II.

Doña Aurora had her daily reception--and in the afternoon; nothing less,

indeed, than a five o’clock tea, as a society reporter would say--only,

without the tea or the wish for it, for if she had offered anything to

her guests, the Señora de Pardiñas, who was very old-fashioned in her

ideas, would undoubtedly have selected some good slices of ham or the

like substantial nourishment. As her friends knew that she was

accustomed to go out only in the morning wrapped in her mantle and her

fur cape to make a few unceremonious calls or to do some shopping, and

that she spent her afternoons at her dining-room window knitting, they

attended these receptions punctually, attracted to them by the cheerful

fire, by the easy-chairs, by friendship, and by habit.

The larger part of the circle of Doña Aurora’s friends was composed of

the companions of her deceased husband, magistrates, or, as she called

them in professional parlance, “Señores.” Some few of these, who had

already retired from active official life, were the most constant in

their attendance. Certain seats in the dining-room were regarded as

belonging of right to certain persons--the broad-backed easy-chair was

set apart for Don Nicanor Candás, the Crown Solicitor, who loved his

ease; the leather-covered arm-chair with the soft seat was for Don

Prudencio Rojas; the arm-chair covered with flowered cretonne by the

chimney corner--let no one attempt to dispute its possession with the

patriarch Don Gaspar Febrero. This venerable personage was the soul of

the company, the most active, the most imposing in appearance, and the

[Illustration: “The broad-backed easy-chair was set apart for Don

Nicanor Candás.”]

gayest of the assemblage, notwithstanding his eighty odd years and his

lame leg, broken by jumping from a horse-car. The first quarter of an

hour’s conversation was generally devoted to a discussion of the weather

and the health of the company; there was not one of these worthy people

who was not afflicted with some ailment or other. Some of them, indeed,

were full of ailments, so that neither their complaints nor the remedies

they discussed were of merely abstract interest. There an account was

kept of the fluctuations in the chronic catarrhs, the rheumatic pains,

the flatulent attacks, and the heartburns of each one of the assemblage,

and they discussed as solemnly as they had formerly discussed a judgment

the virtues of salycilic acid or of pectoral lozenges.

The sanitary question being exhausted--for everything exhausts

itself--they passed on, almost always following the lead of Señor

Febrero, to treat of less agreeable matters. The amiable old man could

not bear to hear all this talk of drugs, prescriptions, and potions.

“Any one would suppose one had one foot in the grave,” he would say,

smiling and showing his brilliant artificial teeth. The subject of the

conversation was changed, but it scarcely ever turned on questions of

the day. Like a gavotte played by a grandmother on an antiquated

harpsichord, the ritornello of souvenirs and reminiscences of the past

resounded here. The conversation usually began somewhat as follows:

“Do you remember when I received my appointment to the Canary Islands

during the ministry of Narvaez?”

Or:

“What times those were! At least ten years before the celebrated

Fontanellas case. My eldest son was not yet born.”

Señor de Febrero interposed to restrain them in these sorrowful

reminiscences of bygone days also, exclaiming with youthful vivacity:

“Why, that took place only yesterday, as one might say. In the life of a

nation what is a paltry twenty-five or thirty years?”

“Yes, but in a man’s life----”

“Or in a man’s life either, if it comes to that. Forty or fifty I call

the prime of life.”

“Speak for yourself. You have discovered the elixir of youth. You are as

fresh as a lettuce. But the rest of us look like parchment; we are only

fit to be wheeled out in the sun.”

With his crutch between his knees Don Gaspar laughed, and as he shook

his head the silvery curls of his wig shone in the light. I regret to be

obliged to pay tribute to descriptive truth by stating that Señor de

Febrero wore a wig and false teeth; but it must be added that their

falseness was so true that they were superior to the genuine articles

and would deceive the sharpest eye. With exquisite taste and consummate

art, the old man had had his wig made of hair as white as snow, and the

coronet of light white curls that encircled his ivory brow was like a

majestic aureole, very different from the thick forest of hair with

which would-be young old men persist in striving to repair the

irreparable ravages of time. In the same way the teeth, skillfully

imitating his own, somewhat uneven and worn, with a gap on the left

side, would have deceived anybody. With his beautiful hair, his

smooth-shaven face, his regular and still very expressive features, with

his pulchritude and dignity of mien, Don Gaspar reminded one of the

heads of the eighteenth century as they have come down to us in

miniatures. It seemed a pity that he should not wear an embroidered

satin coat; the cloth coat did not suit him. Even the ebony crutch, with

its blue velvet cushion, served to enhance and complete the commanding

dignity of his presence. With the gallantry of a bygone age, Don Gaspar,

the moment a woman appeared in sight, was all ardor, and honied speeches

flowed from his lips. Even to Señora Pardiñas, who was altogether out

of the lists, he did not neglect to pay attentions that were lover-like

and gallant, rather than merely polite.

It gratified the vanity of this old man, who wore his old age so

serenely and so gracefully, to hear his companions, all infirm, all

asthmatic, all with their chronic colds and coughs, all visibly bald,

say of him enviously:

“This Don Gaspar is wonderful. He will live to bury us all.”

It was also a gratification to his vanity to prove to them the strength

and clearness of his memory, and it was one which he often enjoyed, for

at the reception of the Señora de Pardiñas the thread of memory was

constantly spun, and intermingled with it was a strand of gold, but of

tarnished gold like that of an antique chasuble. Don Gaspar’s memory was

a sort of wardrobe in which were stored away among perfumes, duly

labeled and classified, events, names, dates, and even words. “This

Señor de Febrero is an old record-book,” Doña Aurora would say. When

there was a difference of opinion regarding the date of some past event,

Don Gaspar was appealed to as umpire.

“Isn’t it true, Señor de Febrero, that the Zaldivar case, at Seville,

was decided in the winter of ’56.”

“No, Señor, the winter of ’57. I remember it was on the 15th of

December--I mean the 16th, the birthday of our friend Don Nicanor

Candás.”

“But, good Heavens!” exclaimed Don Nicanor, when this was related to

him. “It is not right that any one should be endowed with a memory like

that. If that infernal Galician does not remember even the date of my

birth, a thing that I can never remember myself! As nobody is going to

steal any of my years away from me, I don’t see the use of keeping so

exact an account of them.”

Don Nicanor Candás, a retired Asturian, from Oviedo, suspicious and

conceited like all his townspeople, as biting as pepper and as sharp as

a thorn, afforded much amusement to the assemblage through his disputes

with Señor de Febrero, whom he opposed systematically, without

consideration for his patriarchal privileges or respect for his

honorable seniority. The better to confound his adversary Candás adopted

a singular method, which was not without humor. He pretended to be as

deaf as a post, and he always carried in the pocket of his coat a little

silver trumpet, which he put to his ear whenever he was able to answer

and refute his opponent’s arguments, but which he would say he had

forgotten to bring with him when, not being able to do this, he wished

to change the subject of conversation. Such a stratagem could not fail

to succeed, and by the help of it he was always enabled to avoid being

worsted in a dispute. In his language Señor de Candás was as rude and

ill-bred as Don Gaspar was choice, polite and mellifluous, and for this

reason he was out of harmony with the other _habitués_ of the house. Nor

was he so for this reason alone, but also because he was the only one of

them who preferred the news of the day to reminiscences of the past, the

only one who brought to this musty senate a breath of out-door air, of

real life.

The portentous memory of the octogenarian grew confused and uncertain

when recent events were concerned, and Candás, profiting by this defect

in the admirable faculties of the patriarch, was always trying to trip

him up. “Let us see,” he would say, “how our Don Gaspar would set about

proving an alibi. He is impregnable in all that relates to the

Calomarde ministry or the regency of Espartero, yet he does not remember

what he was doing this morning.” And imitating Don Gaspar’s voice, he

would add, “What did I do yesterday? Let me see. Did I go to see Rojas?

I think so. What am I saying? No, no. I was walking in Recoletos. Yet I

would not swear to that, either.”

This humorous criticism of the patriarch, might, to a certain extent, be

applied with equal justice to all the other “Señores.” It would seem as

if the present did not exist for them, as if the past only had life and

color. They discussed the news of the reporter, Don Nicanor, for a few

minutes with the pessimism that is characteristic of old age; then they

resumed their progress up the stream of time, plunging with supreme

satisfaction into the fogs of vanished years. Perhaps, along with old

age, they were influenced in this to some extent by the character

acquired in the practice of the law, a profession based on scientific

notions already stratified, a science purely historical, in which the

spirit of innovation is a heresy, and in which the judicial problems of

to-day are solved according to the standard of the Roman law or the

jurisdiction of the Visigoths. Thus it was that the reunions in the

house of the Señora de Pardiñas might be likened to a rock standing

motionless amid the ceaseless surge of the sea of life. The worthy

“Señores” did not see that among dusty and worm-eaten parchments, too,

living germs palpitate and the spirit of progress lives. Clinging to

vain formulas, they fancied they were the custodians of a sacred liquor,

when only the empty vase remained in their hands, and, treating of

innovations, they placed in the same category of heterodoxy the use of

the beard, inferior courts, trial by jury, and the revision of the

Codes.

Morriña (Homesickness) · 第 6 / 35 题