CHAPTER II.

Morris Goldberg, by this time, was ready to wait upon Muriel, who

seemed to be slowly overcoming the effects of the drink she had taken.

And, in a few moments, the shoemaker had fixed the price at twenty

cents for the work he was to do.

Morris took the dainty shoe and went to work at it, blind to the

blandishments that come so natural to a woman of her class--so natural

that they are tried upon every man whosoever he may be.

Dora took Loney upstairs, to give him something to eat, and

incidentally to add a few touches to her toilet, for was not Bennie

coming? Bennie, whom Dora loved next to her father, and somewhat more

than Loney; Bennie, the bright, clever and industrious young man whose

heart was fixed upon the pretty Dora.

Muriel suddenly turned in her chair so as to face the shoemaker, who

was busily at work, and said, in a strident voice:

“Say, do you know, I like you?”

The man before her was so surprised by this remark that he let his work

fall and looked at her, but she had turned her head, and asked:

“Say, do you know why I like you?”

The man hastily reflected that it could not be for his money, and a dim

idea dawned upon him that he must be a rather nice-looking man, and--he

simpered a little as he sheepishly replied:

“Sure, I know. I am not so bad-looking yet.”

“No, not that; but it is because you are living here in this

God-forsaken cellar that isn’t fit for rats, living from hand to mouth,

and yet you take in and feed that half-witted boy that you told your

daughter to give some gonsalabus, whatever that is. It must be good,

though, for I saw the little chap’s look of pleasure. That’s why.”

“Vot de poy get? Yust a place to sleep, someding to eat unt run

errants. He don’t cost much, led him stay. I am from a family who will

always help dose who neet it. Our mutter raised us dat vay.”

Muriel looked at the shoemaker with sincere and open admiration while

she said:

“I guess it’s you all right. Those things must be in the heart, or they

wouldn’t come out.”

The shoemaker, with a smothered sigh, picked up the dainty shoe and

started again to fit the high heel into its place, when he thought of a

brilliant remark; and he made it:

“Yes, lady; der same as der measles.”

“I guess that’s right,” replied Muriel.

“Dot is only right dot we shall help oder peoples vot is worser off dan

ve are. Der same Gott is ofer us all, and I can nefer forget dot I haf

ein daughter of mine, und dot if anyt’ing effer happen to her I shall

vant somepody’s fader to do py mein child as I do py deirs. Here is

your shoe, lady; it is fixet.”

“Put it on, please,” said Muriel, holding out her shapely foot.

The shoemaker drew back. He had fitted on many a shoe for the dwellers

of that neighborhood, and it never occurred to him to be afraid nor

ashamed, but this was different. He put powder in the shoe, and all

over the extended foot in his confusion, but at last the shoe was on.

Muriel stamped the foot a couple of times and asked how much it was.

The man stammered:

“Nodings, nodings. I put it down to profit und loss.”

“But I insist. You cannot make a living that way.” And she, quietly

and unobserved, laid some money on the bench as she started toward

the cellar-steps, her head almost clear. But before she could reach

the steps Helen Pierson came to the cellar-door, and as she started

down the first step she staggered and stumbled down the rest, reaching

the room almost falling. At the same moment Loney came in from the

door leading to the upper room. Muriel started as she saw the wretched

creature whose fair heritage of womanhood was thus wrecked and besodden

in gin, and drew aside, turning her back so that the unfortunate

creature could not recognize her. For it was Helen Pierson, John

Pierson’s abandoned and forsaken wife, who stood there staggering and

reeling. The sordid and soiled rags that covered her so scantily told

plainly to what a depth the poor creature, once so neat, had descended.

No wonder Muriel, who had been the cause of this downfall, hurried to

the darkest corner, shuddering and muttering:

“It is she! My God! It is she!”

As Helen tottered forward, almost falling, Loney caught her and helped

her to sit on the bench, aided by Morris.

Then Muriel, seizing the chance while all three were by the bench,

hurriedly stepped to the door and up the steps, muttering:

“Mother and child together, and neither one knows it. This is my work,

mine, mine! And then he wonders that I drink to drown it out.”

“Holt her up, Loney,” said Morris. “I will delephone Dora to pring a

trink of vater. Der poor voman is sick.”

With a childlike innocence Morris picked up a tin-box with a string

attached to it, and by dint of shouting very loudly his request to Dora

to bring a glass of water, he made himself heard and she came with it,

while the father was anxiously muttering:

“Mine Loney, dot voman is in a bad fix. She cannot speak nor see

anydings, not now, but if she goes on like dis she will see more dings

in a minute dan effer she see in her life pefore.”

Dora brought the water, and the dazed creature drank it as Morris held

it to her lips without knowing what it was. The shoemaker had been

half-afraid to give it, for fear of some convulsion, but as Helen drank

it she revived somewhat and looked at Morris, then at Loney. She stared

at the child with an intensity that surprised Dora and Morris, while

she asked Loney, in a husky whisper:

“Who are you?”

“I am Loney.”

“Loney! And where’s your father and mother?”

“Dead, I guess. I can just remember them, and that’s all,” said the

child.

“I had a child once, a boy--he is dead, I guess, and I can just

remember him. A little boy who loved me. A baby whom I had taught to

pray--but now he is gone with all the rest.”

“Mein poor vomans. Vot has brought you to dis?”

“Gin, or the want of it. Send the children away, and I will tell you.”

“Dot’s a good girl, Dora; take de Loney und go py der oder room, der

laty vants to make a secrets.”

“Yes, papa,” said Dora, looking sympathetically at the unfortunate

woman, “call me if you want me.”

The shoemaker looked at Dora, then in her girlish grace and purity, and

then at the poor creature on the bench, and held out his arm to Dora.

“Come here, mein child. Kiss de fader. If anyt’ing shall efer happen to

you, mein daughter--dot vould kill your fader!”

“But nothing--like this--will ever happen to me, father,” said Dora,

kissing him fondly and smiling at him bravely.

“Dot’s de mudder’s eyes looking at me, Dora--de eyes of your mudder,

vot is now dead--there,” he added, with a sob, “run along mit Loney

and play pinochle.”

Dora and Loney ran out of the shop, smiling back at the shoemaker, who

turned to the now weeping woman, saying:

“They have gone now.”

“What I have to say will not take long. I was a wife--an honest wife.

My husband deserted me for another woman, robbed me of my child and

left me to die alone. He had taught me to take an occasional drink,

saying that my health required it. In my trouble I turned to it, and

before I realized it--well--it has brought me to this.”

“Vell, don’t you t’ink it has brought you far enough? If you go much

farder you vill fall ofer. Vy don’t you quit?”

“Look at me,” said Helen, showing her shaking hand. “See my hand

shaking like an aspen. I am all but dead, and the craving for that

awful stuff is eating out my vitals. Quit! Quit! Don’t you see it is

too late, too late!”

“Vy are you talking--it is only half-past eight. Look, mein poor

vomans. Read you dot sign of mein.”

Saying these last words, the poor shoemaker pointed to an illuminated

card hung against the wall, and Helen slowly rose and looked at it,

reading aloud:

“It is never too late to mend.”

“Dot’s right. It is nefer too late to mend an olt shoe, nor der human

heart--neider von.”

[Illustration: “IT’S NEVER TOO LATE TO MEND”]

“Do you think that is true, Mister? Is there any hope for a battered

wreck like me?”

“As true dot ve stant here lifing, dere is always hope, always. Dit not

Gott pring vater for Israel from der dry rock of Horeb? Dit Gott not

sent quail in der vilderness? Is Gott’s great arm come veak? No, it is

yust so strong as effer it vos. Vot you vant is to go far from here

and pegin all ofer again vere no one knows you. Here is death, dere is

safeness, hope, a new life--a petter von.”

“How am I to get there? All I have are these few rags, this shattered

body, and the fragments of a woman’s broken heart.”

As the poor creature sobbed out these words, Loney came quietly into

the room, and as he heard them the child knelt silently behind the

bench and folded his thin hands in prayer unobserved.

Morris stood a moment silent, and then he said, solemnly:

“In the name of my dead vife, and of mein lifing child, I vill help you

to go, if you vill promise me dot you will nefer drink again.”

Helen turned and fixed her humid eyes upon the sign, and again read

aloud, “It is never too late to mend.” Then her eyes fell on the

kneeling child, and she crossed to the side where he was, and, placing

her trembling hand on his head, asked tremulously:

“What are you doing, my boy?”

“I don’t know why, but I am praying for you.”

“And Almighty God has heard you, for I shall never want to drink

again,” said Helen, with a strange sense of freedom from the enslaving

habit, while the child said simply that he knew it would be so.

Helen then turned to the shoemaker, with a new light in her eyes,

saying:

“I am going to the dispensary for something for my nerves, and I will

come back and accept your help. And you, little boy--I know I am

low-down--but--and so unworthy--but will you let me kiss you for the

prayer you said?”

For answer, the child lifted his face to hers and kissed her, all the

while seeming to be trying to see something through a maze.

A great sob tore the bosom beneath the sordid rags, as the sweet

breath of the little boy swept over her face, and Helen sobbed:

“That’s the first pure thing that has touched my lips for so long that

I can’t remember. And I’m going to try to take it with me to the throne

of God. May He bless and protect you, whosesoever child you are, in the

name of a broken-hearted mother who has lost her own little boy.”

The shoemaker dug his big fists into his eyes, muttering something

about the wax getting into his eyes, so that he could not see just

then, while Helen, straighter now, and with a new purpose showing

through her sodden features and ennobling them to womanhood again, said:

“Good-bye, for a while, Mr.--Mr.----”

“Goldberg--Morris Goldberg, madam. I’ll pe reaty for you to-morrow ven

you come. And don’t forget de number, nor dot”--pointing to the card.

“The God of us all will bless you for this day’s work. Good-bye. It is

never too late to mend. Thank God! it is never too late to mend!”

Helen, pale, but now strong in her new resolution and hope, left the

humble shop and went out into the street, while the shoemaker went to

a niche in a corner, and drew aside a curtain which had covered the

sacred Shema, muttering, as he did so:

“Hear ye, O Israel. There is but one God”--and ending with a fervent

prayer for the saving of the soul in peril who had just left there. And

he wist not that his face shone.

The shoemaker · 第 2 / 14 章