CHAPTER XII

EXILE AT SUMA

Genji at last made up his mind to undergo a voluntary exile, before

the opinion of the Imperial Court should be publicly announced against

him. He heard that the beautiful sea-coast along Suma was a most

suitable place for retirement, and that, though formerly populous,

there were now only a few fishermen's dwellings scattered here and

there. To Suma he finally determined to go into voluntary exile.

When he had thus made up his mind he became somewhat regretful to

leave the capital, although it had hitherto appeared ungenial. The

first thing which disturbed his mind was the young Violet, whom he

could not take with him. The young lady, also, in the "Villa of

Falling Flowers" (notwithstanding that he was not a frequent visitor)

was another object of his regret.

In spite of these feelings he prepared to set off at the end of March,

and at length it came within a few days of the time fixed for his

departure, when he went privately, under the cover of the evening, to

the mansion of the ex-Sadaijin, in an ajiro carriage, generally used

by women. He proceeded into the inner apartments, where he was greeted

by the nurse of his little child. The boy was growing fast, was able

to stand by this time and to toddle about, and run into Genji's arms

when he saw him. The latter took him on his knee, saying, "Ah! my good

little fellow, I have not seen you for some time, but you do not

forget me, do you?" The ex-Sadaijin now entered. He said, "Often have

I thought of coming to have a talk with you, but you see my health has

been very bad of late, and I seldom appear at Court, having resigned

my office. It would be impolitic to give cause to be talked about, and

for it to be said that I stretch my old bones when private matters

please me. Of course, I have no particular reason to fear the world;

still, if there is anything dreadful, it is the demagogical world.

When I see what unpleasant things are happening to you, which were no

more probable than that the heavens should fall, I really feel that

everything in the world is irksome to me."

"Yes, what you say is indeed true," replied Genji. "However, all

things in the world--this or that--are the outcome of what we have

done in our previous existence. Hence if we dive to the bottom we

shall see that every misfortune is only the result of our own

negligence. Examples of men's losing the pleasures of the Court are,

indeed, not wanting. Some of these cases may not go so far as a

deprivation of titles and honors, as is mine;[106] still, if one thus

banished from the pleasures of Court, behaves himself as unconcernedly

as those to whom no such misfortune has happened, this would not be

becoming. So, at least, it is considered in a foreign country.

Repentance is what one ought to expect in such circumstances, and

banishment to a far-off locality is a measure generally adopted for

offences different from ordinary ones. If I, simply relying on my

innocence, pass unnoticed the recent displeasure of the Court, this

would only bring upon me greater dishonor. I have, therefore,

determined to go into voluntary exile, before receiving such a

sentence from the Court."

Then the conversation fell back, as usual, on the times of the late

ex-Emperor, which made them sad; while the child also, who innocently

played near, made them still more gloomy. The ex-Sadaijin went on to

say:--"There is no moment when I ever forget the mother of the boy,

but now I almost dare to think that she was fortunate in being short

lived, and being free from witnessing the dreamlike sorrow we now

suffer. With regard to the boy, the first thing which strikes me as

unbearable is that he may pass some time of his lovely childhood away

from the gaze of your eyes. There are, as you say, no want of

instances of persons suffering a miserable fate, without having

committed any real offence; yet still, in such cases, there was some

pretext to justify their being so treated. I cannot see any such

against you."

While he was thus speaking Tô-no-Chiûjiô joined them, and, partaking

of _saké_, they continued their conversation till late in the

evening. This night Genji remained in the mansion.

Early the next morning he returned to his own residence, and he spent

the whole day with Violet in the western wing. It should here be

noticed that she was scarcely ever with her father, even from

childhood. He strongly disapproved of his daughter being with Genji,

and of the way in which she had been carried off, so he scarcely ever

had any communication with her, or did he visit her. These

circumstances made her feel Genji's affection more keenly than she

otherwise would have; hence her sorrow at the thought of parting with

him in a few days may be easily imagined.

Towards the evening Prince Sotz came with Tô-no-Chiûjiô and some

others to pay him a visit. Genji, in order to receive them, rose to

put on one of his Naoshi, which was plain, without pattern, as proper

for one who had no longer a title. Approaching the mirror, to comb his

hair, he noticed that his face had grown much thinner.

"Oh, how changed I appear," he exclaimed. "Am I really like this image

which I see of myself?" he said, turning to the girl, who cast on him

a sad and tearful glance. Genji continued:--

"Though changed I wander far away,

My soul shall still remain with you,

Perhaps in this mirror's mystic ray,

My face may linger still in view."

To this Violet replied:--

"If in this mirror I could see,

Always your face, then it would be

My consolation when thou art gone."

As she said this she turned her face to one side of the room, and by

doing so obscured the tears gathering in her soft eyes. Genji then

left her to receive his friends, who, however, did not remain long,

leaving the mansion after a short conversation of a consolatory

nature. This evening Genji paid his visit to the sisters of the

"Falling Flower" villa.

On the following day the final arrangements necessary for his

household affairs were made at his residence. The management of the

mansion was intrusted to a few confidential friends; while that of his

lands and pasture, and the charge of his documents, were intrusted to

the care of Violet, to whom he gave every instruction what she should

do. Besides, he enjoined Shiônagon, in whom he placed his confidence,

to give her every assistance. He told all the inmates who wished to

remain in the mansion, in order to await his return, that they might

do so. He also made an appropriate present to the nurse of his boy,

and to the ladies of the "Villa of Falling Flowers." When all these

things were accomplished, he occupied himself in writing farewell

letters to his intimate friends, such as the young daughter of Udaijin

and others, to none of whom he had paid a visit.

On the evening prior to his departure he went on horseback to visit

the tomb of his father. On his way he called on the Princess Wistaria,

and thence proceeded to the mountain where the remains reposed. The

tomb was placed among tall growing grass, under thick and gloomy

foliage. Genji advanced to the tomb, and, half kneeling down before

it, and half sobbing, uttered many words of remembrance and sorrow. Of

course no reply came forth. The moon by this time was hidden behind

dark clouds, and the winds blew keen and nipping, when suddenly a

shadowy phantom of the dead stood before Genji's eyes.

"How would his image look on me,

Knew he the secret of the past;

As yonder moon in clouded sky,

Looks o'er the scene mysteriously."

He returned to his mansion late in the night.

Early in the morning he sent a letter to Ô Miôbu, the nurse of the

Heir-apparent, in which he said: "I at last leave the capital, to-day.

I know not when I may come and see the Prince again. On him my

thoughts and anxieties are concentrated, above all else. Realize these

feelings in your own mind, and tell them to him." He also sent the

following, fastened to a bough of cherry flowers, already becoming

thin:--

"When shall I see these scenes again,

And view the flowers of spring in bloom,

Like rustic from his mountain home,

A mere spectator shall I come?"

These were carefully read by Ô Miôbu to the Prince, and when he was

asked what she should write in answer, he said: "Write that I said

that since I feel every longing to see him, when I do not see him for

a long time, how shall I feel when he goes away altogether?" Thereupon

she wrote an answer, in which she indefinitely stated that she had

shown the letter to the Prince, whose answer was simple, yet very

affectionate, and so on, with the following:--

"'Tis sad that fair blossoms so soon fade away,

In the darkness of winter no flower remains,

But let spring return with its sunshiny ray,

Then once more the flowers we look on again."

Now, with regard to the recent disgrace of Genji, the public in

general did not approve of the severity which the Court had shown to

him. Moreover, he had been constantly with the Emperor, his father,

since the age of seven, and his requests had been always cheerfully

listened to by the latter; hence there were very many, especially

among public servants of the ordinary class, who were much indebted to

him. However, none of them now came to pay their respects to him. It

seems that in a world of intrigue none dares do what is right for fear

of risking his own interests. Such being the state of things, Genji,

during the whole day, was unoccupied, and the time was entirely spent

with Violet. Then, at his usual late hour in the evening, he, in a

travelling dress of incognito, at length left the capital, where he

had passed five-and-twenty years of his life.

His attendants, Koremitz and Yoshikiyo being among them, were seven or

eight in number. He took with him but little luggage. All ostentatious

robes, all unnecessary articles of luxury were dispensed with. Among

things taken, was a box containing the works of Hak-rak-ten (a famous

Chinese poet), with other books, and besides these a _kin-koto_ for

his amusement. They embarked in a boat and sailed down the river.

Early the next morning they arrived at the sea-coast of Naniwa. They

noticed the Ôye Palace standing lonely amidst the group of pine trees.

The sight of this palace gave a thrill of sadness to Genji, who was

now leaving, and not returning, home. He saw the waves rolling on the

coast and again sweep back. He hummed, as he saw them:--

"The waves roll back, but unlike me,

They come again."

From Naniwa they continued their voyage, sailing in the bay. As they

proceeded they looked back on the scenes they had left. They saw all

the mountains veiled in haze, growing more and more distant, while the

rowers gently pulled against the rippling waves. It seemed to them as

if they were really going "three thousand miles' distance."[107]

"Our home is lost in the mist of the mountain,

Let us gaze on the sky which is ever the same."

The day was long and the wind was fair, so they soon arrived at the

coast of Suma.[108] The place was near the spot where the exiled

Yukihira had lived, and had watched the beautiful smoke rising from

the salt ovens. There was a thatched house in which the party

temporarily took up their residence. It was a very different home from

what they had been used to, and it might have appeared even novel, had

the circumstances of their coming there been different. The

authorities of the neighborhood were sent for, and a lodge was built

under the direction of Yoshikiyo, in accordance with Genji's wishes.

The work was hurried on, and the building was soon completed. In the

garden, several trees, cherries and others, were planted, and water

was also conducted into it. Here Genji soon took up his abode. The

Governor of the province, who had been at Court, secretly paid

attention to the Prince, with as much respect as was possible.

For some time Genji did not feel settled in his new residence. When he

had become in some degree accustomed to it, the season of continuous

rain had arrived (May); his thoughts more than ever reverted to the

old capital.

The thoughtful expression of Violet's face, the childish affection of

the Heir-apparent, and the innocent playfulness of his little son,

became the objects of his reveries and anxiety, nor did he forget his

old companions and acquaintances. He, therefore, sent a special

messenger to the capital bearing his letters, so that speedy answers

might be returned from every quarter. He also sent a messenger to Ise

to make inquiry after the lady, who also sent one to him in return.

Now the young daughter of Udaijin had been remaining repentingly in

the mansion of her father since the events of the stormy evening. Her

father felt much for her, and interceded with the Empress-mother in

her behalf, and also with her son, that is, the Emperor, thus getting

permission to introduce her once more into Court, an event which took

place in the month of July.

To return to Suma. The rainy season had passed, and autumn arrived.

The sea was at some distance from the residence of Genji, but the dash

of its waves sounded close to their ears as the winds passed by, of

which Yukihira sang,

"The autumn wind which passes the barrier of Suma."

The autumn winds are, it seems, in such a place as this, far more

plaintive than elsewhere.

It happened one evening that when all the attendants were fast asleep

Genji was awake and alone. He raised his head and rested his arms on

his pillow and listened to the sound of the waves which reached his

ear from a distance. They seemed nearer than ever, as though they were

coming to flood his pillows. He drew his _koto_ towards him and struck

a melancholy air, as he hummed a verse of a poem in a low tone. With

this every one awoke and responded with a sigh.

Such was a common occurrence in the evening, and Genji always felt

saddened whenever he came to think that all his attendants had

accompanied him, having left their families and homes simply for his

sake. In the daytime, however, there were changes. He would then enjoy

pleasant conversations. He also joined several papers into long rolls

on which he might practise penmanship. He spent a good deal of time in

drawing and sketching. He remembered how Yoshikiyo, on one occasion in

Mount Kurama, had described the beautiful scenery of the place on

which he was now gazing. He sketched every beautiful landscape of the

neighborhood, and collected them in albums, thinking how nice it would

be if he could send for Tsunenori, a renowned contemporary artist, and

get him to paint the sketches which he had made.

Out of all the attendants of Genji there were four or five who had

been more especially his favorites, and who had constantly attended on

him. One evening they were all sitting together in a corridor which

commanded a full view of the sea. They perceived the island of Awaji

lying in the distance, as if it were floating on the horizon, and also

several boats with sailors, singing as they rowed to the shore over

the calm surface of the water, like waterfowl in their native element.

Over their heads flocks of wild geese rustled on their way homeward

with their plaintive cry, which made the thoughts of the spectators

revert to their homes. Genji hummed this verse:--

"Those wandering birds above us flying,

Do they our far-off friends resemble.

With their voice of plaintive crying

Make us full of thoughtful sighing."

Yoshikiyo took up the idea and replied:--

"Though these birds no friends of ours

Are, and we to them are nought,

Yet their voice in these still hours

Bring those old friends to our thought."

Then Koremitz continued:--

"Before to-day I always thought

They flew on pleasure's wing alone,

But now their fate to me is fraught

With some resemblance to our own."

Ukon-no-Jiô added:--

"Though we, like them, have left our home

To wander forth, yet still for me

There's joy to think where'er I roam

My faithful friends are still with me."

Ukon-no-Jiô was the brother of Ki-no-Kami. His father, Iyo-no-Kami,

had now been promoted to be Hitachi-no-Kami (Governor of Hitachi), and

had gone down to that province, but Ukon-no-Jiô did not join his

father, who would have gladly taken him, and faithfully followed

Genji.

This evening happened to be the fifteenth of August, on which day a

pleasant reunion is generally held at the Imperial Palace. Genji

looked at the silvery pale sky, and as he did so the affectionate face

of the Emperor, his brother, whose expression strikingly resembled

their father's, presented itself to his mind. After a deep and long

sigh, he returned to his couch, humming as he went:--

"Here is still a robe

His Majesty gave to me."

It should be here noticed that he had been presented by the Emperor on

a certain occasion with a robe, and this robe he had never parted

with, even in his exile.

About this time Daini (the senior Secretary of the Lord-Lieutenant of

Kiûsiû) returned to the capital with his family, having completed his

official term. His daughter had been a virgin dancer, and was known to

Genji. They preferred to travel by water, and slowly sailed up along

the beautiful coast. When they arrived at Suma, the distant sound of a

_kin_[109] was heard, mingled with the sea-coast wind, and they were

told that Genji was there in exile. Daini therefore sent his son

Chikzen-no-Kami to the Prince with these words: "Coming back from a

distant quarter I expected as soon as I should arrive in the capital

to have had the pleasure of visiting you and listening to your

pleasant voice, and talking of events which have taken place there,

but little did I think that you had taken up your residence in this

part of the country. How greatly do I sympathize with you! I ought to

land and see you at once, but there are too many people in the same

boat, therefore I think it better to avoid the slightest grounds which

may cause them to talk. However, possibly I shall pay you a visit

soon."

This Chikzen-no-Kami had been for some time previously a Kurand (a

sort of equerry) to Genji, therefore his visit was especially welcome

to him. He said that since he had left the capital it had become

difficult to see any of his acquaintances, and that therefore this

especial visit was a great pleasure to him. His reply to the message

of Daini was to the same effect. Chikzen-no-Kami soon took his leave,

and returning to the boat, reported to his father and others all he

had seen. His sister also wrote to Genji privately thus: "Pray excuse

me if I am too bold.

Know you not the mind is swayed

Like the tow-rope of our boat,

At the sounds your Kin has made,

Which around us sweetly float."

When Genji received this, his pleasure was expressed by his placid

smile, and he sent back the following:--

"If this music moves the mind

So greatly as you say,

No one would care to leave behind

These lonely waves of Suma's bay."

This recalls to our mind that there was in the olden time an exile

who gave a stanza even to the postmaster of a village.[110] Why then

should not Genji have sent to her whom he knew this stanza?

In the meantime, as time went on, more sympathizers with Genji were

found in the capital, including no less a personage than the Emperor

himself. True it is that before Genji left, many even of his relatives

and most intimate friends refrained from paying their respects to him,

but in the course of time not a few began to correspond with him, and

sometimes they communicated their ideas to each other in pathetic

poetry. These things reached the ears of the Empress-mother, who was

greatly irritated by them. She said: "The only thing a man who has

offended the Court should do is to keep himself as quiet as possible.

It is most unpardonable that such a man should haughtily cause scandal

to the Court from his humble dwelling. Does he intend to imitate the

treacherous example of one who made a deer pass for a horse?[111]

Those who intrigue with such a man are equally blamable." These

spiteful remarks once more put a stop to the correspondence.

Meanwhile, at Suma, the autumn passed away and winter succeeded, with

all its dreariness of scene, and with occasional falls of snow. Genji

often spent the evening in playing upon the Kin, being accompanied by

Koremitz's flute and the singing of Yoshikiyo. It was on one of these

evenings that the story of a young Chinese Court lady, who had been

sent to the frozen land of barbarians, occurred to Genji's mind. He

thought what a great trial it would be if one were obliged to send

away one whom he loved, like the lady in the tale, and as he reflected

on this, with some melancholy feelings, it appeared to him as vividly

as if it were only an event of yesterday, and he hummed:--

"The sound of the piper's distant strain

Broke on her dreams in the frozen eve."

He then tried to sleep, but could not do so, and as he lay the distant

cry of Chidori reached his ears.[112] He hummed again as he heard

them:--

"Although on lonely couch I lie

Without a mate, yet still so near,

At dawn the cries of Chidori,

With their fond mates, 'tis sweet to hear."

Having washed his hands, he spent some time in reading a Kiô (Sutra),

and in this manner the winter-time passed away.

Towards the end of February the young cherry-trees which Genji had

planted in his garden blossomed, and this brought to his memory the

well-known cherry-tree in the Southern Palace, and the _fête_ in which

he had taken part. The noble countenance of the late ex-Emperor, and

that of the present one, the then Heir-apparent, which had struck him

much at that time, returned to his recollection with the scene where

he had read out his poem.

"While on the lordly crowd I muse,

Which haunts the Royal festive hours,

The day has come when I've put on

The crown of fairest cherry flowers."

While thus meditating on the past, strange to say, Tô-no-Chiûjiô,

Genji's brother-in-law, came from the capital to see the Prince. He

had been now made Saishiô (privy councillor). Having, therefore, more

responsibility, he had to be more cautious in dealing with the public.

He had, however, a personal sympathy with Genji, and thus came to see

him, at the risk of offending the Court.

The first thing which struck his eyes was, not the natural beauty of

the scenery, but the style of Genji's residence, which showed the

novelty of pure Chinese fashion. The enclosure was surrounded by "a

trellis-work of bamboo," with "stone steps," and "pillars of

pine-tree."[113]

He entered, and the pleasure of Genji and Tô-no-Chiûjiô was immense,

so much so that they shed tears. The style of the Prince's dress next

attracted the attention of Tô-no-Chiûjiô. He was habited in a plain,

simple country style, the coat being of an unforbidden color, a dull

yellow, the trousers of a subdued green.

The furniture was all of a temporary nature, with Go and Sugorok

playing boards, as well as one for the game of Dagi. He noticed some

articles for the services of religion, showing that Genji was wont to

indulge in devotional exercises. The visitor told Genji many things on

the subject of affairs in the capital, which he had been longing to

impart to him for many months past; telling him also how the

grandfather of his boy always delighted in playing with him, and

giving him many more interesting details.

Several fishermen came with the fish which they had caught. Genji

called them in and made them show their spoils. He also led them to

talk of their lives spent on the sea, and each in his own peculiar

local dialect gave him a narration of his joys and sorrows. He then

dismissed them with the gift of some stuff to make them clothing. All

this was quite a novelty to the eyes of Tô-no-Chiûjiô, who also saw

the stable in which he obtained a glimpse of some horses. The

attendants at the time were feeding them. Dinner was presently served,

at which the dishes were necessarily simple, yet tasteful. In the

evening they did not retire to rest early, but spent their time in

continuing their conversation and in composing verses.

Although Tô-no-Chiûjiô had, in coming, risked the displeasure of the

Court, he still thought it better to avoid any possible slander, and

therefore he made up his mind to set out for his home early next

morning. The _saké_ cup was offered, and they partook of it as they

hummed,

"In our parting cup, the tears of sadness fall."

Several presents had been brought from the capital for Genji by

Tô-no-Chiûjiô, and, in return, the former made him a present of an

excellent dark-colored horse, and also a celebrated flute, as a token

of remembrance.

As the sun shed forth his brilliant rays Tô-no-Chiûjiô took his leave,

and as he did so he said, "When shall I see you again, you cannot be

here long?" Genji replied,

"Yon noble crane that soars on high,[114]

And hovers in the clear blue sky,

Believe my soul as pure and light;

As spotless as the spring day bright.

However, a man like me, whose fortune once becomes adverse seldom

regains, even in the case of great wisdom, the prosperity he once

fully enjoyed, and so I cannot predict when I may find myself again in

the capital."

So Tô-no-Chiûjiô, having replied as follows:--

"The crane mounts up on high, 'tis true,

But now he soars and cries alone,

Still fondly thinking of his friend,

With whom in former days he flew,"

set off on his homeward road, leaving Genji cast down for some time.

Now the coast of Akashi is a very short distance from Suma, and there

lived the former Governor of the province, now a priest, of whom we

have spoken before. Yoshikiyo well remembered his lovely daughter,

and, after he came to Suma with Genji, he wrote to her now and then.

He did not get any answer from her, but sometimes heard from her

father, to whom Genji's exile became soon known, and who wished to see

him for a reason not altogether agreeable to himself. It should be

remembered that this old man always entertained aspirations on behalf

of his daughter, and in his eyes the successive governors of the

province who came after him, and whose influence had been unbounded,

were considered as nobodies. To him, his young daughter was

everything; and he used to send her twice a year to visit the temple

of Sumiyoshi, in order that she might obtain good fortune by the

blessing of the god.

She was not of an ideal beauty, but yet expressive in countenance and

exalted in mind. She could, in this respect, rival any of those of

high birth in the capital.

The priest said one day to his wife, "Prince Genji, the imperial son

of the Kôyi of Kiritsubo is now at Suma in exile, having offended the

Court. How fortunate it would be if we could take the opportunity of

presenting our child to him!"

The wife replied, "Ah, how dreadful, when I heard what the townspeople

talk, I understood that he has several mistresses. He went even so far

as to carry on a secret intimacy, which happened to be obnoxious to

the Emperor, and it is said that this offence was the cause of his

exile."

"I have some reason for mentioning this to you," he interrupted,

impatiently; "it is not a thing which you understand, so make up your

mind, I shall bring the matter about, and take an opportunity of

making him come to us."

"No matter how distinguished a personage he is," replied the wife, "it

is a fact that he has offended the Court and is exiled. I do not

understand why you could take a fancy to such a man for our maiden

daughter. It is not a joking matter. I hope you will take it into

graver consideration."

"That a man of ability and distinction should meet with adverse

fortune is a very common occurrence," said he, still more obstinately,

"both in our empire and in that of China. How then do you venture to

say such things against the Prince? His mother was the daughter of an

Azechi Dainagon, who was my uncle. She enjoyed a good reputation, and

when she was introduced at Court, became both prosperous and

distinguished. Although her life was shortened by the suffering caused

by the fierce jealousy of her rivals, she left behind the royal child,

who is no other person than Prince Genji. A woman should always be

aspiring, as this lady was. What objection then is there in the idea

of introducing our only child to a man like him? Although I am now

only a country gentleman, I do not think he would withdraw his favor

from me."

Such were the opinions of this old man, and hence his discouragement

of the advances of Yoshikiyo.

The first of March came, and Genji was persuaded by some to perform

Horai (prayer for purification) for the coming occasion of the

Third.[115] He therefore sent for a calendar-priest, with whom he went

out, accompanied by attendants, to the sea-shore. Here a tent was

erected ceremoniously, and the priest began his prayers, which were

accompanied by the launching of a small boat, containing figures

representing human images. On seeing this Genji said,

"Never thought I, in my younger day,

To be thrown on the wild sea-shore,

And like these figures to float away,

And perhaps see my home no more."

As he contemplated the scene around him, he perceived that the wild

surface of the sea was still and calm, like a mirror without its

frame. He offered prayers in profound silence, and then exclaimed,

"Oh, all ye eight millions of gods,[116] hear my cry,

Oh, give me your sympathy, aid me, I pray,

For when I look over my life, ne'er did I

Commit any wrong, or my fellows betray."

Suddenly, as he spoke these words, the wind arose and began to blow

fiercely. The sky became dark, and torrents of rain soon followed.

This caused great confusion to all present, and each ran back to the

house without finishing the ceremony of prayers. None of them were

prepared for the storm, and all got drenched with the rain. From this

the rain continued to pour down, and the surface of the sea became as

it were tapestried with white, over which the lightning darted and the

thunder rolled. It seemed as if thunderbolts were crashing overhead,

and the force of the rain appeared to penetrate the earth. Everyone

was frightened, for they thought the end of the world was near.

Genji occupied his time in quietly reading his Buddhist Bible. In the

evening, the thunder became less loud, though the wind still blew not

less violently than in the daytime. Everyone in the residence said

that they had heard of what is termed a flood-tide, which often caused

a great deal of damage, but they had never witnessed such a scene as

they had that day. Genji dropped off into a slumber, when indistinctly

the resemblance of a human figure came to him and said, "You are

requested to come to the palace, why don't you come?"

Genji was startled by the words, and awoke. He thought that the king

of the dragon palace[117] might have admired him, and was perhaps the

author of this strange dream. These thoughts made him weary of

remaining at Suma.

FOOTNOTES:

[Footnote 106: When a person was exiled, he was generally deprived of

his own title, or was degraded. Genji appears to have been deprived of

his.]

[Footnote 107: A favorite phrase in Chinese poems describing the

journey of exile.]

[Footnote 108: Suma is about sixty miles from Kiôto, the then

capital.]

[Footnote 109: A musical instrument--often called a _koto._]

[Footnote 110: When Sugawara, before referred to, arrived at Akashi,

on his way to exile, the village postmaster expressed his surprise.

Thereupon Sugawara gave him a stanza, which he composed:

"Oh, master, be not surprised to see

This change in my estate, for so

Once to bloom, and once to fade

Is spring and autumn's usual lot."

]

[Footnote 111: In Chinese history it is recounted that a certain

artful intriguer made a fool of his Sovereign by bringing a deer to

the Court and presenting it before the Emperor, declaring it to be a

horse. All the courtiers, induced by his great influence, agreed with

him in calling it a horse, to the Emperor's great astonishment and

bewilderment.]

[Footnote 112: The coast along by Suma is celebrated for Chidori, a

small sea-bird that always flies in large flocks. Their cries are

considered very plaintive, and are often spoken of by poets.]

[Footnote 113: Expressions used in a poem by Hak-rak-ten, describing a

tasteful residence.]

[Footnote 114: Here Tô-no-Chiûjiô is compared to the bird.]

[Footnote 115: The third day of March is one of five festival days in

China and Japan, when prayers for purification, or prayers intended to

request the freeing one's self from the influence of fiends, are said

on the banks of a river.]

[Footnote 116: In the Japanese mythology the number of gods who

assemble at their councils is stated to have been eight millions. This

is an expression which is used to signify a large number rather than

an exact one.]

[Footnote 117: In Japanese mythology we have a story that there were

two brothers, one of whom was always very lucky in fishing, and the

other in hunting. One day, to vary their amusements, the former took

his brother's bow and arrows and went to the mountain to hunt. The

latter took the fishing-rod, and went to the sea, but unfortunately

lost his brother's hook in the water. At this he was very miserable,

and wandered abstractedly along the coast. The dragon god of the

dragon palace, under the blue main, admired his beauty, and wishing

him to marry his daughter, lured him into the dragon palace.]

Japanese Literature Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan · 第 12 / 17 章