the

triangular sail of a lugger, cut the water between the dory and the

bark.

“Shark!” said Kitchell; “and there's another!” he exclaimed in the next

instant, “and another! Strike me, the water's alive with 'em'! There's

a stiff on the bark, you can lay to that”; and at that, acting on some

strange impulse, he called again, “Bark ahoy!” There was no response.

The dory was now well up to the derelict, and pretty soon a prolonged

and vibratory hissing noise, strident, insistent, smote upon their ears.

“What's that?” exclaimed Wilbur, perplexed. The Captain shook his

head, and just then, as the bark rolled almost to her scuppers in their

direction, a glimpse of the deck was presented to their view. It was

only a glimpse, gone on the instant, as the bark rolled back to port,

but it was time enough for Wilbur and the Captain to note the parted

and open seams and the deck bulging, and in one corner blown up and

splintered.

The captain smote a thigh.

“Coal!” he cried. “Anthracite coal. The coal he't up and generated gas,

of course--no fire, y'understand, just gas--gas blew up the deck--no way

of stopping combustion. Naturally they had to cut for it. Smell the gas,

can't you? No wonder she's hissing--no wonder she rolled--cargo goes

off in gas--and what's to weigh her down? I was wondering what could 'a'

wrecked her in this weather. Lord, it's as plain as Billy-b'damn.”

The dory was alongside. Kitchell watched his chance, and as the bark

rolled down caught the mainyard-brace hanging in a bight over the

rail and swung himself to the deck. “Look sharp!” he called, as Wilbur

followed. “It won't do for you to fall among them shark, son. Just look

at the hundreds of 'em. There's a stiff on board, sure.”

Wilbur steadied himself on the swaying broken deck, choking against the

reek of coal-gas that hissed upward on every hand. The heat was almost

like a furnace. Everything metal was intolerable to the touch.

“She's abandoned, sure,” muttered the Captain. “Look,” and he pointed

to the empty chocks on the house and the severed lashings. “Oh, it's

a haul, son; it's a haul, an' you can lay to that. Now, then, cabin

first,” and he started aft.

But it was impossible to go into the cabin. The moment the door was

opened suffocating billows of gas rushed out and beat them back. On the

third trial the Captain staggered out, almost overcome with its volume.

“Can't get in there for a while yet,” he gasped, “but I saw the stiff

on the floor by the table; looks like the old man. He's spit his false

teeth out. I knew there was a stiff aboard.”

“Then there's more than one,” said Wilbur. “See there!” From behind

the wheel-box in the stern protruded a hand and forearm in an oilskin

sleeve.

Wilbur ran up, peered over the little space between the wheel and the

wheel-box, and looked straight into a pair of eyes--eyes that were

alive. Kitchell came up.

“One left, anyhow,” he muttered, looking over Wilbur's shoulder; “sailor

man, though; can't interfere with our salvage. The bark's derelict,

right enough. Shake him out of there, son; can't you see the lad's dotty

with the gas?”

Cramped into the narrow space of the wheel-box like a terrified hare in

a blind burrow was the figure of a young boy. So firmly was he wedged

into the corner that Kitchell had to kick down the box before he could

be reached. The boy spoke no word. Stupefied with the gas, he watched

them with vacant eyes.

Wilbur put a hand under the lad's arm and got him to his feet. He was

a tall, well-made fellow, with ruddy complexion and milk-blue eyes, and

was dressed, as if for heavy weather, in oilskins.

“Well, sonny, you've had a fine mess aboard here,” said Kitchell. The

boy--he might have been two and twenty--stared and frowned.

“Clean loco from the gas. Get him into the dory, son. I'll try this

bloody cabin again.”

Kitchell turned back and descended from the poop, and Wilbur, his arm

around the boy, followed. Kitchell was already out of hearing, and

Wilbur was bracing himself upon the rolling deck, steadying the young

fellow at his side, when the latter heaved a deep breath. His throat and

breast swelled. Wilbur stared sharply, with a muttered exclamation:

“My God, it's a girl!” he said.

Moran of the Lady Letty · 第 5 / 16 题