The best and greatest part of the life of Hannah More was devoted to the

education and elevation of her sex. Her most valuable writings were

educational and moral. Her popularity did not wane with advancing years.

No literary woman ever had warmer friends; and these she retained. She

never lost a friend except by death. She had to lament over no broken

friendships, since her friendships were based on respect and affection.

Her nature must have been very genial. For so strict a woman in her

religious duties, she was very tolerant of human infirmities. She was

faithful in reproof, but having once given her friendship she held on to

it with great tenacity; she clung to the worldly Horace Walpole as she

did to Dr. Johnson. The most intimate woman friend of her long life was

a Catholic. Hannah was never married, which was not her fault, for she

was jilted by the man she loved,--for whom, however, she is said to have

retained a friendly feeling to the last. Though unmarried, she was

addressed as Mrs., not Miss, More; and she seems to have insisted on

this, which I think was a weakness, since the dignity of her character,

her fame and high social position, needed no conventional crutch to make

her appear more matronly. As a mere fashionable woman of society, her

name would never have descended to our times; as a moralist she is

immortal, so far as any writer can be. As an author, I do not regard her

as a great original genius; but her successful and honorable career

shows how much may be done by industry and perseverance. Her memory is

kept especially fresh from the interest she took in the education of her

sex, and from her wise and sage counsels, based on religion and a wide

experience. No woman ever had better opportunities for the study of her

sex, or more nobly improved them. She was the most enlightened advocate

of a high education for women that her age and even her

century produced.

Now, what is meant by a high education for women? for in our times the

opinions of people in regard to this matter are far from being

harmonious. Indeed, on no subject is there more disagreement; there is

no subject which provokes more bitter and hostile comments; there is no

subject on which both men and women wrangle with more acerbity, even

when they are virtually agreed,--for the instincts of good women are

really in accord with the profoundest experience and reason of men.

In the few remarks to which I am now limited I shall not discuss the

irritating and disputed question of co-education of the sexes, which can

only be settled by experience. On this subject we have not yet

sufficient facts for a broad induction. On the one hand, it would seem

that so long as young men and women mingle freely together in

amusements, at parties and balls, at the theatre and opera, in the

lecture-room, in churches, and most public meetings, it is not probable

that any practical evils can result from educational competition of the

two sexes in the same class-rooms, especially when we consider that many

eminent educators have given their testimony in its favor, so far as it

has fallen under their observation and experience. But, on the other

hand, the co-education of the sexes may imply that both girls and boys,

by similarity of studies, are to be educated for the same sphere. Boys

study the higher mathematics not merely for mental discipline, but in

order to be engineers, astronomers, surveyors, and the like; so, too,

they study chemistry, in its higher branches, to be chemists and

physicians and miners. If girls wish to do this rough work, let them

know that they seek to do men's work. If they are to do women's work, it

would seem that they should give more attention to music, the modern

languages, and ornamental branches than boys do, since few men pursue

these things as a business.

The question is, Is it wise for boys and girls to pursue the same

studies in the more difficult branches of knowledge? I would withhold no

study from a woman on the ground of assumed intellectual inferiority. I

believe that a woman can grasp any subject as well as a man can, so far

and so long as her physical strength will permit her to make exhaustive

researches. There are some studies which task the physical strength of

men to its utmost tension. If any woman has equal physical power with

men to master certain subjects, let her pursue them; for success, even

with men, depends upon physical endurance as well as brain-power. And

thus the question is one of physical strength and endurance; and women

must settle for themselves whether they can run races with men in

studies in which only the physically strong can hope to succeed.

Then, again, I would educate women with reference to the sphere in which

they must forever move,--a sphere settled by the eternal laws of Nature

and duty, against which it is folly to rebel. Does any one doubt or deny

that the sphere of women _is_ different from the sphere of men? Can it

be questioned that a class of studies pursued by women who are confined

for a considerable period of life to domestic duties,--like the care of

children, and the details of household economy, and attendance on the

sick, and ornamental art labors,--should not be different from those

pursued by men who undertake the learned professions, and the government

of the people, and the accumulation of wealth in the hard drudgeries of

banks and counting-houses and stores and commercial travelling? There is

no way to get round this question except by maintaining that men should

not be exempted from the cares and duties which for all recorded ages

have been assigned to women; and that women should enter upon the

equally settled sphere of man, and become lawyers, politicians,

clergymen, members of Congress and of State legislatures, sailors,

merchants, commercial travellers, bankers, railway conductors, and

steamship captains. I once knew the discontented wife of an eminent

painter, with a brilliant intellect, who insisted that her husband

should leave his studio and spend five hours a day in the drudgeries of

the nursery and kitchen to relieve her, and that she should spend the

five hours in her studio as an amateur,--that they thus might be on an

equality! The husband died in a mad-house, after dying for a year with a

broken heart and a crushed ambition. He was obliged to submit to his

wife's demand, or fight from morning to night and from night to morning;

and as he was a man of peace, he quietly yielded up his prerogative. Do

you admire the one who prevailed over him? She belonged to that class

who are called strong-minded; but she was perverted, as some noble minds

are, by atheistic and spiritualistic views, and thought to raise women

by lifting them out of the sphere which God has appointed.

If, then, there be distinct spheres, divinely appointed, for women and

for men, and an education should be given to fit them for rising in

their respective spheres, the question arises, What studies shall woman

pursue in order to develop her mind and resources, and fit her for

happiness and usefulness? This question is only to be answered by those

who have devoted their lives to the education of young ladies. I would

go into no details; I would only lay down the general proposition that a

woman should be educated to be interesting both to her own sex and to

men; to be useful in her home; to exercise the best influence on her

female and male companions; to have her affections as well as intellect

developed; to have her soul elevated so as to be kindled by lofty

sentiments, and to feel that there is something higher than the

adornment of the person, or the attracting of attention in those noisy

crowds which are called society. She should be taught to become the

friend and helpmate of man,--never his rival She is to be invested with

those graces which call out the worship of man, which cause her to shine

with the radiance of the soul, and with those virtues which men rarely

reach,--a superior loftiness of character, a greater purity of mind, a

heavenlike patience and magnanimity. She is not an angel, but a woman;

yet she should shine with angelic qualities and aspire to angelic

virtues, and prove herself, morally and spiritually, to be so superior

to man, that he will render to her an instinctive deference; not a mock

and ironical deference, because she is supposed to be inferior and weak,

but a real deference, a genuine respect on which all permanent

friendship rests,--and even love itself, which every woman, as well as

every man, craves from the bottom of the soul, and without which life

has no object, no charm, and no interest.

Is woman necessarily made a drudge by assuming those domestic duties

which add so much to the unity and happiness of a family, and which a

man cannot so well discharge as he can the more arduous labors of

supporting a family? Are her labors in directing servants or educating

her children more irksome than the labors of a man, in heat and cold,

often among selfish and disagreeable companions? Is woman, in

restricting herself to her sphere, thereby debarred from the pleasures

of literature and art? As a rule, is she not already better educated

than her husband? However domestic she may be, cannot she still paint

and sing, and read and talk on the grandest subjects? Is she not really

more privileged than her husband or brother, with more time and less

harassing cares and anxieties? Would she really exchange her graceful

labors for the rough and turbulent work of men?

But here I am stopped with the inquiry, What will you do with those

women who are unfortunate, who have no bright homes to adorn, no means

of support, no children to instruct, no husbands to rule: women cast out

of the sphere where they would like to live, and driven to hard and

uncongenial labors, forced to run races with men, or starve? To such my

remarks do not apply; they are exceptions, and not the rule. To them I

would say, Do cheerfully what Providence seems to point out for _you_;

do the best you can, even in the sphere into which you are forced. If

you are at any time thrown upon your own resources, and compelled to

adopt callings which task your physical strength, accept such lot with

resignation, but without any surrender of your essentially feminine and

womanly qualities; do not try to be like men, for men are lower than you

in their ordinary tastes and occupations. And I would urge all women,

rich and poor, to pursue some one art,--like music, or painting, or

decoration,--not only for amusement, but with the purpose to carry it so

far that in case of misfortune they can fall back upon it and get a

living; for proficiency in these arts belongs as much to the sphere of

women as of men, since it refines and cultivates them.

But again some may say,--not those who are unfortunate, and seemingly

driven from the glories and beatitudes of woman's sphere, but those who

are peculiarly intellectual and aspiring, and in some respects very

interesting,--Why should not we embark in some of those callings which

heretofore have been assigned to or usurped by man, and become

physicians, and professors in colleges, and lawyers, and merchants, not

because we are driven to get a living, but because we prefer them; and

hence, in order to fit ourselves for these departments, why should we

not pursue the highest studies which task the intellect of man? To such

I would reply, Do so, if you please; there is no valid reason why you

should not try. Nor will you fail unless your frailer bodies fail, as

fail they will, in a long race,--for do what you will to strengthen and

develop your physical forces for a million of years, you will still be

women, and physically weaker than men; that is, your nervous system

cannot stand the strain of that long-continued and intense application

which all professional men are compelled to exert in order to gain

success. But if you have in any individual case the physical strength of

a man, do what you please, so long as you preserve the delicacy and

purity of womanhood,--practise medicine or law, keep school, translate

books, keep boarders, go behind a counter; yea, keep a shop, set types,

keep accounts, give music and French lessons, sing in concerts and

churches,--do whatever you can do as well as men. You have that right;

nobody will molest you or slander you. If you must, or if you choose to,

labor so, God help you!

So, then, the whole question of woman's education is decided by physical

limitations, concerning which there is no dispute, and against which it

is vain to rebel; and we return to the more agreeable task of pointing

out the supreme necessity of developing in woman those qualities which

will make her a guide and a radiance and a benediction in that sphere to

which Nature and Providence and immemorial custom would appear to have

assigned her. Let her become great as a woman, not as a man. Let her

maintain her rights; but in doing so, let her not forget her duties. The

Bible says nothing at all about the former, and very much about the

latter. Let her remember that she is the complement of a man, and hence

that what is most feminine about her is most interesting to man and

useful to the world. God made man and woman of one flesh, yet unlike.

And who can point out any fundamental inferiority or superiority between

them? The only superiority lies in the superior way in which each

discharges peculiar trusts and responsibilities. It is in this light

alone that we see some husbands superior to their wives, and some wives

superior to their husbands. No sensible person would say that a girl is

superior to her brother because she has a greater aptness for

mathematics than he, but because she excels in the queen-like attributes

and virtues and duties peculiar to her own sex and belonging to her own

sphere,--that sphere so beautiful, that when she abdicates it, it is

like being expelled from Paradise; for, once lost, it can never be

regained. That education is best even for a great woman,--great in

intellect as in soul,--which best develops the lofty ideal of womanhood;

which best makes her a real woman, and not a poor imitation of man, and

gives to her the dignity and grace of a queen over her household, and

brings out that moral beauty by which she reigns over her husband's

heart, and inspires the reverence which children ought to feel. Do we

derogate from the greatness of women when we seek to kindle the

brightness of that moral beauty which outshines all the triumphs of mere

intellectual forces? Should women murmur because they cannot be superior

in everything, when it is conceded that they are superior in the best

thing? Nor let her clutch what she can neither retain nor enjoy. In the

primeval Paradise there was one tree the fruit of which our mother Eve

was forbidden to touch or to eat. There is a tree which grows in our

times, whose fruit, when eaten by some, produces unrest, discontent,

rebellion against God, unsatisfied desires, a revelation of unrealized

miseries, the mere contemplation of which is enough to drive to madness

and moral death. Yet of all the other trees of life's garden may woman

eat,--those trees that grow in the boundless field which modern

knowledge and enterprise have revealed to woman, and which, if she

confine herself thereto, will make her a blessing and a glory forever to

fallen and afflicted humanity.

AUTHORITIES

Life of Hannah More, by H.C. Knight; Memoirs, by W. Roberts; Literary

Ladies of England, by H.K. Elwood; Literary Women, by J. Williams;

Writings of Hannah More; Letters to Zachary Macaulay; Edinburgh Review,

vol. xiv.; Christian Observer, vol. xxxv.; Gentleman's Magazine, vol.

xxv.; American Quarterly, vol. lii.; Fraser's Magazine, vol. x.

GEORGE ELIOT.

* * * * *

A.D. 1819-1880.

WOMAN AS NOVELIST.

Since the dawn of modern civilization, every age has been marked by some

new development of genius or energy. In the twelfth and thirteenth

centuries we notice Gothic architecture, the rise of universities, the

scholastic philosophy, and a general interest in metaphysical inquiries.

The fourteenth century witnessed chivalric heroism, courts of love,

tournaments, and amorous poetry. In the fifteenth century we see the

revival of classical literature and Grecian art. The sixteenth century

was a period of reform, theological discussions, and warfare with

Romanism. In the seventeenth century came contests for civil and

religious liberty, and discussions on the theological questions which

had agitated the Fathers of the Church. The eighteenth century was

marked by the speculations of philosophers and political economists,

ending in revolution. The nineteenth century has been distinguished for

scientific discoveries and inventions directed to practical and

utilitarian ends, and a wonderful development in the literature of

fiction. It is the age of novelists, as the fifteenth century was the

age of painters. Everybody now reads novels,--bishops, statesmen,

judges, scholars, as well as young men and women. The shelves of

libraries groan with the weight of novels of every description,--novels

sensational, novels sentimental, novels historical, novels

philosophical, novels social, and novels which discuss every subject

under the sun. Novelists aim to be teachers in ethics, philosophy,

politics, religion, and art; and they are rapidly supplanting lecturers

and clergymen as the guides of men, accepting no rivals but editors and

reviewers.

This extraordinary literary movement was started by Sir Walter Scott,

who made a revolution in novel-writing, introducing a new style, freeing

romances from bad taste, vulgarity, insipidity, and false sentiment. He

painted life and Nature without exaggerations, avoided interminable

scenes of love-making, and gave a picture of society in present and past

times so fresh, so vivid, so natural, so charming, and so true, and all

with such inimitable humor, that he still reigns without a peer in his

peculiar domain. He is as rich in humor as Fielding, without his

coarseness; as inventive as Swift, without his bitterness; as moral as

Richardson, without his tediousness. He did not aim to teach ethics or

political economy directly, although he did not disguise his opinions.

His chief end was to please and instruct at the same time, stimulating

the mind through the imagination rather than the reason; so healthful

that fastidious parents made an exception of his novels among all others

that had ever been written, and encouraged the young to read them. Sir

Walter Scott took off the ban which religious people had imposed on

novel-reading.

Then came Dickens, amazingly popular, with his grotesque descriptions of

life, his exaggerations, his impossible characters and improbable

incidents: yet so genial in sympathies, so rich in humor, so indignant

at wrongs, so broad in his humanity, that everybody loved to read him,

although his learning was small and his culture superficial.

Greatly superior to him as an artist and a thinker was Thackeray, whose

fame has been steadily increasing,--the greatest master of satire in

English literature, and one of the truest painters of social life that

any age has produced; not so much admired by women as by men; accurate

in his delineation of character, though sometimes bitter and fierce;

felicitous in plot, teaching lessons in morality, unveiling shams and

hypocrisy, contemptuous of all fools and quacks, yet sad in his

reflections on human life.

In the brilliant constellation of which Dickens and Thackeray were the

greater lights was Bulwer Lytton,--versatile; subjective in genius;

sentimental, and yet not sensational; reflective, yet not always sound

in morals; learned in general literature, but a charlatan in scientific

knowledge; worldly in his spirit, but not a pagan; an inquisitive

student, seeking to penetrate the mysteries of Nature as well as to

paint characters and events in other times; and leaving a higher moral

impression when he was old than when he was young.

Among the lesser lights, yet real stars, that have blazed in this

generation are Reade, Kingsley, Black, James, Trollope, Cooper, Howells,

Wallace, and a multitude of others, in France and Germany as well as

England and America, to say nothing of the thousands who have aspired

and failed as artists, yet who have succeeded in securing readers and in

making money.

And what shall I say of the host of female novelists which this age has

produced,--women who have inundated the land with productions both good

and bad; mostly feeble, penetrating the cottages of the poor rather than

the palaces of the rich, and making the fortunes of magazines and

news-vendors, from Maine to California? But there are three women

novelists, writing in English, standing out in this group of mediocrity,

who have earned a just and wide fame,--Charlotte Bronté, Harriet

Beecher Stowe, and Marian Evans, who goes by the name of George Eliot.

It is the last of these remarkable women whom it is my object to

discuss, and who burst upon the literary world as a star whose light has

been constantly increasing since she first appeared. She takes rank with

Dickens, Thackeray, and Bulwer, and some place her higher even than Sir

Walter Scott. Her fame is prodigious, and it is a glory to her sex;

indeed, she is an intellectual phenomenon. No woman ever received such

universal fame as a genius except, perhaps, Madame de Staël; or as an

artist, if we except Madame Dudevant, who also bore a _nom de

plume_,--Georges Sand. She did not become immediately popular, but the

critics from the first perceived her remarkable gifts and predicted her

ultimate success. For vivid description of natural scenery and rural

English life, minute analysis of character, and psychological insight

she has never been surpassed by men; while for learning and profundity

she has never been equalled by women,--a deep, serious, sad writer,

without vanity or egotism or pretension; a great but not always sound

teacher, who, by common consent and prediction, will live and rank among

the classical authors in English literature.

Marian Evans was born in Warwickshire, about twenty miles from

Stratford-on-Avon,--the county of Shakspeare, one of the most fertile

and beautiful in England, whose parks and lawns and hedges and

picturesque cottages, with their gardens and flowers and thatched roofs,

present to the eye a perpetual charm. Her father, of Welsh descent, was

originally a carpenter, but became, by his sturdy honesty, ability, and

abiding sense of duty, land agent to Sir Roger Newdigate of Arbury Hall.

Mr. Evans's sterling character probably furnished the model for Adam

Bede and Caleb Garth.

Sprung from humble ranks, but from conscientious and religious parents,

who appreciated the advantage of education, Miss Evans was allowed to

make the best of her circumstances. We have few details of her early

life on which we can accurately rely. She was not an egotist, and did

not leave an autobiography like Trollope, or reminiscences like Carlyle;

but she has probably portrayed herself, in her early aspirations, as

Madame de Staël did, in the characters she has created. The less we know

about the personalities of very distinguished geniuses, the better it is

for their fame. Shakspeare might not seem so great to us if we knew his

peculiarities and infirmities as we know those of Voltaire, Rousseau,

and Carlyle; only such a downright honest and good man as Dr. Johnson

can stand the severe scrutiny of after times and "destructive

criticism."

It would appear that Miss Evans was sent to a school in Nuneaton before

she was ten, and afterwards to a school in Coventry, kept by two

excellent Methodist ladies,--the Misses Franklin,--whose lives and

teachings enabled her to delineate Dinah Morris. As a school-girl we are

told that she had the manners and appearance of a woman. Her hair was

pale brown, worn in ringlets; her figure was slight, her head massive,

her mouth large, her jaw square, her complexion pale, her eyes

gray-blue, and her voice rich and musical. She lost her mother at

sixteen, when she most needed maternal counsels, and afterwards lived

alone with her father until 1841, when they removed to Foleshill, near

Coventry. She was educated in the doctrines of the Low or Evangelical

Church, which are those of Calvin,--although her Calvinism was early

modified by the Arminian views of Wesley. At twelve she taught a class

in a Sunday-school; at twenty she wrote poetry, as most bright girls do.

The head-master of the grammar school in Coventry taught her Greek and

Latin, while Signor Brizzi gave her lessons in Italian, French, and

German; she also played on the piano with great skill. Her learning and

accomplishments were so unusual, and gave such indication of talent,

that she was received as a friend in the house of Mr. Charles Bray, of

Coventry, a wealthy ribbon-merchant, where she saw many eminent literary

men of the progressive school, among whom were James Anthony Froude and

Ralph Waldo Emerson.

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