The Self-Complacent Young Cub leaned an elbow against the mantel as
you've seen it done in English plays, and blew a practically perfect
smoke-ring. It hurtled toward me like a discus.
"Trouble with your stuff," he began at once (we had just been
introduced), "is that it lacks plot. Been meaning to meet and tell you
that for a long time. Your characterization's all right, and your
dialogue. In fact, I think they're good. But your stuff lacks _raison
d'être_--if you know what I mean.
"But"--in feeble self-defence--"people's insides are often so much more
interesting than their outsides; that which they think or feel so much
more thrilling than anything they actually do. Bennett--Wells--"
"Rot!" remarked the young cub, briskly. "Plot's the thing."
* * * * *
There is no plot to this because there is no plot to Rose. There never
was. There never will be. Compared to the drab monotony of Rose's
existence a desert waste is as thrilling as a five-reel film.
They had called her Rose, fatuously, as parents do their first-born
girl. No doubt she had been normally pink and white and velvety. It is a
risky thing to do, however. Think back hastily on the Roses you know.
Don't you find a startling majority still clinging, sere and withered,
to the family bush?
In Chicago, Illinois, a city of two millions (or is it three?), there
are women whose lives are as remote, as grey, as unrelated to the world
about them as is the life of a Georgia cracker's woman-drudge. Rose was
one of these. An unwed woman, grown heavy about the hips and arms, as
houseworking women do, though they eat but little, moving dully about
the six-room flat on Sangamon Street, Rose was as much a slave as any
black wench of plantation days.
There was the treadmill of endless dishes, dirtied as fast as cleansed;
there were beds, and beds, and beds; gravies and soups and stews. And
always the querulous voice of the sick woman in the front bedroom
demanding another hot water bag. Rose's day was punctuated by hot water
bags. They dotted her waking hours. She filled hot water bags
automatically, like a machine--water half-way to the top, then one hand
clutching the bag's slippery middle while the other, with a deft twist,
ejected the air within; a quick twirl of the metal stopper, the bag
released, squirming, and, finally, its plump and rufous cheeks wiped
dry.
"Is that too hot for you, Ma? Where'd you want it--your head or your
feet?"
A spinster nearing forty, living thus, must have her memories--one
precious memory, at least--or she dies. Rose had hers. She hugged it,
close. The L trains roared by, not thirty feet from her kitchen door.
Alley and yard and street sent up their noises to her. The life of
Chicago's millions yelped at her heels. On Rose's face was the vague,
mute look of the woman whose days are spent indoors, at sordid tasks.
At six-thirty every night that look lifted, for an hour. At six-thirty
they came home--Floss, and Al, and Pa--their faces stamped with the
marks that come from a day spent in shop and factory. They brought with
them the crumbs and husks of the day's happenings, and these they flung
carelessly before the life-starved Rose and she ate them, gratefully.
They came in with a rush, hungry, fagged, grimed, imperious, smelling of
the city. There was a slamming of doors, a banging of drawers, a clatter
of tongues, quarrelling, laughter. A brief visit to the sick woman's
room. The thin, complaining voice reciting its tale of the day's
discomfort and pain. Then supper.
"Guess who I waited on to-day!" Floss might demand.