FOREWORD

In dim corners of my mind there sleep, hidden away and naked, the

freakish children of my imagination, waiting in silence for art to

clothe them with language that it may present them in decency upon the

stage of the world.

My Muse, as fruitful as the marriage-bed of poverty, and like those

parents who bring to birth more children than they have means to rear,

is ever conceiving and bearing in the mystic sanctuary of the

intelligence, peopling it with innumerable creations, to which not my

utmost effort nor all the years that are left to me of life, will be

sufficient to give form.

And here within me I sometimes feel them, all unclad and shapeless as

they are, huddled and twisted together in confusion indescribable,

stirring and living with a dim, strange life, similar to that of those

myriad germs which seethe and quiver in eternal generation within the

secret places of the earth, without winning strength enough to reach the

surface and transform themselves, at the kiss of the sun, into flowers

and fruits.

They go with me, destined to die with me, leaving no more trace than is

left by a midnight dream which the morning cannot recall. On certain

occasions and in face of this terrible idea, there rises in them the

instinct of life, and trooping in formidable though silent multitudes

they seek tumultuously a way of escape from amid the shadows of their

dwelling-place forth to the light. But alas! between the world of idea

and the world of form yawns an abyss which only the word can bridge, and

the word, timid and slothful, refuses to aid their efforts. Mute, dim

and powerless, after the unavailing struggle they fall back into their

old passivity. So fall, inert, into the hollows by the wayside, when the

wind ceases, the yellow leaves which the autumn storm blew up.

These seditions on the part of the rebel sons of my imagination explain

some of my attacks of fever; they are the cause, unrecognized by

science, of my excitements and depressions. And thus, although in ill

estate, have I lived till now, walking among the indifferent throngs of

men with this silent tempest in my head. Thus have I lived till now, but

all things reach an end, and to these must be put their period.

Sleeplessness and fantasy go on begetting and producing with monstrous

fecundity. Their creations, crowded already like the feeble plants of a

conservatory, strive one with another for the expanding of their unreal

existences, fighting for the drops of memory as for the scanty moisture

of a sterile land. It is needful to open a channel for the deep waters,

which, daily fed from a living spring, will at last break down the dike.

Go forth, then! Go forth and live with the only life I can give you. My

intellect shall supply you with nutriment enough to make you palpable; I

will clothe you, though in rags, so that you need not blush for

nakedness. I would like to fashion for each one of you a marvellous

stuff woven of exquisite phrases, in which you could fold yourselves

with pride, as in mantles of purple. I would like to engrave the form

that must contain you as the golden vase which holds a precious ointment

is engraved. But this may not be.

And yet, I need to rest. I need, just as the body through whose swollen

veins the life-blood surges with phlethoric force, is bled, to clear my

brain, inadequate to the lodging of so many grotesqueries.

Then gather here, like the misty trail that marks the passing of an

unknown comet, like atoms dispersed in an embryonic world which Death

fans through the air, until the Creator shall have spoken the _fiat lux_

that divides light from darkness.

I would not that in my sleepless nights you still should pass before my

eyes in weird procession, begging me with gestures and contortions to

draw you out from the limbo in which you lead these phantom, thin

existences into the life of reality. I would not that at the breaking of

this harp already old and cracked the unknown notes which it contained

should perish with the instrument. I would interest myself a little in

the world which lies without me, free at last to withdraw my eyes from

this other world that I carry within my head. Common sense, which is the

barrier of dreamland, is beginning to give way, and the people of the

different camps mingle and grow confused. It costs me an effort to know

which things I have dreamed and which have actually happened. My

affections are divided between real persons and phantasms of the

imagination. My memory shifts from one category to the other the names

of women who have died and the dates of days that have passed, with days

and women that have existed only in my mind. I must put an end to this

by flinging you all forth from my brain once and forever.

If to die is to sleep, I would sleep in peace in the night of death,

without your coming to be my nightmare, cursing me for having doomed you

to nothingness before you had been born. Go, then, to the world at whose

touch you came into being, and linger there, as the echo which life’s

joys and griefs, hopes and struggles, found in one soul that passed

across the earth.

Perchance very soon must I pack my portmanteau for the great journey. At

any moment the spirit may free herself from the material that she may

rise to purer air. I would not, when this moment comes, take with me, as

the trivial baggage of a mountebank, the treasure of tinsel and tatters

that my Fancy has been heaping up in the rubbish chambers of the brain.

Romantic legends of Spain · 第 48 / 171 题