CHAPTER XXIII

MARK TWAIN'S LOVE OF COLOUR IN ALL COSTUMING

The public thinks of Mark Twain as being the apostle of _white_ during

the last years of his life, but those who knew him well recall his

delightfully original way of expressing an intense love for _bright

colours_. This brings to mind a week-end at Mark Twain's beautiful

Italian villa in Reading, Connecticut, when, one night during dinner, he

held forth on the compelling fascination of colours and the American

Indian's superior judgment in wearing them. After a lengthy

elaboration--not to say exaggeration--of his theme, he ended by

declaring in uncompromising terms, that colour, and plenty of it,

crimson and yellow and blue, wrapped around man, as well as woman, was

an obligation shirked by humanity. It was all put as only Mark Twain

could have put it, with that serious vein showing through broad humour.

This quality combined with an unmatched originality, made every moment

passed in his company a memory to treasure. It was not alone his theme,

but how he dealt with it, that fascinated one.

PLATE XXIX

One of the 1917 silhouettes.

Naturally, since woman to-day dresses for her

occupation--work or play--the characteristic silhouettes are

many.

This one is reproduced to illustrate our point that outline

can be affected by the smallest detail.

The sketch is by Elisabeth Searcy.

[Illustration: _Drawn from Life by Elisabeth Searcy_

_A Modern Silhouette--1917 Tailor-made_]

Mark Twain was elemental and at the same time a great artist,--the

embodiment of extreme contradictions, and his flair for gay colour was

one proof of his elemental strain. We laughed that night as he made word

pictures of how men and women should dress. Next morning, toward noon,

on looking out of a window, we saw standing in the middle of the

driveway a figure wrapped in crimson silk, his white hair flying in the

wind, while smoke from a pipe encircled his head. Yes, it was Mark

Twain, who in the midst of his writing, had been suddenly struck with

the thought that the road needed mending, and had gone out to have

another look at it! It was a blustering day in Spring, and cold, so one

of the household was sent to persuade him to come in. We can see him

now, returning reluctantly, wind-blown and vehement, gesticulating, and

stopping every few steps to express his opinion of the men who had made

that road! The flaming red silk robe he wore was one his daughter had

brought him from Liberty's, in London, and he adored it. Still wrapped

in it, and seemingly unconscious of his unusual appearance, he joined us

on the balcony, to resume a conversation of the night before.

The red-robed figure seated itself in a wicker chair and berated the

idea that mortal man ever _could_ be generous,--act without selfish

motives. With the greatest reverence in his tone, sitting there in his

whimsical costume of bright red silk, at high noon,--an immaculate

French butler waiting at the door to announce lunch, Mark Twain

concluded an analysis of modern religion with "--why the God _I_ believe

in is too busy spinning spheres to have time to listen to human

prayers."

How often his words have been in our mind since war has shaken our

planet.

Woman as Decoration · 第 23 / 28 章