III.

From the time of the strange occurrence which I have just related until

my return to Toledo, there elapsed about a year, during which the memory

of that afternoon was still present to my imagination, at first

constantly and in full detail, then less often, and at last so vaguely

that I even came to believe sometimes that I had been the sport of an

illusive dream.

Nevertheless, scarcely had I arrived at the city which some with good

reason call the Spanish Rome than this recollection beset me anew and

under its spell I set forth in absent-minded fashion to roam the

streets, without determined direction, with no preconceived purpose of

making my way to any special point.

The day was gloomy with that gloom which invades all that one hears and

sees and feels. The sky was the color of lead, and under its melancholy

shadow the houses seemed older, quainter and duskier than ever. The wind

moaned along the tortuous, narrow streets, bearing upon its gusts, like

the lost notes of a mysterious symphony, unintelligible words, the peal

of bells, and echoes of heavy, far-off blows. The damp, chill air froze

the soul with its icy breath.

I wandered for several hours through the most remote and deserted parts

of the city, rapt in a thousand confused imaginings; and, contrary to my

custom, with a gaze all vague and lost in space, nor could my attention

be aroused by any playful detail of architecture, by any monument of an

unknown style, by any marvellous and hidden work of sculpture, by any

one, in short, of those rare features for whose minute examination I had

been wont to pause at every step, at times when only artistic and

antiquarian interests held sway in my mind.

The sky was continually growing darker; the wind was blowing more

strongly and more boisterously; and a fine sleet had begun to fall,

very keen and penetrating, when unwittingly,--for I was still ignorant

of the way--and as if borne thither by an impulse which I could not

resist, an impulse whose occult force had brought me to the spot whither

my thoughts were tending, I found myself in the lonely square which my

readers already know.

On finding myself in that place I sprang to clear consciousness from out

the depths of that lethargy in which I had been sunken, as if awakened

from profound slumber by a violent shock.

I looked about me. All was as I described it--nay, it was more dreary. I

know not whether this gloom was due to the darkness of the sky, the lack

of verdure, or the state of my own spirit, but the truth is that between

the feeling with which I first contemplated that spot and this later

impression there was all the distance which lies between poetic

melancholy and personal bitterness.

For some moments I stood gazing at the sombre convent, now more sombre

than ever to my eyes, and I was already on the point of withdrawing when

my ears were wounded by the sound of a bell, a bell of broken, husky

voice, which was tolling slowly, while in vivid contrast it was

accompanied by something like a little clapper-bell which suddenly began

to revolve with the rapidity of a ringing so sharp and so incessant that

it seemed to have been seized by an attack of vertigo.

Nothing was ever stranger than that edifice, whose black silhouette was

outlined against the sky like that of a cliff bristling with thousands

of freakish points, speaking with tongues of bronze through bells that

seemed moved by the touch of invisible powers, the one weeping with

smothered sobs, the other laughing with shrill, wild outcry, like the

laughter of a madwoman.

At intervals and confused with the bewildering clamor of the bells, I

seemed to hear, too, something like the indistinct notes of an organ and

the words of a sacred, solemn chant.

I changed my intention; and instead of departing I approached the door

of the church and asked one of the ragged beggars squatted on the stone

steps:

“What is going on here?”

“A taking of the veil,” the mendicant answered, interrupting the prayer

which he was muttering between his teeth to resume it later, although

not until he had kissed the bit of copper that I dropped into his hand

as I put my question.

I had never been present at that ceremony, nor had I ever seen the

interior of the convent church. Both considerations impelled me to

enter.

The church was high and dark; its aisles were defined by two rows of

pillars made up of slender columns gathered into sheaves and resting on

broad octagonal bases, while from their rich crowning of capitals sprang

the vaulting of the strong ogee arches. The High Altar was placed at the

further end under a cupola of Renaissance style decorated with great

shield-bearing angels, griffins, a profusion of foliage on the finials,

cornices with gilded moldings and rosettes, and odd, elaborate frescoes.

Bordering the aisles might be seen a countless number of dusky chapels,

in whose recesses were burning a few lamps like stars lost in a cloudy

sky. Chapels there were of Arab architecture, Gothic, rococo; some

enclosed by magnificent iron gratings; some by humble wooden rails; some

submerged in shadow with an ancient marble tomb before the altar; some

brightly lighted, with an image clad in tinsel and surrounded by votive

offerings of silver and wax, together with little bows of gay-colored

ribbon.

The fantastic light which illuminated all the church, whose structural

confusion and artistic disorder were entirely in keeping with the rest

of the convent, tended to enhance its effect of mystery. From the lamps

of silver and copper, suspended from the vaulting, from the

altar-candles, from the narrow ogive windows and Moorish casements of

the walls, were shed rays of a thousand diverse hues,--white, stealing

in from the street by little skylights in the cupola; red, spreading

their glow from the great wax-candles before the shrines; green, blue,

and a hundred other diverse tints making their way through the stained

glass of the rose-windows. All these lustres, insufficient to flood that

sacred place with adequate light, seemed at certain points to blend in

strife, while others stood out, clear patches of brightness, over

against the veiled, dim depths of the chapels. Despite the solemnity of

the rite which was there taking place, but few of the faithful were in

attendance. The ceremony had commenced some time ago and was now nearing

its close. The priests who officiated at the High Altar were, at that

moment, enveloped in a cloud of azure incense which swayed slowly

through the air, as they descended the carpeted steps to take their way

to the choir where the nuns were heard intoning a psalm.

I, too, moved toward that spot with the intent of peering through the

double gratings which isolated the choir from the rest of the church. It

seemed borne in upon me that I must know the face of that woman of whom

I had seen only--and for one instant--the hand; and opening my eyes to

their widest extent and dilating the pupils in the effort to give them

greater power and penetration, I strained my gaze on to the deepest

recesses of the choir. Fruitless attempt; across the interwoven irons,

little or nothing could be seen. Some white and black phantoms moving

amidst a gloom against which fought in vain the inadequate radiance of a

few tall wax candles; a long line of lofty, crocketed sedilia, crowned

with canopies, beneath which might be divined, veiled by the dusk, the

indistinct figures of nuns clad in long flowing robes; a crucifix

illuminated by four candles and standing out against the dark

background of the picture as those points of high light which, on the

canvases of Rembrandt, make the shadows more palpable; this was the

utmost that could be discerned from the place where I stood.

The priests, covered with their gold-bordered copes, preceded by

acolytes who bore a silver cross and two great candles, and followed by

others who swung censers that shed perfume all about, advancing through

the throng of the faithful who kissed their hands and the hems of their

vestments, finally reached the choir-screen.

Up to this moment I had not been able to distinguish, amid the other

vague phantoms, that of the maiden who was about to consecrate herself

to Christ.

Have you never seen, in those last instants of twilight, a shred of mist

rise from the waters of a river, the surface of a fen, the waves of the

sea, or the deep heart of a mountain tarn,--a shred of mist that floats

slowly in the void, and now looks like a woman moving, walking, trailing

her gown behind her, now like a white veil fastening the tresses of an

invisible sylph, now a ghost which rises in the air hiding its yellow

bones beneath a winding-sheet against which is still seen outlined its

angular shape? Such was the hallucination I experienced in beholding

draw near the screen, as if detaching herself from the sombre depth of

the choir, that white, tall, most lightly moving form.

The face I could not see. She had placed herself exactly in front of the

candles which lit up the crucifix; and their gleam, making a halo about

her head, had left the rest obscure, bathing her in a wavering shadow.

Profound silence reigned; all eyes were fixed on her, and the final act

of the ceremony began.

The abbess, murmuring some unintelligible words, words which in their

turn the priests repeated with deep and hollow voice, caught from the

virgin’s brow the enwreathing crown of blossoms and flung it far

away.--Poor flowers! They were the last she was to wear, that woman,

sister of the flowers even as all women are.

Then the abbess despoiled her of her veil, and her fair tresses poured

in a golden cascade down her back and shoulders, which they were

suffered to cover but an instant, for at once there began to be heard,

in the midst of that profound silence reigning among the faithful, a

sharp, metallic clickity-click which set the nerves twitching, and first

the magnificent waves of hair fell from the forehead they had shaded,

and then those flowing locks that the fragrant air must have kissed so

many times slipped over her bosom and dropped upon the floor.

Again the abbess fell to murmuring the unintelligible words; the priest

repeated them; and once more all was silence in the church. Only from

time to time were heard, afar off, sounds like long-drawn, dreadful

moans. It was the wind complaining as it broke upon the edges of the

battlements and towers, and shuddering as it passed the colored panes of

the ogive windows.

She was motionless, motionless and pallid as a maiden of stone wrenched

from the niche of a Gothic cloister.

And they despoiled her of the jewels which covered her arms and throat,

and finally they divested her of her wedding robe, that raiment which

seemed to have been wrought that a lover might break its clasps with a

hand trembling for bliss and passion.

The mystic Bridegroom was awaiting the bride. Where? Beyond the doors of

death; lifting, undoubtedly, the stone of the sepulchre and calling her

to enter, even as the timid bride crosses the threshold of the sanctuary

of nuptial love, for she fell to the floor prostrate as a corpse. As if

she were clay, the nuns strewed her body with flowers, intoning a most

mournful psalm; a murmur went up from amid the multitude, and the

priests with their deep and hollow voices commenced the service for the

dead, accompanied by those instruments that seem to weep, augmenting the

unfathomable fear which the terrible words they pronounce inspire of

themselves.

_De profundis clamavi a te!_ chanted the nuns from the depths of the

choir with plaintive, lamenting voices.

_Dies irae, dies illa!_ responded the priests in thunderous, awful echo,

and therewith the bells pealed slowly, tolling for the dead, and between

the peals the metal was heard to vibrate with a strange and dolorous

drone.

I was touched; no, not touched--terrified. I believed that I was in

presence of the supernatural, that I felt the heart of my own life torn

from me, and that vacancy was closing in upon me; I felt that I had just

lost something precious, as a father, a mother, or a cherished wife, and

I suffered that immeasurable desolation which death leaves behind

wheresoever it passes, a desolation nameless, indescribable, to be

comprehended only by those who have had it to bear.

I was still rooted to that spot with wildly staring eyes, quaking from

head to foot and half beside myself, when the new nun rose from the

ground. The abbess robed her in the habit of the order, the sisters took

lighted candles in their hands and, forming two long lines, led her in

procession back to the further side of the choir.

There, amid the shadows, I saw the sudden glint of a ray of light; the

door of the cloister was opened. As she stepped beneath the lintel, the

nun turned for the last time toward the altar. The brightness of all the

lights suddenly shone upon her, and I could see her face. As I saw it, I

had to choke back a cry.

I knew that woman; not that I had ever seen her, but I knew her from the

visions of my dreams; she was one of those beings whom the soul

foretells or perchance remembers from another better world which, in

our descent to this, some of us do not altogether forget.

I took two steps forward; I longed to call to her--to cry out--I know

not what--giddiness assailed me; but at that instant the cloister door

shut--forever. The silver bells rang blithely, the priests raised a

_Hosanna_, clouds of incense swept through the air, the organ poured

forth from a hundred metal mouths a torrent of thunderous harmony, and

the bells of the tower began to chime, swinging with a frightful

ecstasy.

That mad and clamorous glee made my hair rise on my head. I looked about

searching for the parents, family, motherless children of that woman. I

found none.

“Perhaps she was alone in the world,” I said, and could not repress a

tear.

“God grant thee in the cloister the happiness which He denied thee in

the world!” simultaneously exclaimed an old woman by my side, and she

sobbed and groaned, clutching the grating.

“Do you know her?” I asked.

“The poor dear! Indeed I knew her. I saw her born and I have nursed her

in my arms.”

“And why does she take the veil?”

“Because she found herself alone in the world. Her father and mother

died of the cholera on one and the same day, a little more than a year

ago. Seeing her an orphan and unprotected, the dean gave her a dowry so

that she might enter the sisterhood; and now you see--what else was

there to do?”

“And who was she?”

“Daughter of the steward of the Count of C----, whom I served until his

death.”

“Where did he live?”

When I heard the name of the street, I could not repress an exclamation

of surprise.

A line of light, that line of light which is as swift as thought,

running brightly through the obscurity and confusion of the mind,

uniting experiences far removed from one another and marvellously

binding them together, connected my vague memories and I understood--or

believed that I understood--all.

* * * * *

This date, which has no name, I have not written anywhere,--nay; I bear

it written there where only I may read it and whence it shall never be

erased.

Occasionally in recalling these events, even now in relating them here,

I have asked myself:--

Some day in the mysterious hour of twilight, when the breath of the

spring zephyr, warm and laden with perfumes, penetrates even into the

recesses of the most retired dwellings, bearing there an airy touch of

memory, of the world, must not a woman, alone, lost in the dim shades of

a Gothic cloister, her cheek upon her hand, her elbow resting on the

embrasure of an ogive window, have exhaled a sigh as the recollection of

these dates crossed her imagination?

Who knows?

Oh! if she sighed, where might that sigh be?

Romantic legends of Spain · 第 78 / 171 题