A marked exception to the above rule is furnished by the eggs of the

Baltimore oriole, perhaps the most fantastically marked of all our

birds' eggs. One would hardly expect a plainly marked egg in such a

high-swung, elaborately woven, deeply pouched, aristocratic nest. The

threads and strings and horsehairs with which the structure is sewed

and bound and stayed are copied in the curious lines and markings of

the treasures it holds. After the oriole is through with its nest, it

is sometimes taken possession of by the house wren in which to rear

its second brood. The long, graceful cavity, with its fine carpet of

hair, is filled with coarse twigs, as if one were to build a log hut in

a palace, and the rusty-colored eggs of the little busybody deposited

there. The wren would perhaps stick to its bundle of small fagots in

the box or pump tree, and rear its second brood in the cradle of the

first, were it not that by seeking new lodgings time can be saved. The

male bird builds and furnishes the second nest, and the mother bird has

begun to lay in it before the first is empty.

The chatter of a second brood of nearly fledged wrens is heard now

(August 20) in an oriole's nest suspended from the branch of an

apple-tree near where I write. Earlier in the season the parent birds

made long and determined attempts to establish themselves in a cavity

that had been occupied by a pair of bluebirds. The original proprietor

of the place was the downy woodpecker. He had excavated it the autumn

before, and had passed the winter there, often to my certain knowledge

lying abed till nine o'clock in the morning. In the spring he went

elsewhere, probably with a female, to begin the season in new quarters.

The bluebirds early took possession, and in June their first brood

had flown. The wrens had been hanging around, evidently with an eye

on the place (such little comedies may be witnessed anywhere), and

now very naturally thought it was their turn. A day or two after the

young bluebirds had flown, I noticed some fine, dry grass clinging to

the entrance to the cavity; a circumstance which I understood a few

moments later, when the wren rushed by me into the cover of a small

Norway spruce, hotly pursued by the male bluebird. It was a brown

streak and a blue streak pretty close together. The wrens had gone

to housecleaning, and the bluebird had returned to find his bed and

bedding being pitched out-of-doors, and had thereupon given the wrens

to understand in the most emphatic manner that he had no intention of

vacating the premises so early in the season. Day after day, for more

than two weeks, the male bluebird had to clear his premises of these

intruders. It occupied much of his time and not a little of mine, as

I sat with a book in a summer-house near by, laughing at his pretty

fury and spiteful onset. On two occasions the wren rushed under the

chair in which I sat, and a streak of blue lightning almost flashed

in my very face. One day, just as I had passed the tree in which the

cavity was placed, I heard the wren scream desperately; turning, I saw

the little vagabond fall into the grass with the wrathful bluebird

fairly upon him; the latter had returned just in time to catch him, and

was evidently bent on punishing him well. But in the squabble in the

grass the wren escaped and took refuge in the friendly evergreen. The

bluebird paused for a moment with outstretched wings looking for the

fugitive, then flew away. A score of times during the month of June did

I see the wren taxing every energy to get away from the bluebird. He

would dart into the stone wall, under the floor of the summer-house,

into the weeds,—anywhere to hide his diminished head. The bluebird,

with his bright coat, looked like an officer in uniform in pursuit of

some wicked, rusty little street gamin. Generally the favorite house

of refuge of the wrens was the little spruce, into which their pursuer

made no attempt to follow them. The female would sit concealed amid

the branches, chattering in a scolding, fretful way, while the male

with his eye upon his tormentor would perch on the topmost shoot and

sing. Why he sang at such times, whether in triumph and derision, or to

keep his courage up and reassure his mate, I could not make out. When

his song was suddenly cut short, and I glanced to see him dart down

into the spruce, my eye usually caught a twinkle of blue wings hovering

near. The wrens finally gave up the fight, and their enemies reared

their second brood in peace.

That the wren should use such coarse, refractory materials, especially

since it builds in holes where twigs are so awkward to carry and

adjust, is curious enough. All its congeners, the marsh wrens, the

Carolina wren, the winter wren, build of soft flexible materials. The

nest of the winter wren, and of the English "Jenny Wren," is mainly of

moss, and is a marvel of softness and warmth.

One day a swarm of honey-bees went into my chimney, and I mounted the

stack to see into which flue they had gone. As I craned my neck above

the sooty vent, with the bees humming about my ears, the first thing

my eye rested upon in the black interior was two long white pearls

upon a little shelf of twigs, the nest of the chimney swallow, or

swift,—honey, soot, and birds' eggs closely associated. The bees,

though in an unused flue, soon found the gas of anthracite that hovered

about the top of the chimney too much for them, and they left. But

the swallows are not repelled by smoke. They seem to have entirely

abandoned their former nesting-places in hollow trees and stumps and

to frequent only chimneys. A tireless bird, never perching, all day

upon the wing, and probably capable of flying one thousand miles in

twenty-four hours, they do not even stop to gather materials for their

nests, but snap off the small dry twigs from the treetops as they fly

by. Confine one of these swallows to a room and it will not perch,

but after flying till it becomes bewildered and exhausted, it clings

to the side of the wall till it dies. I once found one in my room on

returning, after several days' absence, in which life seemed nearly

extinct; its feet grasped my finger as I removed it from the wall,

but its eyes closed, and it seemed about on the point of joining its

companion which lay dead upon the floor. Tossing it into the air,

however, seemed to awaken its wonderful powers of flight, and away it

went straight toward the clouds. On the wing the chimney swallow looks

like an athlete stripped for the race. There is the least appearance

of quill and plumage of any of our birds, and, with all its speed and

marvelous evolutions, the effect of its flight is stiff and wiry. There

appears to be but one joint in the wing, and that next the body. This

peculiar inflexible motion of the wings, as if they were little sickles

of sheet iron, seems to be owing to the length and development of the

primary quills and the smallness of the secondary. The wing appears to

hinge only at the wrist. The barn swallow lines its rude masonry with

feathers, but the swift begins life on bare twigs, glued together by a

glue of home manufacture as adhesive as Spaulding's.

I have wondered if Emerson referred to any particular bird in these

lines from "The Problem:"—

"Know'st thou what wove yon wood-bird's nest

Of leaves, and feathers from her breast?"

Probably not, but simply availed himself of the general belief that

certain birds or fowls lined their nests with their own feathers. This

is notably true of the eider duck, and in a measure of our domestic

fowls, but so far as I know is not true of any of our small birds. The

barn swallow and house wren feather their nests at the expense of the

hens and geese. The winter wren picks up the feathers of the ruffed

grouse. The chickadee, Emerson's favorite bird, uses a few feathers

in its upholstering, but not its own. In England, I noticed that the

little willow warbler makes a free use of feathers from the poultry

yard. Many of our birds use hair in their nests, and the kingbird and

cedar-bird like wool. I have found a single feather of the bird's own

in the nest of the phœbe. Such a circumstance would perhaps justify

the poet.

About the first of June there is a nest in the woods upon the ground

with four creamy white eggs in it, spotted with brown or lilac, chiefly

about the larger ends, that always gives the walker, who is so lucky

as to find it, a thrill of pleasure. It is like a ground sparrow's

nest with a roof or canopy to it. The little brown or olive backed

bird starts away from your feet and runs swiftly and almost silently

over the dry leaves, and then turns her speckled breast to see if

you are following. She walks very prettily, by far the prettiest

pedestrian in the woods. But if she thinks you have discovered her

secret, she feigns lameness and disability of both legs and wing, to

decoy you into the pursuit of her. This is the golden-crowned thrush,

or accentor, a strictly wood bird, about the size of a song sparrow,

with the dullest of gold upon his crown, but the brightest of songs in

his heart. The last nest of this bird I found was while in quest of the

pink cypripedium. We suddenly spied a couple of the flowers a few steps

from the path along which we were walking, and had stooped to admire

them, when out sprang the bird from beside them, doubtless thinking she

was the subject of observation instead of the flowers that swung their

purple bells but a foot or two above her. But we never should have seen

her had she kept her place. She had found a rent in the matted carpet

of dry leaves and pine needles that covered the ground, and into this

had insinuated her nest, the leaves and needles forming a canopy above

it, sloping to the south and west, the source of the more frequent

summer rains.

At about the same time one finds the nest above described, if he

were to explore the woods very thoroughly, he might chance upon two

curious eggs lying upon the leaves as if dropped there by chance.

They are elliptical, both ends of a size, about an inch and a quarter

long, of a creamy white spotted with lavender. These are the eggs

of the whip-poor-will, a bird that has absolutely no architectural

instincts or gifts. Perhaps its wide, awkward mouth and short beak are

ill-adapted to carrying nest materials. It is awkward upon the ground

and awkward upon the tree, being unable to perch upon a limb, except

lengthwise of it.

The song and game birds lay pointed eggs, but the night birds lay round

or elliptical eggs.

The egg-collector sometimes stimulates a bird to lay an unusual number

of eggs. A youth, whose truthfulness I do not doubt, told me he once

induced a high-hole to lay twenty-nine eggs by robbing her of an egg

each day. The eggs became smaller and smaller, till the twenty-ninth

one was only the size of a chippie's egg. At this point the bird gave

up the contest.

There is a last egg of summer as well as a first egg of spring, but one

cannot name either with much confidence. Both the robin and the chippie

sometimes rear a third brood in August; but the birds that delay their

nesting till midsummer are the goldfinch and the cedar-bird, the former

waiting for the thistle to ripen its seeds, and the latter probably for

the appearance of certain insects which it takes on the wing. Often the

cedar-bird does not build till August, and will line its nest with wool

if it can get it, even in this sultry month. The eggs are marked and

colored, as if a white egg were to be spotted with brown, then colored

a pale blue, then again sharply dotted or blotched with blackish or

purplish spots.

But the most common August nest with me—early August—is that of the

goldfinch,—a deep, snug, compact nest, with no loose ends hanging,

placed in the fork of a small limb of an apple-tree, peach-tree, or

ornamental shade-tree. The eggs are a faint bluish white.

While the female is sitting, the male feeds her regularly. She calls

to him on his approach, or when she hears his voice passing by, in the

most affectionate, feminine, childlike tones, the only case I know of

where the sitting bird makes any sound while in the act of incubation.

When a rival male invades the tree, or approaches too near, the male

whose nest it holds pursues and reasons or expostulates with him in

the same bright, amicable, confiding tones. Indeed, most birds make

use of their sweetest notes in war. The song of love is the song of

battle, too. The male yellowbirds flit about from point to point,

apparently assuring each other of the highest sentiments of esteem and

consideration, at the same time that one intimates to the other that

he is carrying his joke a little too far. It has the effect of saying

with mild and good-humored surprise, "Why, my dear sir, this is my

territory; you surely do not mean to trespass; permit me to salute you,

and to escort you over the line." Yet the intruder does not always take

the hint. Occasionally the couple have a brief sparring match in the

air, and mount up and up, beak to beak, to a considerable height, but

rarely do they actually come to blows.

The yellowbird becomes active and conspicuous after the other birds

have nearly all withdrawn from the stage and become silent, their

broods reared and flown. August is his month, his festive season. It

is his turn now. The thistles are ripening their seeds, and his nest

is undisturbed by jay-bird or crow. He is the first bird I hear in

the morning, circling and swinging through the air in that peculiar

undulating flight, and calling out on the downward curve of each

stroke, "Here we go, here we go!" Every hour in the day he indulges in

his circling, billowy flight. It is a part of his musical performance.

His course at such times is a deeply undulating line, like the long

gentle roll of the summer sea, the distance from crest to crest or from

valley to valley being probably thirty feet; this distance is made with

but one brief beating of the wings on the downward curve. As he quickly

opens them, they give him a strong upward impulse, and he describes

the long arc with them closely folded. Thus, falling and recovering,

rising and sinking like dolphins in the sea, he courses through the

summer air. In marked contrast to this feat is his manner of flying

when he indulges in a brief outburst of song in the air. Now he flies

level, with broad expanded wings nearly as round and as concave as two

shells, which beat the air slowly. The song is the chief matter now,

and the wings are used only to keep him afloat while delivering it. In

the other case, the flight is the main concern, and the voice merely

punctuates it.

I know no autumn egg but a hen's egg, though a certain old farmer

tells me he finds a quail's nest full of eggs nearly every September;

but fall progeny of any kind has a belated start in life, and the

chances are against it.

IV

BIRD COURTSHIP

There is something about the matchmaking of birds that is not easily

penetrated. The jealousies and rivalries of the males and of the

females are easily understood,—they are quite human; but those sudden

rushes of several males, some of them already mated, after one female,

with squeals and screams and a great clatter of wings,—what does it

mean? There is nothing human about that, unless it be illustrative

of a trait that has at times cropped out in the earlier races, and

which is still seen among the Esquimaux, where the male carries off

the female by force. But in these sudden sallies among the birds, the

female, so far as I have observed, is never carried off. One may see

half a dozen English sparrows engaged in what at first glance appears

to be a general mêlée in the gutter or on the sidewalk; but if you look

more closely you will see a single female in the midst of the mass,

beating off the males, who, with plumage puffed out and screaming and

chattering, are all making a set at her. She strikes right and left,

and seems to be equally displeased with them all. But her anger may

be all put on, and she may be giving the wink all the time to her

favorite. The Esquimaux maiden is said by Doctor Nansen to resist

stoutly being carried off even by the man she is desperately in love

with.

In the latter half of April, we pass through what I call the "robin

racket,"—trains of three or four birds rushing pell-mell over the lawn

and fetching up in a tree or bush, or occasionally upon the ground, all

piping and screaming at the top of their voices, but whether in mirth

or anger it is hard to tell. The nucleus of the train is a female. One

cannot see that the males in pursuit of her are rivals; it seems rather

as if they had united to hustle her out of the place. But somehow the

matches are no doubt made and sealed during these mad rushes. Maybe the

female shouts out to her suitors, "Who touches me first wins," and away

she scurries like an arrow. The males shout out, "Agreed!" and away

they go in pursuit, each trying to outdo the other. The game is a brief

one. Before one can get the clew to it, the party has dispersed.

Earlier in the season the pretty sparring of the males is the chief

feature. You may see two robins apparently taking a walk or a run

together over the sward or along the road; only first one bird runs,

and then the other. They keep a few feet apart, stand very erect, and

the course of each describes the segment of an arc about the other,

thus:—

_____ _____ _____ _____ _____

/ \ / \ / \ / \ / \

\______/\______/\______/\______/\______/

How courtly and deferential their manners toward each other are! often

they pipe a shrill, fine strain, audible only a few yards away. Then,

in a twinkling, one makes a spring and they are beak to beak, and

claw to claw, as they rise up a few feet into the air. But usually no

blow is delivered; not a feather is ruffled; each, I suppose, finds

the guard of the other perfect. Then they settle down upon the ground

again, and go through with the same running challenge as before. How

their breasts glow in the strong April sunlight; how perk and military

the bearing of each! Often they will run about each other in this way

for many rods. After a week or so the males seem to have fought all

their duels, when the rush and racket I have already described begins.

The bluebird wins his mate by the ardor of his attentions and the

sincerity of his compliments, and by finding a house ready built

which cannot be surpassed. The male bluebird is usually here several

days before the female, and he sounds forth his note as loudly and

eloquently as he can till she appears. On her appearance he flies at

once to the box or tree cavity upon which he has had his eye, and,

as he looks into it, calls and warbles in his most persuasive tones.

The female at such times is always shy and backward, and the contrast

in the manners of the two birds is as striking as the contrast in

their colors. The male is brilliant and ardent; the female is dim

and retiring, not to say indifferent. She may take a hasty peep into

the hole in the box or tree and then fly away, uttering a lonesome,

homesick note. Only by a wooing of many days is she to be fully won.

The past April I was witness one Sunday morning to the jealousies

that may rage in these little brown breasts. A pair of bluebirds had

apparently mated and decided to occupy a woodpecker's lodge in the

limb of an old apple-tree near my study. But that morning another male

appeared on the scene, and was bent on cutting the first male out, and

carrying off his bride. I happened to be near by when the two birds

came into collision. They fell to the grass, and kept their grip upon

each other for half a minute. Then they separated, and the first up

flew to the hole and called fondly to the female. This was too much

for the other male, and they clinched again and fell to the ground as

before. There they lay upon the grass, blue and brown intermingled. But

not a feather was tweaked out, or even disturbed, that I could see.

They simply held each other down. Then they separated again, and again

rushed upon each other. The battle raged for about fifteen minutes,

when one of the males—which one, of course, I could not tell—withdrew

and flew to a box under the eaves of the study, and exerted all the

eloquence he possessed to induce the female to come to him there. How

he warbled and called, and lifted his wings and flew to the entrance to

the box and called again! The female was evidently strongly attracted;

she would respond and fly about half way to an apple-tree, and look

toward him. The other male, in the mean time, did his best to persuade

her to cast her lot with him. He followed her to the tree toward his

rival, and then flew back to the nest and spread his plumage and

called and warbled, oh, so confidently, so fondly, so reassuringly!

When the female would return and peep into the hole in the tree, what

fine, joyous notes he would utter! then he would look in and twinkle

his wings, and say something his rival could not hear. This vocal and

pantomimic contest went on for a long time. The female was evidently

greatly shaken in her allegiance to the male in the old apple-tree. In

less than an hour another female responded to the male who had sought

the eaves of the study, and flew with him to the box. Whether this was

their first meeting or not I do not know, but it was clear enough that

the heart of the male was fixed upon the bride of his rival. He would

devote himself a moment to the new-comer, and then turn toward the old

apple-tree and call and lift his wings; then, apparently admonished

by the bird near him, would turn again to her and induce her to look

into the box and warble fondly; then up on a higher branch again, with

his attention directed toward his first love, between whom and himself

salutations seemed constantly passing. This little play went on for

some time, when the two females came into collision, and fell to the

ground tweaking each other spitefully. Then the four birds drifted away

from me down into the vineyard, where the males closed with each other

again and fell to the plowed ground and lay there a surprisingly long

time, nearly two minutes, as we calculated. Their wings were outspread,

and their forms were indistinguishable. They tugged at each other most

doggedly; one or the other brown breast was generally turned up,

partly overlaid by a blue coat. They were determined to make a finish

of it this time, but which got the better of the fight I could not

tell. But it was the last battle; they finally separated, neither,

apparently, any the worse for the encounter. The females fought two

more rounds, the males looking on and warbling approvingly when they

separated, and the two pairs drifted away in different directions. The

next day they were about the box and tree again, and seemed to have

definitely settled matters. Who won and who lost I do not know, but

two pairs of bluebirds have since been very busy and very happy about

the two nesting-places. One of the males I recognize as a bird that

appeared early in March; I recognize him from one peculiar note in the

midst of his warble, a note that suggests a whistle.

The matchmaking of the high-holes, which often comes under my

observation, is in marked contrast to that of the robins and bluebirds.

There does not appear to be any anger or any blows. The male or two

males will alight on a limb in front of the female, and go through with

a series of bowings and scrapings that are truly comical. He spreads

his tail, he puffs out his breast, he throws back his head, and then

bends his body to the right and to the left, uttering all the while a

curious musical hiccough. The female confronts him unmoved, but whether

her attitude is critical or defensive I cannot tell. Presently she

flies away, followed by her suitor or suitors, and the little comedy is

enacted on another stump or tree. Among all the woodpeckers the drum

plays an important part in the matchmaking. The male takes up his stand

on a dry, resonant limb, or on the ridgeboard of a building, and beats

the loudest call he is capable of. The downy woodpecker usually has a

particular branch to which he resorts for advertising his matrimonial

wants. A favorite drum of the high-holes about me is a hollow wooden

tube, a section of a pump, which stands as a bird-box upon my

summer-house. It is a good instrument; its tone is sharp and clear. A

high-hole alights upon it, and sends forth a rattle that can be heard

a long way off. Then he lifts up his head and utters that long April

call, _Wick, wick, wick, wick_. Then he drums again. If the female does

not find him, it is not because he does not make noise enough. But his

sounds are all welcome to the ear. They are simple and primitive and

voice well a certain sentiment of the April days. As I write these

lines I hear through the half-open door his call come up from a distant

field. Then I hear the steady hammering of one that has been for three

days trying to penetrate the weather boarding of the big icehouse by

the river, and reach the sawdust filling for a nesting-place.

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