THIS monograph forms the second number of a series which opened with the
pamphlet on the Tuscan Stradivari, published nearly two years ago, when
that remarkable violin was in our possession.
Our purpose in these publications is to furnish descriptive notices of
some of the masterpieces of violin making, with critical analyses of
their characteristic features and authentic particulars of their
history. In pursuance of this object we have spared no pains in seeking
original sources of information, and in carefully sifting evidence; and,
by these means, we hope to succeed in correcting many of the loose ideas
current with regard to the works of Stradivari and the other great
makers, and in establishing trustworthy data for the guidance of the
present and future generations of devotees of the violin.
In the preparation of the materials for the present memoir, we have been
greatly indebted to our friend Signor Federico Sacchi, of Cremona, for
his indefatigable researches at the fountain-head of information on the
subject of Stradivari and his native town; and we desire to take this
opportunity of acknowledging the great value of his assistance in
throwing light upon many points previously obscure.
Our observations upon the general characteristics of the instrument, and
the comparative analysis of its distinctive features, are based upon a
professional experience of more than fifty years, engrafted upon family
traditions in the craft dating from the middle of the last century. Our
own views are supplemented by the published testimony of several
authorities whose opinions cannot fail to command respect wherever the
name of Stradivari is known.
Finally we would express our obligations to Mr. Robert Harrison for the
time and thought which he has devoted to the collation of materials for
the memoir, and to his congenial task of editing the whole work.