I
"Aye, it's a bit dampish," said Dixon, as he brought a couple more logs
to replenish a fire that seemed to have no heart for burning.
The absurd moderation of the statement irritated the person to whom it
was addressed.
"What I'm thinkin'"--said Mrs. Dixon, impatiently, as she moved to the
window--"is that they'll mappen not get here at all! The watter'll be
over t' road by Grier's mill. And yo' know varra well, it may be runnin'
too fasst to get t' horses through--an' they'd be three pussons inside,
an' luggage at top."
"Aye, they may have to goa back to Pengarth--that's varra possible."
"An' all t' dinner spoilin', an' t' fires wastin'--for nowt." The speaker
stood peering discontentedly into the gloom without: "But you'll not
trouble yoursen, Tammas, I daursay."
"Well, I'm not Godamighty to mak' t' rain gie over," was the man's
cheerful reply, as he took the bellows to the damp wood which lay feebly
crackling and fizzing on the wide hearth. His exertions produced a
spasmodic flame, which sent flickering tongues of light through the wide
spaces and shadows of the hall. Otherwise the deepening gloom of the
October evening was lightened only by the rays of one feebly burning lamp
standing apparently in a corridor or gallery just visible beyond a richly
pillared archway which led from the hall to the interior of the house.
Through this archway could be seen the dim ascending lines of a great
double staircase; while here and there a white carved doorway or cornice
glimmered from the darkness.
A stately Georgian house, built in a rich classical style, and dating
from 1740: so a trained eye would have interpreted the architectural and
decorative features faintly disclosed by lamp and fire. But the house and
its contents--the house and its condition--were strangely at war.
Everywhere the seemly lines and lovely ornament due to its original
builders were spoilt or obliterated by the sordid confusion to which some
modern owner had brought it. It was not a house apparently, so far as its
present use went, but a warehouse. There was properly speaking no
furniture in it; only a multitude of packing-cases, boxes of all shapes
and sizes, piled upon or leaning against each other. The hall was choked
with them, so that only a gangway a couple of yards wide was left,
connecting the entrance door with the gallery and staircase. And any one
stepping into the gallery, which with its high arched roof ran the whole
length of the old house, would have seen it also disfigured in the same
way. The huge deal cases stood on bare boards; the splendid staircase was
carpetless. Nothing indeed could have been more repellant than the
general aspect, the squalid disarray of Threlfall Tower, as seen from the
inside, on this dreary evening.
The fact impressed itself on Mrs. Dixon as she turned back from the
window toward her husband.
She looked round her sulkily.
"Well, I've done my best, Tammas, and I daursay yo' have too. But it's
not a place to bring a leddy to--an' that's the truth."
"Foaks mun please theirsels," said Dixon with the same studied mildness
as before. Then, having at last made the logs burn, as he hoped, with
some brightness, he proceeded to sweep up the wide stone hearth. "Is t'
rooms upstairs finished?"
"Aye--hours ago." His wife dropped with a weary gesture upon a chair near
the fire. "Tammas, yo' know it's a queer thing awthegither! What are they
coomin' here for at all?"
"Well, master's coom into t' property, an' I'm thinkin' it's nobbut his
dooty to coom an' see it. It's two year sen he came into 't; an' he's
done nowt but tak' t' rents, an' turn off men, an' clutter up t' house
wi' boxes, iver sense. It's time, I'm thinkin', as he did coom an' luke
into things a bit."
Thomas rose from his knees, and stood warming himself at the fire, while
he looked pensively round him. He was as tired as his wife, and quite as
mistrustful of what might be before them; but he was not going to confess
it. He was a lean and gaunt fellow, blue-eyed and broad-shouldered, of a
Cumbria type commonly held to be of Scandinavian origin. His eye was a
little wandering and absent, and the ragged gray whiskers which
surrounded his countenance emphasized the slight incoherence of its
expression. Quiet he was and looked. But his wife knew him for one of
the most incurably obstinate of men; the inveterate critic moreover of
everything and every one about him, beginning with herself. This trait of
his led her unconsciously to throw most of her remarks to him into the
form of questions, as offering less target to criticism than other forms
of statement. As for instance:
"Tammas, did yo' hear me say what I'd gotten from Mr. Tyson?"
"Aye."
"That the mistress was an Eye-talian."
"Aye--by the mother--an' popish, besides."
Mrs. Dixon sighed.
"How far 'ull it be to t' chapel at Scargill Fell?"
"Nine mile. She'll not be for takkin' much notice of her Sunday dooties
I'm thinkin'."
"An' yo' unnerstan' she'll be juist a yoong thing? An't' baby only juist
walkin'."
Dixon nodded. Suddenly there was a sound in the corridor--a girl's laugh,
and a rush of feet. Thomas started slightly, and his wife observed him as
sharply as the dim light permitted.
"Thyrza!" she raised her voice peremptorily. "What are you doing there?"
Another laugh, and the girl from whom it came ran forward into the
lamp-light, threading her way through the packing-cases, and followed by
a small fox-terrier who was jumping round her.
"Doin'? There's nowt more to do as I know on. An' I'm most droppin'."
So saying the girl jumped lightly on one of the larger packing-cases and
sat there, her feet dangling.
Mrs. Dixon looked at her with disapproval, but held her tongue. Thyrza
was not strictly her underling, though she was helping in the housework.
She was the daughter of the small farmer who had been for years the
tenant of part of the old house, and had only just been evicted in
preparation for the return of the owner of the property with his foreign
wife. If Thyrza were too much scolded she would take her ways home, and,
as her parents spoilt her, she would not be coerced into returning. And
how another "day-girl" was to be found in that remote place, where,
beyond the farm, a small house belonging to the agent, and a couple of
cottages, the nearest house to the Tower was at least three miles away,
Mrs. Dixon did not know.
"My word! what a night!" said Thyrza with another laugh a little stifled
by the sweets she had just transferred from her pocket to her mouth.
"They'll be drowned oot afore they get here."
As she spoke, a wild gust flung itself over the house, as though trying
its strength against the doors and windows, and the rain swished against
the panes.
"Are t' fires upstairs burnin' reet?" asked Mrs. Dixon severely. She had
already told Thyrza half a dozen times that day that such a greed for
sweet things as she displayed would ruin her digestion and her teeth; and
it ruffled a dictatorial temper to be taken no more notice of than if she
were a duck quacking in the farmyard.
"Aye, they're burnin'," said Thyrza, with a shrug. Then she looked round
her with a toss of her decidedly graceful head. "But it's a creepy old
place howivver. I'd not live here if I was paid. What does Muster Melrose
want wi' coomin' here? He's got lots o' money, Mr. Tyson says. He'll
nivver stay. What was the use o' turnin' father out, an' makkin' a lot o'
trouble?"
"This house is not a farmin' house," said Dixon slowly, surveying
the girl, as she sat on the packing-case swinging her feet, her
straw-coloured hair and pink cotton dress making a spot of pleasant
colour in the darkness as the lamp-light fell on them. "It's a house for
t' gentry."
"Well, then, t' gentry might clean it up an' put decent furnishin's into
't," said Thyrza defiantly. "Not a bit o' paperin' doon anywhere--juist
two three rooms colour-washed, as yo' med do 'em at t' workhouse. An'
that big hole in t' dinin'-room ceilin', juist as 'twas--and such shabby
sticks o' things upstairs an' down as I nivver see! I'll have a good
sight better when _I_ get married, I know!"
Contempt ran sharply through the girl's tone.
As she ceased speaking a step was heard in the corridor. Thyrza leapt to
the ground, Mrs. Dixon picked up her brush and duster, and Dixon resumed
his tending of the fire.
A man in a dripping overcoat and leggings pushed his way rapidly through
the cases, looking round him with an air of worried authority.
"I don't call that much of a fire, Dixon."
"I've been at it, sir, for near an hour."
"You've got some damp wood. What about the drawing-room?"
He threw open a door on the right. The others followed him in.
The open door revealed a room of singular architectural charm; an oval
room panelled in dark oak, with a stucco ceiling, in free Italianate
design. But within its stately and harmonious walls a single oil lamp, of
the cheapest and commonest pattern, emitting a strong smell of paraffin,
threw its light upon furniture, quite new, that most seaside lodgings
would have disdained; viz., a cheap carpet of a sickly brown, leaving
edges of bare boards between itself and the wainscot; an ugly "suite"
covered with crimson rep, such as only a third-rate shop in a small
provincial town could have provided; with a couple of tables, and a
"chiffonier," of the kind that is hawked on barrows in an East End
street.
Mr. Tyson looked at the room uneasily. He had done his best with the
ridiculous sum provided; but of course it was all wrong.
He passed on silently through a door in the wainscoting of the
drawing-room. The others again followed, Thyrza's mouth twitching with
laughter.
Another large room, almost dark, with a few guttering candles on the
table. Mrs. Dixon went hastily to the fire and stirred it up. Then a
dining-table spread for supper was seen, and a few chairs. Everything
here was as cheap and nasty as in the drawing-room, including the china
and glass on the table.
Thyrza pointed to the ceiling.
"That's a pity howivver!" she said. "Yo' might ha' had it mended up a
bit, Mr. Tyson. Why t' rats will be coomin' through!"
She spoke with the pert assurance of a pretty girl who is only playing
the servant "to oblige." The agent looked irritably at the ugly gap in
the fine tracing overhead, and then at Thyrza.
"Mind your own business, please, Miss Thyrza!" And he walked quickly on
toward a farther door.
Thyrza flushed, and made a face at him as he turned his back. The Dixons
followed the agent into the next room, Mrs. Dixon throwing behind her an
injunction to Thyrza to run upstairs and give a last look to the
bedrooms.
"Why isn't there a light here?" said the agent impatiently. He struck one
from some matches in his pocket, and Mrs. Dixon hastily brought a candle
from a huge writing-table standing in the middle of the floor.
Except for that writing-table, and some fine eighteenth-century
bookcases, brass-latticed, which ran round the walls, fitting their every
line and moulding with delicate precision, the room was entirely empty.
Moreover, the bookcases did not hold a single book, and the writing-table
was bare. But for any person of taste, looking round him in the light of
the candle which Mrs. Dixon held, the room was furnished. All kinds of
human and civilized suggestion breathed from the table and the bookcases.
The contriving mind, with all its happy arts for the cheating and
adorning of life, was to be felt.
Mr. Tyson took it differently.
"Look here!"--he said peremptorily to Mrs. Dixon--"you mind what you're
doing with that table. It's worth a mint of money."
The Dixons looked at it curiously, but coldly. To them it was nothing but
a writing-table with drawers made out of a highly polished outlandish
wood, with little devices of gilt rails, and drawer-furnishings, and tiny
figures, and little bits of china "let in," which might easily catch a
duster, thought Mrs. Dixon, and "mak' trooble." That it had belonged to a
French dramatist under Louis Quinze, and then to a French Queen; that the
plaques were Sèvres, and the table as a whole beyond the purse of any but
a South African or American man of money, was of course nothing to her.
"It bets me," said Dixon, in the tone of one making conversation, "why
Muster Melrose didn't gie us orders to unpack soom more o' them cases.
Summat like thatten"--he pointed to the table--"wud ha' lukit fine i'
the drawin'-room."
Tyson made no reply. He was a young man of strong will and taciturn
habit; and he fully realized that if he once began discussing with Dixon
the various orders received from Mr. Edmund Melrose with regard to his
home-coming, during the preceding weeks, the position that he, Tyson,
intended to maintain with regard to that gentleman would not be made any
easier. If you happened by mischance to have accepted an appointment to
serve and represent a lunatic, and you discovered that you had done so,
there were only two things to do, either to hold on, or "to chuck it."
But George Tyson, whose father and grandfather had been small land agents
before him, of the silent, honest, tenacious Cumbria sort, belonged to
a stock which had never resigned anything, till at least the next step
was clear; and the young man had no intention whatever of "chucking it."
But to hold on certainly meant patience, and as few words as might be.
So he only stopped to give one more anxious look round the table to see
that no scratches had befallen it in the process of unpacking, gave
orders to Mrs. Dixon to light yet another fire in the room, which struck
exceedingly chill, and then left them for a final tour round the
ground-floor, heaping on coals everywhere with a generous hand. On this
point alone--the point of warmth--had Mr. Melrose's letters shown a
disposition to part with money, in ordinary domestic way. "The odiousness
of your English climate is only matched by the absurdity of your English
grates," he had written, urbanely, from Paris. "Get the house up to
sixty, if you can. And get a man over from Carlisle to put in a furnace.
I can see him the day after we arrive. My wife is Italian, and shivers
already at the thought of Cumbria."
Sixty indeed! In this dank rain from the northeast, and on this high
ground, not a passage in the house could be got above forty-six; and the
sitting-rooms were alternately stifling and vaultlike.
"Well, I didn't build the house!" thought the agent with a quiet
exasperation in his mind, the result of much correspondence; and having
completed his tour of inspection, which included the modest supper now
cooking according to Mr. Melrose's orders--Mrs. Melrose had had nothing
to do with it--in the vast and distant kitchen, the young man hung up his
wet overcoat, sat himself down by the hall fire, drew a newspaper from
his pocket, and deliberately applied himself to it, till the carriage
should arrive.
Meanwhile through the rain and wind outside, the expected owner of
Threlfall Tower and his wife and child were being driven through the
endless and intricate lanes which divided the main road between Keswick
and Pengarth from the Tower.
The carriage contained Mr. Melrose, Mrs. Melrose, their infant daughter
aged sixteen months, and her Italian nurse, Anastasia Doni.
There was still some gray light left, but the little lady who sat
dismally on her husband's right, occasionally peering through the window,
could make nothing of the landscape, because of the driving scuds of rain
which drenched the carriage windows, as though in their mad charges from
the trailing clouds in front, they disputed every inch of the miry way
with the newcomers. From the wet ground itself there seemed to rise a
livid storm-light, reflecting the last gleams of day, and showing the
dreary road winding ahead, dim and snakelike through intermittent trees.
"Edmund!" said the lady suddenly, in a high thin voice, as though the
words burst from her--"If the water by that mill they talked about is
really over the road, I shall get out at once!"
"What?--into it?" The gentleman beside her laughed. "I don't remember, my
dear, that swimming is one of your accomplishments. Do you propose to
hang the baby round your neck?"
"Of course I should take her too! I won't run any risks at all with her!
It would be simply wicked to take such a small child into danger." But
there was a fretful desperation in the tone, as of one long accustomed to
protest in vain.
Mr. Melrose laughed once more--carelessly, as though it were not worth
while to dispute the matter; and the carriage went on--battling, as it
seemed, with the storm.
"I never saw such an _awful_ place in my life!" said the wife's voice
again--with the same note of explosion--after an interval. "It's
horrible--just _horrible_! All the way from Pengarth we've hardly seen a
house, or a light!--and we've been driving nearly an hour. You don't
expect me to _live_ here, Edmund!" The tone was hysterical.
"Don't be a fool, Netta! Doesn't it ever rain in your infernal country,
eh? This is my property, my dear, worse luck! I regret it--but here we
are. Threlfall has got to be my home--so I suppose it'll be yours too."
"You could let or sell it, Edmund!--you know you could--if you cared a
farthing about making me happy."
"I have every reason to think it will suit me perfectly--and you too."
The tone of the man which, hitherto, though mocking had been in the main
indulgent, had suddenly, harshly, changed. The wife dropped into the
corner of the carriage among her furs and wraps, and said no more.
In another quarter of an hour the carriage turned a corner of the road,
and came upon a tall building, of which the high irregular outline was
just visible through the growing darkness. In front of it stood a group
of men with lanterns, and the carriage stopped beside them.
A noise of tongues arose, and Mr. Melrose let down the window.
"Is this where the road is flooded?" he asked of a stout man in a whitish
coat and cap who had come forward to speak to the coachman.
"Aye, sir--but you'll get through. In an hour's time, mebbe ye couldn't
do it. The water fro' the mill-race is over t' road, but it's nobbut a
foot deep as yet. Yo'll do it varra well--but yo'd best not lose time!"
"Edmund!"--screamed the voice from inside--"Edmund!--let me out--let me
out at once--I shall stay here with baby for the night."
Mr. Melrose took no notice whatever.
"Can you send those men of yours alongside us--in case there is any
danger of the coachman losing the road?" he said, addressing the man.
"Aye, they'll keep along t' bank with the lanterns. Noa fear, missis, noa
fear!"
Another scream from inside. Mr. Melrose shut the window abruptly, and the
coachman whipped up his horses.
"Let me get out, Edmund!--I will _not_ go on!"
Melrose brought a hand of iron down on his wife's wrist.
"Be quiet, Netta! Of all the little idiots!--There now, the brat's
begun!"--for the poor babe, awakened, had set up a wail. "Damn it!"--he
turned fiercely to the nurse--"Keep it quiet, will you?"
On swayed the carriage, the water splashing against the wheels. Carried
by the two labourers who walked along a high bank beside the road, a
couple of lanterns threw their wavering light on the flooded highway,
the dripping, wind-lashed trees, the steaming horses. The yellow rays
showed the whirling eddies of autumnal leaves, and found fantastic
reflection in the turbid water through which the horses were struggling.
Presently--after half a mile or so--a roar on the right hand. Mrs.
Melrose screamed again, only to be once more savagely silenced by her
husband. It was the roar of the mill-race approaching the weir, over
which it was rushing in sheets of foam. The swollen river, a thunderous
whiteness beside the road, seemed every moment as if it must break
through the raised bank, and sweep carriage and horses into its own abyss
of fury. Mrs. Melrose was now too terrified to cry out. She sat
motionless and quivering, her baby on her lap, her white pointed face and
straining eyes touched every now and then by a ghostly gleam from the
lanterns. Beside her--whispering occasional words in Italian to her
mistress--sat the Italian nurse, pale too, but motionless, a woman from
the Campagna, of a Roman port and dignity, who would have scorned to give
the master whom she detested any excuse for dubbing her a weakling.
But the horses pulled bravely, the noise and the flood were left behind,
and a bit of ascending road brought the travellers on to dry land again.
The carriage stopped. The two labourers who had guided them approached
the window, which Melrose had let down.
"Yo'll do now!" they shouted with cheerful faces. "You've nobbut to do
but keep straight on, an' yo'll be at t' Tower in a coople o' miles."
"Thank you, my men, thank you. Here's a drink for you," said Melrose,
stretching out his hand.
The foremost labourer took the coin and held it to the lantern. He burst
into rough laughter.
"Saxpence! My word, Jim!--here's a gentleman wot's free wi' his muny.
Saxpence! Two men--and two lanterns--fur t' best part of a mile! We're
goin' cheap to-night, Jim. Gude meet to yer, sir, an' next time yo'
may droon for me!"
"Saxpence!" The lad behind also applied his lantern to the coin. "Gie it
me, Bob!" And raising it with a scornful gesture he flung it into the
river. Then standing still, with their hands on their hips, the light
from the lanterns on the ground breaking over their ruddy rain-washed
faces, they poured out a stream of jeers in broad Cumbrian, from which
the coachman, angrily urged on by Melrose, escaped as quickly as he
could.
"Insolent boors!" said Melrose as men and flood disappeared from view.
"What did we want with them after all? It was only a device for bleeding
us."
Mrs. Melrose awoke from her trance of terror with a quavering breath. She
did not understand what had passed, nor a word of what the labourers had
said; and in her belief over the peril escaped, and her utter fatigue,
she gave the child to Anastasia, lay back, and closed her eyes. A sudden
and blessed sleep fell upon her for a few minutes; from which she was
roused all too soon by grating wheels and strange voices.
"Here we are, Netta--look alive!" said Melrose. "Put something round the
child, Anastasia. We have to walk through this court. No getting up to
the door. Find some umbrellas!"
The two women and the child descended. From the open house-door figures
came hurrying down a flagged path, through an untidy kitchen garden, to
the gate in a low outer wall in front of which the carriage had drawn up.
Netta Melrose grasped the nurse's arm, and spoke in wailing Italian, as
she held an umbrella over the child.
"What a place, Anastasia!--what a place! It looks like a prison! I shall
die here--I know I shall!"
Her terrified gaze swept over the old red sandstone house rising dark and
grim against the storm, and over the tangled thickets of garden dank with
rain.
But the next moment she was seized by the strong hands of Mrs. Dixon and
Thyrza, who half led, half carried, her into the hall of the Tower, while
Dixon and young Tyson did the same for the nurse and baby.
* * * * *
"A very interesting old place, built by some man with a real fine taste!
As far as I can see, it will hold my collections very well."
The new owner of Threlfall Tower was standing in the drawing-room with
his back to the fire, alternately looking about him with an eager
curiosity, and rubbing his hands in what appeared to be satisfaction. The
agent surveyed him.
Edmund Melrose at that moment--some thirty years ago--was a tall and
remarkably handsome man of fifty, with fine aquiline features deeply
grooved and cut, a delicate nostril, and a domed forehead over which fell
thick locks of black hair. He looked what he was--a man of wealth and
family, spoilt by long years of wandering and irresponsible living,
during which an inherited eccentricity and impatience of restraint had
developed into traits and manners which seemed as natural to himself as
they were monstrous in the sight of others. He had so far treated the
agent with the scantest civility during their progress through the house;
and Tyson's northern blood had boiled more than once.
But the inspection of the house had apparently put its owner in a good
temper, and he seemed to be now more genially inclined. He lit a
cigarette and offered Tyson one. Upstairs the child could be heard
wailing. Its mother and nurse were no doubt ministering to it. Mrs.
Melrose, so far as Tyson had observed her arrival, had cast hasty and
shivering looks round the comfortlessness of the hall and drawing-room;
had demanded loudly that some of the cases encumbering the hall and
passages should be removed or unpacked at once, and had then bade Mrs.
Dixon take her and the child to their rooms, declaring that she was
nearly dead and would sup upstairs and go to bed. She seemed to Tyson to
be a rather pretty woman, very small and dark, with a peevish, excitable
manner; and it was evident that her husband paid her little or no
attention.
"I can't altogether admire your taste in carpets, Tyson," said Melrose,
presently, with a patronizing smile, his eyes fastening on the
monstrosity in front of him.
The young man flushed.
"Your cheque, sir, was not a big one, and I had to make it go a long way.
It was no good trying the expensive shops."
"Oh, well!--I daresay Mrs. Melrose can put up with it. And what about
that sofa?" The speaker tried it--"Hm--not exactly Sybaritic--but very
fair, very fair! Mrs. Melrose will get used to it."
"Mrs. Melrose, sir, I fear, will find this place a bit lonesome, and out
of the way."
"Well, it is not exactly Piccadilly," laughed Melrose. "But a woman that
has her child is provided for. How can she be dull? I ask you"--he
repeated in a louder and rather hectoring voice--"how can she possibly be
dull?"
Tyson murmured something inaudible, adding to it--"And you, sir? Are you
a sportsman?"
Melrose threw up his hands contemptuously. "The usual British question!
What barbarians we are! It may no doubt seem to you extraordinary--but I
really never want to kill anything--except sometimes, perhaps,--a dealer.
My amusements"--he pointed to two large cases at the end of the
room--"are pursued indoors."
"You will arrange your collections?"
"Perhaps, yes--perhaps, no. When I want something to do, I may begin
unpacking. But I shall be in no hurry. Any way it would take me months."
"Is it mostly furniture you have sent home, sir?"
"Oh, Lord, no! Clocks, watches, ironwork, china, stuffs,
brasses--something of everything. A few pictures--no great shakes--as
yet. But some day I may begin to buy them in earnest. Meanwhile,
Tyson--_economy_!"--he lifted a monitory finger. "All my income is
required--let me inform you at once--for what is my hobby--my passion--my
mania, if you like--the collecting of works of art. I have gradually
reduced my personal expenditures to a minimum, and it must be the same
with this estate. No useless outlay of any kind. Every sixpence will be
important to me."
"Some of the cottages are in a very bad state, Mr. Melrose."
"Paradises, I'll be bound, compared to some of the places I have been
living among, in Italy. Don't encourage people to complain; that's the
great point. Encourage them, my dear sir, to make the best of things--to
take life _cheerfully_."
Certain cottages on the estate presented themselves to the agent's mind.
He lifted his eyebrows imperceptibly, and let the subject drop, inquiring
instead whether his employer meant to reside at the Tower during the
whole or the greater part of the year.
Melrose smiled. "I shall always spend the winter
here--arranging--cataloguing--writing." Again the cigarette, held in very
long, thin fingers, described a wide semicircle in the dim light, as
though to indicate the largeness of the speaker's thoughts. "But in March
or April, I take flight from here--I return to the chase. To use a
hunting metaphor, in the summer I kill--and store. In the winter I
consume--ruminate--chew the cud. Do you follow my metaphor?"
"Not precisely," said Tyson, looking at him with a quiet antagonism. "I
suppose you mean you buy things and send them home?"
Melrose nodded. "Every dealer in Europe knows me by now--and expects
me. They put aside their best things for me. And I prefer to hunt in
summer--even in the hot countries. Heat has no terror, for me; and
there are fewer of your damned English and American tourists about."
"I see." Tyson hesitated a moment, then said: "And I suppose, sir, Mrs.
Melrose goes with you?"
"Not at all! You cannot go dragging babies about Europe any more than is
absolutely necessary. Mrs. Melrose will make her home here, and will no
doubt become very much attached to this charming old house. By the way,
what neighbours are there?"
"Practically none, sir."
"But there is a church--and I suppose a parson?"
"Not resident. The clergyman from Gimmers Wick comes over alternate
Sundays."
"H'm. Then I don't see why I was asked to contribute to church repairs.
What's the good of keeping the place up at all?"
"The people here, sir, set great store both by their church and their
services. They have been hoping, now that you and Mrs. Melrose have come
to live here, that you might perhaps be willing to pay some suitable man
to take the full duty."
Melrose laughed aloud.
"I? Good Heavens! I pay a parson to read me the English Church services!
Well, I don't wish to inflict my religious opinions upon any one, Tyson;
but I may as well tell you that they don't run at all in the direction of
parsons. And Mrs. Melrose--why I told you she was a Catholic--a Roman
Catholic. What does she want with a church? But a parson's wife might
have been useful. By the way, I thought I saw a nice-looking girl when we
arrived, who has since disappeared."
"That was Thyrza Smart, sir--the daughter of Smart, the farmer."
"Excellent! Mrs. Melrose shall make friends with her."
"And of course, sir, both Pengarth and Keswick are within a drive."
"Oh, that's no good," said Melrose, easily. "We shall have no carriage."
The agent stared. "No carriage? I am afraid in that case you will find it
very difficult getting about. There are no flys anywhere near that you
can hire."
"What do we want with them?" Melrose lit another cigarette. "I may have a
horse--possibly. And of course there's the light cart I told you to get.
We can't trust these things"--he pointed to the packages in the
room--"to irresponsible people."
"The cart, sir, has been constantly at work. But--it won't exactly suit
Mrs. Melrose." Tyson smiled discreetly.
"Oh! leave that to me--leave that to me!" said Melrose with an answering
good humour. "Stable and carriage expenses are the deuce. There never was
a coachman yet that didn't rob his employer. Well, thank you; I'm glad to
have had this talk with you, and now, I go to bed. Beastly cold, I must
say, this climate of yours!"
And with a very evident shiver the speaker buttoned the heavy fur coat he
had never yet taken off more closely round him.
"What about that man from Carlisle--and the furnace?" he inquired
sharply.
"He comes to-morrow, sir. I could not get him here earlier. I fear it
will be an expensive job."
"No matter. With my work, I cannot risk incessant attacks of rheumatism.
The thing must be done, and done well. Good-night to you, Tyson."
Mr. Melrose waved a dismissing hand. "We shall resume our discussion
to-morrow."
The agent departed. Melrose, left solitary, remained standing a while
before the fire, examining attentively the architecture and decorations
of the room, so far as the miserable light revealed them. Italian, no
doubt, the stucco work of the ceiling, with its embossed nymphs and
cupids, its classical medallions. Not of the finest kind or period, but
very charming--quite decorative. The house had been built on the site of
an ancient border fortess, toward the middle of the eighteenth century,
by the chief of a great family, from whose latest representative, his
mother's first cousin, Edmund Melrose had now inherited it. Nothing could
be more curious than its subsequent history. For it was no sooner
finished, in a pure Georgian style, and lavishly incrusted in all its
principal rooms with graceful decoration, than the man who built it died.
His descendants, who had plenty of houses in more southern and populous
regions, turned their backs upon the Tower, refused to live in it, and,
failing to find a tenant of the gentry class, let part of it to the
farmer, and put in a gardener as caretaker. Yet a certain small sum had
always been allowed for keeping it in repair, and it was only within the
last few years that dilapidation had made head.
Melrose took up the lamp, and carried it once more through the
ground-floor of the Tower. Save for the dying fires, and the sputtering
lamp, everything was dark and still in the spacious house. The storm was
dying down in fitful gusts that seemed at intervals to invade the shadowy
spaces of the corridor, driving before them the wisps of straw and paper
that had been left here and there by the unpacking of the great
writing-table. There could be no ghosts in the house, for nothing but a
fraction of it had ever sheltered life; yet from its architectural
beauty there breathed a kind of dumb, human protest against the
disorderly ill-treatment to which it had been subjected.
In spite of his excitement and pre-occupation, Melrose felt it, and
presently he turned abruptly, and went upstairs, still carrying the lamp;
through the broad upper passage answering to the corridor below, where
doors in deep recesses, each with its classical architrave, and its
carved lintels, opened from either side. The farthest door on the right
he had been shown as that of his wife's room; he opened one nearer, and
let himself into his dressing-room, where Anastasia had taken care to
light the fire, which no north country-woman would have thought of
lighting for a mere man.
Putting the lamp down in the dressing-room, he pushed open his wife's
door, and looked in. She was apparently asleep, and the child beside her.
The room struck cold, and, by a candle in a basin, he saw that it was
littered from end to end with the contents of two or three trunks that
were standing open. The furniture was no less scanty and poor than in the
sitting-rooms, and the high panelled walls closing in upon the bed gave a
dungeonlike aspect to the room.
A momentary pity for his wife, brought to this harsh Cumbrian spot, from
the flowers and sun, the Bacchic laughter and colour of a Tuscan vintage,
shot through Melrose. But his will silenced it. "She will get used to
it," he said to himself again, with dry determination. Then he turned on
his heel. The untidiness of his wife's room, her lack of method and
charm, and the memory of her peevishness on the journey disgusted him.
There was a bed in his dressing-room; and he was soon soundly asleep
there.
But his wife was not asleep, and she had been well aware of his presence
on her threshold. While he stood there, she had held her breath,
"willing" him to go away again; possessed by a silent passion of rage and
repulsion. When he closed the door behind him, she lay wide awake,
trembling at all the night sounds in the house, lost in a thousand
terrors and wild regrets.
Suddenly, with a crash the casement window at the farther end of the room
burst open under an onset of wind, Netta only just stifled the scream on
her lips. She sat up, her teeth chattering. It was _awful_; but she must
get up and shut it. Shivering, she crept out of bed, threw a shawl round
her, and made one flight across the floor, possessed with a mad alarm
lest the candle, which was flickering in the draught, should go out, and
leave her in darkness.
But now that the window was open she saw, as she approached, that the
night was not dark. There was a strong moonlight outside, and when she
reached the window she drew in her breath. For there, close upon her, as
it seemed, like one of her own Apennines risen and stalking through the
night, towered a great mountain, cloud-wreathed, and gashed with vast
ravines. The moon was shining on it between two chasing clouds, and the
light and shade of the great spectacle, its illumined slopes, and
impenetrable abysses, were at once magnificent and terrible.
Netta shut the window with groping, desperate hands, and rushed back to
bed. Never had she felt so desolate, so cut off from all that once made
her poor little life worth living. Yet, though she cried for a few
minutes in sheer self-pity, it was not long before she too was asleep.
II
The day after the Melroses' arrival at the Tower was once more a day of
rain--not now the tempestuous storm rain which had lashed the mill
stream to fury, and blustered round the house as they stepped into it,
but one of those steady, gray, and featureless downpours that
Westmoreland and Cumbria know so well. The nearer mountains which were
wholly blotted out, and of the far Helvellyn range and the Derwentwater
hills not a trace emerged. All colour had gone from the grass and the
autumn trees; a few sheep and a solitary pony in the fields near the
house stood forlorn and patient under the deluge; heaven and earth met in
one fusion of rain just beyond the neglected garden that filled the front
court; while on three sides of the house, and penetrating through every
nook and corner of it, there rose, from depths far below, the roar of the
stream which circled the sandstone rock whereon the Tower was built.
Mrs. Melrose came down late. She descended the stairs slowly, rubbing her
cold hands together, and looking forlornly about her. She wore a dress of
some straw-coloured stuff, too thin for the climate of a Cumbria autumn,
and round her singularly small and fleshless neck, a wisp of black
velvet. The top of the head was rather flat, and the heavy dark hair,
projecting stiffly on either side of the face, emphasized at once the
sharpness of the little bony chin, the general sallowness of complexion,
and the remarkable size and blackness of the eyes. There was something
snakelike about the flat head, and the thin triangular face; an effect
which certainly belied the little lady, for there was nothing malicious
or sinister in her personality.
She had not yet set eyes on her husband, who had risen early, and could
now be heard giving directions to some one in the library to her right--a
carpenter apparently, since there was hammering going on. She supposed
she must find out something about the kitchen and the servants. Anastasia
had brought up her breakfast that morning, with a flushed face, muttering
complaint against the woman downstairs. A terror struck through her. If
Anastasia should desert her--should give notice!
Timidly she pushed open the door of the big kitchen, and prepared to
play the mistress. Mrs. Dixon was standing at the kitchen table with a
pastry-board before her, making a meat pie. She greeted her new mistress
civilly, though guardedly, and went on with what she was doing.
"Are you going to cook for us?" asked Mrs. Melrose, helplessly.
"That's what I unnerstood fro' Muster Tyson, ma'am."
"Then I came to speak to you about dinner."
"Thank you, ma'am, but Muster Melrose gave me the orders a good while
sen. There was a cart goin' into Pengarth."
Pengarth was the nearest country town, some eight miles away.
Mrs. Melrose coloured.
"I must tell you what the baby requires," she said, drawing herself up.
Mrs. Dixon looked at the speaker impassively, over her spectacles.
Mrs. Melrose hurriedly named a patent food--some special
biscuits--bananas.
"Yo' can have the milk yo' want fro' t' farm," said Mrs. Dixon slowly, in
reply; "but there's nowt of aw them things i' t' house as I knows on."
"Then we must send for them."
Mrs. Dixon shook her head.
"There won't be anoother cart goin' in till t' day after to-morrow."
"I can't have the baby neglected!" exclaimed Mrs. Melrose, with sudden
shrillness, looking angrily at the rugged face and figure before her.
"Mebbe yo'd go an talk to t' master?" suggested Mrs. Dixon, not without,
as it seemed to Netta, a touch of slyness in eyes and voice. Of course
they all knew by now that she was a cipher--that she was not to count.
Edmund had been giving all the orders--in his miserly cheese-paring way.
No comforts!--no conveniences!--not even bare necessaries, for herself
and the child. Yet she knew very well that her husband was a rich
man.
She turned and went in search of him, making her way with difficulty
through the piles of boxes. What could be in them all? Edmund must have
been buying for years. Every now and then as she stooped to look at the
labels pasted upon them, she caught names well known to her. Orbatelli,
Via dei Bardi 13, Firenze; Bianchi, Via Mazzini 12, Lucca; Fratelli
Masai, Via Manzoni, Pisa. And everywhere the recurrent word--_Antichità_.
How she hated the word!--how she hated the associations linked with it,
and with the names on the boxes. They were bound up with a score of
humbling memories, the memories of her shabby, struggling youth. She
thought of her father--the needy English artist, Robert Smeath, with just
a streak, and no more than a streak, of talent, who had become rapidly
"Italianate" in the Elizabethan sense--had dropped, that is, the English
virtues, without ever acquiring the Italian. He had married her mother, a
Florentine girl, the daughter of a small _impiegato_ living in one of the
dismal new streets leading out of Florence on the east, and had then
pursued a shifting course between the two worlds, the English and the
Italian, ordering his household and bringing up his children in Italian
fashion, while he was earning his keep and theirs, not at all by the
showy pictures in his studio which no one would buy, but as jackal in
_antichità_, to the richer English and American tourists. He kept a
greedy eye on the artistic possessions still remaining in the hands of
impoverished native owners; he knew the exact moment of debt and
difficulty in which to bring a foreign gold to bear; he was an adept in
all the arts by which officials are bribed, and pictures are smuggled.
And sometimes these accomplishments of his resulted in large accessions
of cash, so that all the family lived on the fat of the land, bought
gorgeous attire, and went to Livorno, or Viareggio, or the Adriatic
coast, for the summer. And sometimes there was no luck, and therefore
no money. Owners became unkindly patriotic and would not sell. Or some
promising buyer, after nibbling for months, went off finally unhooked.
Then the apartment in the Via Giugno showed the stress of hard times. The
girls wore their old clothes to rags; the mother did all the work of the
house in a bedgown and slippers; and the door of the apartment was never
opened more than a few inches to any applicant, lest creditors should get
in.
And the golden intervals got fewer, and the poverty more persistent, as
the years went on. Till at last, by the providence--or malice--of the
gods, a rich and apparently prodigal Englishman, Edmund Melrose, hungry
for _antichità_ of all sorts, arrived on the scene. Smeath became rapidly
the bond-slave of Melrose, in the matter of works of art. The two made
endless expeditions together to small provincial towns, to remote villas
in the Apuan or Pisan Alps, to _palazzi_ in Verona, or Lucca, or Siena.
Melrose indeed had not been long in finding out that the little artist
was both a poor judge and a bad agent. Netta's cheek always flamed when
she thought of her father's boastings and blunderings, and of the way
in which Edmund had come to treat him. And now the Smeath family were
just as poor as ever again. Her little sisters had scarcely a dress to
their backs; and she was certain her mother was both half-starved and
over-worked. Edmund had not been at all kind to them since her
marriage--not at all!
How had he come to marry her? She was well aware that it was an
extraordinary proceeding on his part. He was well born on both sides,
and, by common report among the English residents in Florence, enormously
rich, though his miserly habits had been very evident even in the first
days of their acquaintance. He might no doubt have married anybody he
pleased; if he would only have taken the trouble. But nothing would
induce him to take any trouble--socially. He resented the demands and
standards of his equals; turned his back entirely on normal English
society at home and abroad; and preferred, it seemed, to live with his
inferiors, where his manners might be as casual, and his dress as
careless as he pleased. The queer evenings and the queer people in their
horrid little flat had really amused him. Then he had been ill, and mama
had nursed him; and she, Netta, had taken him a pot of carnations while
he was still laid up; and so on. She had been really pretty in those
days; much prettier than she had ever been since the baby's birth. She
had been attractive too, simply because she was young, healthy,
talkative, and forthcoming; goaded always by the hope of marriage, and
money, and escape from home. His wooing had been of the most despotical
and patronizing kind; not the kind that a proud girl would have put up
with. Still there had been wooing; a few presents; a frugal cheque for
the trousseau; and a honeymoon fortnight at Sorrento.
Why had he done it?--just for a whim?--or to spite his English family,
some member of which would occasionally turn up in Florence and try to
put in claims upon him--claims which infuriated him? He was the most
wilful and incalculable of men; caring nothing, apparently, one day for
position and conventionality, and boasting extravagantly of his family
and ancestors the next.
"He was rather fond of me--for a little," she thought to herself wearily,
as she stood at the hall window, looking out into the rain. At the point
which things had now reached she knew very well that she meant nothing at
all to him. He would not beat her, or starve her, or even, perhaps,
desert her. Such behaviour would disturb his existence as much as hers;
and he did not mean to be disturbed. She might go her own way--she and
the child; he would give her food and lodging and clothes, of a sort, so
long as she did not interfere with his tastes, or spend his money.
Then, suddenly, while she stood wrathfully pondering, a gust of anger
rose--childish anger, such as she had shown the night before, when she
had tried to get out of the carriage. She turned, ran down the corridor
to the door which she understood was the door of his study--and entered
with a burst.
"Edmund!--I want to speak to you!"
Melrose, who was hanging, frowning and absorbed, over a carpenter who was
freeing what seemed to be an old clock from the elaborate swathings of
paper and straw in which it had been packed, looked up with annoyance.
"Can't you see, Netta, that I'm very busy?"
"I can't help it!--it's about baby."
With a muttered "D--n!" Melrose came toward her.
"What on earth do you want?"
Netta looked at him defiantly.
"I want to be told whenever the cart goes into Pengarth--there were lots
of things to get for baby. And I must have something here that I can
drive myself. We can't be cut off from everything."
"Give your orders to Mrs. Dixon then about the cart," said Melrose
angrily. "What has it to do with me? As for a carriage, I have no money
to spend on any nonsense of the kind. We can do perfectly well without
it."
"I only want a little pony-cart--you could get it second-hand for ten or
twelve pounds--and the farmer has got a pony."
She looked at him--sallow, and frowning.
Melrose pushed her into the passage and drew the door to, behind him, so
that the carpenter might not hear.
"Ten or twelve pounds! Do you expect I get money off the hedges? Can't
you be content here like a reasonable woman, without getting me into
debt?"
Netta laughed and tossed her head.
"You shouldn't leave your business letters about!"
"What do you mean?"
"There was a cheque among your papers one day last week!--I saw it before
you could hide it away. It was for £3,000--a dividend from something--a
coal mine, I think. And the week before you had another--"
Her husband's eyes shed lightnings.
"I'll not have you prying into my affairs!" he said violently. "All I
have is wanted--and more."
"And nothing of course--to give _me_--your wife!--for any comforts or
pleasures! That never enters into your head!"
Her voice came thickly already. Her chest began to heave.
"There now--crying again!" said Melrose, turning on his heel. "Can't you
sometimes thank your stars you're not starving in Florence, and just put
up with things a little?"
Netta restrained herself.
"So I would"--she said, choking--"if--"
"If what--"
For all answer, she turned and hurried away toward the hall. Melrose
looked after her with what appeared like exasperation, then suddenly
recaptured himself, smoothed his brow, and, returning to the study, gave
himself with unruffled zest and composure to the task of unpacking the
Boule clock.
Netta repaired to the drawing-room, and threw herself on to the
uncomfortable sofa, struggling with her tears. For about a fortnight
after her marriage she had imagined herself in love with Melrose; then
when the personal illusion was gone, the illusion of position and wealth
persisted. He might be queer, and behave queerly in Italy. But when they
returned to England she would find herself the wife of a rich English
gentleman, and the gingerbread would once more be gilt. Alack! a few
weeks in a poor London Lodging with no money to spend on the shops which
tempted her woman's cupidity at every step; Edmund's final refusal, first
laughing, then stubborn, to present her to "my devilish relations"; the
complete indifference shown to her wishes as to the furnishings of the
Tower; these various happenings had at last brought her to an unwelcome
commerce with the bare truth. She had married a selfish eccentric, who
had chosen her for a caprice and was now tired of her. She had not a
farthing, nor any art or skill by which to earn one. Her family was as
penniless as herself. There was nothing for it but to submit. But her
temper and spirits had begun steadily to give way.
_Firenze!_ As she sat in her cheerless drawing-room, hating its ugly
shabbiness, and penetrated with the damp chill of the house, there swept
through her a vision of the Piazza del Duomo, as she had last seen it on
a hot September evening. A blaze of light--delicious all-prevailing
warmth--the moist bronzed faces of the men--the girls with the look of
physical content that comes in hot countries with the evening--the sun
flooding with its last gold, now the new marbles of the _facciata_,
now the alabaster and bronze of the Baptistery, and now the moving
crowds--the flowers-baskets--the pigeons--
She lifted her eyes with a sobbing breath, and saw the gray
cloud-curtain--the neglected garden--the solitary pony in the
field--with the shafts of rain striking across it. Despair stirred in
her--the physical nostalgia of the south. A happy heart might have
silenced the craving nerves; but hers was far from happy.
The door opened. A head was thrust in--the head of a fair-haired girl.
There was a pause.
"What do you want?" said Mrs. Melrose, haughtily, determined to assert
herself.
Thyrza came in slowly. She held a bunch of dripping Michaelmas daisies.
"Shall I get a glass for them? I thowt mebbe you'd like 'em in here."
Netta thanked her ungraciously. She remembered having seen the girl the
night before, and Anastasia had mentioned her as the daughter of the
_Contadino_.
Thyrza put the flowers in water, Netta watching her in silence; then
going into the hall, she returned with a pair of white lace curtains.
"Shall I put 'em up? It 'ud mebbe be more cheerful."
Netta looked at them languidly.
"Where do they come from?"
"Mr. Tyson brought 'em from Pengarth. He thowt you might like 'em for the
drawing-room."
Mrs. Melrose nodded, and Thyrza mounted a chair, and proceeded to put up
the curtains, turning an observant eye now and then on the thin-faced
lady sitting on the sofa, her long fingers clasped round her knees, and
her eyes--so large and staring as to be rather ugly than beautiful in
Thyrza's opinion--wandering absently round the room.
"It's a clashy day," Thyrza ventured at last.
"It's a dreadful day," said Mrs. Melrose sharply. "Does it always rain
like this?"
"Well, it _do_ rain," was Thyrza's cautious reply. "But there that's
better than snowin'--for t' shepherds."
Mrs. Melrose found the girl's voice pleasant, and could not deny that she
was pretty, in her rustic way.
"Has your father many sheep?"
"Aye, but they're all gone up to t' fells for t' winter. We had a grand
time here in September--at t' dippin'. Yo'd never ha' thowt there was so
mony folk about"--the girl went on, civilly, making talk.
"I never saw a single house, or a single light, on the drive from the
station last night," said Mrs. Melrose, in her fretful voice. "Where are
all the people?"
"Well, there ain't many!" laughed Thyrza. "It's a lonesome place this is.
But when it's a shearin', or a dippin', yo' unnerstand, farmin' folk'll
coom a long way to help yan anuther."
"Are they all farmers about here?"
"Mostly. Well, there's Duddon Castle!" Thyrza's voice, a little muffled
by the tin-tacks in the mouth, came from somewhere near the top of a tall
window--"Oh--an' I forgot!--"
In a great hurry the speaker jumped down from her perch, and to Netta's
astonishment ran out of the room.
"What is she about?" thought Mrs. Melrose irritably. But the question was
hardly framed before Thyrza reappeared, holding out her hand, in which
lay some visiting-cards.
"I should ha' given them yo' before."
Mrs. Melrose took them with surprise, and read the name.
"Countess Tatham--who is she?"
"Why it's she that lives at Duddon Castle." Then the girl looked
uncertainly at her companion--"Mr. Tyson did tell me she was a relation
of Mr. Melrose."
"A relation? I don't know anything about her," said Netta decidedly. "Did
she come to call upon me?"
The girl nodded--"She come over--it was last Tuesday--from Duddon, wi'
two lovely horses--my, they were beauties! She said she'd come again."
Netta asked questions. Lady Tatham, it seemed, was the great lady of the
neighbourhood, and Duddon Castle was a splendid old place, that all the
visitors went to see. And there were her cards. Netta's thoughts began to
hurry thither and thither, and possibilities began to rise. A relation of
Edmund's? She made Thyrza tell her all she knew about Duddon and the
Tathams. Visions of being received there, of meeting rich and
aristocratic people, of taking her place at last in society, the place
that belonged to her as Edmund's wife, in spite of his queer miserly
ways, ran again lightly through a mind that often harboured such dreams
before--in vain. Her brow cleared. She made Thyrza leave the curtains,
and sit down to gossip with her. And Thyrza, though perfectly conscious,
as the daughter of a hard-working race, that to sit gossiping at midday
was a sinful thing, was none the less willing to sin; and she chattered
on in a Westmoreland dialect that grew steadily broader as she felt
herself more at ease, till Mrs. Melrose could scarcely follow her.
But she managed to seize on the facts that concerned her. Lady Tatham, it
seemed, was a widow, with an only boy, a lad of seven, who was the heir
to Duddon Castle, and its great estates. The Castle was ten miles from
the Tower.
"How shall I ever get there?" thought Mrs. Melrose, despairingly.
As to other neighbours, they seemed to consist entirely of an old
bachelor doctor, about three miles away, and the clergyman of Gimmers
Wick and his wife. _She_ was sure to come. But most people were "glad to
see the back on her." She had such a poor spirit, and was always
complaining.
In the midst of this conversation, the door of the room, which was ajar,
slowly opened. Thyrza looked round and saw in the aperture a tiny white
figure. It was the Melrose baby, standing silent, wide-eyed, with its
fingers in its mouth, and Anastasia behind it. Anastasia, whose look was
still thunderous, explained that she was unpacking and could not do with
it. The child toddled in to its mother, and Thyrza exclaimed in
admiration:
"Oh, you _are_ a little beauty!"
And she caught up one of the brass curtain rings lying on the table, and
tried to attract the baby with it. But the little thing took not the
smallest notice of the lure. She went straight to her mother, and,
leaning against Netta's knee, she turned to stare at Thyrza with an
intensity of expression, rare in a child so young. Thyrza, kneeling on
the floor, stared back--fascinated. She thought she had never seen
anything so lovely. The child had her father's features, etherealized;
and great eyes, like her mother, but far more subtly beautiful. Her skin
was pale, but of such a texture that Thyrza's roses-and-milk looked rough
and common beside it. Every inch of the proud little head was covered
with close short curls leaving the white neck free, and the hand lifted
to her mouth was of a waxen delicacy.
Netta opened a picture-book that Anastasia had brought down with her.
Felicia pushed it away. Netta opened it again. Then the child, snatching
it from her, sat down on the floor, and, before Netta could prevent her,
tore one of the pages across with a quick, vindictive movement--her
eyes sparkling.
"Naughty--! naughty!" said Netta in a scolding voice.
But Thyrza dropped her hand hastily into a gray calico pocket tied round
her waist, and again held out something.
"It is only a pear-drop," she said apologetically to Netta. "It won't
hurt her."
Felicia snatched at it at once, and sucked it, still flushed with
passion. Her mother smiled faintly.
"You like sweets?" she said, childishly, to her companion; "give me one?"
Thyrza eagerly brought out a paper bag from her pocket and Netta put out
a pair of thin fingers. She and her sisters had been great consumers of
sweet stuff in the small dark Florentine shops. The shared greediness
promoted friendship; and by the time Mrs. Dixon put in a reproachful face
with a loud--"Thyrza, what _be_ you a doin'?"--Mrs. Melrose knew as much
of the Tower, the estate, the farm, and the persons connected with them,
as Thyrza's chattering tongue could tell her in the time.
There was nothing, however, very consoling in the information. When
Thyrza departed, Mrs. Melrose was left to fret and sigh much as before.
The place was odious; she could never endure it. But yet the possible
advent of "Countess Tatham" cast a faint ray on the future.
A few days later Lady Tatham appeared. Melrose had been particularly
perverse and uncommunicative on the subject. "Like her audacity!"--so
Netta had understood his muttered comment, when she took him the cards.
He admitted that the lady and he were cousins--the children of first
cousins; and that he had once seen a good deal of her. He called her "an
audacious woman"; but Mrs. Melrose noticed that he did not forbid her the
house; nay, rather that he listened with some attention to Thyrza's
report that the lady had promised to call again.
On the afternoon of the call, the skies were clear of rain, though not of
cloud. The great gashed mountain to the north which Dixon called
Saddleback, while a little Cumbria "guide," produced by Tyson, called it
Blencathra, showed sombrely in a gray light; and a November wind was busy
stripping what leaves still remained from the woods by the stream and in
the hollows of the mountain. Landscape and heavens were of an iron
bracingness and bareness; and the beauty in them was not for eyes like
Netta's. She had wandered out forlornly on the dank paths descending to
the stream. Edmund as usual was interminably busy fitting up one of the
lower rooms for some of his minor bric-à-brac--ironwork, small bronzes,
watches, and clocks. Anastasia and the baby were out.
Would Anastasia stay? Already she looked ill; she complained of her
chest. She had made up her mind to come with the Melroses for the sake of
her mother and sister in Rome, who were so miserably poor. Netta felt
that she--the mistress--had some security against losing her, in the mere
length and cost of the journey. To go home now, before the end of her
three months, would swallow up all the nurse had earned; for Edmund would
never contribute a farthing. Poor Anastasia! And yet Netta felt angrily
toward her for wishing to desert them.
"For of course I shall take her home--in March. We shall all be going
then," she said to herself with an emphasis, almost a passion, which yet
was full of misgiving.
Suddenly, just as she had returned by a steep path to the dilapidated
terrace on the north side of the house--a sound of horses' feet and
wheels. Evidently a carriage--a caller. Netta's pulse fluttered. She ran
into the house by a side door, and up to her room, where she smoothed
her hair anxiously, and lightly powdered her face. There was no time to
change her dress, but she took out a feather boa which she kept for great
occasions, and prepared to descend with dignity. Oh the stairs she met
Mrs. Dixon, who announced "Lady Tatham."
"Find Mr. Melrose, please."
"Oh, he's there, Ma'am, awready."
Netta entered the drawing-room to see her husband pacing up and-down
before a strange lady, who sat in one of the crimson armchairs, entirely
at her ease.
"So this is your wife, Edmund," said Lady Tatham, as she rose.
"It is. You'll make mock of her no doubt--as you do of me."
"Nonsense! I never make mock of anybody," said a musical voice, rich
however through all its music in a rather formidable significance. The
owner of it turned toward Netta.
"I hope, Mrs. Melrose, that you will like Cumbria?"
Netta, accustomed to Edmund's "queerness," and determined to hold her
own, settled herself deliberately opposite her visitor, and was soon
complaining in her shrill voice of the loneliness of the place and the
damp of the climate. Melrose never once looked at his wife. He was
paler than usual, with an eager combative aspect, quite new to Netta. He
seemed for once to be unsure of his ground--both to expect attack, even
to provoke it--and to shrink from it. His eyes were fixed upon Lady
Tatham, and followed her every movement.
Attention was certainly that lady's due; and it failed her rarely. She
had beauty--great beauty; and a personality that refused to be
overlooked. Her dress showed in equal measure contempt for mere fashion,
and a close study of effect. The lines of her long cloak of dull blue
cloth, with its garnishings of sable, matched her stately slenderness
well; and the close-fitting cap over the coiled hair conveyed the same
impression of something perfectly contrived and wholly successful.
Netta thought at first that she was "made up," so dazzling was the
white and pink, and then doubted. The beauty of the face reminded one,
perhaps, of the beauty of a boy--of some clear-eyed, long-chinned
athlete--masterfully simple--a careless conqueror.
How well she and Edmund seemed to know each other! That was the strange,
strange thing in Netta's eyes. Presently she sat altogether silent while
they talked. Melrose still walking up and down--casting quick glances
at his guest. Lady Tatham gave what seemed to be family news--how "John"
had been sent to Teheran--and "George" was to be military secretary in
Dublin--and "Barbara" to the astonishment of everybody had consented to
be made a Woman of the Bedchamber--"poor Queen!"--how Reginald Pratt had
been handsomely turned out of the Middleswick seat, and was probably
going to "rat" to an Opposition that promised more than the
Government--that Cecilia's eldest girl--"a pretty little minx"--had been
already presented, and was likely to prove as skilful a campaigner for a
husband as her mother before her--that "Gerald" had lost heavily at
Newmarket, and was now a financial nuisance, borrowing from everybody in
the family--and so on, and so on.
Melrose received these various items of information half scornfully, half
greedily; it might have been guessed that his interest in the teller was
a good deal keener than his interest in the things told. The conversation
revealed to Netta phases in her husband's existence wholly unknown to
her. So Edmund had been in Rome--for two or three years--in the Embassy!
That she had never known. He seemed also to have been an English member
of Parliament for a time. In any case he had lived, apparently for years,
like other men of his kind--shooting, racing, visiting, travelling,
fighting, elections. She could not fit the facts to which both alluded
with her own recollections of the misanthrope who had first made
acquaintance with her and her family in Florence three years before this
date; and her bewilderment grew.
As for the others, they had soon, it seemed, completely forgotten the
thin sallow-faced wife, who sat with her back to the window, restlessly
twisting her rings.
Presently Melrose stopped abruptly--in front of Lady Tatham.
"Where is Edith?" He bent forward peremptorily, his hand on the table,
his eyes on the lady's face.
"At the Cape with her husband."
"Has she found him out yet?"
"There's nothing to find out. He's an excellent fellow."
"A stupid prig," said Melrose passionately. "Well, you did it!--You did
it!"
"Yes, I did it." Lady Tatham rose quietly. She had paled, and after a
minute's hesitation she held out her hand to Melrose. "Suppose, Edmund,
we bury the hatchet. I should like to be friends with you and your wife,
if you would allow it?"
The change of manner was striking. Up to this moment Lady Tatham had
been, so to speak, the aggressor, venturing audaciously on ground which
she knew to be hostile--from bravado?--or for some hidden reason? But she
spoke now with seriousness--even with a touch of womanly kindness.
Melrose looked at her furiously.
"Lady Tatham, I advise you to leave us alone!"
She sighed, met his eyes a moment, gravely, then turned to Netta.
"Mrs. Melrose, your husband and I have an old quarrel. He wanted to marry
my sister. I prevented it. She is married now--and he is married. Why
shouldn't we make friends?"
"Quarrels are very foolish!" said Netta, sententiously, straightening her
small shoulders. But she dared not look at Melrose.
"Well, tell him so," laughed Lady Tatham. "And come and see me at Duddon
Castle."
"Thank you! I should like to!" cried Netta.
"My wife has no carriage, Lady Tatham."
"Oh, Edmund--we might hire something," said his wife imploringly.
"I do not permit it," he said resolutely. "Good-bye, Lady Tatham. You are
like all women--you think the cracked vase will hold water. It won't."
"What are you going to do here, Edmund?"
"I am a collector--and works of art amuse me."
"And I can do nothing--for you--or your wife?"
"Nothing. I am sorry if you feel us on your mind. Don't. I would have
gone farther from you, if I could. But seven miles--are seven miles."
Lady Tatham coloured. She shook hands with Netta.
Melrose held the door open for her. She swept through the hall, and
hurried into her carriage. She and Melrose touched hands ceremoniously,
and the brougham with its fine roan horses was soon out of sight.
A miserable quarrel followed between the husband and wife. Netta,
dissolved in hysterical weeping, protested that she was a prisoner and an
exile, that Edmund had brought her from Italy to this dreary place to
kill her, that she couldn't and wouldn't endure it, and that return to
Italy she must and would, if she had to beg her way. It was cruel to shut
her up in that awful house, to deny her the means of getting about, to
treat people who wished to be kind to her as Edmund had treated Lady
Tatham. She was not a mere caterpillar to be trodden on. She would appeal
to the neighbours--she would go home to her parents, etcetera--etcetera.
Melrose at first tried to check her by sarcasm--a banter that stung where
it lit. But when she would not be checked, when she followed him into his
study, wailing and accusing, a whirlwind of rage developed in the man,
and he denounced her with a violence and a brutality which presently
cowed her. She ran shivering upstairs to Anastasia and the baby, bolted
her door, and never reappeared till, twenty-four hours later, she crept
down white and silent, to find a certain comfort in Thyrza's rough
ministrations. Melrose seemed to be, perhaps, a trifle ashamed of his
behaviour; and they patched up a peace over the arrangements for the
heating of the house on which for once he had the grace to consult her.
The winter deepened, and Christmas came. On the mountain-tops the snow
lay deep, and when Netta--who on many days never left the house--after
walking a while up and down the long corridor for the sake of exercise,
would sink languidly on the seat below its large western window, she
looked out upon a confusion of hills near and far, drawn in hard
white upon an inky sky. To the south the Helvellyn range stretched in
bold-flung curves and bosses; in the far distance rose the sharper peaks
of Derwentwater; while close at hand Blencathra with its ravines, and all
the harsh splendour of its white slopes and black precipices, alternately
fascinated and repelled the little Southerner, starved morally and
physically for lack of sun.
Even for Cumbria it was a chill and sunless winter. No bracing frosts,
and persistent northwesterly winds. Day after day the rain, which was
snow on the heights, poured down. Derwentwater and Bassenthwaite rose
till they mingled in one vast lake. The streams thundered from the fells;
every road was a water-course.
Netta lost flesh and appetite. She was a discontented and ailing woman,
and the Dixons could not but notice her fragile state. Mrs. Dixon thought
her "nobbut a silly sort of body," but would sometimes try to cook what
pleased her, or let Anastasia use the kitchen fire for "gnocchi" or
"risotto" or other queer messes; which, however, when they appeared, were
generally more relished by the master than the mistress.
Dixon, perceiving no signs of any desire on Netta's part to attend the
"papish" chapel ten miles away, began to plot for her soul. His own life
was in the little Methodist chapel to which he walked four miles every
Sunday, wet or fine. In the summer he had accompanied the minister and
one or two class leaders in a drive through the hayfields, shouting to
the haymakers--"We're going to heaven!--won't you come with us!"--and he
had been known to spend five hours at a stretch on his knees wrestling
for the salvation of a drunken friend, in the village of Threlkeld. But
Netta baffled him. Sometimes he would come home from chapel, radiant,
and would take her a bunch of holly for the table by way of getting
into conversation with her. "It was _fine_ to-day, Missis! There was
three found peace. And the congregation was grand! There was four
attorneys--two of 'em from as far as Pengarth." And he would lend her
tracts--and even offer, good man, to borrow a "shandrey" from a
neighbour, and drive her himself to the chapel service. But Netta only
smiled or yawned at him; and as for the tracts, she hid them under the
few sofa cushions the house possessed.
Mr. Tyson, the agent, came to the house as seldom as he could, that he
might not quarrel with his employer before it was to his own interest to
do so. Netta discovered that he pitied her; and once or twice, drawing on
the arts of flirtation, with which the Florentine woman is always well
acquainted, she complained to him of her loneliness and her husband's
unkindness. But his north-country caution protected him from any
sentimentalizing, however innocent. And before the end of the winter
Netta detested him. Meanwhile she and Anastasia lived for one hope only.
From many indications it was plain that Melrose was going south in March.
The women were determined not to stay behind him. But, instinctively,
they never raised the subject, so as not to risk a struggle prematurely.
Meanwhile Melrose passed a winter wholly satisfactory to himself. The
partial unpacking of his collections was an endless source of amusement
and pleasure. But his curious egotism showed itself very plainly in the
business. He made no attempt at artistic arrangement, though there was
some classification. As fast as one room was filled--the vacant
packing-cases turned on their sides, serving to exhibit what they had
once contained--he would begin upon another. And woe to Mrs. Dixon or
Thyrza if they attempted any cleaning in one of his rooms! The
collections were for himself only, and for the few dealers or experts to
whom he chose to show them. And the more hugger-mugger they were, the
less he should be pestered to let people in to see them. Occasionally he
would rush up to London to attend what he called a "high puff sale"--or
to an auction in one of the northern towns, and as he always bought
largely, purchases kept arriving, and the house at the end of the winter
was in a scarcely less encumbered and disorderly condition than it had
been at the beginning. The few experts from the Continent or America,
whom he did admit, were never allowed a word of criticism of the
collections. If they ventured to differ from Melrose as to the
genuineness or the age of a bronze or a marble, an explosion of temper
and a speedy dismissal awaited them.
One great stroke of luck befel him in February which for a time put him
in high good-humour. He bought at York--very cheaply--a small bronze
Hermes, which some fifteenth-century documents in his own possession,
purchased from a Florentine family the year before, enabled him to
identify with great probability as the work of one of the rarest and most
famous of the Renaissance sculptors. He told no one outside the house,
lest he should be plagued to exhibit it, but he could not help boasting
of it to Netta and Anastasia.
"That's what comes of having _an eye_! It's worth a thousand guineas of
it's worth a penny. And those stupid idiots let me have it for twenty-two
pounds!"
"A thousand guineas!" Gradually the little bronze became to Netta the
symbol of all that money could have bought for her--and all she was
denied; Italy, freedom, the small pleasures she understood, and the
salvation of her family, now in the direst poverty. There were moments
when she could have flung it passionately out of the window into the
stream a hundred feet below. But she was to find another use for it.
March arrived. And one day Anastasia came to tell her mistress that she
had received orders to pack Mr. Melrose's portmanteaus for departure.
Netta brooded all day, sitting silent and pale in the window-seat, with
some embroidery which she never touched on her knee. Outside, not a sign
of spring! A bitter north wind was blowing which had blanched all colour
from the hills, and there was ice on the edges of the streams. Thyrza was
away in Carlisle, helping an aunt. There was no one in the house but Mrs.
Dixon, and a deaf old woman from one of the labourer's cottages; attached
to the farm, who had come in to help her. The poor babe had a cold, and
could be heard fretfully crying and coughing in her nursery.
And before Netta's inward eye there stretched the interminable days and
weeks ahead, no less than the interminable weeks and months she had
already lived through, in this discomfort of body, and this loneliness of
spirit.
After supper she walked resolutely into her husband's littered study and
demanded that she and Anastasia and the baby should go with him to the
Continent. He, she understood, would stop in Paris. She and the child
would push on to Florence, where she could stay the summer with her
people, at no greater cost than at the Tower. The change was necessary
both for her and Felicia, and go she would.
Melrose flatly and violently refused. What did she want better than the
Tower? She had as much service, and as much luxury as her antecedents
entitled her to; and he neither could nor would provide her with anything
more. He was heavily in debt, and had no money to spend on railway
tickets. And he entirely disapproved of her relations, especially of her
father, who might any day find himself "run in" by the Italian
authorities for illicit smuggling of pictures out of the country. He
declined to allow his child to become familiar with such a circle.
Netta listened to him with tight lips, her pale face strangely flushed.
When she saw that her appeal was quite fruitless she went away, and she
and Anastasia sat up whispering together far into the night.
Early next morning Melrose departed, leaving a letter for his wife, in
which he informed her that he had left money with Mr. Tyson for the
household expenses, and for the few shillings he supposed she would want
as pocket money. He advised her to be out a great deal, and assured her
that the Cumbria summer, when it came, was delightful. And he signed
himself "your affectionate husband, Edmund Melrose."
Mrs. Dixon went into Pengarth for shopping on the fly which conveyed
Melrose to the station, and was to come out by carrier. After their
departure there was no one left in the house but the deaf old woman.
Netta and her maid preceeded to carry out a plan they had been long
maturing. Anastasia had a few pounds left of her Christmas wages; enough
to carry them to London; and for the rest, they had imagined an excellent
device.
The bronze Hermes had been left by Melrose in a cupboard in a locked room
on the first floor. When Mrs. Dixon came back that night, she discovered
that Mrs. Melrose, with her child and maid had quitted the house. They
had apparently harnessed the cart and horse themselves, and had driven
into Pengarth, taking a labourer with them to bring the cart home. They
had carried all their personal belongings away with them; and, after a
while, Mrs. Dixon, poking about, discovered that the door of one of the
locked rooms had been forced.
She also noticed, in one of the open drawers of Mrs. Melrose's bedroom, a
photograph, evidently forgotten, lying face downward. Examining it, she
saw that it was a picture of Netta, with the baby, taken apparently in
Italy during the preceding summer. The Cumbrian woman, shrewdly observant
like all her race, was struck by the tragic differences between the woman
of the picture and the little blighted creature who had just made a
flitting from the Tower.
She showed the photograph to her husband, returned it to the drawer, and
thought no more about it.
News was of course sent to Mr. Melrose in Paris, and within three days he
had come rushing back to the Tower, beside himself with rage and grief,
not at all, as George Tyson soon assured himself, for the loss of his
wife and child, but entirely for the theft of the priceless Florentine
bronze, a loss which he had suspected on the first receipt of the news of
the forced door, and verified at once on his arrival.
He stood positively aghast at Netta's perfidy and wickedness, and he
wrote at once to the apartment in the Via Giugno, to denounce her in the
most emphatic terms. As she had chosen to steal one of his most precious
possessions, which she had of course converted into money, she had no
further claim on him whatever, and he broke off all relations with her.
Eighty pounds a year would be paid by his lawyers to a Florentine lawyer,
whom he named, for his daughter's maintenance, so long as Netta left him
unmolested. But he desired to hear and see no more of persons who
reminded him of the most tragical event of his history as a collector, as
well as of the utter failure of his married life. Henceforth they were
strangers to each other, and she might arrange her future as she
pleased.
The letter was answered by Mrs. Robert Smeath in the third person, and
all communications ceased. As a matter of fact the Smeath family were
infinitely relieved by Melrose's letter, which showed that he did not
intend to take any police steps to recover the bronze or its value.
Profiting by the paternal traditions, Netta had managed the sale of the
Hermes in London, where, owing to Melrose's miserly hiding of it, it was
quite unknown, with considerable skill. It had realized a small fortune,
and she had returned, weary, ill, but triumphant, to the apartment in the
Via Giugno.
Twelve months later, Melrose had practically forgotten that he had ever
known her. He returned for the winter, to Threlfall, and entered upon a
course of life which gradually made him the talk and wonder of the
countryside. The rooms occupied by Netta and her child were left just as
he had found them when he returned after her flight. He had turned the
key on them then, and nobody had since entered them. Tyson wondered
whether it was sentiment, or temper; and gave it for the latter.
The years passed away. Melrose's hair turned from black to gray; Thyrza
married a tradesman in Carlisle and presented him with a large family;
the Dixons, as cook and manservant, gradually fitted themselves more and
more closely to the queer conditions of life in the Tower, and grew old
in the service of a master whose eccentricities became to them, in
process of time, things to be endured without comment, like disagreeable
facts of climate. In Dixon, his Methodist books, his Bible, and his
weekly chapel maintained those forces of his character which were--and
always continued to be--independent of Melrose; and Melrose knew his own
interests well enough not to interfere with an obstinate man's religion.
While Tyson, after five years, passed on triumphantly to a lucrative
agency in the Dukeries, having won a reputation for tact and patience in
the impossible service of a mad master, which would carry him through
life. Melrose, being Melrose, found it hopeless to replace him
satisfactorily; and, as he continued to buy land greedily year after
year, the neglected condition of his immense estate became an
ever-increasing scandal to the county.
Meanwhile, for some years after the departure of Netta, Lady Tatham was
obliged for reason of health to spend the winters on the Riviera, and she
and her boy were only at Duddon for the summer months. Intercourse
between her and her cousin Edmund Melrose was never renewed, and her son
grew up in practical ignorance of the relationship. When, however, the
lad was nearing the end of his Eton school days Duddon became once more
the permanent home, summer and winter, of mother and son, and young Lord
Tatham, curly-haired, good-humoured, and good-hearted, became
thenceforward the favourite and princeling of the countryside. On the
east and north, the Duddon estates marched with Melrose's property.
Occasions of friction constantly arose, but the determination on each
side to have no more communication with the other than was absolutely
necessary generally composed any nascent dispute; so long at least as
Lady Tatham and a very diplomatic agent were in charge.
But at the age of twenty-four, Harry Tatham succeeded to the sole
management of his estates, and his mother soon realized that her son was
not likely to treat their miserly neighbour with the same patience as
herself.
And with the changes in human life, went changes even more subtle and
enduring in the Cumbria county itself. Those were times of crisis for
English agriculture. Wheat-lands went back to pasture; and a surplus
population, that has found its way for generations to the factory towns,
began now to turn toward the great Canadian spaces beyond the western
sea. Only the mountains still rose changeless and eternal, at least to
human sense; "ambitious for the hallowing" of moon and sun; keeping their
old secrets, and their perpetual youth.
And after twenty years Threlfall Tower became the scene of another drama,
whereof what has been told so far is but the prologue.
III
It was a May evening, and Lydia Penfold, spinster, aged twenty-four, was
sketching in St. John's Vale, that winding valley which, diverging from
the Ambleside-Keswick road in an easterly direction, divides the northern
slopes of the Helvellyn range from the splendid mass of Blencathra.
So beautiful was the evening, so ravishing under its sway were heaven and
earth, that Lydia's work went but slowly. She was a professional artist,
to whom guineas were just as welcome as to other people; and she had very
industrious and methodical views of her business. But she was, before
everything, one of those persons who thrill under the appeal of beauty to
a degree that often threatens or suspends practical energy. Save for the
conscience in her, she could have lived from day to day just for the
moments of delight, the changes in light and shade, in colour and form,
that this beautiful world continually presents to senses as keen as hers.
Lydia's conscience, however, was strong; though on this particular
evening it did little or nothing to check the sheer sensuous dreaming
that had crept over her.
The hand that held her palette had dropped upon her knee, her eyes were
lifted to the spectacle before her, and her lips, slightly parted,
breathed in pleasure.
She looked on a pair of mountains of which one, torn and seamed from top
to toe as though some vast Fafnir of the prime had wreaked his dragon
rage upon it, fronted her sheer, rimmed with gold where some of its
thrusting edges still caught the sunset, but otherwise steeped in purple
shades already prophesying night; while the other, separated from the
first by a gap, yet grouping with it, ran slanting away to the northwest,
offering to the eyes only a series of lovely foreshortened planes, rising
from the valley, one behind the other, sweeping upward and backward to
the central peak of Skiddaw, and ablaze with light from base to summit.
The evenings in the north are long. It was past seven on this May day;
yet Lydia knew that the best of the show was still to come; she waited
for the last act, and refused to think of supper. That golden fusion of
all the upper air; that "intermingling of Heaven's pomp," spread on the
great slopes of Skiddaw--red and bronze and purple, shot through each
other, and glorified by excess of light; that sharpness of the larch
green on the lower slopes; that richness of the river fields; that
shining pageantry of cloud, rising or sinking with the mountain line:
pondering these things, absorbing them, she looked at her drawing from
time to time in a smiling despair; the happy despair of the artist, who
amid the failure of to-day looks forward with passion to the effort of
to-morrow.
Youth and natural joy possessed her.
What scents from the river-bank, under the softly breathing wind which
had sprung up with the sunset! The girl brought her eyes down, and saw a
bank of primroses, and beyond, in the little copse on the farther side of
the stream, a gleam of blue, where the wild hyacinth spread among the
birches. While close to her, at her very feet, ran the stream, with its
slipping, murmuring water, its stones splashed with white, purple, and
orange, its still reaches paved with evening gold.
"What a mercy I wrote that letter!" she said to herself, with a sigh of
content. She was thinking of a proposal that had come to her a few days
before this date, to take a post as drawing mistress in a Brighton
school. The salary was tempting; and, at the moment, money was more than
usually scarce in the family purse. Her mother's eyes had looked at her
wistfully.
Yet she had refused; with a laughing bravado that had concealed some
inward qualms.
Whereupon the gods had immediately and scandalously rewarded her. She had
sold four of her drawings at a Liverpool exhibition for twenty pounds;
and there were lying beside her on the grass some agreeable press
notices just arrived, most of which she already knew by heart.
Twenty pounds! That would pay the half year's rent. And there were
three other drawings in a London show that might very well sell too. Why
not--now the others had sold? Meanwhile she--thank the Lord!--had saved
herself, as a fish from the hook. She was still free; free to draw, free
to dream. She had not bartered her mountains for a salary. Instead of
crocodile walks, two and two, with a score of stupid schoolgirls, here
she was, still roaming the fells, the same happy vagabond as before. She
hugged her liberty. And at the same time she promised herself that her
mother should have a new shawl and a new cap for Whitsuntide.
Those at present in use came near in Lydia's opinion to being a family
disgrace.
The last act of the great spectacle rushed on; and again the artist held
her breath enthralled. The gold on Skiddaw was passing into rose; and
over the greenish blue of the lower sky, webs of crimson cirrhus spun
themselves. The stream ran fire; and far away the windows of a white farm
blazed. Lydia seized a spare sketching-block lying on the grass, and
began to note down a few "passages" in the sky before her.
Suddenly a gust came straying down the valley. It blew the press-cuttings
which had dropped from her lap toward the stream. One of them fell in,
the others, long flapping things, hung caught in a tuft of grass. Lydia
sprang up, with an exclamation of annoyance, and went to the rescue.
Dear, dear!--the longest and best notice, which spoke of her work as
"agreeable and scholarly, showing, at tunes, more than a touch of high
talent"--was quietly floating away. She must get it back. Her mother had
not yet read it--not yet purred over it. And it was most desirable she
should read it, so as to get rid thereby of any lingering doubt about the
horrid school and its horrid proposal.
But alack! the slip of newspaper was already out of reach, speeded by a
tiny eddy toward a miniature rapid in the middle of the beck. Lydia,
clinging with one hand to a stump of willow, caught up a stick lying on
the bank with the other, and, hanging over the stream, tried to head back
the truant. All that happened was that her foot slipping on a pebble went
flop into the shallow water, and part of her dress followed it.
It was not open to Lydia to swear, and she had no time for the usual
feminine exclamations before she heard a voice behind her.
"Allow me--can I be of any use?"
She turned in astonishment, extricating her wet foot, and clambered back
on to the bank. A young man stood there, civilly deferential. His bicycle
lay on the grass at the edge of the road, which was only a few steps
away.
"I saw you slip in, and thought perhaps I might help. You were trying to
reach something, weren't you?"
"It doesn't matter, thank you," said Lydia, whose cheeks had gone pink.
The young man looked at her, and became still more civil.
"What was it? That piece of paper? Oh, I'll get it in a moment."
And splashing from stone to stone in the river-bed, he had soon reached a
point where, with the aid of Lydia's stick, the bedraggled cutting was
soon fished out and returned to its owner. Lydia thanked him.
"But you've wet both your feet!" She looked at them, with concern. "Won't
it be very uncomfortable, bicycling?"
"I haven't far to go. Oh, by the way, I was just looking out for somebody
to ask--about this road--and I couldn't see a soul, till just as I came
out of the little wood there"--he pointed--"I saw you--slipping in."
They both laughed. Lydia returned to her camp stool, and began to put up
her sketching things.
"What is it you want to know?"
"Is this the road for Whitebeck?"
"Yes, certainly. You come to a bridge and the village is on the other
side."
"Thank you. I don't know these parts. But what an awfully jolly valley!"
He waved a hand toward it. "And what do you think I saw about a mile
higher up?" He had picked up his bicycle from the grass, and stood
leaning easily upon it. She could not but observe that he was tall and
slim and handsome. A tourist, no doubt; she could not place him as an
inhabitant.
"I know!" she said smiling. "You saw the otter hounds. They passed me an
hour ago. Have they caught him?"
"Who? the otter? Lord, no! He got right away from them--up a tributary
stream."
"Good!" said Lydia, as she shut her painting-box.
The young man hesitated. He had clearly no right to linger any longer,
but, as the girl before him seemed to him one of the most delicious
creatures he had ever seen, he did linger.
"I wonder if I might ask you another question? Can you tell me whether
that fine old house over there is Duddon Castle?"
"Duddon Castle!" Lydia lifted her eyebrows. "Duddon Castle is seven miles
away. That place is called Threlfall Tower. Were you going to Duddon?"
"No. But"--he hesitated--"I know young Tatham a little. I should like to
have seen his house. But, that's a fine old place, isn't it?" He looked
with curiosity at the pile of building rising beyond a silver streak of
river, amid the fresh of the May woods.
"Well--yes--in some ways," said Lydia, dubiously. "Don't you know who
lives there?"
"Not the least. I am a complete stranger here. I say, do let me do that
up for you?" And, letting his bicycle fall, the young man seized the
easel which had still to be taken to pieces and put into its case.
Lydia shot a wavering look at him. He ought certainly to have departed by
now, and she ought to be snubbing him. But the expression on his sunburnt
face as he knelt on the grass, unscrewing her easel, seemed so little to
call for snubbing that instead she gave him further information;
interspersed with directions to him as to what to do and what not to do
with her gear.
"It belongs to a Mr. Melrose. Did you never hear of him?"
"Never. Why should I?"
"Not from the Tathams?"
"No. You see I only knew Tatham at college--in my last year. He
was a good deal junior to me. And I have never stayed with them at
Duddon--though they kindly asked me--years ago."
The girl beside him took not the smallest notice of his information. She
was busy packing up brushes and paints, and her next remark showed him
subtly that she did not mean to treat him as an acquaintance of the
Tathams, whom she probably knew, but was determined to keep him to his
rôle of stranger and tourist.
"You had better look at Threlfall as you pass. It has a splendid
situation."
"I will. But why ought I to have heard of the gentleman? I forget his
name."
"Mr. Melrose? Oh, well--he's a legend about here. We all talk about him."
"What's wrong with him? Is he a nuisance?--or a lunatic?"
"It depends what you have to do with him. About here he goes by the name
of the 'Ogre.'"
"How, does he eat people up?" asked the stranger, smiling.
The girl hesitated.
"Ask one of his tenants!" she said at last.
"Oh, he's a landlord, and a bad one?"
She nodded, a sudden sharpness in her gray eyes.
"But that's not the common reason for the name. It's because he shuts
himself up--in a house full of treasures. He's a great collector."
"Of works of art? You--don't need to be mad to do that! It seems to be
one of the things that pays best nowadays--with all these Americans
about. It's a way of investing your money. Doesn't he show them to
anybody?"
"Nobody is allowed to go near him, or his house. He has built a high wall
round his park, and dogs are let loose at night that tear you to pieces."
"Nice man! If it weren't for the dogs, I should brave him. In a small
way, I'm a collector myself."
He smiled, and Lydia understood that the personal reference was thrown
out as a feeler, in case she might be willing to push the conversation
further. But she did not respond, although as he spoke she happened to
notice that he wore a remarkable ring on his left hand, which seemed
to illustrate his remark. An engraved gem?--Greek? Her eyes were quick
for such things.
However, she was seized with shyness, and as she had now finished the
packing of her brushes and paints, and the young man had elaborately
fastened all the straps of the portable easel and its case, there was
nothing for him to do but to stoop unwillingly for his soft hat which was
lying on the grass. Then an idea struck him.
"I say, what are you going to do with all these things?"
"Carry them home." She smiled. "I am not a cripple."
"Mightn't I--mightn't I carry them for you?"
"Thank you. My way lies in quite another direction. Good-night."
She held out a shapely hand. He took it, lifted his hat, and departed.
As soon as he was safely past a jutting corner of the road Lydia, instead
of going home, lazily sat down again on a rock to think about what had
happened. She was perfectly aware that--considering the whole interview
had only taken ten minutes--she had made an impression upon the young
man. And as young men of such distinguished appearance were not common in
the Whitebeck neighbourhood, the recollection of all those little signs
in look and manner which had borne witness to the stranger's discreet
admiration of her was not at all disagreeable.
He was not a native--that she was sure of. She guessed him a Londoner.
"Awfully good clothes!--London clothes. About thirty, I should think? I
wonder what he does. He can't be rich, or he wouldn't be bicycling. He
did up those straps as though he were used to them; but he can't be an
artist, or he'd have said something. It was a face with lots of power in
it. Not very good-tempered, I should say? But there's something about
him--yes, distinctly, _something_! I liked his thin cheeks, and his dark
curls. His head, too, was uncommonly well set on. I'm sure that there's a
good deal to him, as the Americans say; he's not stuffed with sawdust. I
can imagine--just imagine--being in love with him."
She laughed to herself.
Then a sudden thought occurred to her, which reddened her cheeks. Suppose
when the young man came to think over it, he believed that she had let
the papers fall into the river--deliberately--on purpose--just to attract
his attention? At the very precise moment that he comes upon the scene,
she slips into the water. Of course!--an arranged affair!
She sat on, meditating in some discomfort.
"It is no use deceiving ourselves," she thought. "We're not in the good
old Tennysonian days. There's precious little chivalry now! Men don't
idealize women as they used. They're grown far more suspicious--and
_harder_. Perhaps because women have grown so critical of them! Anyway
something's gone--what is it? Poetry? Illusion? And yet!--why is it that
men still put us off our balance?--even now--that they matter so much
less, now that we live our own lives, and can do without them? I
shouldn't be sitting here, bothering my head, if it had been another girl
who had come to help."
Slowly she gathered up her things and took her way home, while the
evening of blue and pearl fell around her, while the glow died on the
fells, and Venus came out in a sky that was still too full of light to
let any lesser stars appear.
She crossed the stepping stones, and in a river field on the farther side
she came across an old shepherd, carrying a wounded ewe across his
shoulders, and with his dog beside him. At sight of him she paused in
astonishment. He was an old friend of hers, but he belonged to a
village--the village of Mainstairs--some three miles away in the lowland
toward Pengarth. She had first come across him when sketching among some
distant fells where he had been a shepherd for more than forty years.
The old man's russet face, sharp-lined and strong, lit up as he saw her
approaching.
"Why I thowt I med coom across yer!" he said smiling. And he explained
that he had been paying a visit to a married daughter under Naddle Fell,
and had volunteered to carry an injured sheep down to a valley farm,
whence it had strayed on his way home.
They stopped to talk while he rested a few minutes, under his burden,
propped against a rock. Lydia asked him after a sick grand-daughter. Her
question showed knowledge--no perfunctory kindness.
He shook his head sadly, and her grave, soft look, as she fell silent a
little, beside him, said more than words.
"Anything been done to your cottage?" she asked him presently.
"Noa--nowt."
"Nor to the other houses?"
"Naethin'."
Her brows frowned.
"Horrible!" she said under her breath. But they did not pursue the
subject. Instead the old man broke out in praise of the "won'erful 'cute"
sheep dog beside him, and in the story of the accident which had slightly
lamed the ewe he was carrying. Lydia's vivacious listening, her laugh,
her comments, expressed--unconsciously--with just a touch of Cumbria
dialect, showed them natural comrades. Some deeply human gift, some
spontaneity in the girl, answered to the racy simplicity of the old man.
"Tell me once more"--she said, as she rose from her seat upon a fallen
tree, and prepared to go on her way--"those counting words you told me
last week. I tried to tell them to my mother--but I couldn't remember
them all. They made us laugh so."
"Aye, they're the owd words," said the shepherd complacently. "We doan't
use 'em now. But my feyther minds how his feyther used allus to count by
'em."
And he began the catalogue of those ancient numerals by which the
northern dalesman of a hundred years ago were still accustomed to reckon
their sheep, words that go back to the very infancy of man.
"Yan--tyan--tethera--methera--pimp;
sethera--lethera--hovera--dovera--dick."
Lydia's face dissolved in laughter--and when the old man delighting in
her amusement went on to the compounds of ten, eleven, twelve, thirteen,
and the rest:
"Yan-a-dick--tyan-a-dick--tethera-a-dick--methera-a-dick--bumfit."
At "bumfit" (fifteen) they both rocked with merriment, the old man
carried away by the infection of hers.
"Go on," said Lydia--the tears of laughter in her eyes--"up to twenty,
and then hear me say them."
"Yan-a-bumfit--tyan-a-bumfit--tethera-a-bumfit--methera-a-bumfit--giggot"
(twenty).
"Giggot" set them both off again--and then Lydia--stumbling, laughing,
and often corrected, said her lesson.
By the time she was fairly perfect, and the old man had straightened
himself again under his load--a veritable "good shepherd," glorified by
the evening light--they parted with a friendly nod, glad to have met and
sure to meet again.
"I'll come and see Bessie soon," she said gently, as she moved on.
"Aye. Yo'll be varra welcome."
She stepped forward briskly, gained the high road, and presently saw in
front of her a small white house, recently built, and already embowered
in a blossoming garden. Lilacs sent their fragrance to greet her;
rhododendrons glowed through the twilight, and a wild-cherry laden with
bloom reared its white miracle against the walls of the house.
Lydia stood at the gate devouring the tree with her eyes. The blossom
had already begun to drop. "Two days more"--she said to herself,
sighing--"and it'll be gone--till next year. And it's been out such a
little, little while! I seem hardly to have looked at it. It's horrible
how short-lived all the beautiful things are."
"Lydia!" A voice called from an open window.
"Yes, mother."
"You're dreadfully late, Lydia! Susan and I have finished supper long
ago."
Lydia walked into the house, and put her head into the drawing-room.
"Sorry, mother! It was so lovely, I couldn't come in. And I met a dear
old shepherd I know. Don't bother about me. I'll get some milk and cake."
She closed the door again, before her mother could protest.
"Girls will never think of their meals!" said Mrs. Penfold to herself in
irritation. "And then all of a sudden they get nerves--or consumption--or
something."