Harvest
St. Cyprian's decided that Mildred's success was so far the greatest
triumph the College had had, and a worthy finish to a term in which they
had beaten Newington Green at cricket and vanquished Marston Grove at
tennis; and when later on came the news that Laura Kirby had won the
Girton Scholarship, and that even Kitty Fletcher had managed to get a
second class in her examination, Miss Cartwright felt the year's work
had been eminently satisfactory. All her Sixth Form girls were leaving,
some to continue their studies elsewhere, and others to find their
vocations at home; but all carried away the warmest recollections of the
school which had laid the foundations of their education, and many left
a tradition of strenuousness which would be handed on to future
monitresses, and so maintain the high tone which they had established.
Mildred was overwhelmed with amazement that she had been actually
selected from among forty candidates to win Mr. Steiniger's open
exhibition. She had hoped after leaving St. Cyprian's to study at the
Freiburg College, or possibly at the Academy of Music in London, but to
go to Berlin was a far higher opportunity. Herr Kalovski, one of the
most celebrated violinists in Europe, was at present teaching at the
Conservatoire, and through the powerful influence of Mr. Steiniger could
be persuaded to receive her as a pupil, a privilege only conferred on a
favoured few. As Herr Hoffmann had always founded his style on
Kalovski's, it would be a particular advantage for Mildred to study
under the latter, for she would not be required to change her present
system of bowing, and though she would have much to learn she would not
be put back to the very beginning, as might be the case if she selected
a teacher with different methods. As the Professor had said, it was the
chance of a lifetime. She was indeed young, but with Kalovski that was a
point in her favour, not a drawback, for he was well known to confer his
rather capricious interest upon those of his pupils who, were still in
their teens.
Naturally the event was of supreme importance at Meredith Terrace.
Mildred would be away for three years, or probably more, only returning
to Kirkton for holidays, so it seemed a great break in her home life.
But Dr. and Mrs. Graham had always intended her to take up a musical
career, and resigned themselves to the parting as the inevitable
consequence of their choice on her behalf. It was arranged that she was
to board with a widowed sister of Herr Hoffmann, who lived in Berlin,
and who promised to look after her as if she were her own daughter. Dr.
and Mrs. Graham gave themselves a short holiday to escort their niece to
Germany, and after a tour up the Rhine, which pleasure she shared with
them, they returned to England, leaving her safely in charge of Frau
Behrens.
September, therefore, saw Mildred settled at Bingen Strasse, 24, and
beginning an entirely new phase in her existence. She had been taken to
the Conservatoire and introduced to Herr Kalovski, who, after hearing
her play, admitted that Herr Hoffmann had laid a good foundation, and
formally consented to place her under his tuition. It was considered a
great honour to become his pupil, so Mildred at once aroused interest at
the Conservatoire, and found herself in the midst of a delightful
musical coterie. It was a keen stimulus and inspiration to hear the
playing of other students and masters, and to be able to attend some of
the beautiful concerts and operas which were given almost every evening
in the city. The quartet class, in which she was placed, helped her
enormously, and also the class for reading at sight. The whole musical
atmosphere of the place was a revelation to her; she was wild with
enthusiasm, and wrote home such ecstatic accounts that her aunt was more
than satisfied.
Kalovski proved a stern, even a severe teacher; but here Mildred's
drilling under Professor Hoffmann stood her in good stead, and instead
of trembling at his snubs and frequent tirades, she took them all as
part of the lesson with perfect equanimity--a method of treating him
which, she afterwards heard, raised her immensely in his estimation. She
learnt much from Kalovski, for he was able to show her many
technicalities only known to a virtuoso, and he would often play for
her himself, which she found the best lesson of all. He was a strange
man, like all great artists full of whims and caprices and moods, but he
took a genuine interest in his English pupil, and in spite of his
habitually peppery manner gave her great encouragement. After a time
Mildred ventured to show him some of her own compositions, and here his
deep knowledge of music was of great service to her, and the hints he
gave her were of the utmost value. Gradually she came to be regarded as
one of his favourite pupils, and though it was against his method to
bestow praise, he began to regard her playing with complacency.
Mildred had had a fair knowledge of German before she came to Berlin,
and with constant practice she soon spoke it fluently and easily. She
was very happy with Frau Behrens, and readily adapted herself to German
life, accepting all national differences as part of her education,
learning to like strange dishes and to submit to many rules which Mrs.
Graham would have laughed at, but which her chaperon considered
absolutely necessary.
In this new and busy world time slipped rapidly away. The three years of
her scholarship came to an end, but as Kalovski would not hear of
parting with his pupil, her course was extended for two years more.
Under her brilliant teacher Mildred not only gained a marvellous mastery
over her instrument, but his personal magnetism was so inspiring that
she won a new insight into music, and besides acquiring technique,
grasped the spirit of true exposition. She worked indefatigably, and
when at length her long period of training was finished, there were few
students at the Conservatoire who could show such a record of all-round
improvement.
[Illustration: MILDRED IS TOLD THAT SHE HAS WON THE THREE YEARS'
SCHOLARSHIP IN THE BERLIN CONSERVATOIRE]
She left Berlin with regret. Her stay there had been a memorable
experience, and one which would last for the rest of her life. She had
made many musical friendships, and for her teacher had formed the
intense appreciation and reverence only yielded to a great artist whose
ideals exceeded her own. Her time of sowing had indeed been of great
promise, and she was now to return to reap the harvest.
During her absence from Kirkton Mildred had not dropped any of her old
friends. She had corresponded regularly with the Somervilles and with
several of her school chums, and had kept in touch with Miss Cartwright
and the world of St. Cyprian's, enjoying the brief meetings that were
possible during her holidays in England. The five years had brought
changes to many of her former fellow monitresses and class-mates. Laura
Kirby had taken a First in her tripos, and was now engaged in
entomological research under a celebrated Cambridge professor--a form of
work that exactly suited her, and for which she showed the greatest
aptitude. Kitty Fletcher had passed through her training for
Kindergarten teaching with credit, and had just found the post which she
had always coveted, that of Kindergarten and Games mistress combined, in
a large High School of eight hundred girls. Eve Mitchell had studied at
the Women's Department of the Kirkton University, and had taken her B.A.
degree. She was now a teacher at Newington Green, and doing well.
Bess Harrison and Maudie Stearne were both married, and Bess had a
pretty little curly-headed boy to show proudly to her friends. Lottie
Lowman was engaged to a gentleman in India, and her wedding was to take
place very soon. Neither she nor Carrie had realized her dream of being
county champion, but they were the best players in their tennis club,
and greatly in request for local tournaments. Freda Kingston was in
London, studying book illustration at a "black-and-white" studio, and
Ivy Linthwaite was still working at the Kirkton School of Art. Elizabeth
Chalmers was engaged to one of the piano masters at the Freiburg School
of Music, and Edna Carson was married to a clergyman.
Rhoda Somerville had sustained a great loss in the death of her mother,
and was now indispensable at home, looking after her father, and helping
in the parish. Her three brothers had done well; Eric was just ordained,
Diccon was at Oxford, and Rodney had a good berth with the Phoenix
Motor Engineering Company in Kirkton. He was still a great favourite
with Dr. and Mrs. Graham, and was always welcome at Meredith Terrace.
His ingenuity and many original ideas, and his capacity for hard work
were well appreciated by his firm, and there was every likelihood of his
pushing on to a most successful business career.
Violet Lorraine had grown into a very beautiful and charming girl. She
was much admired in society, and was very soon to be married to her old
friend Maurice Tracy, whose father's estate adjoined Sir Darcy's. This
engagement was highly satisfactory to her parents, for as Maurice was
the eldest son the two properties would some day be united.
Mildred had returned from Berlin with the laurels of the Conservatoire.
Her teachers recognized in her a genius such as they had found in few of
even the most gifted pupils who had passed through their hands. Both in
the brilliance of her execution and the beauty and originality of her
compositions they considered she had few equals, and they had the
highest hopes for her future success. It had been arranged that she was
to make her debut at a recital at the Kirkton Town Hall. The opinion of
her masters as to her talent being well known, her appearance was
expected to cause quite a sensation, and was awaited with interest by
the music-loving world. Professor Hoffmann rubbed his hands with delight
at the sight of his pupil's name placarded on the hoardings, and could
not conceal his satisfaction at the fulfilment of his desires.
"It was I who first taught you to bow!" he declared. "Ach! you were a
little Maedchen then, and now you are so grown I scarce know you! Do you
forget how you played at my Students' Concert? Himmel! You were afraid
that night! But you made success, all the same. You told me your
Stradivarius was your very good friend. Believe me, it will be so
again!"
All Mildred's friends were to be present at the recital. Dr. and Mrs.
Graham of course headed the list, the Lorraines and the Somervilles were
coming to Kirkton on purpose for the occasion, Miss Cartwright was
nearly as much excited as Herr Hoffmann, and St. Cyprianites both past
and present were anxious to witness the success of their former
schoolfellow.
The big Town Hall was filled to the last seat on the evening of the
concert, and in the galleries there was barely even standing room for
the many listeners who had thronged to hear the new and unknown
performer. Every face was turned towards the platform, and a burst of
applause greeted the appearance of the conductor, leading the young
violinist who was that night to make her first bow to the public--a
slight, girlish figure, whose wonderful dark eyes, soft gold hair, and
very simple and unaffected, yet perfectly self-possessed, manner at once
made a favourable impression. The vast audience listened with keen
attention as, drawing her bow across the strings, she brought out the
first liquid notes of Lalo's "Symphonie Espagnole". Her clear,
full-blooded, luscious tone, southern in its depth and richness,
bewitching, sad, sparkling, and bizarre by turns, served to show not
only her exquisite mastery of the instrument, but her wonderful
interpretation of the music she was playing. Such strength and yet such
melting sweetness of tone, such lucid phrasing, and such delicate
feeling for every nicety of accentuation and rhythm her listeners had
never heard before, and they realized that they were in the presence of
a performer of the very first rank. The short encore scarcely satisfied
the zeal of the delighted audience, and Mildred was recalled again and
again, till, growing desperate, the conductor was at last obliged to
lead on the pianist whose solo was the next item on the programme.
In her second piece, the "Kreutzer Sonata" of Beethoven, Mildred was
able to give even a better idea of the scope of her playing than had
been possible in the "Symphonie". Her rendering of it was masterly in
the fullest sense of the word--so independent and original a
performance, with such faultless phrasing of the variations, such a high
level of pure loveliness throughout, and such a glorious finale that the
very spirit of Beethoven seemed to linger in the notes, and breathe
through her beautiful and eloquent reading of the sonata. Warm as it had
been before, the audience was now twice as enthusiastic, and deafening
cheers began to ring through the hall when, for the third and last time
in the evening, Mildred appeared with her violin upon the platform.
The fact that the "Legende" which she was about to play was her own
composition raised the interest to its highest pitch, and all waited
with anxiety to learn if this marvellous young performer were equally
endowed with the gift that can create as well as interpret music. It was
an ambitious theme--the story of Undine and the Knight--and it was
unfolded with a strength and yet a delicacy of fancy, and a wealth of
poetic feeling and imagination which almost took the breath away by the
fire of its passion and the daring of its originality. It began very
softly, conveying to the listeners the weird and uncanny impression of
the haunted German forest; there was moonlight in the music, and the
minor key gave that suggestion of sadness which was the motive of the
"Legende". The wild fear of the supernatural, which caused the knight to
urge his horse with frantic speed through these unknown shades, throbbed
in the restrained power of the opening passages, and burst out into a
panic of emotion as the vengeful phantom of the foaming waterfall
dissolved itself into showers of spray between the rustling branches.
The very essence of elvish roguery and frolic rang in the notes when
"Undine", the lovely, wayward sylph, charmed the knight with her
coquetry and unearthly beauty; the courtship of the changeling
water-sprite, her wild whims, her light-hearted gaiety, the strange
beings which ever accompanied her from the spirit world, and the sudden
change in her bearing when at length she gains a human soul, were
portrayed with such fidelity in the airy, elusive character of the
music, that the whole of the tender love story seemed to live to the
hearers. It was instinct with graceful and piquant fancy, carried out
with an exquisite refinement of feeling which never degenerated into
sentimentality. In the latter part, where "Undine", the unhappy wife,
tries to appease her husband's anger, and to curb the revenge of the
supernatural friends who resent her ill treatment, the dramatic fire of
the composition rose to a pitch of surpassing grandeur, changing to a
dirge-like wail of infinite sadness as, neglected and despised, the once
bright sylph melts into the element from which she was first formed, the
"Legende" breaking into a finale of such inspired pathos that it seemed
as if the spirits of the air above and the water below were joining in a
requiem for the soul that had been won at the cost of all earthly joy.
There was dead silence for a moment at the conclusion of the piece, then
the audience broke into a roar of applause such as was not often heard
in the Town Hall. People cheered and cheered yet again, clapping,
stamping, shouting, waving their handkerchiefs, and standing on the
seats in the wild enthusiasm of their approval. Bowing again and again
at each fresh outburst, Mildred stood on the platform with quivering
lips. She felt it was indeed a wonderful power that had been given her,
to be able to sway so vast a gathering, to hold her listeners spellbound
while she played, and to rouse them to such a height of intense feeling.
It was beyond her wildest dreams of success. She had hoped for
appreciation and perhaps applause, and she had met with an ovation only
accorded to a great master of music.
She ran away at last from the excited crowd, for it appeared as if the
cheering would never stop, and in the anteroom behind found a gathering
of those friends who had come to wish her joy. To Dr. and Mrs. Graham,
her nearest and dearest, to whom she owed the cultivation of her musical
talent, she turned first in the hour of her triumph.
"I don't deserve it, Tantie!" she murmured. "They ought to cheer you
instead. I should never have played at all if you hadn't made me. The
praise is all due to you, and what you have done for me."
Mr. Steiniger was warm in his congratulations, and Herr Hoffmann, whose
eyes were wet with emotion, held out his hand to Mildred, saying: "To
tell you I am proud would be but a poor way to tell you what I feel.
Ach! The 'Legende' was a masterpiece! You are a great exponent of your
art, you have the soul of a poet, and the technique of a finished
musician. I rejoice that it has been my privilege to take a share in
your training. I now with reverence stand aside. The pupil is greater
than the master. Go on to still more fame; you rise to heights where I
cannot follow you."
Sir Darcy, Lady Lorraine, and Violet were all hearty and enthusiastic in
their greetings. They realized at last the extent of Mildred's genius,
and acknowledged the wisdom of having cultivated it. The Somervilles
seemed as delighted at her reception as if she were one of their own
family. Rodney said little, but his few words meant much; and Rhoda
kissed Mildred like a sister. Miss Cartwright was overflowing with
smiles.
"Your name is to be painted on our board of successes to-morrow," she
declared. "You are indeed a credit to St. Cyprian's, and we are proud to
count you as a former pupil."
As Mildred stood thus, the centre of so much congratulation and so many
good wishes, she felt that she had indeed reaped a rich harvest for the
perseverance and hard work of the last few years. It had been worth the
doing, and her toil was repaid now a thousandfold. Her father's dying
words came rushing into her memory: her strenuous effort should atone
for the life which he had wasted so sadly. Surely she had discovered the
Count's secret. The Stradivarius had in her hands been the key to fame
and success, and at length she had entered into her inheritance.
PRINTED IN GREAT BRITAIN
_By Blackie & Son, Limited, Glasgow_
* * * * *
By ANGELA BRAZIL
"Angela Brazil has proved her undoubted talent for writing a story of
schoolgirls for other schoolgirls to read."--Bookman.
A Popular Schoolgirl.
The Princess of the School.
A Harum-Scarum Schoolgirl.
The Head Girl at the Gables.
A Patriotic Schoolgirl.
For the School Colours.
The Madcap of the School.
The Luckiest Girl in the School.
The Jolliest Term on Record.
The Girls of St. Cyprian's.
The Youngest Girl in the Fifth.
The New Girl at St. Chad's.
For the Sake of the School.
The School by the Sea.
The Leader of the Lower School.
A Pair of Schoolgirls.
A Fourth Form Friendship.
The Manor House School.
The Nicest Girl in the School.
The Third Class at Miss Kaye's.
The Fortunes of Philippa.
LONDON: BLACKIE & SON, LTD., 50 OLD BAILEY, E.C.
End of Project Gutenberg's The Girls of St. Cyprian's, by Angela Brazil