IV.

Although his hope of overtaking those who had entered by the postern

gate of San Saturio was dissipated, that of tracing out the house which

sheltered them in the city was not therefore abandoned by our hero. With

his mind fixed upon this idea, he entered the town and, taking his way

toward the ward of San Juan, began roaming its streets at hazard.

The streets of Soria were then, and they are to-day, narrow, dark and

crooked. A profound silence reigned in them, a silence broken only by

the distant barking of a dog, the barring of a gate or the neighing of a

charger, whose pawing made the chain which fastened him to the manger

rattle in the subterranean stables.

Manrico, with ear attent to these vague noises of the night, which at

times seemed to be the footsteps of some person who had just turned the

last corner of a deserted street, at others, the confused voices of

people who were talking behind him and whom every moment he expected to

see at his side, spent several hours running at random from one place to

another.

At last he stopped beneath a great stone mansion, dark and very old,

and, standing there, his eyes shone with an indescribable expression of

joy. In one of the high ogive windows of what we might call a palace, he

saw a ray of soft and mellow light which, passing through some thin

draperies of rose-colored silk, was reflected on the time-blackened,

weather-cracked wall of the house across the way.

“There is no doubt about it; here dwells my unknown lady,” murmured the

youth in a low voice, without removing his eyes for a second from the

Gothic window. “Here she dwells! She entered by the postern gate of San

Saturio,--by the postern gate of San Saturio is the way to this ward--in

this ward there is a house where, after midnight, there is some one

awake--awake? Who can it be at this hour if not she, just returned from

her nocturnal excursions? There is no more room for doubt; this is her

home.”

In this firm persuasion and revolving in his head the maddest and most

capricious fantasies, he awaited dawn opposite the Gothic window where

there was a light all night and from which he did not withdraw his gaze

a moment.

When daybreak came, the massive gates of the arched entrance to the

mansion, on whose keystone was sculptured the owner’s coat of arms,

turned ponderously on their hinges with a sharp and prolonged creaking.

A servitor appeared on the threshold with a bunch of keys in his hand,

rubbing his eyes, and showing as he yawned a set of great teeth which

might well rouse envy in a crocodile.

For Manrico to see him and to rush to the gate was the work of an

instant.

“Who lives in this house? What is her name? Her country? Why has she

come to Soria? Has she a husband? Answer, answer, animal!” This was the

salutation which, shaking him violently by the shoulder, Manrico hurled

at the poor servitor, who, after staring at him a long while with

frightened, stupefied eyes, replied in a voice broken with amazement:

“In this house lives the right honorable Señor don Alonso de

Valdecuellos, Master of the Horse to our lord, the King. He has been

wounded in the war with the Moors and is now in this city recovering

from his injuries.”

“Well! well! His daughter?” broke in the impatient youth. “His daughter,

or his sister, or his wife, or whoever she may be?”

“He has no woman in his family.”

“No woman! Then who sleeps in that chamber there, where all night long I

have seen a light burning?”

“There? There sleeps my lord Don Alonso, who, as he is ill, keeps his

lamp burning till dawn.”

A thunderbolt, suddenly falling at his feet, would not have given

Manrico a greater shock than these words.

Romantic legends of Spain · 第 67 / 171 题